This article needs additional citations for verification .(July 2024) |
Prophets, Seers & Sages: The Angels of the Ages | ||||
---|---|---|---|---|
Studio album by | ||||
Released | 1 November 1968 | |||
Recorded | 16 May – 8 August 1968 | |||
Studio | Trident, London | |||
Genre | Psychedelic folk | |||
Length | 30:22 | |||
Label | Regal Zonophone | |||
Producer | Tony Visconti | |||
Tyrannosaurus Rex chronology | ||||
|
Prophets, Seers & Sages: The Angels of the Ages is the second studio album by English psychedelic folk band Tyrannosaurus Rex (later known as T. Rex). It was released on 1 November 1968 by record label Regal Zonophone.
Tyrannosaurus Rex's debut album My People Were Fair and Had Sky in Their Hair... But Now They're Content to Wear Stars on Their Brows had been an unexpected success, charting at number 15 on the UK Albums Chart with the non-LP single "Debora" coming in at number 34 on the UK singles chart. Demand for the group's appearances increased in the summer of 1968 as they began to headline club shows and appear at large festivals; the money brought in by record sales also allowed them to buy new instruments and PA equipment. At this time the duo were also picked up by Blackhill Enterprises, who managed Pink Floyd; soon after, singer-songwriter Marc Bolan moved in with his new girlfriend June Child, who worked at Blackhill and had recently ended a relationship with Syd Barrett. [1] That August, while finishing the recording of their second album, the group's second single "One Inch Rock" broke the top 30, peaking at number 28 and confirming their modest climb up the ladder of pop stardom.
Prophets, Seers & Sages was recorded from May to August 1968 at Trident Studios in London, England and produced by Tony Visconti. The album featured Marc Bolan on vocals and guitar and Steve Peregrin Took on bongos, African drums, kazoo, pixiephone and Chinese gong.
The album opened with a revisiting of Tyrannosaurus Rex's first single, the minor top 40 hit "Debora", altered midway by a reversed-tape effect, as indicated by its new title "Deboraarobed". "Eastern Spell" had first been demoed in 1966 yet was passed over for the debut. The brief "Juniper Suction" also featured backwards psychedelic effects and contained oblique references to sex with new girlfriend June Child; in a 1973 interview Marc identified it as the moment he felt he was getting somewhere as a songwriter. [1] The term "Salamanda Palaganda" came to Bolan one day while taking a long car drive, and he couldn't get it out of his head so he wrote a song around it. [1] "Trewlany Lawn" depicts "good" animals vs. "evil" man; the "good vs. evil" theme reappears on the closing "Scenescof Dynasty", a spoken word poem accompanied only by handclaps. Marc explained that it tells the story of two men who get sucked into the evil Scenescof's body, where they must find a way to kill him. [1] Other tracks attempted during the sessions but not on the final album include the outtake "Nickelodeon" and the single "One Inch Rock" (also first demoed in 1966), which became a minor UK hit when it peaked at number 28 in the UK Singles Chart that August.
Marc had been dissatisfied with the production of the debut Tyrannosaurus Rex album, feeling the resulting sound was reedy and thin, so he made sure this time that for every two hours spent on recording, three would be spent on production. [1] This resulted in a more palatable sound mix, although the instrumentation remained relatively spare. Recording sessions began on April 22 with "One Inch Rock" and "Conesuala" at Olympic Studios in London, although neither of these early versions would see release. [2] Regrouping at Trident Studios on May 16 the duo recorded "Stacey Grove", "One Inch Rock" (remake), "Wind Quartets", "Eastern Spell" and "Scenescof Dynasty", with most taking only a few takes with the exception of "One Inch Rock" which took 6 takes and "Eastern Spell" which took 12. [2] On June 10 they recorded "Salamanda Palaganda", "Conesuala" (remake), "Nickelodeon" and "Wind Quartets" (remake), although a satisfactory take of "Wind Quartets" continued to elude them. On June 13 a master of "Wind Quartets" was completed along with overdubs to other songs. On July 4 "Our Wonderful Brownskin Man", "Juniper Suction", "Nickelodeon" (remake) and "O Harley" were committed to tape, while another session sometime in mid-July produced the remake of "Debora" retitled "Deboraarobed" as well as "The Travelling Tragition". [2] The final recording session took place on August 8, resulting in masters of "Trewlany Lawn", "Aznageel The Mage" and "The Friends", all recorded in 3-5 takes each.
Prophets, Seers & Sages was released on 1 November 1968 by record label Regal Zonophone, but failed to chart in the top 30 of the UK Albums Chart upon first release (it reached number 44). [3] It is speculated that its sales were adversely affected by its release coming a mere four months after the debut. [1]
The album was released in both mono and stereo editions; on the labels, "Oh Harley (the Saltimbanques)" was spelled "O Harley (the Saltimbanques)". [4]
The album was paired with the first Tyrannosaurus Rex album, My People Were Fair and Had Sky in Their Hair... But Now They're Content to Wear Stars on Their Brows (1968), and re-released by Fly Records as a double album on 14 April 1972, following the success of the T. Rex album Electric Warrior (1971). This re-released edition of the album reached number one in the UK Albums Chart. [3] The double LP set was released in the United States on A&M Records titled Tyrannosaurus Rex: A Beginning, and was the first time those albums were available in that country.
In 2004, the album was remastered and reissued by A&M Records with 14 bonus tracks. In 2015 a two-disc deluxe edition was released by A&M in Europe with the first disc containing the remastered album along with non-LP tracks and BBC session material on disc one, with 30 studio outtakes on disc two.
Review scores | |
---|---|
Source | Rating |
AllMusic | [5] |
New Musical Express | [6] |
Tiny Mix Tapes | favourable [7] |
Uncut | [8] |
Initial reviews for the album were nearly as positive as for the debut, with Chris Welch in Melody Maker declaring that duo had "hit upon the simplest and most effective recording sound in history". John Ford of Beat Instrumental opined that "beneath the superficial similarity of many of the tracks there's a lot of variety, covering a wide range of moods with great effectiveness". [2] New Musical Express , however, while complimenting the lyrics, complained that the sound became unmelodic and monotonous over its length. [2]
In a retrospective review, AllMusic wrote that "the album delivered some of Marc Bolan's most resonant songs...The already classic pop of the opening "Deboraarobed" is further dignified by its segue into the same performance played backwards, a fairly groundbreaking move at a time when even the Beatles were still burying such experiments deep in the mix". The reviewer concluded by remarking that Bolan "created a whole new language -- half nonsense, half mystery, but wholly intoxicating". [5] Tiny Mix Tapes wrote that it was a psychedelic folk album with "intense bongo action" and "strong backing vocals". The reviewer added that "Prophets remains a timeless album for everyone" and its original arrangements ensured it "a long life for many generations to come". [7]
"Debora", the original recording of "Deboraarobed", features in Edgar Wright's 2017 film Baby Driver and appeared on its soundtrack.
All tracks are written by Marc Bolan
No. | Title | Length |
---|---|---|
1. | "Deboraarobed" | 3:33 |
2. | "Stacey Grove" | 1:59 |
3. | "Wind Quartets" | 2:57 |
4. | "Conesuala" | 2:25 |
5. | "Trelawny Lawn" | 1:46 |
6. | "Aznageel the Mage" | 1:59 |
7. | "The Friends" | 1:19 |
No. | Title | Length |
---|---|---|
1. | "Salamanda Palaganda" | 2:15 |
2. | "Our Wonderful Brownskin Man" | 0:51 |
3. | "Oh Harley (The Saltimbanques)" | 2:19 |
4. | "Eastern Spell" | 1:41 |
5. | "The Travelling Tragition" | 1:48 |
6. | "Juniper Suction" | 1:13 |
7. | "Scenescof Dynasty" | 4:07 |
Marc Bolan was an English guitarist, singer-songwriter and poet. He was a pioneer of the glam rock movement in the early 1970s with his band T. Rex. Bolan strongly influenced artists of many genres, including glam rock, punk, post-punk, new wave, indie rock, Britpop and alternative rock. He was posthumously inducted into the Rock and Roll Hall of Fame in 2020 as a member of T. Rex.
The Idle Race were a British rock group from Birmingham who in the late 1960s and early 1970s had a cult following but never enjoyed mass commercial success. In addition to being the springboard for Jeff Lynne, the band holds a place of significance in British Midlands' pop-rock history as a link between the Move, Electric Light Orchestra, the Steve Gibbons Band and Mike Sheridan & The Nightriders.
Electric Warrior is the second studio album by English rock band T. Rex and their sixth since their 1968 debut as Tyrannosaurus Rex, released on 24 September 1971. The album marked a turning point in the band's style, moving away from the folk-oriented sound of the group's previous albums and pioneering a more flamboyant, pop-oriented glam rock style.
The Slider is the seventh studio album by English rock band T. Rex, and the third since abbreviating their name from Tyrannosaurus Rex. It was released on 21 July 1972 by record labels EMI and Reprise. Two number-one singles, "Telegram Sam" and "Metal Guru", were released to promote the album. Issued at the height of the band's popularity, The Slider received acclaim from critics, reaching number 4 in the UK Albums Chart and number 17 in the US.
Futuristic Dragon is the eleventh studio album by English rock band T. Rex, released worldwide on 30 January 1976 by EMI Records bar North America. The album was preceded by two successful singles that went into the UK chart, "New York City" and "Dreamy Lady". The album saw Marc Bolan continuing to experiment, blending rock with soul music and disco elements on certain tracks.
A Beard of Stars is the fourth studio album by English psychedelic folk band Tyrannosaurus Rex, and their last before changing their name to T. Rex. It was released in March 1970 by record label Regal Zonophone.
Unicorn is the third studio album by English psychedelic folk band Tyrannosaurus Rex. It was released on 16 May 1969 by record labels Regal Zonophone and Blue Thumb, and was the last Tyrannosaurus Rex album to feature Steve Peregrin Took.
T. Rex is a 1970 album by Marc Bolan's band T. Rex, the first under that name and the fifth since their debut as Tyrannosaurus Rex in 1968. It was released on 18 December by record labels Fly and Reprise. The album continued the shift begun by its predecessor from the band's previous folk style to a minimal rock sound, with an even balance of electric and acoustic material.
Tanx is a 1973 album by rock band T. Rex, the eighth since their debut as Tyrannosaurus Rex in 1968, and the fourth under the moniker T. Rex. It was released on 16 March by record label EMI. Tanx was a musical departure from previous works: still containing tracks in the vein of The Slider, singer and songwriter Marc Bolan showed his interest for soul music, funk and gospel. Female backing singers appeared on a few tracks. New instruments such as mellotron were used, played by producer Tony Visconti, allowing the T. Rex sound to evolve.
My People Were Fair and Had Sky in Their Hair... But Now They're Content to Wear Stars on Their Brows is the debut album by psychedelic folk band Tyrannosaurus Rex. The release of the album was planned for early May but delayed until 5 July 1968 by record label Regal Zonophone.
Tyrannosaurus rex is a species of dinosaur.
Dandy in the Underworld is the twelfth and final studio album by English rock band T. Rex. It was released on 11 March 1977 by record label EMI. It reached No. 26 in the UK charts, the band's highest-charting album since 1974's Zinc Alloy. The lead-off single "I Love to Boogie" had been a hit single in the UK the previous year, peaking at number 13 in the singles chart.
Bolan's Zip Gun is the tenth studio album by English rock band T. Rex, released in February 1975 by record label EMI.
Zinc Alloy and the Hidden Riders of Tomorrow is an album by English rock band T. Rex, the ninth since Tyrannosaurus Rex's debut LP. It was released in March 1974 on the T.Rex record label, distributed by EMI. It was the first and only album to be released under the moniker "Marc Bolan & T. Rex".
Fly Records is a British independent record label, established in 1970 by the independent music publisher David Platz, and initially managed by Malcolm Jones from the offices of Essex Music in London.
T. Rex were an English rock band, formed as Tyrannosaurus Rex in 1967 by singer/songwriter and guitarist Marc Bolan. The group came to an end after Bolan's death in a car crash in September 1977.
T. Rex were an English rock band formed in London in 1967 by singer-songwriter and guitarist Marc Bolan, who was their leader, frontman and only consistent member. Though initially associated with the psychedelic folk genre, Bolan began to change the band's style towards electric rock in 1969, and shortened their name to T. Rex the following year. This development culminated in 1970 with their first significant hit single "Ride a White Swan", and the group soon became pioneers of the glam rock movement.
You Scare Me to Death is a posthumous album credited to Marc Bolan of T. Rex. Released in 1981 by record label Cherry Red, it is first LP of material released after his death in 1977.
"Dandy in the Underworld" is a song by English rock band T. Rex, released by EMI on 27 May 1977 as the third single from their twelfth and final studio album Dandy in the Underworld. The song was written and produced by Marc Bolan.
"Madman" is a song by the new wave band Cuddly Toys, which was released in Japan in 1979 and in the UK in 1980 as the lead single from their debut studio album Guillotine Theatre. The song, dating to 1976–77, originated as a composition by Steve Harley and Marc Bolan, with later contributions by David Bowie. Cuddly Toys' version of the song reached number 19 in the UK Independent Singles Chart in July 1980.