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Born to Boogie | |
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Directed by | Ringo Starr |
Produced by | Ringo Starr |
Starring | T. Rex Marc Bolan Ringo Starr Elton John |
Cinematography | Michael J. Davis Mike Dodds Nicholas D. Knowland Richard Stanley Ringo Starr Jeremy Stavenhagen |
Edited by | Graham Gilding |
Distributed by | Apple Corps |
Release date |
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Country | United Kingdom |
Language | English |
Born to Boogie is a 1972 British film of a concert at the Empire Pool starring T. Rex, Marc Bolan, Ringo Starr and Elton John. [1] Directed and produced by Starr, the film was released on The Beatles' Apple Films label.
By the beginning of 1972 T. Rex had become England's best-selling band, with its album Electric Warrior perched at No. 1 while the group's latest single, "Telegram Sam" became its third No. 1 single (along with two others that had hit No. 2). The press dubbed the attendant fan mania "T. Rextasy", the 1970s equivalent of Beatlemania with levels of frenzied screaming and swooning not heard since the mid-60s. [2] After a brief American tour in February 1972 to capitalize on the top ten success of "Bang a Gong (Get It On)" in that country, two hometown concerts at the Empire Pool in Wembley were scheduled for March. Bolan had the idea of filming the shows for a concert movie and hired Ringo Starr at Apple Films to direct and produce, although the project soon expanded beyond the concert footage. [2]
The concerts at Wembley were held on March 18, 1972, just after the bulk of The Slider had been recorded in France, and received front-page press attention. Chris Charlesworth of Melody Maker subsequently wrote "all Marc had to do was smile to receive the kind of ovation that any artist in the world would envy...every move brings a scream...and when he grins and shakes his head, the din is deafening". [3] In retrospect, many commentators pinpoint these shows as the peak of T. Rextasy. Starr filmed both the matinee and evening performances for the film, although only songs from the evening performance made the final cut of the movie, with only brief shots of the matinee show seen during the closing credits (in 2005, both the matinee and evening shows would be included in their entirety for the film's DVD release). [3] Issues with the sound quality, as well as the skeletal sound of the live group, led to extensive overdubbing of new lead and backing vocals as well as some new guitar parts to the footage.
Marc described Born to Boogie as a film with surrealistic overtones, with some fantasy sequences strongly reminiscent of the look and feel of The Beatles' Magical Mystery Tour . [2] On March 20, Starr filmed Bolan playing guitar in an aircraft hanger at Denim Airfield for the film's opening, as well as several 'dream' sequences which did not make the final edit. [3] Starr and Bolan were also filmed goofing around in a car on the runway, attempting to sing Elvis' 1957 hit "Let's Have a Party". After more recording to finish The Slider, a superstar jam session of T. Rex with Ringo on drums and Elton John on piano was filmed on April 6 at Apple Studios in Savile Row, London. [4] Versions of "Tutti Frutti" and an early, fast take of "Children of the Revolution" made the film, with renditions of "Long Tall Sally" and "The Slider" possibly left on the cutting room floor. On April 24 the Mad Hatter's Tea Party sequence was shot at John Lennon's Tittenhurst Park estate in the same spot as Lennon's own "Imagine" video. Attendees of this scene include Marc, Mickey Finn, Starr, Marc's wife June, PR agent Chelita Secunda (dressed as a nun), Starr's financial advisor Hilary Gerrard and actor Geoffrey Bayldon (who played the master of ceremonies) along with a string quartet. [3]
The songs seen performed in the film, in order, are "Jeepster", "Baby Strange", "Tutti Frutti", "Children of the Revolution", "Spaceball Ricochet", "Telegram Sam", "Cosmic Dancer", "Tea Party Medley: Jeepster/Hot Love/Get It On/The Slider", "Hot Love" and "Get It On", with "Chariot Choogle" playing at the end credits.
The UK premiere was held at Oscar's Cinema in Brewer Street, Soho, London, on 14 December 1972, [4] attended by T. Rex, Starr and John. After the premiere, a glitzy after-party was held at Tramp Night Club whose attendees also included Donovan, Bernie Taupin, and Keith Moon. [3]
The film was released on DVD in 2005 as a two-disc set including the original theatrical film, the two Wembley concerts in full, plus footage presented by Bolan's son Rolan. The 2005 cover and DVD animations were designed and produced by Bose Collins.
Edsel Records re-released the film on DVD and Blu-ray in 2016. [5]
The film received largely negative reviews upon release, as Bolan began to receive the first blowback to his success. Nick Kent of New Musical Express called the concert footage "fuzzy, primal and repetitive but that's OK" before savaging Bolan's acoustic performances as reaching "new heights of fey precociousness...he whines obnoxiously for over five minutes", although he praised the superstar jam session with Ringo and Elton. [3] Robert Whittaker of Music Week claimed it was "merely a collection of shots from T. Rex's recent Wembley concert alternating with meaningless indulgent sketches which only underline the complete lack of purpose of it all", although he too called the Ringo/Elton jam a "rock revelation". The Daily Mirror groaned "anyone under the mental age of eight - and tone deaf - might find a glimmer of entertainment in this nightmare of noise". [3]
By contrast, The Monthly Film Bulletin wrote: "Ringo Starr's film proves to be considerably more than just a portrait of another successful band. If its live sequences obviously owe a lot to Pennebaker's Monterey Pop , Born to Boogie also looks further back, to Dick Lester's Beatles films and even to the teen musicals of the late Fifties. It is Bolan rather than T. Rex who provides the film with its focal point. From the opening credits – where a still of Eddie Cochran is followed by footage of Bolan bursting into action for a live performance – it's apparent that he sees his music as both a homage to the great solo rock artists and a continuation of their tradition: he performs his own version of Chuck Berry's celebrated duck-walk in "Jeepster" delivers a faithful rendition of "Tutti Frutti" (with Elton John hammering away on the studio piano), and recreates Hendrix's orgasmic routine for the climactic "Get It On", running a tambourine up and down the fret of his guitar before finally tossing it into space. But what raises the film beyond straightforward musical reportage is the way Ringo has linked the concert footage with a number of scenes which could loosely be described as English surrealism, quirky mid-Sixties vintage, and for which the closest parallel is with the Beatles' own Magical Mystery Tour ". [6]
Retrospective reviews have been far more positive, labeling the film a cult classic that historically preserves the ecstatic excitement of T. Rextasy at its peak. Joobin Bekhrad of Bright Lights Film Journal labels it "one of the most intriguing rock films ever made", noting "a teen idol he certainly is here; but one also sees Bolan as a masterful musician, inveterate poet, and beguiling figure. In other words, the film depicts Bolan exactly as he saw himself and how he likely wanted to be remembered." [7] In a review of the 2016 DVD/Blu-Ray re-release, Chris Roberts at Classic Rock gave it four-and-a-half stars, opining "Marc’s bravado was infectious, and briefly and brilliantly they were the only game in Glam Rock town. It’s only in later decades that they’ve been appreciated as a genuinely astonishing band, flush with flair, funk and fire. Perhaps this flawed but lovable document has played a part in that more enduring acceptance." [8]
Sir Richard Starkey, known professionally as Ringo Starr, is an English musician, songwriter and actor who achieved international fame as the drummer for the Beatles. Starr occasionally sang lead vocals with the group, usually for one song on each album, including "Yellow Submarine" and "With a Little Help from My Friends". He also wrote and sang the Beatles songs "Don't Pass Me By" and "Octopus's Garden", and is credited as a co-writer of four others.
Marc Bolan was an English guitarist, singer-songwriter and poet. He was a pioneer of the glam rock movement in the early 1970s with his band T. Rex. Bolan strongly influenced artists of many genres, including glam rock, punk, post-punk, new wave, indie rock, Britpop and alternative rock. He was posthumously inducted into the Rock and Roll Hall of Fame in 2020 as a member of T. Rex.
In addition to the Beatles' films A Hard Day's Night (1964), Help! (1965), Magical Mystery Tour (1967), Yellow Submarine (1968) and Let It Be (1970), Ringo Starr also acted in films such as Candy (1968), The Magic Christian, Blindman (1971), Son of Dracula (1974) and Caveman (1981). Starr directed and appeared in Born to Boogie (1972), a concert film featuring Marc Bolan and T. Rex. For the 1979 documentary film on the Who, The Kids Are Alright, Starr appeared in interview segments with fellow drummer Keith Moon. He starred as Larry the Dwarf in Frank Zappa's 200 Motels (1971). His voice is also featured in Harry Nilsson's animated film The Point! (1971).
Electric Warrior is the second studio album by English rock band T. Rex and their sixth since their 1968 debut as Tyrannosaurus Rex, released on 24 September 1971. The album marked a turning point in the band's style, moving away from the folk-oriented sound of the group's previous albums and pioneering a more flamboyant, pop-oriented glam rock style.
The Slider is the seventh studio album by English rock band T. Rex, and the third since abbreviating their name from Tyrannosaurus Rex. It was released on 21 July 1972 by record labels EMI and Reprise. Two number-one singles, "Telegram Sam" and "Metal Guru", were released to promote the album. Issued at the height of the band's popularity, The Slider received acclaim from critics, reaching number 4 in the UK Albums Chart and number 17 in the US.
"Honey Don't" is a song written by Carl Perkins, originally released on January 1, 1956 as the B-side of the "Blue Suede Shoes" single, Sun 234. Both songs became rockabilly classics. Bill Dahl of Allmusic praised the song saying, "'Honey Don't' actually outclasses its more celebrated platter-mate in some ways." It has been covered by more than 20 other artists, including the Beatles, Ronnie Hawkins and Johnny Rivers. The song has appeared in films such as The Prince of Tides, Diner, and Perfect Sisters.
"It Don't Come Easy" is a song by the English rock musician Ringo Starr that was released as a non-album single in April 1971. It was produced by Starr's former Beatles bandmate George Harrison, who also helped write the song, although only Starr is credited. Recording for the track took place in March 1970 at Trident Studios in London, with overdubs added in October. Starr and Harrison performed the song together in August 1971 at Harrison's Concert for Bangladesh shows in New York City, a recording from which was released on the live album of the same name. Starr has continued to perform it in subsequent decades with his All-Starr Band.
"Photograph" is a song by English rock musician Ringo Starr that was released as the lead single from his 1973 album Ringo. Starr co-wrote it with George Harrison, his former bandmate from the Beatles. Although they collaborated on other songs, it is the only one officially credited to the pair. A signature tune for Starr as a solo artist, "Photograph" was an international hit, topping singles charts in the United States, Canada and Australia, and receiving gold disc certification for US sales of 1 million. Music critics have similarly received the song favourably; Stephen Thomas Erlewine of AllMusic considers it to be "among the very best post-Beatles songs by any of the Fab Four".
The Concert for Bangladesh is a live triple album credited to "George Harrison & Friends" and released on Apple Records in December 1971 in the United States and January 1972 in the United Kingdom. The album followed the two concerts of the same name, held on 1 August 1971 at New York's Madison Square Garden, featuring Harrison, Bob Dylan, Ravi Shankar, Ali Akbar Khan, Ringo Starr, Billy Preston, Leon Russell and Eric Clapton. The shows were a pioneering charity event, in aid of the displaced Bengali refugees of the Bangladesh Liberation War, and set the model for future multi-artist rock benefits such as Live Aid (1985) and the Concert for New York City (2001). The event brought Harrison and Starr together on a concert stage for the first time since 1966, when the Beatles retired from live performance, and represented Dylan's first major concert appearance in the U.S. in five years.
"Tutti Frutti" is a song written by Little Richard and Dorothy LaBostrie, recorded in 1955, which was his first major hit. With its energetic refrain, often transcribed as "A-wop-bop-a-loo-mop-a-lop-bam-boom!", and its hard-driving sound and wild lyrics, it became not only a model for many future Little Richard songs, but also for rock and roll itself. The song introduced several of rock music's most characteristic musical features, including its loud volume, powerful vocal style, and distinctive beat and rhythm.
"I'm the Greatest" is a song written by English musician John Lennon that was released as the opening track of the 1973 album Ringo by Ringo Starr. With Starr, Lennon and George Harrison appearing on the track, it marks the only time that three former Beatles recorded together between the band's break-up in 1970 and Lennon's death in 1980. Lennon wrote the song in December 1970 as a wry comment on his rise to fame, and later tailored the lyrics for Starr to sing. Named after one of Muhammad Ali's catchphrases, the song partly evokes the stage-show concept of the Beatles' 1967 album Sgt. Pepper's Lonely Hearts Club Band.
Tanx is a 1973 album by rock band T. Rex, the eighth since their debut as Tyrannosaurus Rex in 1968, and the fourth under the moniker T. Rex. It was released on 16 March by record label EMI. Tanx was a musical departure from previous works: still containing tracks in the vein of The Slider, singer and songwriter Marc Bolan showed his interest for soul music, funk and gospel. Female backing singers appeared on a few tracks. New instruments such as mellotron were used, played by producer Tony Visconti, allowing the T. Rex sound to evolve.
"Children of the Revolution" is a song by T. Rex, written by Marc Bolan. It was a UK No. 2 hit single in September 1972. The song broke their sequence of four official single releases all reaching No. 1 on the UK Singles Chart, although it did reach the summit position on the New Musical Express and Melody Maker charts, becoming the last T. Rex single to do so on any UK chart. It did not receive a regular album release.
"Telegram Sam" is a song written by Marc Bolan for the British rock group T. Rex, appearing on their 1972 album The Slider. The song was their third UK number one single, remaining at the top of the charts for two weeks.
"Back Off Boogaloo" is a song by the English rock musician Ringo Starr that was released as a non-album single in March 1972. Starr's former Beatles bandmate George Harrison produced the recording and helped Starr write the song, although he remained uncredited as a co-writer until 2017. Recording took place in London shortly after the pair had appeared together at Harrison's Concert for Bangladesh shows in August 1971. The single was a follow-up to Starr's 1971 hit song "It Don't Come Easy" and continued his successful run as a solo artist. "Back Off Boogaloo" peaked at number 2 in Britain and Canada, and number 9 on America's Billboard Hot 100. It remains Starr's highest-charting single in the United Kingdom.
Marc is a British television series presented by T. Rex's lead singer Marc Bolan. It was produced in Manchester by Granada Television for the ITV network. A second series was planned but Bolan died before it could be produced.
"Jeepster" is a song by English glam rock act T. Rex. It was released on 5 November 1971 by record label Fly as a single from the group's sixth studio album Electric Warrior. The B-side, "Life's a Gas", is taken from the same album. Several artists have recorded cover versions of it. Both of the single's tracks were written by Marc Bolan and produced by Tony Visconti.
Nobody's Child: Romanian Angel Appeal is a charity album released in July 1990 to benefit Romanian orphans, under the auspices of the Romanian Angel Appeal Foundation. It was compiled by English rock musician George Harrison in response to concerns raised by his wife Olivia Harrison, who had visited Romania and witnessed the suffering in the country's abandoned state orphanages following the fall of Communism. The release was preceded by a single, "Nobody's Child", recorded by Harrison's band the Traveling Wilburys. Other artists who donated songs to the album include Stevie Wonder, Paul Simon, Eric Clapton, Duane Eddy, Van Morrison, Guns N' Roses, Ringo Starr, Ric Ocasek and Elton John. Many of the recordings were previously unreleased.
T. Rex were an English rock band formed in London in 1967 by singer-songwriter and guitarist Marc Bolan, who was their leader, frontman and only consistent member. Though initially associated with the psychedelic folk genre, Bolan began to change the band's style towards electric rock in 1969, and shortened their name to T. Rex the following year. This development culminated in 1970 with their first significant hit single "Ride a White Swan", and the group soon became pioneers of the glam rock movement.
The Concert for Bangladesh is a film directed by Saul Swimmer and released in 1972. The film documents the two benefit concerts that were organised by George Harrison and Ravi Shankar to raise funds for refugees of the Bangladesh Liberation War, and were held on Sunday, 1 August 1971 at Madison Square Garden in New York City. As well as notable performances from Harrison and Shankar, the film includes "main performer" contributions from Harrison's fellow ex-Beatle Ringo Starr, Billy Preston and Leon Russell, and a surprise walk-on from Bob Dylan. Other contributing musicians include Ali Akbar Khan, Eric Clapton, the band Badfinger, Klaus Voormann, Jesse Ed Davis, Jim Horn and Jim Keltner.