Scum is the debut studio album by English grindcore band Napalm Death, released on 1 July 1987 by Earache Records. The two sides of the record were recorded by two different lineups in sessions separated by about a year; the only musician in both incarnations was drummer Mick Harris. The two sides are very different, and the two taken together serve to bridge stylistic elements of heavy metal and punk rock. While the songs on the A-side are influenced heavily by hardcore punk and anarcho-punk, the vocals and lower-tuned electric guitars on the B-side anticipate subsequent developments in extreme metal. Loudwire put it in the list of the best 10 metal albums of 1987.
Slaughter of the Soul is the fourth studio album by Swedish melodic death metal band At the Gates, released on 14 November 1995 by Earache Records. It was their last album before their eleven-year breakup from 1996 to 2007. Slaughter of the Soul is considered a landmark in melodic death metal and played a major role in popularizing the Gothenburg scene, alongside The Jester Race by In Flames and The Gallery by Dark Tranquillity. The album was recorded and mixed in Studio Fredman, early 1995.
Bolt Thrower were an English death metal band from Coventry. They formed in 1986 and released their first album with Vinyl Solution in 1988. The band then shifted to a new record label, Earache Records, soon becoming one of the best selling bands on that label. Their last label was Metal Blade Records. The band had a succession of members, and had toured Europe, the United States, and Australia. Over the course of their 30-year career, Bolt Thrower released eight studio albums, three EPs, one live album, three compilation albums and two demos. Their albums have sold over 100,000 copies in the United States as of 2005. On 14 September 2016 the band announced that they were breaking up, following the death of drummer Martin Kearns exactly a year earlier.
Earache Records is a British independent record label, music publisher and management company founded by Digby Pearson in 1985, based in Nottingham, England, with offices in London and New York. The label helped to pioneer extreme metal by releasing early grindcore and death metal records between the late 1980s and mid-1990s. Its roster has since diversified into more mainstream guitar music, working with bands such as Rival Sons, the Temperance Movement, Blackberry Smoke, Scarlet Rebels and the White Buffalo. The company also hosted the 'Earache Express' stage at Glastonbury Festival in 2017 and 'The Earache Factory' at Boomtown 2018. The label's logo is a homage to Thrasher magazine, as Pearson was a skateboard culture enthusiast.
War Master is the third album by British death metal band Bolt Thrower. It was recorded at Slaughterhouse studios in September 1990 and produced by Bolt Thrower and Colin Richardson. It was released on Earache Records: Mosh 29 in 1991.
The IVth Crusade is the fourth studio album by British death metal band Bolt Thrower. It was recorded at Sawmill Studios in August 1992 and produced by Bolt Thrower and Colin Richardson. The album was engineered by John Cornfield and mixed at Fon studios. It was also engineered by Alan Fisch and Steve Harris. It was released through Earache Records as Mosh 70 in 1992. The album title comes from the Fourth Crusade and the capturing of Constantinople. The cover artwork is a painting from Eugène Delacroix, showing "The Entry of the Crusaders in Constantinople".
...For Victory is the fifth album by British death metal band Bolt Thrower. It was recorded at Sawmill studios in 1994, produced by Colin Richardson and Bolt Thrower. A limited edition contains a live CD titled Live War.
Mercenary is the sixth album by the British death metal band Bolt Thrower. It was recorded at Chapel Studios, Lincoln, England, December 1997 to January 1998. The album was produced by Bolt Thrower and Ewan Davis. It was released on Metal Blade Records in 1998.
Honour – Valour – Pride is the seventh album by the British death metal band Bolt Thrower. It was recorded and mixed at Sable Rose Studios in Coventry, June to September 2001. It was produced by the band and Andy Faulkner, and was released on Metal Blade Records in 2001. Honour – Valour – Pride is the only full length Bolt Thrower album not featuring Karl Willetts and the first with Martin Kearns on drums.
Cenotaph is an EP by British death metal band Bolt Thrower. Tracks 1 and 2 were recorded at Slaughterhouse studios in September 1990, track 3 was recorded at Slaugherhouse studios in July 1989. All three were produced by Colin Richardson and Bolt Thrower. Track 4 was recorded live at Kilburn National on 16 November 1989. It is a rough audience recording, "[...] that we feel captures the atmosphere of the Grindcrusher Tour". It was released on Earache: Mosh 33 in 1990 and has been deleted.
Spearhead is an EP by the British death metal band Bolt Thrower. It was recorded at Sawmill Studios, produced by Colin Richardson and Bolt Thrower, engineered by John Cornfield, mixed at Fon Studios in September 1992, engineered by Alan Fisch and Steve Harris. It was released on Earache Records: Mosh 73 in February 1993.
Those Once Loyal is the eighth and final studio album by British death metal band Bolt Thrower, released on 11 November 2005 by Metal Blade Records. The album, produced by the band and Andy Faulkner at Sable Rose Studios in Coventry, England, marked the return of vocalist Karl Willetts, who rejoined the band in November 2004. Although its compositions retain many characteristics found on Bolt Thrower's previous albums, the album differs from them with its tighter arrangements and cleaner-sounding production. Like all of the band's albums, Those Once Loyal lyrically details war; commentators and music critics have said that the album has a thematic focus on World War I, which Bolt Thrower had previously covered on their fifth album ...For Victory (1994), although some songs focus on war less specifically. The album's cover art is taken from a plaque found on the Guards Memorial in St. James's Park, London.
Sacrilege is a band from the Midlands region of England originally formed in 1984 by guitarist Damian Thompson and vocalist Lynda "Tam" Simpson and Tony May. Originally rooted in hardcore punk, their sound later changed to thrash metal and doom metal. Despite having played relatively few gigs during their original existence, Sacrilege is recognized as an important band, both as an influence on later crust punk, thrash metal and doom metal bands and as an example of the blending of hardcore punk, radical politics, and thrash/death metal that occurred during the mid-1980s, making Sacrilege one of the prototypical crust punk bands of the time.
Unseen Terror was a British extreme metal band formed by Mitch Dickinson (Heresy) and Shane Embury, and played extreme metal with a technical edge along with elements of hardcore punk. Their most notable feat took place in March 1988, when they recorded tracks for John Peel's BBC Radio 1 program.
Inside the Torn Apart is the seventh studio album by British extreme metal band Napalm Death. It was released by Earache in June 1997 on double vinyl, regular CD, digipak CD and MC.
Words from the Exit Wound is the eighth studio album by British extreme metal band Napalm Death, released in 1998 by Earache. It was issued only on CD. It is considered the final album of the band's "experimental" period, while simultaneously foreshadowing the band's return to a more traditional death metal and grindcore sound.
Breed to Breathe is an EP by English extreme metal band Napalm Death, released in 1997 through Earache on CD.
Extreme Conditions Demand Extreme Responses is the debut full-length album by American grindcore band Brutal Truth, released in September 1992 via Earache Records.
D-Rok was a British hard rock band notable for its Warhammer 40,000-influenced lyrics.
Godflesh is the debut EP by English industrial metal band Godflesh. It was originally released in 1988 through Swordfish Records and later saw several reissues on Earache Records with two additional songs. An unexpected underground success, the eponymous EP made it onto the UK Indie Chart and peaked at position 20. Though not supported by any singles or music videos at the time, a fan-made video for "Avalanche Master Song" has since been made official by the band.
