"Until You Come Back to Me (That's What I'm Gonna Do)" is a song written by Morris Broadnax, Clarence Paul, and Stevie Wonder. The song was originally recorded by Stevie Wonder in 1967, but his version was not released as a single and did not appear on an album until 1977's anthology Looking Back. The best-known version of this song is the 1973 release by Aretha Franklin, who had a million-selling top 10 hit on Billboard charts. The song reached No. 1 on the R&B chart and No. 3 on the Hot 100 chart in 1974. It became an RIAA Gold record.
"Sad Eyes" is a song written and recorded by Robert John, and released in April 1979. It debuted May 19 on the Billboard Hot 100, reaching the top of the chart the week of October 6. It was produced by George Tobin in association with Mike Piccirillo.
"No Tell Lover" is a song written by Lee Loughnane, Danny Seraphine, and Peter Cetera for the group Chicago and recorded for their album Hot Streets (1978), with Cetera and Donnie Dacus singing lead vocals. The second single released from that album, it reached No. 14 on the U.S. Billboard Hot 100 chart and No. 5 on the adult contemporary chart.
"Who Loves You" is the title song of a 1975 album by The Four Seasons. It was composed by Bob Gaudio and Judy Parker and produced by Gaudio. It reached number 3 on the Billboard Hot 100 in November 1975.
When It All Goes South is the nineteenth studio album by American country music band Alabama, released in 2001. It produced the singles "When It All Goes South", "Will You Marry Me" and "The Woman He Loves". This became Alabama's final studio album of original materials until 2015's Southern Drawl. It ranked at No. 37 in Billboard Album Charts and No. 4 on Country Album Chart.
Workin' It Back is a studio album by the American R&B singer Teddy Pendergrass, released in 1985. It was his second record for Asylum Records. The album didn't do nearly as well on the Billboard 200 as his last record, peaking at #96. It did reach US R&B #6, only two spots lower than his previous album. The album spawned two singles, "Love 4/2" and "Let Me Be Closer", though none made the Billboard Hot 100. The album has been certified gold.
Andy is the thirty-sixth studio album by American pop singer Andy Williams, released in the fall of 1976 by Columbia Records. Williams is not as focused on covering pop hits and standards on this album and instead relies mainly on original or lesser-known songs. In the liner notes for the album's 2002 CD release, writer Richard M. Erickson explains that the album "was recorded at six different studios to accommodate Andy's touring schedule. One recording session was at a portable studio set up at a Marriott hotel."
Let's Love While We Can is the thirty-seventh studio album by American pop singer Andy Williams, released in the U.K. in 1980 by CBS Records. For this project Williams eschews covering well-known pop hits and standards and relies mostly on original or lesser-known country songs.
I Don't Know How to Love Him is the debut studio album by Australian-American pop singer Helen Reddy, released on May 10, 1971, by Capitol Records. I Don't Know How to Love Him included her first recording of "I Am Woman". The album made its first appearance on Billboard magazine's Top LP's chart in the issue dated June 5, 1971, and remained there for 37 weeks, peaking at number 100, and got as high as number 40 on the album chart in Canada's RPM magazine. On November 27, 1974, the album received Gold certification from the Recording Industry Association of America, and on March 29, 2005, it was released for the first time on compact disc as one of two albums on one CD, the other album being Reddy's eponymous follow-up that originally came out in the fall of 1971.
Helen Reddy is the second studio album by Australian-American pop singer Helen Reddy, released on November 8, 1971, by Capitol Records. Reddy's selections include tracks by singer-songwriters Carole King, John Lennon, Randy Newman, and Donovan. It debuted on Billboard magazine's Top LP's chart in the issue dated December 4, 1971, and had a seven-week chart run in which it got as high as number 167. On March 29, 2005, the album was released for the first time on compact disc as one of two albums on one CD, the other album being I Don't Know How to Love Him, Reddy's debut LP that originally came out in the spring of 1971.
I Am Woman is the third studio album by Australian–American pop singer Helen Reddy, released on 13 November 1972, by Capitol Records. The album included her second recording of the song that gave the album its name, which was also the version that spent a week at number one on the Billboard Hot 100.
Long Hard Climb is the fourth studio album by Australian-American pop singer Helen Reddy, released on July 23, 1973, by Capitol Records and, aside from its primary focus on Top 40-friendly material, had her trying out New Orleans jazz and the English-language version of a recent Charles Aznavour standard. It debuted on Billboard's Top LP's & Tapes chart in the issue dated August 11, 1973, and reached number eight during its 43 weeks there, and in Canada's RPM magazine it peaked at number 14. On September 19 of that year, the Recording Industry Association of America awarded the album with Gold certification for sales of 500,000 copies in the United States. On July 22, 2003, it was released for the first time on compact disc as one of two albums on one CD, the other album being her 1972 release I Am Woman.
Love Song for Jeffrey is the fifth studio album by Australian-American pop singer Helen Reddy, released on March 25, 1974, by Capitol Records. The album focused on her family, giving special attention to those who had died within the past year. A tribute on the back cover reads: "In memory of my mother, Stella Lamond Reddy, July 1973, my father, Max Reddy, September 1973, and my beloved aunt, Helen Reddy Sr., January 1974."
No Way to Treat a Lady is the seventh studio album by Australian-American pop singer Helen Reddy that was released in the summer of 1975 by Capitol Records and found Reddy tackling country pop, bossa nova and blues. The album debuted on Billboard's Top LP's & Tapes chart in the issue dated July 12, 1975, and peaked at number 11 over the course of 34 weeks, and on the album chart in Canada's RPM magazine it got as high as number 13. On January 19, 1976, the Recording Industry Association of America awarded the album with Gold certification for sales of 500,000 copies in the United States, and on August 23, 2005, it was released for the first time on compact disc as one of two albums on one CD, the other album being her 1976 release, Music, Music.
Music, Music is the eighth studio album by Australian-American pop singer Helen Reddy that was released in the summer of 1976 by Capitol Records and later described by J. Scott McClintock for AllMusic: "There are breezy, Bacharach-ian excursions, bluesy numbers, light country ('Mama'), jazzy ballads, and even a little Philly soul. On August 2 of that year the Recording Industry Association of America awarded the album with Gold certification for sales of 500,000 copies in the United States.
Ear Candy is the ninth studio album by Australian-American pop singer Helen Reddy, released on 25 April 1977 by Capitol Records. The album included a modern take on the doo-wop genre, a Cajun number that gave the Melbourne native her first and only appearance on Billboard magazine's Country chart, and a dark self-parody on which Reddy proclaims: "I don't take no shit from nobody". Unusually, half of the songs recorded for Ear Candy were co-written by Reddy herself, including the second single, "The Happy Girls", Reddy's first self-penned A-side single since "I am Woman". The album's first single, a remake of the 1964 Cilla Black hit "You're My World", gave Reddy a final Top 40 hit.
We'll Sing in the Sunshine is the tenth studio album by Australian-American pop singer Helen Reddy that was released in 1978 by Capitol Records. The album included two songs that were also covered by Johnny Mathis in the first half of that year: "All I Ever Need", which came out on his March release, You Light Up My Life, and "Ready or Not", on which he duetted with Deniece Williams for their June release, That's What Friends Are For. Reddy also ventures into Beatles territory with their rockabilly number "One After 909" and takes on Jeff Lynne's "Poor Little Fool" with accompaniment in the vein of Electric Light Orchestra. This was her first album not to reach Billboard's Top LP's & Tapes chart. On February 23, 2010, it was released for the first time on compact disc as one of two albums on one CD, the other album being her 1977 release, Ear Candy. "Blue" was originally featured on the 1977 animated film Raggedy Ann & Andy: A Musical Adventure.
Live in London is the first live album by Australian-American pop singer Helen Reddy that was released in 1978 by Capitol Records and, as with her previous release, did not reach Billboard magazine's Top LP's & Tapes chart. On June 25, 2002, the album was released for the first time on compact disc.
Imagination is the fourteenth studio album by Australian-American pop singer Helen Reddy and was released in February 1983 as her second LP for MCA Records. As with the first of the two, 1981's Play Me Out, it did not reach Billboard magazine's Top LP's & Tapes chart. MCA ended their contract with her afterward; in her 2006 autobiography, The Woman I Am: A Memoir, Reddy wrote, "I was not surprised when I received a form letter from [MCA]'s legal department telling me that I'd been dropped from the label."
"I Believe in Love" is the debut solo single by American musician Kenny Loggins. It was written by Loggins with lyrics by Alan and Marilyn Bergman. The song was introduced by Barbra Streisand in the 1976 film A Star Is Born, and appears on its soundtrack album. It was released in November 1976 as the B-side to the album's first single, "Evergreen ".
