![]() | This article reads like a press release or a news article and may be largely based on routine coverage .(June 2022) |
![]() | |
![]() | |
Established | 2005 |
---|---|
Location | 830 East Pratt Street Baltimore, Maryland 21202 United States |
Coordinates | 39°17′15″N76°36′14″W / 39.28750°N 76.60389°W Coordinates: 39°17′15″N76°36′14″W / 39.28750°N 76.60389°W |
Director | Terri Lee Freeman |
Website | http://www.lewismuseum.org |
The Reginald F. Lewis Museum of Maryland African American History & Culture is a resource for information about the lives and history of African American Marylanders. The Lewis Museum's mission is to collect, preserve, interpret, document, and exhibit the contributions of African American Marylanders using its collection of over 11,000 documents and objects and resources drawn from across the country.
The 82,000 square foot museum is located two blocks from Baltimore's Inner Harbor at 830 E. Pratt Street in Baltimore, Maryland. Opened in 2005, [1] the museum is an affiliate of the Smithsonian Institution, and was named after Reginald F. Lewis, the first African American to build a billion-dollar company, TLC Beatrice International Holdings. Starting from humble beginnings in Baltimore, in 1993 Forbes listed Lewis among the 400 richest Americans with a net worth estimated at $400 million. [2]
Permanent exhibits include "The Strength of the Mind," "Things Hold, Lines Connect," and "Building Maryland, Building America". Recent major exhibitions include the work of artists Jacob Lawrence and Romare Bearden. Other facilities include an oral history recording and listening studio, a special exhibition gallery, a 200-seat theater auditorium, a classroom, and resource center. [2]
Reginald F. Lewis, was an American businessman. He was one of the richest Black American men in the 1980s, and the first Black American to build a billion-dollar company, TLC Beatrice International Holdings Inc.
The Baltimore Museum of Art (BMA) in Baltimore, Maryland, United States, is an art museum that was founded in 1914. The BMA's collection of 95,000 objects encompasses more than 1,000 works by Henri Matisse anchored by the Cone Collection of modern art, as well as one of the nation's finest holdings of prints, drawings, and photographs. The galleries currently showcase collections of art from Africa; works by established and emerging contemporary artists; European and American paintings, sculpture, and decorative arts; ancient Antioch mosaics; art from Asia, and textiles from around the world.
The Boston African American National Historic Site, in the heart of Boston, Massachusetts's Beacon Hill neighborhood, interprets 15 pre-Civil War structures relating to the history of Boston's 19th-century African-American community, connected by the Black Heritage Trail. These include the 1806 African Meeting House, the oldest standing black church in the United States.
The National Museum of African American History and Culture (NMAAHC) is a Smithsonian Institution museum located on the National Mall in Washington, D.C., in the United States. It was established in December 2003 and opened its permanent home in September 2016 with a ceremony led by President Barack Obama.
During the American Civil War (1861–1865), Maryland, a slave state, was one of the border states, straddling the South and North. Despite some popular support for the cause of the Confederate States of America, Maryland did not secede during the Civil War. Governor Thomas H. Hicks, despite his early sympathies for the South, helped prevent the state from seceding.
Fred Wilson is an American artist and describes himself as of "African, Native American, European and Amerindian" descent. He received a BFA from Purchase College, State University of New York. Wilson challenges colonial assumptions on history, culture, and race – encouraging viewers to consider the social and historical narratives that represent the western canon. Wilson received a MacArthur Foundation "genius grant" in 1999 and the Larry Aldrich Foundation Award in 2003. Wilson represented the United States at the Biennial Cairo in 1992 and the Venice Biennale in 2003. In May 2008, it was announced that Wilson would become a Whitney Museum trustee replacing Chuck Close.
The National Great Blacks in Wax Museum is a wax museum in Baltimore, Maryland featuring prominent African-American and other black historical figures. It was established in 1983, in a downtown storefront on Saratoga Street.
The Independence Seaport Museum was founded in 1961 and is located in the Penn's Landing complex along the Delaware River in Philadelphia, Pennsylvania. The collections at the Independence Seaport Museum document maritime history and culture along the Delaware River. At the museum are two National Historic Landmark ships and the J. Welles Henderson Archives and Library.
Sylvia Snowden is an African American abstract painter who works with acrylics, oil pastels, and mixed media to create textured works that convey the "feel of paint". Many museums have hosted her art in exhibits, while several have added her works to their permanent collections.
Jonestown is a neighborhood in the southeastern district of Baltimore. Its boundaries are the north side of Pratt Street, the west side of Central Avenue, the east side of Fallsway, and the south side of Orleans Street. The neighborhood lies north of the Little Italy, south of the Old Town, west of the Washington Hill, and east of the Downtown Baltimore neighborhoods. The southern terminus of the Jones Falls Expressway is located here.
The Baltimore City Heritage Walk is a heritage trail that links 20 historic sites and museums in downtown Baltimore, Maryland.
Deborah Willis is a contemporary African-American artist, photographer, curator of photography, photographic historian, author, and educator. Among her awards and honors, she is a 2000 MacArthur Fellow. She is currently Professor and Chair of the Department of Photography and Imaging at Tisch School of the Arts of New York University.
Slavery in Maryland lasted over 200 years, from its beginnings in 1642 when the first Africans were brought as slaves to St. Mary's City, to its end after the Civil War. While Maryland developed similarly to neighboring Virginia, slavery declined here as an institution earlier, and it had the largest free black population by 1860 of any state. The early settlements and population centers of the province tended to cluster around the rivers and other waterways that empty into the Chesapeake Bay. Maryland planters cultivated tobacco as the chief commodity crop, as the market was strong in Europe. Tobacco was labor-intensive in both cultivation and processing, and planters struggled to manage workers as tobacco prices declined in the late 17th century, even as farms became larger and more efficient. At first, indentured servants from England supplied much of the necessary labor but, as their economy improved at home, fewer made passage to the colonies. Maryland colonists turned to importing indentured and enslaved Africans to satisfy the labor demand.
The African American Museum of Iowa (AAMI), nestled along the Cedar River near downtown Cedar Rapids, Iowa, United States, has been carrying out its mission “To preserve, publicize, and educate the public on the African American heritage and culture of Iowa” since its incorporation as a 501(c)(3) organization in 1994. It has become the leading educational resource on African American history in Iowa and has two on-site exhibits: a permanent exhibit called Endless Possibilities, and the 2017 temporary exhibit – If Objects Could Talk. Additionally, the AAMI has several "traveling exhibits" that are available free of charge for use by schools, libraries, businesses, etc.
Michael Atwood Mason is an American folklorist and museum professional. He currently serves as CEO and Executive Director of President Lincoln's Cottage and was, up to February 2021, the Director of the Smithsonian Center for Folklife and Cultural Heritage.
Southern Maryland is the home of the first person of African descent to be elected to and serve in a legislature in America. His name was Mathias de Sousa and he was one of the original colonists to arrive in 1634. Southern Maryland is also the place where Josiah Henson was enslaved, and the place of brutality he wrote about in his later autobiography, which became the basis for Harriet Beecher Stowe's "Uncle Tom's Cabin". A descendant of Josiah Henson, Mathew Henson, was also from Southern Maryland and he was one of the first people to reach the North Pole along with Admiral Peary in 1909. There are so many more stories than these, both of triumph and of pain, of subjugation and of perseverance. Come walk the paths of these remarkable people and help us all to remember them.
The Historical Society of Baltimore County (HSBC) was founded in 1959 with the goal of preserving, interpreting, and illustrating the history of Baltimore County for the benefit of present and future generations of Marylanders, and is a resource for those interested in researching both local and family history. As the HSBC describes it, they "continually accomplish" their mission "through the production of presentations, lectures, workshops, entertaining educational publications, historical tours, and exhibits." Centrally located in Cockeysville, Maryland, the Society operates out of the Agriculture Building, the former Baltimore County Almshouse, which was built in 1872 and used to house the poor and mentally ill of Baltimore County until 1958.
Joseph Holston is an American painter and printmaker known for his portrayals of the African American experience, using vivid colors and expressive lines in a cubist-abstractionist style. His media include painting, etching, silk screen, and collage.
Agnes Kane Callum was a genealogist known for her research into Maryland's African-American history. She was a founding member of the Baltimore Afro-American Historical and Genealogical Society, a frequent columnist for The Catholic Review, and the founding editor of a black genealogical journal, Flower of the Forest. Callum was inducted into the Maryland Women's Hall of Fame in 2014.
The history of African Americans in Baltimore dates back to the 17th century when the first African slaves were being brought to the Province of Maryland. Majority white for most of its history, Baltimore transitioned to having a black majority in the 1970s. As of the 2010 Census, African Americans are the majority population of Baltimore at 63% of the population. As a majority black city for the last several decades with the 5th largest population of African Americans of any city in the United States, African Americans have had an enormous impact on the culture, dialect, history, politics, and music of the city. Unlike many other Northern cities whose African-American populations first became well-established during the Great Migration, Baltimore has a deeply rooted African-American heritage, being home to the largest population of free black people half a century before the Emancipation Proclamation. The migrations of Southern and Appalachian African Americans between 1910 and 1970 brought thousands of African Americans to Baltimore, transforming the city into the second northernmost majority-black city in the United States after Detroit. The city's African-American community is centered in West Baltimore and East Baltimore. The distribution of African Americans on both the West and the East sides of Baltimore is sometimes called "The Black Butterfly", while the distribution of white Americans in Central and Southeast Baltimore is called "The White L."