| "Remote Control" | ||||
|---|---|---|---|---|
 | ||||
| Single by The Clash | ||||
| from the album The Clash | ||||
| B-side | "London's Burning" (live) | |||
| Released | 13 May 1977 (UK) | |||
| Recorded | 1977 | |||
| Genre | Punk rock | |||
| Length | 3:00 | |||
| Label | CBS | |||
| Songwriter(s) | Joe Strummer, Mick Jones | |||
| Producer(s) | Mickey Foote, The Clash and Bill Price | |||
| The Clash singles chronology | ||||
| ||||
"Remote Control" is a song by The Clash, featured on their debut album, and is written against oppression and conformity.
The song was written by Mick Jones after the disastrous Anarchy Tour [1] and contains pointed observations about the civic hall bureaucrats who had cancelled concerts, the police, big business and especially record companies. The song mentions a 'meeting in Mayfair' which is thought to refer to the EMI shareholders' meeting held on 7 December 1976, which effectively withdrew all support for the Anarchy Tour. [2] Also alluded to in the song are the 'old-boy' peerage networks and hapless politicians.
Writing for the A.V. Club , Jason Heller said that the song "imagines a deliberately, dramatically exaggerated England circa 1977, one where urban claustrophobia, totalitarian authority, and a robotic kind of daily routine". [3]
The band virtually disowned the song, following their record label CBS's decision to release the song as a single without consulting the band. The band had already told Melody Maker magazine that their next single would be "Janie Jones", and were irate that CBS had undermined them and made a decision to release "Remote Control" instead without the band's permission. To the band, the song became a symbol of everything they were fighting against. [4] The incident was referred to in the first lines of a later song, "Complete Control", which is on the 1979 US release of the album:
The B-side is a mono live version of "London's Burning". [6]
The band re-recorded the song in early summer 1979 during rehearsals for London Calling , at Vanilla Studios in Vauxhall. This version was eventually released in 2004, on the second disc of the London Calling: 25th Anniversary Legacy Edition, known as The Vanilla Tapes. In the liner notes, Mick Jones is quoted as saying:
All tracks written by Joe Strummer/Mick Jones.
The Clash were an English rock band formed in London in 1976 who were key players in the original wave of British punk rock. Billed as "The Only Band That Matters", they also contributed to the post-punk and new wave movements that emerged in the wake of punk and employed elements of a variety of genres including reggae, dub, funk, ska, and rockabilly. For most of their recording career, the Clash consisted of lead vocalist and rhythm guitarist Joe Strummer, lead guitarist and vocalist Mick Jones, bassist Paul Simonon, and drummer Nicky "Topper" Headon.
John Graham Mellor, known professionally as Joe Strummer, was a British singer, musician and songwriter. He was the co-founder, lyricist, rhythm guitarist and co-lead vocalist of punk rock band the Clash, formed in 1976. The Clash's second studio album Give 'Em Enough Rope (1978) reached No. 2 on the UK charts. Soon after, they achieved success in the US, starting with London Calling (1979) and peaking with Combat Rock (1982), which reached No. 7 on the US charts and was certified 2× platinum there. The Clash's explosive political lyrics, musical experimentation, and rebellious attitude had a far-reaching influence on rock music in general, especially alternative rock. Their music incorporated reggae, ska, dub, funk, rap and rockabilly.
London Calling is the third studio album by English rock band the Clash. It was originally released as a double album in the United Kingdom on 14 December 1979 by CBS Records, and in the United States in January 1980 by Epic Records.
The Clash is the debut studio album by English punk rock band, The Clash. It was released on 8 April 1977 through CBS Records. Recorded and mixed over three weeks in February 1977 for £4,000, it would go on to reach No. 12 on the UK charts, and has been included on many retrospective rankings as one of the greatest punk albums of all time.
Super Black Market Clash is a 1993 compilation album released by the English punk rock band The Clash. It contains B-sides and rare tracks not available on the group's regular studio albums. The album is an expanded repackaging of the 1980 release Black Market Clash, a 10-inch EP containing nine songs. The man in the foreground of the front cover art on both releases is Don Letts, who worked with The Clash on several projects and later was a founding member of Big Audio Dynamite.
"London Calling" is a song by the British punk rock band the Clash. It was released as a single from the band's 1979 double album of the same name. This apocalyptic, politically charged rant features the band's post-punk sound, electric guitar and vocals.
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"Complete Control" is a song by The Clash, released as a 7" single and featured on the U.S. release of their debut album.
"Train in Vain" is a song by the British punk rock band the Clash. It was released as the third and final single from their third studio album, London Calling (1979). The song was not originally listed on the album's track listing, appearing as a hidden track at the end of the album. This was because the track was added to the record at the last minute, when the sleeve was already in production. Some editions include the song in the track listing. It was the first Clash song to reach the United States Top 30 charts and in 2010, the song was ranked number 298 on Rolling Stone magazine's list of The 500 Greatest Songs of All Time.
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"The Guns of Brixton" is a song by the English punk rock band the Clash, originally released on their 1979 album London Calling. It was written and sung by bassist Paul Simonon, who grew up in Brixton, South London. The song has a strong reggae influence, reflecting the culture of the area and the reggae gangster film The Harder They Come.
"Lost in the Supermarket" is a 1979 song by the Clash. Written by Joe Strummer and Mick Jones and produced by Guy Stevens, it is credited to the Strummer/Jones songwriting partnership. It was released on their third studio album London Calling. It is the eighth song on the track listing. Although it features Jones on lead vocals, the song was written by Strummer. The supermarket in question was the International, located at 471–473 Kings Road, beneath the World's End Estate. Strummer lived at 31 Whistler Walk at the time with his girlfriend Gaby Salter, her two younger brothers and her mother. The song appears in the Apple TV+ show Loot.
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