Riccobaldo of Ferrara (1246- after 1320) was a medieval Italian notary and Latin writer of the Middle Ages, a chronicler, geographer and encyclopedist. He is sometimes known in the literature as Riccobaldo da Ferrara according to the Italian form, as well as Riccobaldo Ferrarese or as Riccolbaldo.
He was born in Ferrara or in the surrounding area, most probably in 1246, his father being one Bonmercato. On 4 October 1251, as a puer (boy), he was a witness to the passage through Ferrara of Pope Innocent IV; on 17 February 1264, as an adulescens (adolescent), he was present during the funeral at Ferrara of Azzo VII d'Este; he appeared as a witness to a statute of Ferrara of 15 December 1274; in May 1282 he was to be found at Faenza; in 1290 he applied his seal to three documents at Reggio Emilia, where he served as notary to the vicar (deputy) of Obizzo II d'Este, the city’s podestà. He is known to have been at Padua in 1293, at Ravenna in 1297-1300, exercising his profession at Ferrara in 1308, once again in Padua at unspecified period between 1308 and 1313, and at Ferrara in 1310. He died some time after 1318.
The claims that his real name was Gervasio (Gervase), that he belonged to the Mainardi family, and that he was for a time a canon in Ravenna, are doubtless products of somewhat approximate sixteenth- and seventeenth-century scholarship. One thing that is certain, because he himself says so, is that he bore the titles of dominus ("lord") and magister ("master"). Since Riccobaldo refers to himself as an exile, attempts have been made to see such an exile as a result of Riccobaldo's lending his support to Aldobrandino II in the latter’s clash with his brother Azzo VIII, Lord of Ferrara. However, this hypothesis has to date found no evidence to back it up. That he had no love for the Este family can easily be seen in some of his works, but it is not discernible in others, and so important questions remain unclear. As remarked, Riccobaldo was notary to the vicar (deputy) of Obizzo II d'Este and in Ravenna he appears to have lived in the shadow of Obizzo Sanvitale, Archbishop of Ravenna, a known supporter of the Este family. Yet in 1308 Riccobaldo can be found in Ferrara, swearing fidelity to the Church of Rome immediately after the expulsion of the Este family from the lordship of the city. What should be made of these apparent contradictions.
Riccobaldo witnessed, at times at very close quarters, the political events in his city, and was sometimes a witness, too, of what happened in the history of Italy as a whole, even in works of his that were not strictly historical, but more of a geographical character.
Riccobaldo‘s own cultural story is in part fairly clearly established, even if considerable research is underway. Only recently has it been possible to attribute to him a political "carmen" (song) in Latin which celebrates the newly acquired freedom of his city, Ferrara. In this text there are obvious citations of various earlier Latin lyrics, a fact that shows a considerable personal culture for the period. While the lyrics passed off in the seventeenth century as Riccobaldo‘s by Girolamo Baruffaldi are certainly not genuine, we still need once more to take into consideration the fact that he had the title of magister ("master") and that phrase of his in his old age where Riccobaldo says he is now dedicated melioribus studiis ("to the better kind of study" or "to better pursuits").
By his own explicit admission, his first impulse to write came from his contact with the archives firstly of Nonantola and then of Ravenna. In Ravenna he came to know, as he himself recounts, the Chronicon , that is to say the Historia Ecclesiastica of Eusebius of Caesarea, in the Chronicon (Chronicle) of Saint Jerome, and in all probability also the so-called Ravenna Cosmography ; at Nonantola he certainly had access to the sequel to Jerome’s work, written this time by Saint Prosper of Aquitaine.
Among the numerous works he knew were the dictionary Elementarium doctrinae rudimentum of Papias, the short Chronicon of Saint Isidore of Seville (attributed by Riccobaldo to a bishop Miletus; then some decades of Livy’s ‘’Ab Urbe Condita" (History of Rome); the Historiae adversus paganos (Histories against the Pagans) of Paulus Orosius, the great encyclopedic work by Marziano Capella entitled Itinerarium Antonini , Pliny the Elder’s Naturalis historia ( Natural History ), the Collectanea rerum memorabilium (Collection of Curiosities) of Solinus, the work of compilation by the Dominican Martin of Opava, which Riccobaldo cites as the Martiniana, parts of the Legenda aurea ( Golden Legend ) by Jacobus de Voragine, the version of Eutropius drawn up by Paul the Deacon and the Historia Langobardorum ( History of the Lombards ), the abbreviated version of the Philippic Histories of Gnaeus Pompeius Trogus or Pompey Trogue composed by Justin, Florus, the Pharsalia of Lucan, something of the writings of Seneca the Younger (certainly including the De consolatione ad Helviam and De clementia (On Clemency), Suetonius’s Vitae Caesarum ( Lives of the Twelve Caesars ), the Navigatio Sancti Brendani (The Sea Voyage of St Brendan ), Servius’s commentary on the Aeneid, works of Pomponius Mela, the Pseudo-Turpin Chronicle (Historia Caroli Magni , the Historia scholastica by Peter Comestor (a biblical paraphrase written in Latin), Boethius's De consolatione philosophiae(The Consolation of Philosophy), Juvenal, the Latin translation by Rufinus of Aquileia of Eusebius of Caesarea’s Historia Ecclesiastica , Agnellus of Ravenna.
After this the list becomes very impressive as to quantity and quality when we find Riccobaldo at grips with Julius Caesar, at least the problematic De bello Alexandrino , along with De bello Africo and De bello Hispaniensi (On the Alexandrine War, On the African War, On the Hispanic War); Cicero’s Laelius de amicitia (Laelius on Friendship’) and Rhetorica ad Herennium (Rhetoric: For Herennius), and other works, too. We can add the Distichs of Cato (Catonis Disticha), Einhard, Hegesippus, Horace, certain texts to be found in the so-called Spicilegium Ravennatis historiae; Virgil, perhaps the Dominican Vincent of Beauvais, and the manuscripts of the Abbey of Santa Giustina in Padua, without excluding others still.
For this very considerable widening of his learning, Riccobaldo certainly owed a great deal to his mixing in the circles of the pre-humanists of Padua, from whom he learned much, but to whom he probably also gave not a little. In any case, there is no overlooking Riccobaldo nowadays as a figure of first rank in the history of Italian culture, despite his having been neglected even in relatively recent times by historians who were otherwise not without merit.
Other works by Riccobaldo, apart from those listed below, are his geographical compilations, one of which, the De locis orbis, was published for the first time only in 1986, while the other, De origine urbium Italie, had in 2013 still not been published. There are two minor treatises witnessed to by the manuscripts Vatican City, Biblioteca Apostolica Vaticana, Ottob. Iat. 2072, cc. 45-58 e Parma, Biblioteca Palatina, Parm. 331, cc. 45-67 (for the first); and Venice, Biblioteca . Nazionale Marciana, Lat. X, 169 (3847), cc. 2-31 (for the second). While neither can be dated with any precision, the first of these works if fully of his marure period, and the second from his last years.
Ferrara is a city and comune in Emilia-Romagna, Northern Italy, capital of the Province of Ferrara. As of 2016, it had 132,009 inhabitants. It is situated 44 kilometres northeast of Bologna, on the Po di Volano, a branch channel of the main stream of the Po River, located 5 km north. The town has broad streets and numerous palaces dating from the Renaissance, when it hosted the court of the House of Este. For its beauty and cultural importance, it has been designated by UNESCO as a World Heritage Site.
Benvenuto Tisi was a Late-Renaissance-Mannerist Italian painter of the School of Ferrara. Garofalo's career began attached to the court of the Duke d'Este. His early works have been described as "idyllic", but they often conform to the elaborate conceits favored by the artistically refined Ferrarese court. His nickname, Garofalo, may derive from his habit of signing some works with a picture of a carnation.
The Duchy of Ferrara was a state in what is now northern Italy. It consisted of about 1,100 km2 south of the lower Po River, stretching to the valley of the lower Reno River, including the city of Ferrara. The territory that was part of the Duchy was ruled by the House of Este from 1146 to 1597.
Niccolò III d'Este was Marquess of Ferrara from 1393 until his death. He was also a condottiero.
Obizzo II d'Este was Marquis of Ferrara and Ancona.
Niccolò II d'Este was lord of Ferrara, Modena and Parma from 1361 until his death.
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Bernardino II da Polenta was lord of Ravenna, Italy from 1389 to 1400. He was the son of Guido III da Polenta, grandson of Bernardino I and a member of the da Polenta family. Bernardino's mother was Elisa d'Este, the daughter of Obizzo III d'Este of Ferrara, who gave him numerous children. In 1389, Bernardino and his brothers, Ostasio, Obizzo, Aldobrandino, Azzo and Pietro imprisoned their father and ruled Ravenna. The brothers died in quick succession; allegedly Bernardino was poisoned by his brother Obizzo.
The Chronica parva Ferrariensis was a short chronicle of the history of Ferrara up to 1264 written by Riccobaldo of Ferrara in the years 1313–17. The chronicler tends to laud the "good old days", and deprecate contemporary Ferrara as fallen away from its former glory, as when he writes of the years before 1240: "At that time the Ferrarese republic was propsering, and its citizens were enjoying wealth and peace." It was included by Ludovico Muratori in his Rerum italicarum Scriptores, and was edited by Gabriele Zanella in 1983.
The Diocese of Comacchio was a Roman Catholic diocese located in the coastal town of Comacchio in the province of Ferrara and region of Emilia Romagna, Italy. In 1986, the diocese of Commachio was united with the diocese of Ferrara to form the Roman Catholic Archdiocese of Ferrara-Comacchio, and lost its individual identity.
Giovanni Manardo was an Italian physician, botanist, and humanist.
The following is a timeline of the history of the city of Ferrara in the Emilia-Romagna region of Italy.
Rinaldo d'Este was a member of the House of Este.
Filippo da Pistoia, also called Filippo Fontana or anglicized Philip, was an Italian prelate, military leader and diplomat. He was the bishop-elect of Ferrara from 1239 until 1252, bishop-elect of Florence from 1250 until 1251 and archbishop of Ravenna from 1250 until his death. He was the apostolic legate in Germany between July 1246 and March 1247, in Lombardy and the Trevigiana between December 1255 and August 1258 and throughout northern Italy between 1267 and February 1270. He served as podestà (mayor) of Ravenna in 1254.
Alfredo Filippini was an Italian sculptor, painter and illustrator.
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The War of Padua was a conflict in 1404–1405 between the Republic of Venice and the Carrarese lordship of Padua. In the power vacuum produced by the death of the Duke of Milan, Gian Galeazzo Visconti, in 1402, Francesco II da Carrara endeavored to expand into the Veneto and capture cities held by Visconti troops. These designs alarmed Venice, which allied with Milan to counter the common threat posed by the Carrarese state, and for the first time adopted a policy of direct intervention in the affairs of its hinterland.
The Salt War was a brief war between Venice and Padua over salt works in 1304. Venice was victorious and its salt monopoly was confirmed.
The Municipal Palace of Ferrara is located in Piazza del Municipio 2. It was the ducal residence of the Este family until the 16th century, when the court moved to the nearby Castello Estense. It is the seat of the municipality of Ferrara.