Rosemary Clooney was an American singer and actress. She came to prominence in the early 1950s with the song "Come On-a My House", which was followed by other pop numbers such as "Botch-a-Me", "Mambo Italiano", "Tenderly", "Half as Much", "Hey There", "This Ole House", and "Sway". She also had success as a jazz vocalist. Clooney's career languished in the 1960s, partly because of problems related to depression and drug addiction, but revived in 1977, when her White Christmas co-star Bing Crosby asked her to appear with him at a show marking his 50th anniversary in show business. She continued recording until her death in 2002.
Nelson Smock Riddle Jr. was an American arranger, composer, bandleader and orchestrator whose career stretched from the late 1940s to the mid-1980s. He worked with many vocalists at Capitol Records, including Frank Sinatra, Ella Fitzgerald, Nat King Cole, Judy Garland, Dean Martin, Peggy Lee, Johnny Mathis, Rosemary Clooney and Keely Smith. He scored and arranged music for many films and television shows, earning an Academy Award and three Grammy Awards. He found commercial and critical success with a new generation in the 1980s, in a trio of Platinum albums with Linda Ronstadt.
Edward William May Jr. was an American composer, arranger and trumpeter. He composed film and television music for The Green Hornet (1966), The Mod Squad (1968), Batman, and Naked City (1960). He collaborated on films such as Pennies from Heaven (1981), and orchestrated Cocoon, and Cocoon: The Return, among others.
"Shine On, Harvest Moon" is a popular early-1900s song credited to the married vaudeville team Nora Bayes and Jack Norworth. It was one of a series of moon-related Tin Pan Alley songs of the era. The song was debuted by Bayes and Norworth in the Ziegfeld Follies of 1908 to great acclaim. It became a pop standard, and continues to be performed and recorded in the 21st century.
Ella Swings Brightly with Nelson is a 1962 studio album by the American jazz singer Ella Fitzgerald, accompanied by an orchestra arranged by Nelson Riddle.
Ella Swings Gently with Nelson is a 1962 studio album by the American jazz singer Ella Fitzgerald, with an orchestra arranged and conducted by Nelson Riddle. This album is one of a pair, the other being Ella Swings Brightly with Nelson, that were released in 1962.
"Angry" is a popular song, with lyrics by Dudley Mecum and music by Henry Brunies, Merritt Brunies, and Jules Cassard, written in 1925. Ted Lewis and His Band first recorded the instrumental version on June 22, 1925, and then on June 26, 1925, The Whispering Pianist recorded the first vocal version.
"I Wished on the Moon" is a song composed by Ralph Rainger, with lyrics by Dorothy Parker. Bing Crosby sang the song in The Big Broadcast of 1936.
"I Get Along Without You Very Well" is a popular song composed by Hoagy Carmichael in 1939, with lyrics based on a poem written by Jane Brown Thompson, and the main melodic theme on the Fantaisie-Impromptu in C sharp minor, Op 66, by Frédéric Chopin.
"You Took Advantage of Me" is a 1928 popular song composed by Richard Rodgers, with lyrics by Lorenz Hart, for the musical Present Arms (1928), where it was introduced by Joyce Barbour and Busby Berkeley as the characters Edna Stevens and Douglas Atwell. The characters were formerly married, but still have romantic feelings for each other. On opening night, Berkeley forgot the lyrics and had to scat and hum the entire second verse. Berkeley also claimed that his nonsense lyrics for the improvised second verse left Hart "almost apoplectic", but the audience was amused and Hart later forgave him. The song was subsequently included in the 1930 film Leathernecking, an adaptation of Present Arms.
"You'd Be So Nice to Come Home To" is a popular song written by Cole Porter for the 1943 film Something to Shout About, where it was introduced by Janet Blair and Don Ameche. The song was nominated for the Academy Award for Best Original Song in 1943 but lost to "You'll Never Know".
Joe Comfort was an American jazz double bassist.
"Mean to Me" is a popular song with music by Fred E. Ahlert and lyrics by Roy Turk, published in 1929. Hit versions that year were by Ruth Etting and by Helen Morgan. Ben Bernie and the Hotel Roosevelt Orchestra also recorded what might be the first male version in February 1929 with vocals by Scrappy Albert.
The following is the discography for big band and traditional pop arranger Nelson Riddle (1921–1985).
Love is a studio album by Rosemary Clooney, arranged by Nelson Riddle, recorded in 1961 but not released until 1963.
Clap Hands! Here Comes Rosie! is a 1960 studio album by Rosemary Clooney, arranged by Bob Thompson and released by RCA Victor. The album earned Clooney a 1961 Grammy Award nomination for Best Female Vocal Performance (Album), but she lost to Ella Fitzgerald for Ella in Berlin: Mack the Knife.
Singer Rosemary Clooney is known for many songs, including "Come On-a My House", "Botch-a-Me", "Mambo Italiano", "Tenderly", "Half as Much", "Hey There" and "This Ole House". This is a partial discography.
Everything's Coming Up Rosie is a 1977 studio album by the American jazz singer Rosemary Clooney. It was the first solo album that Clooney released on Concord Records. The title is a reference to the 1959 song "Everything's Coming up Roses". On the album, Clooney is accompanied by a quintet of jazz musicians. The album marked the beginning of a fifteen year recording and performance partnership with tenor saxophonist Scott Hamilton.
Dedicated to Nelson is a 1996 album by singer Rosemary Clooney, dedicated to the arranger Nelson Riddle. Clooney's television show from 1956-57 featured arrangements by Riddle, and a selection of those original Riddle arrangements are presented here, performed by a big band. Arrangers Eddie Karam and David Berger assisted with expanding arrangements that had been shorter in their original television show incarnations, and with transcribing the arrangements from the recorded television audio.
Live It Up! is an album by American pop singer Johnny Mathis that was released on December 11, 1961, by Columbia Records and was the second of two album collaborations with arranger and conductor Nelson Riddle. The singer again eschewed ballads as he had on Swing Softly and selected a balance of new and established material.
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