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Wolfgang Amadeus Mozart was a prolific and influential composer of the Classical period. Despite his short life, his rapid pace of composition resulted in more than 800 works representing virtually every Western classical genre of his time. Many of these compositions are acknowledged as pinnacles of the symphonic, concertante, chamber, operatic, and choral repertoire. Mozart is widely regarded as one of the greatest composers in the history of Western music, with his music admired for its "melodic beauty, its formal elegance and its richness of harmony and texture".
The Requiem in D minor, K. 626, is a Requiem Mass by Wolfgang Amadeus Mozart (1756–1791). Mozart composed part of the Requiem in Vienna in late 1791, but it was unfinished at his death on 5 December the same year. A completed version dated 1792 by Franz Xaver Süssmayr was delivered to Count Franz von Walsegg, who had commissioned the piece for a requiem service on 14 February 1792 to commemorate the first anniversary of the death of his wife Anna at the age of 20 on 14 February 1791.
Great Mass in C minor, K. 427/417a, is the common name of the musical setting of the mass by Wolfgang Amadeus Mozart, which is considered one of his greatest works. He composed it in Vienna in 1782 and 1783, after his marriage, when he moved to Vienna from Salzburg. The large-scale work, a missa solemnis, is scored for two soprano soloists, a tenor and a bass, double chorus and large orchestra. It remained unfinished, missing large portions of the Credo and the complete Agnus Dei.
The Krönungsmesse, composed in 1779, is one of the most popular of Wolfgang Amadeus Mozart's 17 extant settings of the Ordinary of the Mass. While it is relatively short, Bruce C. Macintyre, writing in the Cambridge Mozart Encyclopedia, classifies it as a Missa Longa, on the basis of the festal character, size of the orchestra, which includes a substantial brass section, orchestral introductions for the movements and the setting of the intonations for the Gloria and Credo.
"Vorrei spiegarvi, oh Dio!" is a soprano aria by Wolfgang Amadeus Mozart.
Thamos, King of Egypt is a play by Tobias Philipp von Gebler, for which, between 1773 and 1780, Wolfgang Amadeus Mozart wrote incidental music, K. 345/336a, of an operatic character.
Symphony No. 6 in F major, K. 43, was composed by Wolfgang Amadeus Mozart in 1767. According to Alfred Einstein in his 1937 revision of the Köchel catalogue, the symphony was probably begun in Vienna and completed in Olomouc, a Moravian city to which the Mozart family fled to escape a Viennese smallpox epidemic; see Mozart and smallpox.
"Conservati fedele" is a concert aria for soprano and orchestra by Wolfgang Amadeus Mozart.
The composer Wolfgang Amadeus Mozart wrote a great deal of dance music, both for public use and as elements of larger works such as operas, quartets, and symphonies. According to the reminiscences of those who knew him, the composer himself enjoyed dancing very much; he was skillful and danced often.
Wolfgang Amadeus Mozart's first four sonatas for keyboard and violin, K. 6–9 are among his earliest works, composed between 1762 and 1764. They encompass several of Mozart's firsts as a composer: for example, his first works incorporating the violin, his first works with more than a single instrument, his first works in more than one movement and his first works in sonata form. In fact, previous to this, all his works had been short solo-pieces for the harpsichord.
The Missa brevis No. 9 in B-flat major by Wolfgang Amadeus Mozart, K. 275/272b, was probably written before September 1777 for Salzburg. The mass is scored for SATB soloists, SATB choir, violin I, violin II, 3 trombones, string bass, and organ.
Wolfgang Amadeus Mozart displayed scatological humour in his letters and multiple recreational compositions. This material has long been a puzzle for Mozart scholarship. Some scholars try to understand it in terms of its role in Mozart's family, his society and his times; others attempt to understand it as a result of an "impressive list" of psychiatric conditions from which Mozart is claimed to have suffered.
The Symphony in G major "Old Lambach", K. Anh. 221/45a, was probably written by Wolfgang Amadeus Mozart during 1766 in The Hague and revised in 1767. Both versions – the original and the revision – have survived.
The Symphony in B♭ major "No. 55", K. Anh. 214/45b, was probably written by Wolfgang Amadeus Mozart in early 1768 in Salzburg.
The Missa solemnis in C minor, K. 139/47a, is a mass composed by Wolfgang Amadeus Mozart in the summer of 1768 in Vienna. It is scored for SATB soloists, SATB choir, violin I and II, 2 violas, 2 oboes, 2 trumpets, 2 clarini, 3 trombones colla parte, timpani and basso continuo.
The Missa brevis in D major, K. 194/186h, is a mass composed by Wolfgang Amadeus Mozart and completed on 8 August 1774. It is scored for SATB soloists, SATB choir, violin I and II, 3 trombones colla parte, and basso continuo.
The Missa brevis No. 7 in C major, K. 258, is a mass composed by Wolfgang Amadeus Mozart in 1776. It is scored for SATB soloists, SATB choir, violin I and II, 2 oboes, 2 clarini, 3 trombones colla parte, timpani and basso continuo.
Wolfgang Amadeus Mozart composed four litanies in his service as a church musician for the Salzburg Cathedral, two of which are settings of the Litaniae Lauretanae, the Litany of the Blessed Virgin Mary. The other two are settings of the Litaniae de venerabili altaris sacramento, venerating the Eucharist. Mozart composed the works for four soloists, choir, instruments, and continuo. The litanies appeared in Bärenreiter's Neue Mozart-Ausgabe (NMA) in 1969.
Regina coeli, a Marian antiphon, was set by Wolfgang Amadeus Mozart three times during his time at the Salzburg Cathedral. The best-known composition of the Latin Regina caeli for Eastertide is K. 276, a setting for four soloists, choir and orchestra, probably written in 1779. He wrote two earlier settings, K. 108 and K 127, both for soprano, choir and orchestra.
