![]() Book Jacket | |
Author | Mike Davis, Jon Wiener |
---|---|
Audio read by | Ron Butler |
Country | United States |
Language | English |
Genre | History |
Publisher | Verso Books (print), Audible Studios (audiobook) |
Publication date | 2020 (Hardcover, Kindle, and Audiobook) |
Media type | Print, Kindle, Audiobook |
Pages | 800pp., 25 hours and 25 minutes audio. |
ISBN | 978-1784780227 |
Website | Official book website, Set the Night on Fire at Verso Books. |
Set the Night on Fire: L.A. in the Sixties is a best-selling book by Mike Davis and Jon Wiener about Los Angeles in the 1960s. The authors combine archival research and personal interviews with their own experiences in the civil rights and anti-war movements to tell the social history or, as the authors term it, "movement history" [lower-alpha 1] of this transformative decade. [1] [2] The book's purpose is not to present a comprehensive history of 1960s Los Angeles but to dispel the mythology surrounding this era and replace it with the neglected history of the populist social and cultural movements that shifted power away from an entrenched elite and opened up opportunities for radical egalitarian change. [3]
Mike Davis (born 1946) is an American writer, political activist, urban theorist, and historian. He is best known for his investigations of power and social class in his native Southern California. Jon Wiener (born 1944) is an American historian and journalist based in Los Angeles.
The book covers a period of more than ten years beginning at the start of the decade with a description of the Los Angeles of the 1950s and ending with the defeat of Sam Yorty, the powerful Los Angeles mayor by African American city councilman Tom Bradley. During the 1950s, Los Angeles became associated with images of laid-back surf culture, the beatniks, and the celebrity lifestyle; images of Hollywood and Venice Beach filled the minds of individuals when the city of Angeles was mentioned. But behind the scenes, the city was rife with corruption, police violence, and poverty, all while being under the tight control of police chief William H. Parker and Mayor Sam Yorty, who used their unchecked power to rule over the city. By the advent of the 1960s, the mythical image Los Angeles had carefully cultivated was beginning to crack, and the void which was created was filled by the counter-culture movements which would eventually define the decade. [4]
Set the Night on Fire covers a range of movements—the desegregation struggle, the gay rights movement, and the birth of the Black Power movement. The emergence of alternative media, and the stories of draft resisters, activist nuns and priests, and the high school "blowouts" during 1968 in Chicano East Los Angeles are some of the subjects explored. The authors make it clear their intention is not to retell another version of myths of the 1960s. They feel the story of Los Angeles is normally written from the perspective of the elite and wealthy individuals, usually white and male, and those they surrounded themselves with, and the history of Los Angeles has become the myth they projected onto it. Lost in this myth is the vast majority of Los Angeles: the normal working-class citizens and students, the black and brown faces, those marginalized by gender or sexual orientation. These are the individuals who make up the history of Los Angeles in Set the Night on Fire and their parallel and sometimes intersecting movements form its narrative. [1] [5]
The Civil Rights Movement is the primary overall focus of the book. Chapters include essays on Malcolm X and the Nation of Islam (Chapter 4); the inequalities between White and minority communities (Chapters 5–7), with a special focus on the struggle against segregated housing; the roles played by the Congress of Racial Equality, the National Association for the Advancement of Colored People (NAACP), Maulana Karenga and the US Organization, the Student Nonviolent Coordinating Committee (SNCC), and the United Civil Rights Committee; the Watts Uprising and Watts Renaissance (Chapters 13 and 15); the story of Communist Party USA activist Angela Davis (Chapter 27); and the birth of the Chicanx movement in East Los Angeles (Chapters 31-32). [6] [7]
The topics of the press and civil rights intersect in the Watts Uprising. The authors write about the collision:
It wasn't just the editorials in the Times; their reporters in Watts—all white, of course—emphasized the threat from "screaming" mobs of Black "wild men," who were reported to be shouting, "It's too late, white man. You had your chance. Now it's our turn"; "Next time you see us we'll be carrying guns"; and, "We have nothing to lose." The reporter concluded that the mood of Black people in the streets was "sickening." The Freep, for its part, published reports of the uprising written by Blacks—its most significant contribution. One, on the front page, described a corner where four cops were beating a Black man with billy clubs, as a Black crowd gathered, shouting, "Don't kill that man!" Then, "the crowd began to attack the officers." The cops told them, "Go home, niggers." The crowd grew; "The officers first attempted to fight but then ran away." In The Freep's reporting, the Blacks' target was not "whitey" in general; instead they were retaliating against particular LAPD officers who were acting particularly brutally." [lower-alpha 2] [8]
The struggle for women's rights and LGBT equality are covered. The story of police violence at the Black Cat Tavern in 1967 and the resulting burst of LGBT activism in Los Angeles, [7] [5] the founding of The Advocate magazine and the Metropolitan Community Church are covered in Chapter 11, "Before Stonewall: Gay L.A (1964-1970)". While feminism is an ever-present theme in the book, it becomes the focus in chapter 33, "The Many Faces of Women's Liberation (1967-1974)" and the Los Angeles chapter of the National Organization for Women has a prominent place in the narrative, along with the subjects of equal pay and living wages, women's reproductive rights, child care, and prison rehabilitation. The special plight experienced by women of color has a presence throughout the book, but takes a special place here. [6] The subject of religion and its role in the civil rights movement is highlighted by the contrast and struggle between the Metropolitan Community Church, Sister Corita Kent, Father William DuBay, and Cardinal James Francis McIntyre. [5]
The book concludes by returning to the authors' thoughts at the beginning and a summary of the "unrealized hopes of the 1960s"—why the movements achieved what they did and why they failed to achieve all they had hoped to. Jerald Podair writes in the Los Angeles Review of Books ,
But as the authors acknowledge, the unrealized hopes of the 1960s are also rooted in the incompatibilities and inconsistencies of the component parts of the movements themselves. Set the Night on Fire is filled with terrible ifs and might-have-beens. Perhaps the most heartbreaking was the inability of the African-American and Latino communities, each experiencing profound cultural and political change, to forge enduring alliances. As the authors ruefully conclude, 'One can only speculate about how L.A. history might have played out if the Southside and the Eastside had been able to build a common agenda'. [3]
The Las Vegas Raiders are a professional American football team based in the Las Vegas metropolitan area. The Raiders compete in the National Football League (NFL) as a member club of the league's American Football Conference (AFC) West division. The Raiders play their home games at Allegiant Stadium in Paradise, Nevada, and are headquartered in Henderson, Nevada.
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