Seven Days | |
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Also known as | 7 Days |
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Created by |
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Starring | |
Composer | Scott Gilman |
Country of origin | United States |
No. of seasons | 3 |
No. of episodes | 66 (list of episodes) |
Production | |
Production locations |
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Running time | 42 minutes |
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Original release | |
Network | UPN |
Release | October 7, 1998 – May 29, 2001 |
Seven Days, stylized as SEVEN 7 DAYS, is an American science fiction television series based on the premise of time travel. It was created by Christopher and Zachary Crowe, [1] and aired on UPN from October 7, 1998 to May 29, 2001.
The plot follows Frank B. Parker, a former Navy SEAL and CIA operative who was drafted as a member of "Project Backstep", a secret black-ops branch of the US National Security Agency stationed in a base secretly located somewhere in the desert of Nevada called Never Never Land (a play on Area 51, or Groom Lake Flight Test Facilities, also known as Dreamland) responding specifically to national security that would otherwise endanger the safety of America and the world at large, utilizing the "Chronosphere"—an experimental time machine reverse-engineered from alien technology found at Roswell years ago—to avert disasters before it even starts.
The "Chronosphere", otherwise classified as the "Backstep Sphere" or simply "the Sphere", is a blue-colored 16-sided chamfered dodecahedron time machine with a detachable vacuum-sealed hexagonal entry hatch, with its interior housing the control console and its navigation joystick, as well as much of the necessary components independently powering the device's functions. As the opening intro implies, the Chronosphere is designed to send "one human being back in time seven days" to avert disasters, referred to as a "backstep". The show's title refers to the chief limitation of the technology, namely that a "chrononaut" can only backstep seven days due to limitations imposed by the device's fuel source—a transuranic alien substance salvaged from the Roswell crash-site known as "Element-117"—and its external reactor outside of its hangar. As the fuel source is limited, there is a strict mandate that the backstep is confined to events relating directly to national security, though it can replenish itself to a sufficient amount seven days after its usage.
The way the Chronosphere works is that, when sufficiently charged to 100%, the reactor, the gravitational field generators located outside the Chronosphere and Element-117 itself create a time-displacement field around the device before seemingly vanishes from existence in a bright flash of light as it slingshots into a wormhole in space where the time-bending properties of space itself works in tandem with the time-displacement field to send the Chronosphere and its contents backward in time and into Earth as it crashes down for landing. In the process, past iterations of the Chronosphere and its contents fades from existence to prevent further paradoxes as if it was never there, stating that "two instances of the same object cannot occupy the same space".
While it is accurate in traveling through time, navigating the Chronosphere to its destination seven days into the past requires having to use the navigation joystick to maintain and center the Sphere's six gravitational axes (referred to as "flying the needles") as "backstepping" has often proven to be agonizingly painful on a physical and psychological level during its transit, sometimes leading to fatal worst-case scenarios should the chrononaut prematurely let go of the joystick before the transit is complete such as being stuck in space or phased into the ground.
However, being a reverse-engineered experimental tech based on alien technology, the Chronosphere tends to suffer from a variety of malfunctions, either due to the unpredictable properties of Element-117 or the untested nature of the device itself, as the recurring element of the show has Parker and/or Project Backstep having to prevent any given crisis under the limitations of the Sphere's unpredictable effects, ranging from causing time loops (one of which is in the vein of Run Lola Run ), intercepting a soul on its way to the afterlife that results in the Chronosphere creating a black hole in its hull, reverting one's mind to a child-like state, being stuck in the body of a Pope, separating one's soul from its body, transporting into a parallel universe, and splitting the chrononaut into two opposing halves, among many others.
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Three seasons of Seven Days were produced. All three seasons have been shown in North America, and by the BBC in the United Kingdom.
Seven Days was based on an idea from Kerry McCluggage, then-president of Paramount Television. He pitched the idea to Christopher Crowe, who mixed it with his own research on Area 51 to create the series. The show wasn't a hit with reviewers, who criticized the show's "flimsy" premise and violence. [1]
Original cast member Sam Whipple, who played Dr. John Ballard, left the series four episodes into the third season, due to diagnosis of a cancer that was eventually fatal. He was replaced by Kevin Christy as young physics prodigy Andrew "Hooter" Owsley for the rest of the season. [1]
Justina Vail, who played Dr. Olga Vukavitch, quit the series before the end of the third season, though she agreed to film a few extra scenes to wrap-up her character's arc. Her departure and the tensions within the cast, as well as the show's low ratings, played a role in UPN's decision to not renew the series for a fourth season. [1] Vail's final episode was the series' penultimate episode Born in the USSR although she was seen as usual in the title sequence from the final episode Live: From Death Row.
On November 26, 2018, Visual Entertainment released the complete series on DVD in Region 1 for the first time. [2]
Seven Days was nominated for six awards, winning one. [3] [1] [4] [5] Actress Justina Vail won a Saturn Award in 2000 for her performance on the show. [1]
Year | Award | Organization | Category | Nominee | Result | Ref. |
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1998 | ADG Excellence in Production Design Award | Art Directors Guild | Excellence in Production Design for a Television Series | Carol Winstead Wood, Eric Orbom, Gregory A. Weimerskirch, Beala Neel | Nominated | [3] |
1999 | Saturn Award | Academy of Science Fiction, Fantasy and Horror Films | Best Genre Network Series | Production team | Nominated | [1] |
Best Genre TV Actor | Jonathan LaPaglia | Nominated | [1] [4] | |||
2000 | Saturn Award | Academy of Science Fiction, Fantasy and Horror Films | Best Genre TV Supporting Actress | Justina Vail | Won | [1] |
Best Network Television Series | Production team | Nominated | [1] | |||
2001 | Golden Reel Award | Motion Picture Sound Editors | Best Sound Editing - Television Episodic - Effects & Foley; Episode: "Tracker" | Wilson Dyer, Kevin Fisher, Jay Keiser, Todd Niesen | Nominated | [5] |