Smash Your Head Against the Wall | ||||
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Studio album by | ||||
Released | May 1971 | |||
Recorded | November 1970 and January 1971 | |||
Studio | Trident Studios (Soho, London) | |||
Genre | ||||
Length | 37:34 | |||
Label | ||||
Producer | John Entwistle | |||
John Entwistle chronology | ||||
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Singles from Smash Your Head Against the Wall | ||||
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Smash Your Head Against the Wall is the debut solo studio album by the English rock musician John Entwistle, released in May 1971 by Track Records in the UK and Decca Records in the US. Smash Your Head Against the Wall was the first solo album by any member of rock band the Who, born out of Entwistle's frustrations within the band, namely not having as many of his songs featured on their albums as he would've liked, and it features a guest appearance by the Who's drummer Keith Moon on one track ("No. 29 (External Youth)"), as well as strong musical influences from the band's work. [1] [2]
Entwistle self-produced the album and it was recorded at Trident Studios in Soho, London over 2 weeks, with a young Roy Thomas Baker engineering the album (his first work). Baker would later become known for his work as a producer for the rock band Queen, and the same studio piano that was used by Entwistle during the sessions for this album was later used by Freddie Mercury on "Bohemian Rhapsody". [3] The album peaked at No. 126 on the US Billboard 200 but it failed to chart in his home country.
The album was initially remastered and re-issued in 1996 by Repertoire Records, featuring one bonus track, a cover of Neil Young's "Cinnamon Girl", that was only previously available as a bootleg. The album was later remastered and re-issued again in 2005 by Sanctuary Records but this time featuring more extensive rare bonus content; the bonus content this time consists of three unreleased demos of songs that didn't make it onto the album (amongst them is "It's Hard to Write a Love Song" which would later be reworked into the song "Drowning" for his 1975 studio album Mad Dog ) as well as four demos of songs featured on the album, an early take of "My Size", and "Cinnamon Girl" from the previous re-issue. It was reissued again in early 2024 as part of a CD boxed set comprising Entwistle's six solo albums; a vinyl reissue, its first since 1981, followed in May 2024. [4]
The macabre cover artwork was concocted by Entwistle and photographer Graham Hughes, cousin of the Who's lead vocalist Roger Daltrey. It depicts Entwistle's face whilst wearing a death mask, transposed against an X-ray picture of the lungs of a terminal heart patient, obtained from Entwistle's doctor at the time. It has been compared to the cover of the studio album Vintage Violence (1970) by the Welsh rock musician John Cale. [5] The gatefold cover features the X-ray of a pregnancy test, maintaining the "life vs. death" theme. [3] And the back cover features one of Entwistle's Irish Wolfhounds lying down with a human skull.
The album features a remake of Entwistle's Who live classic "Heaven and Hell" with the band's on and off roadie Dave "Cyrano" Langston, who had encouraged Entwistle to make the album and provided some acid-drenched guitar. Langston was even thought to be the Who's guitarist Pete Townshend under a pseudonym. Cyrano would later explain that he had been more influenced by Joe Walsh than anybody else, especially by his work with the James Gang, who had themselves actually been influenced by the Who, and had also been a opening act for the band. [3] Walsh himself would later play guitar on all of the tracks to Entwistle's fifth solo studio album, Too Late the Hero (1981).
When Entwistle was asked about his first single, "I Believe in Everything", in comparison with the tone of rest of the album, he said:
I've been saying a lot of stuff that I didn't really believe in. I sort of wrote it for the heads, really, the people thinking, "ah, so that's where Entwistle's brain's at, he really sort of believes in the devil and hell and all that sort of business." So I wrote a number that touches on reincarnation, then goes into the absurd, with Father Christmas and the whole bit and right at the end just to prevent the heads from thinking that I did believe in everything like I was saying, 'cause they always seem to believe that you actually believe in your own words. I believe in some of them but not all of them, so I just wrote the joke in to throw them off, and it's done it. [6]
Pete Townshend went onto say that "We learned more from John making his album than we had in all the years he'd played bass with us. Because he did it and it spoke to us. [7]
The UK album differs from the US version. Entwistle remixed "What Are We Doing Here?" and the vocals sound quite different. Entwistle had not been fully satisfied with his initial vocal track, so in early 1971, he re-recorded his lead vocals, while leaving the original harmony vocals untouched. This version was originally released on the US version of the album in 1971, and later appeared as a bonus track on the 1996 Repertoire Records remaster of the album.
Review scores | |
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Source | Rating |
AllMusic | [8] |
Christgau's Record Guide | B [9] |
The Rolling Stone Album Guide | [10] |
Writing for The Village Voice , music journalist Robert Christgau gave the album a B, and described Entwistle as "an important source of the fucked-up Calvinism that has always added that peculiar note of constraint to the Who", while adding that "These paeans of resentment and frustration climax thematically in songs called "Heaven and Hell" and "You're Mine" (starring John as Satan). But the music—not the melodies, the singing and playing—adds some not-so-peculiar constraints of its own." [9]
In a retrospective review for AllMusic, critic Cub Koda wrote of the album, "Musically, it has much of a Who flavor to it, with the strong guitar work, lumbering drums and basslines that define the music. But Entwistle's many talents (he contributes an entire horn section to "Pick Me Up") surface on this debut disc, and his preoccupation with darker subject matter ("Heaven and Hell," "My Size," and "You're Mine") is well to the fore", adding that "Compared to this, Townshend's grimmest Who material sounds like a romp in the park. Potent stuff." [8]
All tracks written and composed by John Entwistle, except where indicated.
Side one
Side two
1997 bonus tracks
2005 bonus tracks
Credits are adapted from the Smash Your Head Against the Wall liner notes. [11]
Musicians
Production and artwork
Chart | Peak position |
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US Billboard 200 [12] | 126 |
John Alec Entwistle was an English musician who was the bass guitarist for the rock band the Who. Entwistle's music career spanned over four decades. Nicknamed "The Ox" and "Thunderfingers", he was the band's only member with formal musical training and also provided backing and occasional lead vocals. Entwistle was inducted into the Rock and Roll Hall of Fame as a member of the Who in 1990.
Who's Next is the fifth studio album by the English rock band the Who, released on 2 August 1971. It developed from the aborted Lifehouse project, a multi-media rock opera conceived by the group's guitarist Pete Townshend as a follow-up to the band's 1969 album Tommy. The project was cancelled owing to its complexity and to conflicts with Kit Lambert, the band's manager, but the group salvaged some of the songs, without the connecting story elements, to release as their next album. Eight of the nine songs on Who's Next were from Lifehouse, with the lone exception being the John Entwistle-penned "My Wife". Ultimately, the remaining Lifehouse tracks would all be released on other albums throughout the next decade.
A Quick One is the second studio album by the English rock band the Who, released on 9 December 1966. A version of the album with an altered track listing was released under the name Happy Jack on Decca Records in April 1967 in the United States, where the song "Happy Jack" was a top 40 hit.
My Generation is the debut studio album by English rock band the Who, released on 3 December 1965 by Brunswick Records in the United Kingdom, and Festival Records in Australia. In the United States, it was released on 25 April 1966 by Decca Records as The Who Sings My Generation, with a different cover and a slightly altered track listing. Besides the members of the Who, being Roger Daltrey (vocals), Pete Townshend (guitar), John Entwistle (bass) and Keith Moon (drums), the album features contributions by session musician Nicky Hopkins (piano).
It's Hard is the tenth studio album by English rock band the Who. Released in September 1982, it was the final Who album to feature bassist John Entwistle, who died in 2002. It was also the second and final Who studio album with drummer Kenney Jones, as well as the last to be released on Warner Bros. Records in the US. It was released on Polydor Records in the UK, peaking at No. 11, and on Warner Bros. in the US where it peaked at No. 8 on the Billboard Pop Albums chart. The US rights to both this album and Face Dances subsequently reverted to the band, who then licensed them to MCA Records for reissue. The album achieved gold status by the RIAA in the US in November 1982. It was their last album for over two decades until Endless Wire in 2006.
Who Are You is the eighth studio album by the English rock band the Who, released on 21 August 1978 by Polydor Records in the United Kingdom and MCA Records in the United States. Although the album received mixed reviews from critics, it was a commercial success, peaking at number 2 on the US charts and number 6 on the UK charts.
Odds & Sods is an album of studio outtakes by British rock band the Who. It was released by Track Records in the UK and Track/MCA in the US in October 1974. Ten of the recordings on the original eleven-song album were previously unreleased. The album reached No. 10 on the UK charts and No. 15 in the US.
"Won't Get Fooled Again" is a song by the English rock band the Who, written by guitarist and primary songwriter Pete Townshend. It was released as a single in June 1971, reaching the top 10 in the UK, while the full eight-and-a-half-minute version appears as the final track on the band's 1971 album Who's Next, released that August. In the US, the single entered Billboard on 17 July, reaching No. 15.
Who Came First is the debut studio album by the English musician Pete Townshend, released in 1972 on Track Records in the UK and Track/Decca in the US.
"My Wife" is a song by the English rock band the Who, written and sung by bass guitarist John Entwistle. It was originally released in 1971 on Who's Next and later as the B-side of the single "Baba O'Riley" on 6 November 1971 in Europe by Polydor Records.
Whistle Rymes is the second solo studio album by the English rock musician John Entwistle, released on 3 November 1972 by Track Records in the UK and on 4 November 1972 by Decca Records in the US. Entwistle co-produced the album with John Alcock, his first work with a producer after self-producing his debut studio album, Smash Your Head Against the Wall (1971), and it was recorded at Island Studios in West London's Notting Hill district. The album features guitar contributions from both Peter Frampton and Jimmy McCulloch.
Rigor Mortis Sets In is the third solo studio album by the English rock musician John Entwistle, who was the bassist for the Who at that time. Distributed by Track Records, the album was named John Entwistle's Rigor Mortis Sets In in the US. The second album to be co-produced by Entwistle and John Alcock, it consists of two 1950s rock and roll covers, one 1960s cover, a new version of the Entwistle song "My Wife" from the Who's fifth studio album Who's Next (1971), and new tracks. Rigor Mortis Sets In set in motion Entwistle assembling his own touring unit during the increasing periods of the Who's inactivity.
Too Late the Hero is the fifth and final solo studio album by the English rock musician John Entwistle, released on 23 November 1981 by ATCO Records in the US, and by WEA in the UK. This was his only solo studio album of the 1980s and his last album to chart. The album peaked at No. 71 on the US Billboard 200, making it his best-selling album and his only album to reach the top 100.
"Boris the Spider" is a song written by the Who's bass guitarist, John Entwistle. It appears as the second track of their 1966 album A Quick One. This song is claimed to be Entwistle's first composition, and became a staple of live shows. This song, along with "My Wife", "Heaven and Hell" and "The Quiet One", were Entwistle's most popular songs to perform live. Though this song was popular, it was not released as a single in the US or UK. In Japan, "Boris the Spider" was released as the B-side to "Whiskey Man" in 1967.
Who's Last is the second live album by British rock band The Who, recorded in 1982 during what was then billed as the band's "farewell tour". Thus, this album, released in 1984, was to be the band's last album.
Rock Is Dead—Long Live Rock was the title of an unreleased 1972 autobiographical album by the British rock band The Who. In the liner notes for the Who's 1974 rarities collection Odds & Sods, guitarist and lead songwriter Pete Townshend said, "I had an idea once for a new album about the history of The Who called Rock Is Dead—Long Live Rock. That idea later blossomed into Quadrophenia." The sessions for the album spanned from 19 May to 6 June at Olympic Studios in London. Rock Is Dead—Long Live Rock was to be produced by The Who and Glyn Johns and scheduled for release in October 1972, but although the album was nearly completed the band felt as though it sounded too much like their 1971 LP Who's Next. Townshend later stated that Rock Is Dead—Long Live Rock was also going to be a TV special about The Who.
McVicar is the soundtrack to the film McVicar and the fourth solo studio album by Roger Daltrey, the lead vocalist for the Who. The film, a biopic of the English bank robber John McVicar, was produced by Daltrey and also featured him in the starring role as John McVicar himself. All of the then-members of the Who played on the album.
"It's Hard" is a song written by Pete Townshend that featured on British rock band The Who's tenth album, It's Hard, of which it was the title track. It was released as the third and final vinyl single from the album in 1983, backed with the John Entwistle written song "Dangerous", but failed to chart, although it reached number 39 on the Billboard Hot Mainstream Rock Tracks. This would become the last Who single of new material until "Real Good Looking Boy" in 2004, and the last album single by them until "Black Widow's Eyes", two years later.
"My Size" is a song by John Entwistle. The song is the first track on his debut solo album Smash Your Head Against the Wall and ends with the main riff from one of Entwistle's popular compositions, "Boris the Spider". "My Size" was released as a promotional single in 1971.
"I Believe in Everything" is a song by John Entwistle. "I Believe in Everything" was released as a single in 1971. The B-side was "My Size". The song also appears on Entwistle's debut solo album, Smash Your Head Against the Wall. When Entwistle was asked about the song in comparison to the rest of the album, he said:
I've been saying a lot of stuff that I didn't really believe in. I sort of wrote it for the heads, really, the people thinking, "ah, so that's where Entwistle's brain's at, he really sort of believes in the devil and hell and all that sort of business." So I wrote a number that touches on reincarnation, then goes into the absurd, with Father Christmas and the whole bit and right at the end just to prevent the heads from thinking that I did believe in everything like I was saying, 'cause they always seem to believe that you actually believe in your own words. I believe in some of them but not all of them, so I just wrote the joke in to throw them off, and it's done it.
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