St Olave's Church, Hart Street

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St Olave, Hart Street
St Olave Church.jpg
St Olave's Church, Hart Street
LocationLondon, EC3
CountryUnited Kingdom
Denomination Church of England
Website www.saintolave.com
Architecture
Heritage designationGrade I listed building
Style Perpendicular Gothic
Years built1450
Specifications
Bells8 – Hung for full circle ringing
Administration
Diocese London
Archdeaconry Archdeaconry of London
Deanery City of London Deanery
Parish St Olave Hart Street

St Olave's Church, Hart Street, is a Church of England church in the City of London, located on the corner of Hart Street and Seething Lane near Fenchurch Street railway station.

Contents

John Betjeman described St Olave's as "a country church in the world of Seething Lane." [1] The church is one of the smallest in the city and is one of only a handful of medieval City churches that escaped the Great Fire of London in 1666. [2] In addition to being a local parish church, St Olave's is the Ward Church of the Tower Ward of the City of London. [3]

History

The church is first recorded in the 13th century as St Olave-towards-the-Tower, a stone building replacing the earlier (presumably wooden) construction. [4] It is dedicated to the patron saint of Norway, King Olaf II of Norway, [5] who fought alongside the Anglo-Saxon King Æthelred the Unready against the Danes in the Battle of London Bridge in 1014. He was canonised after his death and the church of St Olave's was built apparently on the site of the battle. [2] The Norwegian connection was reinforced during the Second World War when King Haakon VII of Norway worshipped there while in exile.

Saint Olave's was rebuilt in the 13th century and then again in the 15th century. The present building dates from around 1450. [6] According to John Stow's Survey of London (1603), a major benefactor of the church in the late 15th century was wool merchant Richard Cely Sr. (d. 1482), who held the advowson on the church (inherited by his son, Richard Cely Jr.). On his death, Cely bequeathed money for making the steeple and an altar in the church. The merchant mark of the Cely family was carved in two of the corbels in the nave (and were extant until the bombing of World War II). No memorial to the Celys now remains in the church. [7]

Saint Olave's survived the Great Fire of London with the help of Sir William Penn, the father of the more famous William Penn who founded Pennsylvania, and his men from the nearby Naval yards. He had ordered the men to blow up the houses surrounding the church to create a fire break. [8] [9] The flames came within 100 yards or so of the building, but then the wind changed direction, saving the church and a number of other churches on the eastern side of the city. [3]

The church was a favourite of the diarist Samuel Pepys, whose house and Royal Navy office were both on Seething Lane. A regular worshipper, he referred to St. Olave's in his diary affectionately as "our own church" [10] In 1660, he had a gallery built on the south wall of the church and added an outside stairway from the Royal Navy Offices so that he could go to church without getting soaked by the rain. The gallery is now gone but a memorial to Pepys marks the location of the stairway's door. In 1669, when his beloved wife Elisabeth died from fever, [11] Pepys had a marble bust of her made by John Bushnell and installed on the north wall of the sanctuary so that he would be able to see her from his pew at the services. In 1703, he was buried next to his wife in the nave. [2] [12]

The famous gateway to Saint Olave's churchyard, described by Dickens as "Saint Ghastly Grim". It is dated 11 April 1658 and the Latin text is from Saint Paul's Epistle to the Philippians, chapter 1 verse 21: "For to me to live is Christ and to die is gain". Skulls on Seething Lane (Gateway of St Olave, Hart Street).JPG
The famous gateway to Saint Olave's churchyard, described by Dickens as "Saint Ghastly Grim". It is dated 11 April 1658 and the Latin text is from Saint Paul's Epistle to the Philippians, chapter 1 verse 21: "For to me to live is Christ and to die is gain".

In his 1861 work, The Uncommercial Traveller , Charles Dickens described the 17th century gateway of Saint Olave's churchyard, which has skulls and crossbones carved in its tympanum, as being "one of my best beloved churchyards, I call the churchyard of Saint Ghastly Grim" and recounts once visiting it after midnight during a thunderstorm to see the skulls "having the air of a public execution". [13]

However, the church was gutted by German bombs in 1941 during the London Blitz, [14] and was restored in 1954, with King Haakon returning to preside over the rededication ceremony, during which he laid a stone from Trondheim Cathedral in front of the sanctuary.

Between 1948 and 1954, when the restored St Olave's was reopened, a prefabricated church stood on the site of All Hallows Staining. This was known as St Olave Mark Lane. The tower of All Hallows Staining was used as the chancel of the temporary church.

The church was designated a Grade I listed building on 4 January 1950. [15] St Olave's has retained long and historic links with Trinity House and the Clothworkers' Company.

Architecture

Interior of St Olave's Church St Olave Church, Hart Street Interior, London, UK - Diliff.jpg
Interior of St Olave's Church

St Olave's has a modest exterior in the Perpendicular Gothic style. [1] with a somewhat squat square tower of stone and brick, the latter added in 1732. It is famous for the macabre 1658 entrance arch to the churchyard, which is decorated with grinning skulls. [16] The novelist Charles Dickens was so taken with this that he included the church in his book of sketches The Uncommercial Traveller , renaming it "St Ghastly Grim". [17]

The interior of St Olave's only partially survived the wartime bombing; much of it dates from the restoration of the 1950s. It is nearly square, with three bays separated by columns of Purbeck limestone supporting pointed arches. The roof is a simple oak structure with bosses. Most of the church fittings are modern, but there are some significant survivals, such as the monument to Elizabeth Pepys [18] and the pulpit, said to be the work of Grinling Gibbons. Following the destruction of the organ in the Blitz, the John Compton Organ Company built a new instrument in the West Gallery, fronted by a large wooden grille; this organ, and the Rectory behind, is ingeniously structured between church and tower.

In the tower, there was a memorial with an American connection. It honors Monkhouse Davison and Abraham Newman, the grocers of Fenchurch Street who shipped crates of tea to Boston in late 1773. These crates were seized and thrown into the waters during the Boston Tea Party, one of the causes of the American War of Independence. [12]

Perhaps the oddest "person" said to be buried here is the "Pantomime character" Mother Goose. Her burial was recorded by the parish registers on 14 September 1586. [19] A plaque on the outside commemorates this event. The churchyard is also said to contain the grave of one Mary Ramsay, popularly believed to be the woman who brought the Plague to London in 1665. [20] The parish registers have the record of her burial, which was on 24 July 1665. Thereafter, in the same year, the victims of the Great Plague were marked with a 'p' after their names in the registers. [2] [21]

Bells

On the east side of St Olave's, there is a stained glass window depicting Queen Elizabeth I standing with two tall bells at her feet. She held a thanksgiving service at St Olave's on Trinity Sunday, 15 May 1554, while she was still Princess Elizabeth, to celebrate her release from the Tower of London. [22] She had originally given bell-ropes of silk to the All Hallows Staining Church because its bells had rung the loudest of all London bells on the day of her freedom, but, when All Hallows Staining was merged with St. Olave's in 1870, the bell-ropes went with it. [23]

On 11 May 1941, an incendiary bomb was dropped by the Luftwaffe on the tower of the church. The tower, along with the baptistry and other buildings, was burned out and the furnishings and monuments destroyed. The heat was so great that even the peal of the eight bells were melted "back into bell metal". In the early 1950s, the bell metal was recast into new bells by the same foundry that created the original bells – the Whitechapel Bell Foundry, in 1662 and 1694. [24] The new bells were then hung in the rebuilt tower.

There are currently nine bells at St Olave's Hart Street consisting of one Sanctus bell and a ring of eight bells hung for full circle ringing, with the tenor of the eight weighing 11–3–23. [25] The bells are usually rung for practices, which take place on Thursday evenings between 7:00 pm and 8:30 pm during term time, and for Sunday service between 12:20 pm and 13:00 pm every Sunday. [26] The bells are currently rung by the University of London Society of Change Ringers (ULSCR) who have a healthy band consisting of past and present members of London Universities, along with other regular supporters.

Organ

An organ was built by Samuel Green and finished in 1781. [27] Organists include Mary Hudson, William Shrubsole, and John Turene – all appointed 21 December 1781. [27]

The 1781 organ was destroyed in the Blitz in 1941. After the war, a new organ was built behind a wooden grille in the west gallery by the John Compton Organ Company in 1954. It was built on the extension principle with six ranks. in 1957 three additional ranks were added. It now has 43 stops controlled from a drawstop console in the west gallery . [28]

Peter Turner

The memorial effigy of Peter Turner at St Olave Hart Street Church in 2014 Peter Turner Bust, St Olave Hart St Church, London, UK - Diliff.jpg
The memorial effigy of Peter Turner at St Olave Hart Street Church in 2014

Peter Turner was a notable physician in the 16th and early 17th century and adherent of Paracelsus, and was buried in the church along with his father William Turner, also a famed physician and naturalist. When he died in 1614, a memorial bust was crafted and placed in the south-east corner of the church. When the church was gutted during the Blitz, the bust went missing. It was not seen until April 2010 when it reappeared at a UK art auction. When it was recognised, the sale was frozen and negotiations took place via the Art Loss Register to return the bust to the church. It was finally returned to its original location within St Olave's in 2011 after an absence of more than 70 years. [29] [30]

Notable people associated with the church

See also

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References

  1. 1 2 John Betjeman, City of London Churches (London: Pitkin Publishing, 1993), ISBN   978-0-85372-565-7.
  2. 1 2 3 4 Christopher Hibbert, Benjamin Weinreb, Julia Keay and John Keay, The London Encyclopaedia, 3rd Revised Edition (London: Macmillan, 2008), ISBN   978-1-4050-4924-5, pages 802-803.
  3. 1 2 St. Olave's Church Website Archived 30 March 2010 at the Wayback Machine . Retrieved 11 December 2009.
  4. Herbert Reynolds, The Churches of the City of London (London: John Lane the Bodley Head, 1922).
  5. "The City Churches" Tabor, M. p41:London; The Swarthmore Press Ltd; 1917
  6. "The City of London Churches: monuments of another age" Quantrill, E; Quantrill, M p40: London; Quartet; 1975
  7. Alison Hanham, The Celys and Their World: An English Merchant Family of the Fifteenth Century (Cambridge: Cambridge University Press, 2002), ISBN   978-0-521-52012-6, pages 7 and 318.
  8. Winn (2007) , p. 10
  9. Samuel Pepys, author, and Robert Latham and William Matthews, editors, The Shorter Pepys (Berkeley, California: University of California Press, 1985), page 665. On 5 September 1666, Pepys wrote, "But going to the fire, I find by the blowing up of houses and the great help given by the workmen out of the King's yard sent up by Sir W. Pen, there is a good stop given to it . . . "
  10. Claire Thomalin, Pepys: the Unequalled Self (London: Viking, 2002), ISBN   0-670-88568-1.
  11. Bannerman (1916) , p. 208. Samuel Pepys is not in this book because it stops the list of burials at 1700, three years before his death.
  12. 1 2 Winn (2007) , p. 11
  13. Mead, Lucy Aimes (2020). Milton's England. Frankfurt am Main: Outlook Verlag GmbH. p. 70. ISBN   978-3752439076.
  14. Gerald Cobb, The Old Churches of London (London: B. T. Batsford Ltd., 1942).
  15. Historic England. "Details from listed building database (1064676)". National Heritage List for England . Retrieved 23 January 2009.
  16. Simon Bradley and Nikolaus Pevsner, London: the City Churches (New Haven: Yale University Press, 1998), ISBN   0-300-09655-0.
  17. Charles Dickens, "Chapter XXIII: The City of the Absent", The Uncommercial Traveller (New York City: Hurd and Houghton, 1869), page 329.
  18. Tony Tucker, "The Visitors Guide to the City of London Churches" (London: Friends of the City Churches, 2006), ISBN   978-09553945-0-8.
  19. Bannerman (1916) , p. 120
  20. Cambridgeshire Collection – History on the Net
  21. Bannerman (1916) , p. 200. Mary was, according to the registers, "ye first reported to dye of ye plague in this push since this visitac'on, p.: new ch. y'd.".
  22. Rev. Alfred Povah, The Annals of the Parishes of St. Olave Hart Street and All Hallows Staining, in the City of London (London: Blades, East & Blades and Simpkin, Marshall, Hamilton, Kent Co., Ltd., 1894), pages 305–306.
  23. Hunt (1967) , p. 42
  24. Hunt (1967) , pp. 41–42
  25. Love, Dickon. "Church Bells of the City of London – ST OLAVE, Hart Street" . Retrieved 21 February 2012.
  26. "University of London Society of Change Ringers" . Retrieved 21 February 2012.
  27. 1 2 Dawe, Donovan (1983). Organists of the City of London, 1666–1850: a record of one thousand organists with an annotated index. D. Dawe. p.  62. ISBN   978-0-9509064-0-9.
  28. Plumley, Nicholas (1996). The Organs of the City of London. Oxford: Positif Press. p. 115. ISBN   0 906894 06 9.
  29. "Peter Turner returns to St Olave's after 70 years in exile". Sanctuary in the City. Retrieved 9 June 2014.
  30. "Turner effigy reinstalled in St Olave's". Sanctuary in the City. Retrieved 9 June 2014.
  31. Blackwood, Nicole, "Meta Incognita: Some hypotheses on Cornelis Ketel's lost English and Inuit portraits". Nederlands Kunsthistorisch Jaarboek 66 (1), 28-53 (see p. 40).
  32. Bannerman (1916) , p. 12
  33. "St. Olave's Churchyard Needs You Archived 2010-03-30 at the Wayback Machine ", St Olave's & St Katherine Cree: Churches with London at heart. Retrieved 13 January 2014.
  34. Bannerman (1916) , pp. 14, 15, 17, 117, 128, 129, 251, 252, 254, 255
  35. Bannerman (1916) , p. 141
  36. Bannerman (1916) , p. 132: "Mr. Anthonye Bacon, buried in the chanc'll within the vallt."
  37. Bannerman (1916) , p. 14. Robert, Lord Hereford, was baptized on 22 January 1590. In that year, the New Year did not begin until March so he was actually born in 1591.
  38. Ann Lady Fanshawe, The Memoirs of Ann Lady Fanshawe, Wife of the Right Honble. Sir Richard Fanshawe, Bart., 1600–72, Reprinted from the Original Manuscript in the Possession of Mr. Evelyn John Fanshawe of Parsloes, with Four Photogravure Portraits & Twenty-Nine Other Reproductions (London: John Lane the Bodley Head, 1907), page 17.
  39. Bannerman (1916) , p. 36

Bibliography

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