Editor | Paul Bradshaw, Neil Spencer, Kathryn Willgress |
---|---|
Staff writers | Paul Bradshaw, Kathryn Willgress, Amar Patel, Sue Steward, Jez Nelson, Max Reinhardt, Annie Peel, Damien Rafferty, Joanna Funk-Reid, Vivien Goldman, Pauline Melville, Gilles Peterson, Teju Adeleye, Jody Gillett, Menelik Mimano, Tina Edwards, James Lavelle, Livingstone Marquis, Ross Allen |
Photographer | Peter Williams, Ian Wright, Andy Martin, Suki Dhanda, Frederik Voisin, Liz Johnson-Arthur, Alice Arnold, Pav Modelski, Steven Cropper, Antonio Mattesini, Goswin Schwendinger |
Categories | Cultural magazine |
Frequency | 1988–1991: quarterly 1992–2007: pentannual 2017–present: annually |
Circulation | Volumes 1 & 2: 10–20,000 Later volume: unknown (limited edition) |
Publisher | Paul Bradshaw |
Founder | Paul Bradshaw, Neil Spencer, Kathryn Willgress |
Founded | June 1988 |
First issue | Volume 1: 1988 Volume 2: 1998 Later volume: 2017 |
Final issue | Volume 1: 1998 Volume 2: 2007 Later volume: 2018 |
Country | United Kingdom |
Based in | London |
Website | http://chimurengalibrary.co.za/straight-no-chaser |
Straight No Chaser is a British music magazine based in London. Originally published between 1988 and 2007, it restarted publishing in mid-2017 in a limited edition format, released once a year. The magazine covers various forms of black music and electronic music.
The magazine was founded by journalists Paul Bradshaw, Neil Spencer, and Kathryn Willgress to cover music of black origin including hip hop, dance, reggae, Latin and African styles that were largely ignored by mainstream media. It emerged in June 1988 coinciding with the Second Summer of Love. [1]
It was published in the UK and distributed for sale across Britain, much of Europe, metropolitan areas of the US and Japan. Claiming to be the first magazine to be designed and laid out exclusively on Apple Mac computers, the first few issues were designed by Ian "Swifty" Swift at Neville Brody's studio where he worked as assistant designer of influential culture magazine, The Face . Starting out as a quarterly, the team then moved to 43B Coronet Street, Shoreditch, London, N1 6HD. It moved to pent annually (5 times) a year from 1992, however the actual number of issues released would fluctuate year on year and it didn't have a regular release date, so regular purchasers of the magazine often had to keep an eye out for its release when it happened. [2] It also had a slightly differing version that was published and distributed for sale separately in Japan. Occasionally a covermount CD or tape was also included with the magazine, sometimes either only for a limited number of copies or for its initial print run for that issue, but other times only for sale on the Japanese edition.
In July 1998, to celebrate the magazine's tenth birthday, Paul Bradshaw gathered all of the current contributors for a photograph with photographer Peter Williams. In tribute to Art Kane's famous 1958 group portrait of New York jazz players, A Great Day in Harlem , the photo was named A Great Day in Hoxton. [3] Alongside prominent music business faces such as Gilles Peterson and James Lavelle were many talented designers, fashion professionals, writers, dancers, and fellow photographers. [3]
SNC magazines' main slogan was "Interplanetary Sounds: Ancient To Future", which basically meant it covered Jazz music at the centre, with other black music's from around the world—especially soulful electronic music—forming the core of its focus. While most of the magazine contained charts from eminent DJ's on the scene (including a regular chart from Bradshaw's DJ friends James Lavelle, Dave Hucker, Ross Allen, and Gilles Peterson) [4] or articles on underground music scenes around the world, it also had an eye on contemporary artwork, and underground fashionable trends in and outside various music communities usually not generally well-known about outside of the world's big urban centres (London, Paris, Tokyo, New York, San Francisco, et al.). Alongside cutting-edge graphics, the magazine championed the works of emerging writers, photographers, and illustrators as well as providing an alternative context for world-renowned writers including Commonwealth Writers' Prize winner Pauline Melville, and Booker Prize winner Michael Ondaatje.
The magazine was often compared with the US magazine publication Wax Poetics , which came along later, and arguably copied Straight No Chaser's style in some design and content ways.
The original magazine had 92 issues, released across two volumes of 46 issues in each: the first volume from 1988 to 1998, the second from 1998 to the last edition in 2007. In 2017, a new volume of the magazine was released, with three issues being released so far.
Photo cover artists featured on the first volume issues:
Photo cover artists featured on the second volume issues:
Photo cover artists featured on the later volume issues:
For various reasons, not least declining magazine sales with the spread of internet usage and thus a loss in its advertising revenues, plus the changing affects in the general music culture from vinyl and CD collecting to more digital downloading and streaming, Bradshaw decided to shut the original magazine down in 2007, with the last issue being number 46 from volume 2, the Summer edition released around August that year. [8] [9]
No digital versions (pdf, ePub, or similar, format) of the magazine were ever released, and there have so far been no plans to reissue them as such.
In January 2017, a relaunch was announced [10] with sales of the first issue (strangely sold as "issue 98") going live online on 1 September 2017, [11] with a second issue (sold as "issue 99") released in September 2018., [12] and third issue ("issue 100") released in September 2019 [13]
4hero are an electronic music group from Dollis Hill, London, comprising producers Mark "Marc Mac" Clair & Denis "Dego" McFarlane. While the band is often cited as 4 Hero or 4-Hero, the name is stylised as 4hero on their albums and website. 4hero are known for being pioneers of breakbeat hardcore, jungle/drum and bass, broken beat and nu jazz music.
Gilles Jérôme Moehrle MBE, better known as Gilles Peterson, is a French broadcaster, DJ, and record label owner. He founded the influential labels Acid Jazz and Talkin' Loud, and started his current label Brownswood Recordings in 2006. He was awarded an honorary MBE in 2004, the AIM Award for Indie Champion and the Mixmag Award for Outstanding Contribution To Dance Music in 2013, the PRS for Music Award for Outstanding Contribution to Music Radio in 2014, and The A&R Award from the Music Producers Guild in 2019.
Oliver Wakeman is an English musician, rock keyboardist and composer, best known as a member of Yes from 2008 to 2011, having filled the role of keyboardist previously held by his father, Rick Wakeman.
Jazzanova is a German Berlin-based DJ/producer collective consisting of Alexander Barck, Claas Brieler, Jürgen von Knoblauch, Roskow Kretschmann, Stefan Leisering, and Axel Reinemer. Formed in 1995, the group's music is characterized by nu jazz, chill-out, as well as Latin jazz styles. They founded the record label Sonar Kollektiv in 1997.
Ursula Desire Rucker is an American spoken word recording artist. Rucker is known for a diverse repertoire, and for using techniques that catch her listeners' attention.
Covermount is the name given to storage media or other products packaged as part of a magazine or newspaper. The name comes from the method of packaging; the media or product is placed in a transparent plastic sleeve and mounted on the cover of the magazine with adhesive tape or glue.
Critters Buggin is a Seattle, Washington-based instrumental group which performs in a jazz, rock and African-influenced, eclectic style. The band is composed of Matt Chamberlain, Skerik, Brad Houser and Mike Dillon.
Night Train is an album by the Oscar Peterson Trio, released in 1963 by Verve Records. The album includes jazz, blues and R&B standards, as well as "Hymn to Freedom," one of Peterson's best known original compositions.
Carmen Sings Monk is a 1990 studio album by the American jazz singer Carmen McRae, focusing exclusively on the songs composed by Thelonious Monk. It was one of the last recordings released in her lifetime. McRae was accompanied by Clifford Jordan on soprano and tenor saxophone, and a rhythm section with pianist Eric Gunnison, bassist George Mraz and Al Foster on drums. Two songs, namely "Get It Straight" and "Suddenly", were recorded earlier that year live at the Great American Music Hall in San Francisco with tenor saxophonist Charlie Rouse, who played the longest time with Monk. The rhythm section was almost the same, then with Larry Willis on piano.
Amampondo is a South African percussion ensemble that was started by Dizu Plaatjies in Langa, Cape Town in 1979. The name in Mpondo means people of Mpondo or Pondoland, a kingdom in the Eastern Cape where most of the band's members grew up. The other founding members were Simpiwe Matole; Michael Ludonga; Mzwandile Qotoyi; Leo Mbizela and Mandla Lande. National Geographic called them "one of the most interesting and experimental groups in South Africa".
Eastwood After Hours: Live at Carnegie Hall is a two-disc live album by American actor Clint Eastwood and various jazz musicians. Released on April 29, 1997, by Warner Bros. Records, it compiles material from Eastwood's film scores—including Play Misty for Me (1971), Honkytonk Man (1982), Bird (1988), Thelonious Monk: Straight, No Chaser (1988), and White Hunter Black Heart (1990)—performed by some of the most reputable practitioners of jazz. Issued five months after the concert, Eastwood After Hours coincided with celebrations for Eastwood's contributions to jazz, and was overseen by producer Bruce Ricker.
The Bridge is a studio album by jazz saxophonist Sonny Rollins, recorded in 1962. It was Rollins' first release following a three-year sabbatical and was his first album for RCA Victor. The saxophonist was joined by the musicians with whom he recorded for the next segment of his career: Jim Hall on guitar, Bob Cranshaw on double bass and Ben Riley on drums.
Genius of Modern Music: Volume 2 is the name given to at least four different compilation albums by jazz pianist Thelonious Monk. Each version comprises some of Monk's recordings as a band leader for Blue Note, recorded between 1947 and 1952. The original LP with this title was compiled in 1952.
Winter in America is a studio album by American vocalist Gil Scott-Heron and keyboardist Brian Jackson. It was recorded in September to October 1973 at D&B Sound Studio in Silver Spring, Maryland and released in May 1974 by Strata-East Records. Scott-Heron and Jackson produced the album in a stripped-down fashion, relying on traditional African and R&B sounds, while Jackson's piano-based arrangements were rooted in jazz and the blues. The subject matter on Winter in America deals with the African-American community and inner city in the 1970s.
Jazz at the Plaza Vol. I is a live album by The Miles Davis Sextet. It was recorded in 1958 and released in 1973 by Columbia Records. Duke Ellington was recorded at the same event and released as the second volume (Jazz at the Plaza Vol. II).
Live at the It Club is a Thelonious Monk album released posthumously by Columbia Records. Recorded October 31 and November 1, 1964, at the "It" Club in Los Angeles, California, the album features Monk's quartet—with Charlie Rouse on tenor saxophone, Larry Gales on bass, and Ben Riley on drums—performing original compositions as well as jazz standards.
Top 40 Music Magazine was an English-language South African monthly music magazine published nationwide in print form between 1984 and 2002.
Mulligan Meets Monk is a studio album by American jazz pianist Thelonious Monk and baritone saxophonist Gerry Mulligan, originally released on Riverside Records in 1957. It has been reissued numerous times. It was remastered for CD in 1987 with three additional alternative takes from the original session.
Shook was an underground independently produced British music magazine, based in London, which covered various forms of black music and electronic music.
Sessions is a series of DJ mix albums, each album normally by a different DJ who also compiles the tracks, released by the London-based electronic dance music label Ministry of Sound. Alongside The Annual, it is one of Ministry of Sound's better-known compilation album series.