"Rush" is a song by English band Big Audio Dynamite II from their fifth album, The Globe (1991). A longer version of "Rush", entitled "Change of Atmosphere", had previously appeared on the group's 1990 album Kool-Aid.
"No Rain" is a song by American rock band Blind Melon. It was released in 1992 as the second single from the band's debut album Blind Melon. The song is well known for its accompanying music video, which features the "Bee Girl" character. The music video, directed by Samuel Bayer, received heavy airplay on MTV at the time of its release. It subsequently helped propel Blind Melon to a multi-platinum level.
"Pepper" is a song by American alternative rock band Butthole Surfers from their seventh studio album, Electriclarryland (1996). Released on April 11, 1996, the track reached number one on the Billboard Modern Rock Tracks chart and number 29 on the Billboard Hot 100 Airplay chart, becoming the top-ranked song of 1996 on the former listing. In Australia, the song peaked at number 15 on the ARIA Singles Chart and was ranked number four on Triple J's Hottest 100 of 1996. It also reached number two on the Canadian RPM Alternative 30 and number 32 in New Zealand.
"Release Me" is a song written and performed by American pop group Wilson Phillips, released as the second single from their debut album, Wilson Phillips (1990). The song reached number one on the US Billboard Hot 100 in September 1990 and spent two weeks at number one. It also topped the Billboard Hot Adult Contemporary chart for one week and reached number one in Canada the same month.
"Violence of Summer (Love's Taking Over)" is a song by English new wave band Duran Duran, the first single from their sixth studio album, Liberty (1990). Having finished the 1980s with the Decade singles compilation, Duran Duran found the 1990s a new challenge, in which commercial success would initially elude them. The lukewarm public response to "Violence of Summer" would shadow the band for the next few years until 1993's "Ordinary World" returned them to chart success. The single reached number two in Italy but fared poorly in other countries, reaching number 20 in the United Kingdom and number 64 in the United States.
"How Can We Be Lovers" is a song written by Michael Bolton, Diane Warren, and Desmond Child and performed by Bolton. Released as the third single from Bolton's sixth studio album, Soul Provider (1989), it peaked at number three on the US Billboard Hot 100 and number 10 on the UK Singles Chart in May 1990. The song also reached number two in Canada, number three in Australia, number 10 in Sweden, and number 18 in Ireland.
"When I See You Smile" is a song written by Diane Warren and performed by American-British glam metal band Bad English. It was released in September 1989 as the second single taken from their self-titled debut album released in 1989. The power ballad is the band's most successful song, reaching number-one in both the United States and Canada.
"Santa Monica" is a song by American rock band Everclear, from their 1995 album Sparkle and Fade. The song was written by the band's lead singer, Art Alexakis. Though it was not commercially released as a single in the United States, American radio stations played "Santa Monica" enough for it to reach number 29 on the Billboard Hot 100 Airplay chart and top the Billboard Hot Mainstream Rock Tracks chart for three weeks in 1996. It became a top-40 hit in Australia, Canada, New Zealand, and the United Kingdom; it is the band's highest-charting single in Australia.
"Sacrifice" is a song by English musician Elton John, written by John and Bernie Taupin, from John's 22nd studio album, Sleeping with the Past (1989). It was first released in October 1989 as the second single from the album. It achieved success in 1990, particularly in France and the United Kingdom, becoming John's first solo chart-topper in both nations. The song describes how hard it is to stay faithful and devoted in a marriage, challenging the mantra that a successful union requires sacrifice. Due to the song's success, John has played this song in various locations in the years since it was released.
"I Didn't Want to Need You" is a song by American rock band Heart. It was composed by veteran songwriter Diane Warren and released as the second single from the band's 10th studio album, Brigade (1990). "I Didn't Want to Need You" peaked at number 23 on the US Billboard Hot 100 and number 14 on the Canadian RPM 100 Hit Tracks chart. It also reached the top 40 in Ireland and Sweden and number 47 on the UK Singles Chart.
"Will You Be There (In the Morning)" is a song by American rock band Heart. The ballad was written by veteran songwriter and producer Robert John "Mutt" Lange, who was responsible for writing Heart's US number-two single "All I Wanna Do Is Make Love to You" in 1990, and was released as the first single from the band's 11th studio album, Desire Walks On (although "Black on Black II" was released to radio first). Unlike the majority of Heart songs, which feature Ann Wilson on lead vocals, the lead singer on the song is Nancy Wilson. The song was released in the United Kingdom in November 1993 and was released in the United States the following month.
"King of Wishful Thinking" is a song by British pop duo Go West, written by Peter Cox, Richard Drummie and Martin Page. It was featured in the film Pretty Woman and appeared on its soundtrack. It was later featured on Go West's third studio album, Indian Summer, in 1992.
"The Promise of a New Day" is the opening track and second single from American artist Paula Abdul's second studio album, Spellbound (1991). The song was written by Paula Abdul, Peter Lord and V. Jeffrey Smith. It became Abdul's sixth and final number-one hit on the US Billboard Hot 100.
"C'mon and Get My Love" is a song by British dance producer D Mob from his only studio album, A Little Bit of This, a Little Bit of That (1989). It features British singer Cathy Dennis, credited as "introducing" her. The song established Dennis as a major chart presence during the late 1980s to early 1990s and was later included in her debut solo album, Move to This, in 1990.
"Into Your Arms" is a 1989 song by Australian duo Love Positions, consisting of Robyn St. Clare and Nic Dalton.
"Stay" is a song written by Bob Khozouri and Mark Stevens, originally recorded by American singer Glenn Jones and released in 1990. It reached number six on the US Billboard Hot Black Singles chart. The song became a worldwide hit for British girl group Eternal in 1993 and 1994.
"Take This Heart" is a song by American singer Richard Marx, released as the third single from his third studio album, Rush Street (1991). It peaked at number 20 on the US Billboard Hot 100 while reaching number four on the Billboard Adult Contemporary chart. The song additionally reached the top 20 in Australia and the United Kingdom and peaked at number four in Canada.
"Couple Days Off" is a song performed by Huey Lewis and the News and released as a single from the album Hard at Play in 1991. The single peaked at No. 11 on the US Billboard Hot 100 and No. 4 on the Canadian RPM Top Singles chart, and it reached the top 40 on the charts of Australia, Germany, the Netherlands, and New Zealand. "Couple Days Off" was the band's final top-20 single on the Hot 100.
"Keep Coming Back" is a song by American singer-songwriter Richard Marx. It appears on his third solo album, Rush Street, and was both written and produced by Marx. The lyrics to the song detail a man's unrequited love for a woman. Working with musicians such as Luther Vandross and keyboardist Greg Phillinganes, Marx sought to explore different musical territory with this single, stating that "I wanted to write an old-fashioned R&B song."
"Heartspark Dollarsign" is the third single released from American rock band Everclear's second studio album, Sparkle and Fade. Lead singer Art Alexakis wrote the song before Everclear formed, while he was in the band Colorfinger. The song was then recorded by Everclear in 1994 and included on Sparkle and Fade, which was released in May 1995. The lyrics describe an interracial relationship, something Alexakis often experienced in his youth.
