"Boogie Wonderland" is a song by American band Earth, Wind & Fire with The Emotions, released in April 1979 on Columbia Records as the first single from their ninth album, I Am (1979). The song peaked at number 14 on the US Billboard dance chart, number six on the Billboard Hot 100, and number two on the Billboard Hot Soul Singles chart. It was certified Gold in the US by the RIAA and Gold in the UK by the BPI. "Boogie Wonderland" was Grammy nominated in the categories of Best R&B Instrumental Performance and Best Disco Recording.
"Flashdance... What a Feeling" is a song from the 1983 film Flashdance with music by Giorgio Moroder and lyrics by Keith Forsey and the song's performer, Irene Cara. Moroder had been asked to score the film, and Cara and Forsey wrote most of the lyrics after they were shown the last scene from it in which the main character dances at an audition for a group of judges. They felt that the dancer's ambition to succeed could act as a metaphor for achieving any dream a person has and wrote lyrics that described what it feels like when music inspires someone to dance. The song wound up being used for the scene they watched as well as during the opening credits as the main character is shown working as a welder.
"Baby, I Love You" is a song originally recorded by the Ronettes in 1963 and released on their debut album Presenting the Fabulous Ronettes (1964). The song was written by Jeff Barry, Ellie Greenwich, and Phil Spector, and produced by Spector.
"Got to Be Real" is a song by American singer Cheryl Lynn from her 1978 self-titled debut studio album. The song, which was released in August 1978 as Lynn's debut single, was written by Lynn, David Paich and David Foster.
"Too Much, Too Little, Too Late" is a song performed by singers Johnny Mathis and Deniece Williams. Lyrics and music were arranged by Nat Kipner and John Vallins. The single was a comeback of sorts for Mathis as his last U.S. top 10 hit was 1964's "What Will Mary Say" and his last U.S. #1 hit was 1957's "Chances Are."
"On the Radio" is a song by American singer-songwriter Donna Summer, produced by Italian musician Giorgio Moroder, and released in late 1979 on the Casablanca record label. It was written for the soundtrack to the film Foxes and included on Summer's first international compilation album On the Radio: Greatest Hits Volumes I & II.
"You're the First, the Last, My Everything" is a song recorded by American singer and songwriter Barry White from his third studio album, Can't Get Enough (1974). The song was written by White, Tony Sepe and Peter Radcliffe and produced by White. It reached number two on the US Billboard Hot 100 and number one on the UK Singles Chart. The song was certified Gold by the Recording Industry Association of America (RIAA) in 1974, and certified silver by the British Phonographic Industry (BPI), also in 1974.
"The Hustle" is a disco song by songwriter/arranger Van McCoy and the Soul City Symphony. It went to No. 1 on the U.S. Billboard Hot 100 and Hot Soul Singles charts during the summer of 1975. It also peaked at No. 1 on the Canadian RPM charts, No. 9 on the Australian Singles Chart and No. 3 in the UK. It would eventually sell over one million copies. The song won the Grammy Award for Best Pop Instrumental Performance early in 1976 for songs recorded in 1975.
"Shake Your Groove Thing" is a song by disco duo Peaches & Herb. The single reached No. 5 on the U.S. Billboard Hot 100 and No. 4 on the Billboard R&B Chart. It also reached No. 2 for four weeks on the Billboard Disco chart in 1978. The song spent 22 weeks on the American charts and became a Gold record.
"Forever Came Today" is a 1967 song written and produced by the Motown collective of Holland–Dozier–Holland, and was first made into a hit as a single for Diana Ross & the Supremes in early 1968. A disco version of the song was released as a single seven years later by Motown group the Jackson 5.
"I'll Be Good to You" is a 1976 hit song by R&B duo the Brothers Johnson. George Johnson, one of the two Johnson brothers in the band, wrote the song after deciding to commit to a relationship with one woman, instead of dating several at a time. While George was recording a demo for the song, family friend Senora Sam came by and added some lyrics. Brothers Johnson producer and mentor Quincy Jones heard the song, liked it, and convinced George to sing lead on the finished track. Released from their debut album, Look Out for #1, it was a top-ten hit on the Billboard Hot Singles Charts, peaking at number three, and a number one song on the Billboard R&B Charts during the summer of 1976. The single was later certified gold by the RIAA.
"I Just Want to Be Your Everything" is a song recorded by Andy Gibb, initially released in April 1977 as the first single from his debut album Flowing Rivers. It reached number 1 on the Billboard Hot 100 for three weeks, starting on the week ending 30 July 1977, and again for the week ending 17 September 1977. It was Gibb's first single released in the United Kingdom and United States. His previous single, "Words and Music" was only released in Australia. It is ranked number 26 on Billboard's 55th anniversary All Time Top 100.
"Everybody Plays the Fool" is a 1972 song first recorded by American R&B group The Main Ingredient, and written by J. R. Bailey, Rudy Clark and Ken Williams. It was the first single released from the group's album Bitter Sweet, released with the B-side "Who Can I Turn To ". "Everybody Plays the Fool" was the group's highest charting hit single, reaching No. 3 on the Billboard Hot 100 chart in the fall of 1972. It also peaked at No. 2 on the Billboard R&B chart and at No. 25 on the Billboard adult contemporary chart. It was certified gold by the RIAA.
"With You I'm Born Again" is a 1979 duet written by Carol Connors and David Shire that originated on the soundtrack of the 1979 motion picture Fast Break. It was performed by Motown recording artists Billy Preston and Syreeta Wright and became an international hit for the duo, reaching number four on the Billboard Hot 100 and number two on the UK singles chart.
"Always and Forever" is an R&B song written by Rod Temperton and produced by Barry Blue. It was first recorded by the British-based multinational funk-disco band Heatwave in 1976. Released as a single on December 3, 1977, the song is included on Heatwave's debut album Too Hot to Handle (1976) and has been covered by numerous artists, becoming something of a standard.
Smooth Talk is the debut album, released in 1977 by R&B singer Evelyn "Champagne" King by RCA Records and produced by Theodore Life. It contains singles "Shame", also one of King's signature songs, and "I Don't Know If It's Right", both of which were hits in the United States and Canada. Outside North America in music charts, "Shame" performed modestly in a few European countries, while the latter performed poorly in British and New Zealand charts.
The singles discography of Elvis Presley began in 1954 with the release of his first commercial single, "That's All Right". Following his regional success with Sun Records, Presley was signed to RCA Victor on November 20, 1955. Presley's first single with RCA, "Heartbreak Hotel", was a worldwide hit, reaching the No. 1 position in four countries and the top 10 in many other countries. Other hit singles from the 1950s include "Hound Dog", "Don't Be Cruel", "Love Me Tender", Too Much", "All Shook Up", "(Let Me Be Your) Teddy Bear", "Jailhouse Rock", "Don't", "Hard Headed Woman" and "A Big Hunk o' Love". On March 24, 1958, Presley entered the United States Army at Memphis, Tennessee, and was stationed in Germany. He left active duty on March 5, 1960.
"Get Up and Boogie" is a song by German disco act Silver Convention from their 1976 second album of the same name. The song was written and composed by Sylvester Levay and Stephan Prager, and produced by Prager. The song was released as the lead single from the album Get Up and Boogie in 1976.
"Why Me?" is a song written by Giorgio Moroder, Keith Forsey, and the song's performer, Irene Cara, that was the first official single to be released from Cara's 1983 album, What a Feelin', making it the follow-up to the songwriting trio's previous project for Cara, "Flashdance... What a Feeling". This new collaboration, however, was described as having more of a hard rock edge and had lyrics that conveyed the difficulties in a relationship.
"Breakdance" is a song written by Giorgio Moroder, Bunny Hull, and the song's performer, Irene Cara. Moroder's obsession with the dance hit "Rockit" by Herbie Hancock fueled his composition of the music, and Cara was inspired by the street performers she saw growing up in the South Bronx to write lyrics about what was then called breakdancing. Released in March 1984, it was the third single that originated on her What a Feelin' LP and her first to make the top ten in the US since the album's title track went to number one almost a year earlier. "Breakdance" also charted in several other countries and had a dance remix that was also well received.
