The Somonyng of Everyman, usually referred to simply as Everyman, is a late 15th-century morality play. Like John Bunyan's 1678 Christian novel The Pilgrim's Progress, Everyman uses allegorical characters to examine the question of Christian salvation and what Man must do to attain it.
The morality play is a genre of medieval and early Tudor drama. The term is used by scholars of literary and dramatic history to refer to a genre of play texts from the fourteenth through sixteenth centuries that feature personified concepts alongside angels and demons, who are engaged in a struggle to persuade a protagonist who represents a generic human character toward either good or evil. The common story arc of these plays follows "the temptation, fall and redemption of the protagonist."
The Folger Shakespeare Library is an independent research library on Capitol Hill in Washington, D.C., United States. It has the world's largest collection of the printed works of William Shakespeare, and is a primary repository for rare materials from the early modern period (1500–1750) in Britain and Europe. The library was established by Henry Clay Folger in association with his wife, Emily Jordan Folger. It opened in 1932, two years after his death.
Ethics involves systematizing, defending, and recommending concepts of right and wrong behavior. A central aspect of ethics is "the good life", the life worth living or life that is simply satisfying, which is held by many philosophers to be more important than traditional moral conduct.
David Martin Bevington was an American literary scholar. He was the Phyllis Fay Horton Distinguished Service Professor Emeritus in the Humanities and in English Language & Literature, Comparative Literature, and the college at the University of Chicago, where he taught since 1967, as well as chair of Theatre and Performance Studies. "One of the most learned and devoted of Shakespeareans," so called by Harold Bloom, he specialized in British drama of the Renaissance, and edited and introduced the complete works of William Shakespeare in both the 29-volume, Bantam Classics paperback editions and the single-volume Longman edition. After accomplishing this feat, Bevington was often cited as the only living scholar to have personally edited Shakespeare's complete corpus.
The Jew of Malta is a play by Christopher Marlowe, written in 1589 or 1590. The plot primarily revolves around a Maltese Jewish merchant named Barabas. The original story combines religious conflict, intrigue, and revenge, set against a backdrop of the struggle for supremacy between Spain and the Ottoman Empire in the Mediterranean that takes place on the island of Malta. There has been extensive debate about the play's portrayal of Jews and how Elizabethan audiences would have viewed it.
Recuyell of the Historyes of Troye or Recueil des Histoires de Troye (1464) is a translation by William Caxton of a French courtly romance written by Raoul Lefèvre, chaplain to Philip III, Duke of Burgundy. It was the first book printed in the English language.
Poulaines, also known by other names, were a style of unisex footwear with extremely long toes that were fashionable in Europe at various times in the Middle Ages. The poulaine proper was a shoe or boot of soft material whose elongated toe frequently required filling to maintain its shape. The chief vogue for poulaines spread across Europe from medieval Poland in the mid-14th century and spread across Europe, reaching upper-class England with the 1382 marriage of Richard II to Anne of Bohemia and remaining popular through most of the 15th century. Sturdier forms were used as overshoes and the sabatons of the era's armor were often done in poulaine style. Poulaines were periodically condemned by Christian writers of the time as demonic or vain. Kings of the era variously taxed them as luxuries, restricted their use to the nobility, or outright banned them. After becoming more common as women's footwear and expanding to awkward lengths, poulaines fell from fashion in the 1480s and were seldom revived, although they are considered an influence on some later trends such as the 1950s British winklepicker boots.
Mankind is an English medieval morality play, written c. 1470. The play is a moral allegory about Mankind, a representative of the human race, and follows his fall into sin and his repentance. Its author is unknown; the manuscript is signed by a monk named Hyngham, believed to have transcribed the play. Mankind is unique among moralities for its surprising juxtaposition of serious theological matters and colloquial dialogue. Along with the morality plays Wisdom and The Castle of Perseverance, Mankind belongs to the collection of the Folger Shakespeare Library in Washington, D.C., as a part of the Macro Manuscript.
Sinnekins are stock characters often found in medieval drama, especially morality plays. They most often occur as pairs of devilish characters who exert their perfidious influence on the main character of the drama.
Horestes is a late Tudor morality play by the English dramatist John Pickering. It was first published in 1567 and was most likely performed by Lord Rich's men as part of the Christmas revels at court that year. The play's full title is A new interlude of Vice containing the history of Horestes with the cruel revengement of his father's death upon his one natural mother. It has been proposed that John Pickering is likely to be the same person as lawyer and politician Sir John Puckering.
The Assembly of Gods is a fifteenth-century dream vision poem by an unknown author. The poem, which includes many of the standard allegorical forms of its day, was quite popular when it was first published in printed form by Wynken de Worde, but has since fallen out of favor.
Drama is the specific mode of fiction represented in performance: a play, opera, mime, ballet, etc., performed in a theatre, or on radio or television. Considered as a genre of poetry in general, the dramatic mode has been contrasted with the epic and the lyrical modes ever since Aristotle's Poetics —the earliest work of dramatic theory.
The Digby Conversion of Saint Paul is a Middle English miracle play of the late fifteenth century. Written in rhyme royal, it is about the conversion of Paul the Apostle. It is part of a collection of mystery plays that was bequeathed to the Bodleian Library by Sir Kenelm Digby in 1634.
Le Jeu d'Adam is a twelfth-century liturgical drama written in the Anglo Norman dialect of Medieval French. While choral texts and stage directions are in Latin, the spoken text of the play is in the vernacular, which makes the Adam the oldest extant play written in any old French dialect. It is a dramatic representation of the temptation and fall of Adam and Eve, the story of Cain and Abel, and a series of prophets including Isaiah and Daniel. The latter part of the play is largely taken from the Latin Sermo Contra Judaeos, Paganos et Arianos, attributed to pseudo-Augustine. It is part of the medieval tradition of mystery plays, which developed from dramatic elements in the celebration of Mass, and includes choral music.
Wisdom is one of the earliest surviving medieval morality plays. Together with Mankind and The Castle of Perseverance, it forms a collection of early English moralities called "The Macro Plays". Wisdom enacts the struggle between good and evil; as an allegory, it depicts Christ and Lucifer battling over the Soul of Man, with Christ and goodness ultimately victorious. Dating between 1460 and 1463, the play is preserved in its complete form in the Macro Manuscript, currently a part of the collection of the Folger Shakespeare Library. A manuscript fragment of the first 754 lines also belongs to the Bodleian Library. Although the author of Wisdom remains anonymous, the manuscript was transcribed and signed by a monk named Thomas Hyngman. Some scholars have suggested that Hyngman also authored the play.
The Macro Manuscript is a collection of three 15th-century English morality plays, known as the "Macro plays" or "Macro moralities": Mankind, The Castle of Perseverance, and Wisdom. So named for its 18th-century owner Reverend Cox Macro (1683–1767), the manuscript contains the earliest complete examples of English morality plays. A stage plan attached to The Castle of Perseverance is also the earliest known staging diagram in England. The manuscript is the only source for The Castle of Perseverance and Mankind and the only complete source for Wisdom. The Macro Manuscript is a part of the collection at the Folger Shakespeare Library in Washington, D.C.. For centuries, scholars have studied the Macro Manuscript for insights into medieval drama. As Clifford Davidson writes in Visualizing the Moral Life, "in spite of the fact that the plays in the manuscript are neither written by a single scribe nor even attributed to a single date, they collectively provide our most important source for understanding the fifteenth century English morality play."
The Four Daughters of God are a personification of the virtues of Truth, Righteousness/Justice, Mercy, and Peace in medieval Catholic religious writing.
Thomas Trevelyon lived in England and is believed to have been an embroidery pattern drawer. He is long known for having compiled two large manuscript miscellanies, the Miscellany of 1608 now in the collection of the Folger Shakespeare Library, and the Great Book of 1616 now in the library at Wormsley Park. A third miscellany, in the collection of University College London was identified as being in his hand in 2012, and dates to circa 1603.
The Interlude of the Student and the Girl is one of the earliest known secular plays in English, first performed c. 1300. The text is written in vernacular English, in an East Midlands dialect that suggests either Lincoln or Beverley as its origin, although its title is given in Latin. The name of its playwright is unknown. Only two scenes, with a total of 84 lines of verse in rhyming couplets, are extant and survive in a manuscript held by the British Library, dated to either the late twelfth or very early thirteenth century. Glynne Wickham provides both the original text and a rendering in modern English in his English Moral Interludes (1976). In tone and form, the interlude seems to be the closest play in English to the contemporaneous French farces, such as The Boy and the Blind Man, and is related to later English farcical plays, such as the anonymous Calisto and Melibea and John Heywood's The Foure PP. It was most likely performed by itinerant players, possibly making use of a performing dog. In Early English Stages (1981), Wickham points to the existence of this play as evidence that the old-fashioned view that comedy began in England with Gammer Gurton's Needle and Ralph Roister Doister in the 1550s is mistaken, ignoring as it does a rich tradition of medieval comic drama. He argues that the play's "command of dramatic action and of comic mood and method is so deft as to make it well-nigh unbelievable" that it was the first of its kind in England.
