Popping is a street dance adapted out of the earlier boogaloo cultural movement in Oakland, California. As boogaloo spread, it would be referred to as "robottin'" in Richmond, California; strutting movements in San Francisco and San Jose; and the Strikin' dances of the Oak Park community in Sacramento, which were popular through the mid-1960s to the 1970s.
Street dance is an umbrella term for a large number of social dance styles such as: breakdancing, popping, locking, house dance, waacking, voguing etc. Social dance styles have many accompanying steps and foundations, created organically from a culture, a moment in time, a way of life, influenced by natural social interaction. A street dance is a vernacular dance in an urban context. Vernacular dances are often improvisational and social in nature, encouraging interaction and contact with spectators and other dancers. These dances are a part of the vernacular culture of the geographical area that they come from.
Boogaloo or bugalú is a genre of Latin music and dance which was popular in the United States in the 1960s. Boogaloo originated in New York City mainly by stateside Puerto Ricans with African American music influences. The style was a fusion of popular African American rhythm and blues (R&B) and soul music with mambo and son montuno, with songs in both English and Spanish. The American Bandstand television program introduced the dance and the music to the mainstream American audience. Pete Rodríguez's "I Like It like That" was a famous boogaloo song.
Hip hop dance is a range of street dance styles primarily performed to hip hop music or that have evolved as part of hip hop culture. It is influenced by a wide range of styles that were created in the 1970s and made popular by dance crews in the United States. The television show Soul Train and the 1980s films Breakin', Beat Street, and Wild Style showcased these crews and dance styles in their early stages; therefore, giving hip-hop dance mainstream exposure.
Breakin' is a 1983 American breakdancing-themed musical film directed by Joel Silberg and written by Charles Parker and Allen DeBevoise based on a story by Parker, DeBevoise and Gerald Scaife.
Michael "Boogaloo Shrimp" Chambers is an American dancer and actor, known for his role as "Turbo" in the 1984 film Breakin' and its sequel, Breakin' 2: Electric Boogaloo, in which he is credited as "Boogaloo Shrimp". Chambers, along with his Breakin' series co-star Adolfo "Shabba Doo" Quiñones and other dancers from the films, were prominently featured in the music videos for Lionel Richie's "All Night Long" (1983) and Chaka Khan's "I Feel for You" (1984).
AdolfoQuiñones, known professionally as Shabba Doo, was an American actor, break dancer, and choreographer. Of African American and Puerto Rican descent, Quiñones was born and raised in Chicago, Illinois. In the 1970s his family moved to Los Angeles, where he became interested in dancing and began performing in nightclubs. He adopted the pseudonym Shabba Doo and joined the dance group The Lockers, who were responsible for popularizing the locking style of street dance.
Electric boogaloo is a dance style closely related to the earlier Boogaloo street dance performed in Oakland and popping; it combines modern popping techniques and earlier boogaloo forms. It became the signature style of the mid-1970s dance group, the Electric Boogaloos and also performed by the bush. Along with electric boogaloo, they also popularized popping and many of its related styles.
Steffan "Mr. Wiggles" Clemente is a street dancer, noted for his popping skills. He is a member of the Rock Steady Crew, The Electric Boogaloos, Tribal Click, Zulu Nation, and TC5, also known as The Cool Five or The Crazy Five. Wiggles has been active as a dancer, actor, choreographer, dance instructor, music producer and graffiti artist.
Locking is a style of funk dance. The name is based on the concept of locking movements, which means freezing from a fast movement and "locking" in a certain position, holding that position for a short while and then continuing at the same speed as before. It relies on fast and distinct arm and hand movements combined with more relaxed hips and legs. The movements are generally large and exaggerated, and often very rhythmic and tightly synced with the music. Locking is performance oriented, often interacting with the audience by smiling or giving them a high five, and some moves are quite comical.
The Lockers was a dance group formed by Toni Basil and Don "Campbellock" Campbell in 1971. Active throughout the 1970s, they were pioneers of street dance. Campbell is the founder of the locking dance style, and originally, locking was called The Campbellock—a style that was based on the dance and song that Campbell created. Basil met Campbell at a club in 1971 and together they formed The Lockers as a dance group. Basil, who became Campbell's girlfriend, also served as The Lockers' manager, and was responsible for staging the act. All the dancers contributed steps and choreography with their unique and individual styles. By 1975 they were "dancing their way to stardom" on their own. Individual members' contributions to the dance style and group image coupled with their unique presentation in staging and concept broke down many barriers. It has been said on the reality dance competition So You Think You Can Dance that "The Lockers' emergence on the dance scene changed the face of dance not only for street dancers but for dance in general and has made street dance a true American art form."
Jeffrey Glen Daniel is an American dancer, singer-songwriter, and choreographer, most notable for being a founding member of the R&B vocal group Shalamar. In Nigeria, he is best known as a judge on the first three seasons of Nigerian Idol.
Steve da Silva', better known as Suga Pop, is an American "street dance" practitioner and choreographer based in the United States. He is known for his work in "popping" and "locking", styles of dance collectively grouped under the umbrella term "funk styles". These styles are associated with the U.S. West Coast, particularly California. He has been affiliated with the performance groups Electric Boogaloos and Rock Steady Crew.
Antonia Christina Basilotta, better known by her stage name Toni Basil, is an American singer, choreographer, dancer, actress, and director. Her cover of the song "Mickey" topped the charts in the US, Canada and Australia and hit the top ten in several other countries.
The history of hip-hop dances encompasses the people and events since the late 1960s that have contributed to the development of early hip-hop dance styles, such as uprock, breaking, locking, roboting, boogaloo, and popping. African Americans created uprock and breaking in New York City. African Americans in California created locking, roboting, boogaloo, and popping—collectively referred to as the funk styles. All of these dance styles are different stylistically. They share common ground in their street origins and in their improvisational nature of hip hop.
Electric boogaloo may refer to:
"The Carnival: Choreographer's Ball" show is the longest-running dance show in Southern California, United States, and a popular monthly showcase of the top/elite choreographers in the world. The show is run in Hollywood, with satellite choreographer's balls in Chicago, New York, Sydney, London, and Tokyo.
Timothy Earl Solomon, known as Popin' Pete, is an American dancer and choreographer who popularized the "popping" dance style and member of the Electric Boogaloos. Pete’s career has spanned over forty years since the emergence of popping dance.
Yuta Nakatsuka is a Japanese Dancer and actor, He is one of the performers of the Japanese all-male dance and music group Generations from Exile Tribe.
Boogaloo is a freestyle, improvisational street dance, closely related to popping dance and turfing. It's best known for the dance move known as the Robot; it is also related to the later electric boogaloo dance.
