The End of the Innocence | ||||
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Studio album by | ||||
Released | June 27, 1989 [1] | |||
Recorded | 1987–1989 | |||
Studio | A&M (Hollywood) The Complex (Los Angeles) | |||
Genre | ||||
Length | 53:11 | |||
Label | Geffen | |||
Producer | ||||
Don Henley chronology | ||||
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Singles from The End of the Innocence | ||||
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Review scores | |
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Source | Rating |
AllMusic | [4] |
Robert Christgau | C+ [5] |
The End of the Innocence is the third solo studio album by Don Henley, the co-lead vocalist and drummer for the Eagles. The album was released in 1989, on Geffen Records, and was his last release on that label. It was also his last solo album before reforming the Eagles and it would be eleven years before he released another solo project, 2000's Inside Job .
The album is Henley's best selling release, selling over 6 million copies in the United States alone, peaking at No. 8. The album featured three Top 40 singles "The End of the Innocence", "The Heart of the Matter", and "The Last Worthless Evening". Those singles reached No. 8, No. 21, and No. 21 respectively. The album also featured "New York Minute" which reached No. 48 on the charts and was recorded by Henley and the Eagles for their live album Hell Freezes Over in 1994. Henley won another Grammy and an MTV Video Music Award nomination for the title track. In 2012, the album was ranked at number 389 on the Rolling Stone magazine's list of the 500 greatest albums of all time. [6]
The song "I Will Not Go Quietly" features harmony vocals by Guns N' Roses singer Axl Rose, who at the time was also on the same label.
Rolling Stone magazine wrote of the album at the time, "Returning to the theme of "Desperado," the former Eagle hitched some of his finest melodies (especially on the gentle title track) to sharply focused lyrical studies of men in troubled transition – from youth to adulthood, innocence to responsibility." [7]
Reviewing retrospectively for AllMusic, critic Vik Iyengar has written of the album, "Henley took some time before completing his highly anticipated third album, The End of the Innocence. Although he manages to duplicate much of the magic of his previous album, Henley has backed off of the synthesizers and expanded his musical palette." They also add that "Throughout the album, he manages to balance being cynical yet hopeful, and his great melodies allow his poignant lyrics to penetrate. This album is highly recommended for those who like their pop music with a message." [8]
No. | Title | Writer(s) | Length |
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1. | "The End of the Innocence" | Henley, Bruce Hornsby | 5:16 |
2. | "How Bad Do You Want It?" | Henley, Danny Kortchmar, Stan Lynch | 3:47 |
3. | "I Will Not Go Quietly" (featuring Axl Rose) | Henley, Kortchmar | 5:43 |
4. | "The Last Worthless Evening" | John Corey, Henley, Lynch | 6:03 |
5. | "New York Minute" | Henley, Kortchmar, Jai Winding | 6:37 |
6. | "Shangri-La" | Henley, Steve Jordan, Kortchmar | 4:55 |
7. | "Little Tin God" | Henley, Kortchmar, JD Souther | 4:42 |
8. | "Gimme What You Got" | Corey, Henley, Lynch | 6:10 |
9. | "If Dirt Were Dollars" | Henley, Kortchmar, Souther | 4:34 |
10. | "The Heart of the Matter" | Mike Campbell, Henley, Souther | 5:24 |
Production
Weekly charts
| Year-end charts
|
Region | Certification | Certified units/sales |
---|---|---|
Canada (Music Canada) [23] | 2× Platinum | 200,000^ |
United Kingdom (BPI) [24] | Gold | 100,000^ |
United States (RIAA) [25] | 6× Platinum | 6,000,000^ |
^ Shipments figures based on certification alone. |
Grammy Awards
Year | Winner | Category |
---|---|---|
1989 | The End of the Innocence | Best Male Rock Vocal Performance [26] |
Journeyman is the eleventh solo studio album by Eric Clapton. Heralded as a return to form for Clapton, who had struggled with alcohol addiction and recently found sobriety, the album has a 1980s electronic sound, but it also includes blues songs like "Before You Accuse Me", "Running on Faith", and "Hard Times." "Bad Love" was released as a single, reaching the No. 1 position on the Album Rock Chart in the United States, and being awarded a Grammy Award for Best Male Rock Vocal Performance in 1990. "Pretending" had also reached the No. 1 position on the Album Rock Chart the previous year, remaining at the top for five weeks.
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