Marinus van Reymerswaele or Marinus van Reymerswale was a Dutch Renaissance painter mainly known for his genre scenes and religious compositions. After studying in Leuven and training and working as an artist in Antwerp, he returned later to work in his native Northern Netherlands. He operated a large workshop which produced many versions of mainly four themes: the tax collectors, the money changer and his wife, the calling of Saint Matthew and St. Jerome in his study.
The National Archaeological Museum is a museum in Madrid, Spain. It is located on Calle de Serrano beside the Plaza de Colón, sharing its building with the National Library of Spain.
Manuel Sáez is a Spanish artist. Since 1984, he has been living and working in Valencia.
Josep Cusachs i Cusachs was a Spanish soldier and painter.
The Dance of the Villagers is a 1635 painting by Peter Paul Rubens. now in the Prado Museum in Madrid. It is closely related to The Village Fête, of a similar date and on a similar subject.
Alberto Schommer García was a Spanish photographer.
The Portrait of the Marchioness of Santa Cruz or Portrait of the Marquise of Santa Cruz is an 1805 portrait by the Spanish artist Francisco José de Goya y Lucientes, a family friend of the subject. It has been owned by the Museo del Prado since 1986, when it bought it from its previous owner for over US$6 million.
Adoration of the Holy Name of Jesus is a 1577-1579 oil on canvas painting by El Greco, produced early in his Toledo period and now in the Monasterio de El Escorial in Madrid. It is also known in modern scholarship as La Gloria, The Dream of Philip II or Allegory of the Holy League.
The Adoration of the Magi is a 1565-1567 painting by El Greco. It and his St Luke Painting the Madonna and Child are his most western works, with Adoration showing the particularly strong influence of Parmigianino at this time in his career. It may have been painted in Venice or elsewhere during his stay in Italy or for an Italian client living in the painter's native Crete, but this is debated. It is now in the Benaki Museum in Athens.
Healing of the Man Born Blind is a painting of the healing of the man born blind by El Greco, produced in 1567 during his time in Venice. It is now in the Palazzo della Pilotta in Parma, Italy.
The Fable is a 1580 allegorical painting by El Greco, produced early in his Toledan period and now in the Museo del Prado in Madrid.
The Tears of Saint Peter or Penitent Saint Peter is a 1580-1589 painting by El Greco, now in the Bowes Museum in Barnard Castle, UK. It shows Peter the Apostle weeping after his betrayal of Jesus.
Saint Andrew and Saint Francis is a 1595-1598 painting by El Greco, produced in Toledo, Spain and now in the Museo del Prado in Madrid.
Saint Bernardino of Siena is a 1603 work by El Greco. It is owned by the Museo del Prado but displayed at the El Greco Museum in Toledo, Spain.
Saint Francis of Assisi in Ecstasy is a lost painting by El Greco. A c.1600 work in the collection of the Museo del Prado was once thought to be the work itself, but is now thought to be an anonymous 17th century copy of it, a work by one of his followers or a work from his studio.
Saint Jerome is a 1609 painting by El Greco, now in the Frick Collection, New York.
Saint James the Great is a 1610 painting of James the Great by El Greco, now in the Museo del Prado. The painting is key to Gregorio Marañón's theory that the painter used mental patients at the Hospital del Nuncio as models.
Saint Thomas the Apostle is a 1608–1614 painting of Thomas the Apostle by El Greco, now in the Museo del Prado.
Tityos is a 1632 painting, signed and dated by Jusepe de Ribera and showing the torture inflicted on the giant Tityos. It was part of a series of four paintings - the other three showed the tortures of Sisyphus, Tantalus and Ixion, but only those of Tityos and Ixion still survive, both now in the Prado Museum in Madrid.
Philipp Fröhlich is a German painter who lives and works in Brussels. His figurative paintings are influenced by his studies of scenography in the class of Professor Karl Kneidl at Kunstakademie Düsseldorf and he frequently uses models for the composition of his works.
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