The Great Gildersleeve is a radiosituation comedy broadcast in the United States from August 31, 1941[1] to 1958.[3] Initially written by Leonard Lewis Levinson,[4] it was one of broadcast history's earliest spin-off programs. The series was built around Throckmorton P. Gildersleeve, a regular character from the radio situation comedy Fibber McGee and Molly. The character was introduced in the October 3, 1939, episode (number 216) of that series. Actor Harold Peary had played a similarly named character, Dr. Gildersleeve, on earlier episodes. The Great Gildersleeve enjoyed its greatest popularity in the 1940s. Peary played the character during its transition from the parent show into the spin-off and later in four feature films released at the height of the show's popularity.
In Fibber McGee and Molly, Peary's Gildersleeve had been a pompous windbag and antagonist of Fibber McGee. "You're a haa-aa-aa-aard man, McGee!" became a Gildersleeve catchphrase. The character went by several aliases on Fibber McGee and Molly; his middle name was revealed to be "Philharmonic" on October 22, 1940, in episode #258, "Fibber Discovers Gildersleeve's Locked Diary".
"Gildy" grew so popular that Kraft Foods—promoting its Parkay margarine—sponsored a new series featuring Peary's somewhat mellowed and always befuddled Gildersleeve as the head of his own family.
Premiere
The Great Gildersleeve premiered on NBC on August 31, 1941. It moves the title character from the McGees' Wistful Vista to Summerfield, where Gildersleeve oversees his late sister and brother-in-law's estate (said to have both been killed in a car accident) and rears his orphaned niece and nephew, Marjorie and Leroy Forrester. The household also includes a cook named Birdie. While Gildersleeve had occasionally mentioned his (silent) wife in some Fibber episodes, in his own series he is a confirmed bachelor.
At the outset of the series, Gildersleeve administers a girdle manufacturing company ("If you want the best of corsets, of course it's Gildersleeve"); later and during the remainder of the show he serves as Summerfield's water commissioner.
Family
A key figure in the Gildersleeve home was the cook and housekeeper Birdie Lee Coggins (Lillian Randolph). In the first season, under writer Levinson, Birdie was often portrayed as less than intelligent, but she slowly developed as the real brains and caretaker of the household under John Whedon and other writers.
Marjorie (originally played by Lurene Tuttle, later by Louise Erickson and Mary Lee Robb) matured to a young woman through the 1940s. During the ninth season (September 1949-June 1950) she met and married Walter "Bronco" Thompson (Richard Crenna), star football player at the local college. Look devoted five pages in its May 23, 1950, issue to the wedding. After living in the same household for a few years, the newlyweds moved next door.
Leroy (Walter Tetley), who remained age 10–11 during most of the 1940s, began to grow up in the spring of 1949, establishing relationships with the girls in the Bullard home across the street. He developed interests in driving, playing the drums and dreaming of a musical career.
Neighbors and friends
Outside the home, Gildersleeve's closest association was with the executor of his brother-in-law's estate, Judge Horace Hooker (Earle Ross), with whom he had many battles during the first few broadcast seasons. After a change in scriptwriters in January 1943, the confrontations slowly subsided and the two men became friends. During the second season, pharmacist Richard Q. Peavey (Richard LeGrand) and barber Floyd Munson (Mel Blanc for the first year, Arthur Q. Bryan from December 1942 onward) joined Gildersleeve's circle of acquaintances.
In the fourth season, these three friends, along with Police Chief Donald Gates (Ken Christy), formed the nucleus of the Jolly Boys Club, whose activities revolve around practicing barbershop quartet songs between sips of Coca-Cola.
Several women passed through Gildersleeve's life during the series, including three he almost married before settling into a pattern of casual dating. His friends included Shirley Mitchell (Leila Ranson), Una Merkel (Adaline Fairchild), Bea Benaderet (Eve Goodwin), Martha Scott (Ellen Bullard Knickerbocker) Jeanne Bates (Paula Bullard Winthrop) and Cathy Lewis (Katherine Milford). Another woman in Gildersleeve's life was his inept, milkshake loving secretary Bessie played by Gloria Holiday who became Mrs. Harold Peary in real life.
Decline and fall
In 1950, Harold Peary was persuaded to move The Great Gildersleeve to CBS, but sponsor Kraft refused to sanction the move. Peary, now contracted to CBS, was legally unable to appear on NBC as a star performer, but Gildersleeve was still an NBC series. This prompted the hiring of Willard Waterman as Peary's replacement as Gildersleeve. Peary, meanwhile, began a new series on CBS which attempted to reproduce the Gildersleeve show with the names changed. The Harold Peary Show, lasting one season, included a fictitious radio show within the show. This was Honest Harold, hosted by Peary's new character.
As with most radio sitcoms still on the air at the time, The Great Gildersleeve began a slow but massive reformat in the early 1950s. Starting in mid 1952, some of the program's longtime characters (Judge Hooker, Floyd Munson, Marjorie and her husband, Bronco) were missing for months at a time. In their place were a few new ones (Mr. Cooley the Egg Man and Mrs. Potter the hypochondriac) who would last only a month or so. By 1953, Gildersleeve's love life took center stage over his family and friends. His many love interests were constantly shifting, and women came and went with great frequency. In November 1954, after an extended summer hiatus, Gildersleeve was reformatted as a 15-minute daily sitcom. Only Gildersleeve, Leroy and Birdie remained on a continuing basis. All other characters were seldom heard, and gone were Marjorie and her family as well as the studio audience, live orchestra and original scripts. The series finally ended its run in 1958.
Television
Willard Waterman and Stephanie Griffin in the TV series The Great Gildersleeve, 1955Lillian Randolph as Birdie on the TV version (1955)
As with most radio series, the show suffered from the advent of television. A televised version of the series, produced and syndicated by NBC, also starring Waterman, premiered in 1955, but lasted only 39 episodes. During that year, both the 15-minute radio show and the television show were being produced simultaneously.
On the television series, Gildersleeve was sketched as less lovable, more pompous and a more overt womanizer. Harold Peary stated that the problem with the television series was that "Waterman was a very tall man" and "Gildersleeve was not a tall man, he was a little man, who thought he was a tall man, that was the character." He added, "Willard [Waterman] did a very good job on the radio show" but was "miscast on the television version".[5]
Actress Barbara Stuart landed her first television role on The Great Gildersleeve in the role of Gildersleeve's secretary, Bessie. Child actor Michael Winkelman, later of The Real McCoys, also made his first television appearance on the show in the role of 9-year-old Bruce Fuller.[6] Actor Clegg Hoyt also made his television debut on the series as a carnival barker in "Practice What You Preach" (1955).[7]
Films
After joining Jim and Marian Jordan (as Fibber McGee and Molly) and fellow radio favorite Edgar Bergen in Look Who's Laughing (1941) and Here We Go Again (1942), Peary received top billing for a brief series of RKO films. The Great Gildersleeve (1942) also carried Randolph from the radio cast to the screen, with Nancy Gates as Marjorie and Freddie Mercer as Leroy. Walter Tetley, who played Leroy on radio, could not appear on screen as Leroy because he was actually an adult playing a child character.
Gildersleeve's Bad Day (1943) revolved around the mishaps when he is called to jury duty.[8]Gildersleeve on Broadway (1943) centered on Leroy as the odd boy out as everyone around him is falling in love.[9] The fourth and final film in the series, Gildersleeve's Ghost (1944) had Gildersleeve's ancestors, Randolph and Johnson, rise from the dead to help his campaign for police commissioner.[10]
Warner Archives released a DVD collection of all of the Gildersleeve RKO movies in January 2013. This multi-film release includes a fifth film, Seven Days' Leave, a 1942 Lucille Ball/Victor Mature musical comedy in which Peary co-stars as the Throckmorton P. Gildersleeve character.
A 1960 version of Gildersleeve, still played by Peary, appears in the 1944 Warner Bros. film The Shining Future, a promotional film for war bonds.
Legacy
The Gildersleeve character was parodied in the 1945 Bugs Bunny cartoon Hare Conditioned, in which the rabbit distracts a menacing taxidermist by telling him that he sounds "just like that guy on the radio, the Great Gildersneeze!" The taxidermist responds with "I do?!" followed by Gildersleeve's chuckle. The Gildersleeve voice in this cartoon was done by comedian Dave Barry. (Earlier, in A Coy Decoy, Daffy Duck used Gildersleeve's "you're a ha-a-ard man!" line in an attempt to divert a wolf that is chasing him.)[11]
His voice was also imitated by actor Kent Rogers in Tex Avery's 1943 cartoon short One Ham's Family.
At the height of the show's popularity, Harold Peary recorded three albums as Gildersleeve, reading popular children's stories for Capitol Records in heavy-bookleted four-disc 78rpm recordalbums. Stories for Children, Told in His Own Way by the Great Gildersleeve, was released in 1945 and was Capitol's first-ever such release for children. With orchestral accompaniment, it featured "Puss in Boots", "Rumpelstiltskin" and "Jack and the Beanstalk".
The second album, Children's Stories as Told by the Great Gildersleeve, in 1946, featured "Hansel and Gretel" and "The Brave Little Tailor", again with orchestral accompaniment. The third and final album in the series, reverting to the title of the first and released in 1947, included "Snow-White and Rose-Red" and "Cinderella", once more with full orchestral accompaniment.
The music was by Robert Emmett Dolan. Capitol Records brought in The Great Gildersleeve's chief writers at the time, Sam Moore and John Whedon, to adapt the stories to Gildersleeve's style.
In 1950, Peary, as "the Great Gildersleeve", narrated a single 78rpm recording for Capitol of Dr Seuss' "Gerald McBoing-Boing" with full orchestration and sound effects.
After Gildersleeve
Peary continued his career (often billed as Hal Peary) in films and television well into the 1970s; he was especially active as a voice actor for cartoons produced by Rankin-Bass and Hanna-Barbera, among others. He died of a heart attack in 1985. Waterman, who was a regular supporting character on radio's The Halls of Ivy while doing his version of Gildersleeve, died a decade later.
Comics
A Great Gildersleeve story appeared inside of a 1944 edition of Supersnipe comic book.[12]
Related Research Articles
Gerald McBoing-Boing is an animated short film about a little boy who speaks through sound effects instead of spoken words. It was produced by United Productions of America (UPA) and given wide release by Columbia Pictures on November 2, 1950. It was adapted by Phil Eastman and Bill Scott from a story by Dr. Seuss, directed by Robert Cannon, and produced by John Hubley.
Fibber McGee and Molly (1935–1959) was a longtime husband-and-wife team radio comedy program.
Arthur Quirk Bryan was an American actor and radio personality. He is best remembered for his longtime recurring role as well-spoken, wisecracking Dr. Gamble on the radio comedy Fibber McGee and Molly and for voicing the Warner Bros. cartoon character Elmer Fudd.
James Edward Jordan was the American actor who played Fibber McGee in Fibber McGee and Molly and voiced the albatross Orville in Disney's The Rescuers (1977).
Walter Tetley was an American actor specializing in child impersonation during radio's classic era, with regular roles as Leroy Forrester on The Great Gildersleeve and Julius Abbruzzio on The Phil Harris-Alice Faye Show, as well as continuing as a voice-over artist in animated cartoons, commercials, and spoken-word record albums. He is perhaps best known as the voice of Sherman in the Jay Ward-Bill Scott Mr. Peabody TV cartoons.
Lillian Randolph was an American actress and singer, a veteran of radio, film, and television. She worked in entertainment from the 1930s until shortly before her death. She appeared in hundreds of radio shows, motion pictures, short subjects, and television shows.
William H. Thompson was an American radio personality and voice actor, whose career stretched from the 1930s until his death. He was a featured comedian playing multiple roles on the Fibber McGee and Molly radio series, and was the voice of Droopy in most of the Metro-Goldwyn-Mayer cartoon studio theatrical cartoons from 1943 to 1958.
Harold "Hal" Peary was an American actor, comedian and singer in radio, films, television, and animation. His most memorable role is as Throckmorton P. Gildersleeve, which began as a supporting character on radio's "Fibber McGee and Molly" in 1938.
The Halls of Ivy is an American situation comedy that ran from 1950 to 1952 on NBC radio, created by Fibber McGee & Molly co-creator/writer Don Quinn. The series was adapted into a CBS television comedy (1954–55) produced by ITC Entertainment and Television Programs of America. British husband-and-wife actors Ronald Colman and Benita Hume starred in both versions of the show.
Willard Lewis Waterman was an American character actor in films, TV and on radio, remembered best for replacing Harold Peary as the title character of The Great Gildersleeve at the height of that show's popularity.
A spin-off or spinoff is any narrative work derived from an already existing work that focuses on different aspects from the original work.
Don Quinn was an American comedy writer who started out as a cartoonist based in Chicago. According to sources, Quinn's career as a cartoonist was short-lived but his career as a writer began after he realized that the magazines and newspapers threw away his drawings he sent in but kept his captions.
Look Who's Laughing is a 1941 American comedy film directed by Allan Dwan It was produced and distributed by RKO Pictures. The film is built around a number of radio stars from the Golden Age of Radio and centers around radio personality Jim Jordan as Fibber McGee from the comic duo, Fibber McGee and Molly, who plans to build an aircraft factory in a small town. Look Who's Laughing was followed by Here We Go Again (1942), with many of the radio stars reprising their performances. It is also known by the alternative title Look Who's Talking.
Here We Go Again is a 1942 American film, a sequel to Look Who's Laughing. With RKO in financial trouble, with the success of the earlier zany comedy starring a bevy of radio stars, Here We Go Again put Fibber McGee and Molly in a search for where to celebrate the couple's 20th anniversary. They want to throw a big party but when everyone declines their invitation, they decide to go on a second honeymoon instead.
Gildersleeve on Broadway is a 1943 American film starring Harold Peary as his radio character The Great Gildersleeve. It is the third of four Gildersleeve features, others were The Great Gildersleeve (1942), Gildersleeve's Bad Day (1943), Gildersleeve's Ghost (1944).
The Harold Peary Show is a radio situation comedy broadcast in the United States September 17, 1950-June 13, 1951 on CBS. Some sources refer to the program as Honest Harold or The Hal Peary Show.
The Great Gildersleeve is a 1942 American comedy film directed by Gordon Douglas. Based on the popular NBC radio series The Great Gildersleeve created by Leonard L. Levinson, which ran from 1941 to 1950, this is the first of four films in the Gildersleeve series produced and distributed by RKO Radio Pictures. The screenplay was written by Jack Townley and Julien Josephson, and the film stars Harold Peary and Jane Darwell. Other films in the series are Gildersleeve's Bad Day (1943), Gildersleeve on Broadway (1943) and Gildersleeve's Ghost (1944).
Gildersleeve's Bad Day is a 1943 American comedy film directed by Gordon Douglas from a screenplay by Jack Townley. The picture was the second in the Gildersleeve's series produced and distributed by RKO Radio Pictures, based on the popular NBC radio program, The Great Gildersleeve, created by Leonard L. Levinson, and was released on June 10, 1943. The film stars Harold Peary, Jane Darwell and Nancy Gates.
Gildersleeve's Ghost is a 1944 American fantasy comedy film directed by Gordon Douglas from an original screenplay by Robert E. Kent. It is the fourth and final film in the Gildersleeve's series, all of which were produced and distributed by RKO Radio Pictures, based on the popular NBC radio program, The Great Gildersleeve, created by Leonard L. Levinson and itself a spin-off of Fibber McGee and Molly. Released on September 6, 1944, the film stars Harold Peary, Marion Martin, Richard LeGrand, Amelita Ward, Freddie Mercer, and Margie Stewart.
Marian Irene Driscoll Jordan was an American actress and radio personality. She was most remembered for portraying the role of Molly McGee, the patient, common sense, honey-natured wife of Fibber McGee on the NBC radio series Fibber McGee and Molly from 1935 to 1959. She starred on this series opposite her real-life husband Jim Jordan.
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