The Iron Muse (A Panorama of Industrial Folk Song) | |
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Studio album by Anne Briggs, Bob Davenport, Ray Fisher, Louis Killen, A. L. Lloyd, Matt McGinn and The Celebrated Working Man's Band | |
Released | March 1963 |
Recorded | November 17, 1962 |
Genre | Industrial folk |
Label | Topic |
Producer | A. L. Lloyd [2] : 30 |
The Iron Muse (A Panorama of Industrial Folk Song) is the title of two albums released by Topic Records, the first as a 12-inch Long Play vinyl record released in 1963 and the other as a CD released in 1993.
The album is listed in the accompanying book to the Topic Records 70 year anniversary boxed set Three Score and Ten as one of their classic records [2] : 30 with The Blackleg Miners as the sixth track and The Weavers March as the twentieth track on the sixth CD in the set. Both tracks appear on the two versions of the album.
The Iron Muse (A Panorama of Industrial Folk Song) arranged and produced by A. L. Lloyd is a thematic Industrial folk music album. [3] The featured singers and musicians are Anne Briggs, Bob Davenport, Ray Fisher, Louis Killen, A. L. Lloyd, Matt McGinn and The Celebrated Working Man's Band. [4] John Tams considers it to be in the form of a radio ballad. [2] : 31 The album was recorded at Champion's in Hampstead, London [2] : 30 by Bill Leader and Paul Carter in an ad hoc studio set up in a large room. Colin Ross said that they had to wait for the coke fire to stop crackling before they could record the tracks. [2] : 31 The album had a sleeve note commentary and a 4-page accompanying booklet with tune and song details, including lyrics, both written by A. L. Lloyd.
Side one consists of music and songs from coal mining, the majority of which are printed in a book of coalfield songs by A. L. Lloyd. [5] The second side starts with a weaving tune and continues with songs covering weaving, foundry work and shipbuilding, and ends with a final coal mining song and a set of coalfield tunes.
This album was Anne Briggs's first recorded work. This was also Matt McGinn's first recorded work after he won a songwriting competition with "The Foreman O'Rourke". [6]
In the booklet for the vinyl album, A. L. Lloyd writes that "The Poor Cotton Wayver" has a version to a different tune on Ewan MacColl's album Shuttle And Cage (1954), [7] which had been published under the title of "The Four Loom Weaver" in MacColl's book The Shuttle And Cage. [8] : 4 [9]
The record was issued in America by Elektra [10] in 1964, with the tracks ordered in a different sequence and without The Collier's Daughter.
The numbers in superscript brackets refer to the track number on the CD release. All songs and tunes are traditional except where the author is identified following the title.
The songs from Come All ye Bold Miners are included here on Side One: 1 2, [8] : 15 3,5,6,7,8,10. [11]
The Iron Muse (A Panorama of Industrial Folk Song) | |
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Studio album by Anne Briggs, Bob Davenport, Ray Fisher, Louis Killen, The Celebrated Working Man's Band, High Level Ranters, Tommy Giffellon, Ewan MacColl, Dick Gaughan, Ed Pickford, Maureen Craik, Dave Brooks, Harry Boardman and the Oldham Tinkers | |
Released | 1993 |
Genre | Industrial Folk |
Label | Topic Records |
The second album with the same name was released as a compilation with only eight of the original tracks, the remainder being from other albums of the same period. None of the A. L. Lloyd or Matt McGinn songs appeared on the CD.
All songs and tunes are traditional except where the author is identified following the title. All the authors listed below are from the Allmusic website. [12]
Tracks from the original album also appearing on the CD are marked with (*).
All track numbers are listed alongside the artists' names.
James Henry Miller, better known by his stage name Ewan MacColl, was an English folk singer-songwriter, folk song collector, labour activist and actor. Born in England to Scottish parents, he is known as one of the instigators of the 1960s folk revival as well as for writing such songs as "The First Time Ever I Saw Your Face" and "Dirty Old Town".
"Scarborough Fair" is a traditional English ballad. The song lists a number of impossible tasks given to a former lover who lives in Scarborough, North Yorkshire. The "Scarborough/Whittingham Fair" variant was most common in Yorkshire and Northumbria, where it was sung to various melodies, often using Dorian mode, with refrains resembling "parsley, sage, rosemary and thyme" and "Then she'll be a true love of mine." It appears in Traditional Tunes by Frank Kidson published in 1891, who claims to have collected it from Whitby.
Albert Lancaster Lloyd, usually known as A. L. Lloyd or Bert Lloyd, was an English folk singer and collector of folk songs, and as such was a key figure in the British folk revival of the 1950s and 1960s. While Lloyd is most widely known for his work with British folk music, he had a keen interest in the music of Spain, Latin America, Southeastern Europe and Australia. He recorded at least six discs of Australian Bush ballads and folk music.
Peter Franklyn Bellamy was an English folk singer. He was a founding member of The Young Tradition and also had a long solo career, recording numerous albums and touring folk clubs and concert halls. He is noted for his ballad-opera The Transports, and has been acknowledged as a major influence by performers of later generations including Damien Barber, Oli Steadman, and Jon Boden.
Industrial folk music, industrial folk song, industrial work song or working song is a subgenre of folk or traditional music that developed from the 18th century, particularly in Britain and North America, with songs dealing with the lives and experiences of industrial workers. The origins of industrial folk song are in the British Industrial Revolution of the eighteenth century as workers tended to take the forms of music with which they were familiar, including ballads and agricultural work songs, and adapt them to their new experiences and circumstances. They also developed in France and the US as these countries began to industrialise.
Here Northumbria is defined as Northumberland, the northernmost county of England, and County Durham. According to 'World Music: The Rough Guide', "nowhere is the English living tradition more in evidence than the border lands of Northumbria, the one part of England to rival the counties of the west of Ireland for a rich unbroken tradition. The region is particularly noted for its tradition of border ballads, the Northumbrian smallpipes and also a strong fiddle tradition in the region that was already well established in the 1690s. Northumbrian music is characterised by considerable influence from other regions, particularly southern Scotland and other parts of the north of England, as well as Irish immigrants.
Frankie Armstrong is an English singer and voice teacher. She has worked as a singer in the folk scene and the women's movement and as a trainer in social and youth work. Her repertoire ranges from traditional ballads to music-hall and contemporary songs, often focusing on the lives of women.
Margaret "Peggy" Seeger is an American folk singer and songwriter. She has lived in Britain for more than 60 years and was married to the singer-songwriter Ewan MacColl until his death in 1989.
Anne Patricia Briggs is an English folk singer. Although she travelled widely in the 1960s and early 1970s, appearing at folk clubs and venues in Britain and Ireland, she never aspired to commercial success or to achieve widespread public acknowledgment of her music. However, she was an influential figure in the British folk revival, being a source of songs and musical inspiration for others such as A. L. Lloyd, Bert Jansch, Jimmy Page, The Watersons, June Tabor, Sandy Denny, Richard Thompson, and Maddy Prior.
Bill Leader is an English recording engineer and record producer. He is particularly associated with the British folk music revival of the 1960s and 1970s, producing records by Paddy Tunney, Davey Graham, Bert Jansch, John Renbourn, Frank Harte and many others.
Isla Cameron was a Scottish-born, English-raised actress and singer. AllMusic noted that "Cameron was one of a quartet of key figures in England's postwar folk song revival – and to give a measure of her importance, the other three were Ewan MacColl, A. L. Lloyd, and Alan Lomax". She was a respected and popular folk music performer through the 1950s and early 60s as well as appearing in several films; she focused almost exclusively on her acting career from 1966 onwards. Cameron provided the singing voice for actress Julie Christie's part in the hit 1967 film version of Thomas Hardy's Far From the Madding Crowd, but changed career direction and became a film researcher in the early 1970s before her early death in a domestic accident in 1980. One of the traditional songs in her repertoire, "Blackwaterside", recorded by Cameron in 1962, was subsequently popularised by notable "next generation" U.K. folk music performers Anne Briggs, Bert Jansch and Sandy Denny.
"Blackleg Miner" is a 19th-century English folk song, originally from Northumberland. Its Roud number is 3193. The song is one of the most controversial English folk songs owing to its depiction of violence against strikebreakers.
Back in Line is the twelfth studio album by British folk rock band Steeleye Span. The album was released in 1986, after a hiatus of almost 6 years. It is their first album without founding member Tim Hart, who quit the music business entirely. It is also the last album they recorded with Maddy Prior's husband, Rick Kemp, until They Called Her Babylon; Kemp suffered a shoulder injury that forced him to stop playing for a long time.
"(The) Leaving of Liverpool", also known as "Fare Thee Well, My Own True Love", is a folk song. Folklorists classify it as a lyrical lament and it was also used as a sea shanty, especially at the capstan. It is very well known in Britain, Ireland, and America, despite the fact that it was collected only twice, from the Americans Richard Maitland and Captain Patrick Tayluer. It was collected from both singers by William Main Doerflinger, an American folk song collector particularly associated with sea songs in New York. The song's narrator laments his long sailing trip to California and the thought of leaving his loved ones, pledging to return to her one day.
"Greenland Whale Fisheries" is a traditional sea song, originating in the West Indies but known all over the Atlantic ocean. In most of the versions collected from oral sources, the song opens up giving a date for the events that it describes. However, the song is actually older than this and a form of it was published as a ballad before 1725. It has been given a Roud number of 347.
Tradition Records was an American record label from 1955 to 1966 that specialized in folk music. The label was founded and financed by Guggenheim heiress Diane Hamilton in 1956. Its president and director was Patrick "Paddy" Clancy, who was soon to join his brothers Liam and Tom Clancy and Tommy Makem, as part of the new Irish folk group, The Clancy Brothers and Tommy Makem. Liam Clancy designed the company's maple leaf logo. Columbia University Professor of Folklore Kenneth Goldstein was also involved in the early creation of the company, which operated out of Greenwich Village, New York, United States.
Alex Campbell was a Scottish folk singer whose nickname was 'Big Daddy'. He was influential in the British folk music revival of the 1950s and 1960s, and was one of the first folk singers in modern times to tour the UK and Europe. He was described by Colin Harper as a "melancholic, hard-travelling Glaswegian" and was known for his story-telling and singing
Matthew McGinn was a Scottish folk singer-songwriter, actor, author and poet. Born in Glasgow in 1928, McGinn was a prolific songwriter and is recognised as an influential figure in the British folk music revival of the late 1950s and early 1960s.
Louisa "Lou" Jo Killen was an English folk singer from Gateshead, Tyneside, who also played the English concertina.
"Heave Away" is a traditional sea shanty, with origins unknown.