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Blacksmith Scene is an 1893 American short black-and-white silent film directed by William K.L. Dickson, the Scottish-French inventor who, while under the employ of Thomas Edison, developed one of the first fully functional motion picture cameras. It is historically significant as the first Kinetoscope film shown in public exhibition on May 9, 1893, and is the earliest known example of actors performing a role in a film. It was also the first U.S. motion picture film ever copyrighted that same year. 102 years later, in 1995, Blacksmithing Scene was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant". It is the second-oldest film included in the Registry, after Newark Athlete (1891).
Jammin' the Blues is a 1944 American short film made by Gjon Mili and Norman Granz in which a number of prominent jazz musicians re-create the jam-session atmosphere of nightclubs and after-hours spots. It features Lester Young, Red Callender, Harry Edison, Marlowe Morris, Sid Catlett, Barney Kessel, Jo Jones, John Simmons, Illinois Jacquet, Marie Bryant and Archie Savage.
The Land Beyond the Sunset is a 1912 short, silent drama film which tells the story of a young boy, oppressed by his grandmother, who goes on an outing in the country with a social welfare group. It stars Martin Fuller, Mrs. William Bechtel, Walter Edwin, and Bigelow Cooper. Produced by Edison Studios in collaboration with the Fresh Air Fund, the screenplay was written by Dorothy G. Shore and directed by Harold M. Shaw.
President McKinley Inauguration Footage is the name given to two different short documentary films which were combined as one. The two titles are President McKinley Taking the Oath and President McKinley and Escort Going to the Capitol. The two show President William McKinley arriving at the United States Capitol in order to take the oath of office of the president of the United States as part of his second inauguration on March 4, 1901.
Theodore Case Sound Test: Gus Visser and his Singing Duck, also known as Gus Visser and His Singing Duck, is a 1925 American short musical comedy film starring vaudeville performer Gus Visser. The short is an early sound film, directed by Theodore Case while perfecting his variable density sound-on-film process. Case began working on his sound film process at the Case Research Lab in Auburn, New York, in 1921.
Wild and Woolly is a 1917 American silent Western comedy film which tells the story of one man's personal odyssey from cowboy-obsessed Easterner to Western tough guy. It stars Douglas Fairbanks, Eileen Percy, Walter Bytell and Sam De Grasse. The film was adapted by Anita Loos from a story by Horace B. Carpenter and was directed by John Emerson.
The following is an overview of the events of 1896 in film, including a list of films released and notable births.
The Widow Jones is a musical comedy created by the writer John J. McNally as a star vehicle for the actress and singer May Irwin. The musical used song material by a variety of song writers which used a "Negro dialect". Premiering at the Boston Museum theatre and backed by the Boston producers Rich & Harris, the play toured in cities through the United States in 1895-1896; including two separate runs at Broadway's Bijou Theatre. The work is best remembered today for its Act 1 kiss scene which was re-created by Irwin with her co-star John C. Rice as a short film in Thomas Edison's The Kiss in 1896.
May Irwin was an actress, singer and star of vaudeville. Originally from Canada, she and her sister Flo Irwin found theater work after their father died. She was known for her performances as a coon shouter and for her recordings.
Vitascope was an early film projector first demonstrated in 1895 by Charles Francis Jenkins and Thomas Armat. They had made modifications to Jenkins' patented Phantoscope, which cast images via film and electric light onto a wall or screen. The Vitascope is a large electrically-powered projector that uses light to cast images. The images being cast are originally taken by a kinetoscope mechanism onto gelatin film. Using an intermittent mechanism, the film negatives produced up to fifty frames per second. The shutter opens and closes to reveal new images. This device can produce up to 3,000 negatives per minute. With the original Phantoscope and before he partnered with Armat, Jenkins displayed the earliest documented projection of a filmed motion picture in June 1894 in Richmond, Indiana.
Edison Studios was an American film production organization, owned by companies controlled by inventor and entrepreneur, Thomas Edison. The studio made close to 1,200 films, as part of the Edison Manufacturing Company (1894–1911) and then Thomas A. Edison, Inc. (1911–1918), until the studio's closing in 1918. Of that number, 54 were feature length, and the remainder were shorts. All of the company's films have fallen into the public domain because they were released before 1928.
Actuality film is a non-fiction film genre that uses footage of real events, places, and things, a predecessor to documentary film. Unlike documentaries, actuality films are not structured into a larger narrative or coherent whole. During the era of early cinema, actualities—usually lasting no more than a minute or two and usually assembled together into a program by an exhibitor—were just as popular and prominent as their fictional counterparts. The line between "fact" and "fiction" was not as prominent in early cinema as it would become once documentaries became the predominant non-fiction filmmaking form. Actuality as a film genre is related to still photography.
Lady Helen's Escapade is a short American comedy film produced in 1909, directed by D. W. Griffith. It is about the escapades of Lady Helen working as a domestic in a boarding house.
The Blue Bird is a 1918 American silent fantasy film based upon the 1908 play by Maurice Maeterlinck and directed by Maurice Tourneur in the United States, under the auspices of producer Adolph Zukor. In 2004, this film was deemed "culturally, historically, or aesthetically significant" by the United States Library of Congress and selected for preservation in its National Film Registry.
The Evidence of the Film is a 1913 American silent short crime film directed by Lawrence Marston and Edwin Thanhouser, starring William Garwood.
The decade of the 1890s in film involved some significant events.
Traffic in Souls is a 1913 American silent crime drama film focusing on forced prostitution in the United States. Directed by George Loane Tucker and starring Jane Gail, Ethel Grandin, William H. Turner, and Matt Moore, Traffic in Souls is an early example of the narrative style in American films. The film consists of six reels, which was longer than most American films of the era.
Rip Van Winkle is a 1903 American short black-and-white silent compilation film written and directed by William K.L. Dickson. It is adapted from the play by his friend and investor Joseph Jefferson with Dion Boucicault based on the 1819 story of the same name by Washington Irving.
James Henry White was a Canadian film pioneer, who worked as a director, producer, and cinematographer. He also appeared as an actor in several films. He was employed by the Edison Manufacturing Company as Production Head from 1896 to 1902, and directed over 500 short films, both fictional and documentary. With no functional story or script, just scenes or vignets, White proved prolific and tried to be lyrical in some of his short films i.e. Return of a Lifeboat (1897) and A Storm at Sea (1900) the latter of which was shot on a passenger ship with the camera catching some of the glimmer from the sun.
Norman C. Raff and Frank R. Gammon were two American businessmen who were known for distributing and promoting some of the Edison Studio films, and founding their own business, which was called The Kinetoscope Company.
References
- ↑ "Preserving the Silver Screen (December 1999) - Library of Congress Information Bulletin". www.loc.gov. Retrieved 2020-11-18.
- ↑ "Complete National Film Registry Listing". Library of Congress. Retrieved 2020-11-18.
- 1 2 3 Eagan 2010, p. 5.
- ↑ Williams 2008, p. 27.
- ↑ "The Vitascope". The Buffalo Commercial. June 8, 1896. p. 11. Archived from the original on November 26, 2022 – via Newspapers.com.
- ↑ Foster 2000, p. 13.
- ↑ "Sex in Cinema: Pre-1920s Greatest and Most Influential Erotic / Sexual Films and Scenes". www.filmsite.org. Retrieved 2024-08-03.
- ↑ The Chap-book, Volume 5, Number 5, July 15, 1896
- ↑ Dengler, Ralph S.J. (1979). "The First Screen Kiss and "The Cry of Censorship"". Journal of Popular Film and Television. 7 (3): 267–272. doi:10.1080/01956051.1979.9944202.
- ↑ "Brief Descriptions and Expanded Essays of National Film Registry Titles". Film Registry - National Film Preservation Board - Library of Congress. Retrieved 2018-12-26.
- ↑ Gaudreault, André and Lacasse, Germain (1996). "The Introduction of the Lumière Cinematograph in Canada", Canadian Journal of Film Studies, Volume 5, No. 2.
