The Mahabharata (1989 film)

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The Mahabharata
TheMahabarata1989.jpg
DVD cover
Directed by Peter Brook
Written byPeter Brook
Jean-Claude Carrière
Marie-Hélène Estienne
StarringRobert Langton-Lloyd
Antonin Stahly-Vishwanadan 
Bruce Myers
Vittorio Mezzogiorno
Andrzej Seweryn
Georges Corraface
Mallika Sarabhai
Cinematography William Lubtchansky
Music by Tsuchitori Toshiyuki
Rabindranath Tagore
Distributed by Virgin Vision [1]
R.M. Associates [2] (United Kingdom)
BAC Films (France)
MK2 Productions (United States)
Festival Video [3] (Australia)
Release date
  • 1989 (1989)
Running time
171 minutes (theatrical release)
330 minutes (miniseries)
CountriesUnited Kingdom
Japan
Denmark
France
Belgium
United States
Australia
Ireland
Iceland
Sweden
Portugal
Norway
Netherlands
Finland
LanguageEnglish
Budget$5 million

The Mahabharata is a 1989 film version of the Hindu epic Mahabharata directed by Peter Brook. Brook's original 1985 stage play was nine hours in length and toured worldwide for four years. In 1989, and abridged adaptation, just short of six hours, was made as a television miniseries. This was in return edited into a nearly three hour cut for theatrical release. The screenplay was the result of eight years' work by Brook, Jean-Claude Carrière and Marie-Hélène Estienne.

Contents

Synopsis

In general terms, the story involves epic incidents between two warring families, the Pandavas (representing good) and the Kauravas (representing evil). Each side, being the offspring of kings and gods, struggles for dominion. They have both been advised by the god Krishna to live in harmony and abstain from the bloody lust for power. Their fights come to threaten the very order of the Universe. The plot is framed by a dialogue between the Brahmin sage Vyasa and the Hindu deity Ganesha, and directed towards an unnamed Indian boy who comes to inquire as to the story of the human race.

Cast

Production

The French and eventual English version of the Mahabharata took several years for Brook and Carrière to write and bring to the stage. Three years before the film version was made, Peter Brook staged their adaptation in French at a quarry in Avignon, France. This and the eventual filmed version were the first time that the entire (albeit abridged) story of the Mahabharata was brought to the stage and made into a feature film. [4] In his book In Search of the Mahabharata: Notes of Travels in India with Peter Brook 1982-1985, Carrière speaks about the difficulty of adapting the Sanskrit into the European languages, particularly in regards to choosing the right words for certain terms. An example of this is atman, which is translated in the adaptation as depth of one’s being. [5]

"It’s quite impossible to ‘forget’ the Mahabharata. The poem says it itself: ‘Everything which is in the Mahabharata is elsewhere; which is not in the Mahabharata is nowhere.'"

Jean-Claude Carrière, co-writer

Using an elaborate-yet-minimal set and multi-racial cast from 16 different countries for the film, Brook's Mahabharata stood in contrast with the "opulently religious melodrama" of the 94-episode BR Chopra version of the Mahabharata which aired a year before the Brook-Carrière adaptation appeared on TV. Along with one Indian actress, other actors of Caucasian, African, Asian ancestry filled the cast of Brook's version, including Vittorio Mezzogiorno as Arjuna, Sotigui Kouyaté as Bhishma, and Tapa Sudana as both Pandu and Lord Shiva. [4]

While working on the adaptation, Marie-Hélène Estienne travelled across Nepal and India, journeying from Manipur to Kanchipuram, in order to learn of the many different forms of the ancient epic from "Brahmins and writers and dancers and theatre people" across the subcontinent. Music composer Tsuchitori Toshiyuki remained in India for months on request from Brook to make sure the play would "not use the music which everybody knows". Musicians from Iran, Turkey, and Denmark joined the production in order to score musical elements discovered by Tsuchitori, who was particularly influenced by Rabindra Sangeet. [6]

Reception

The film version of the Mahabharata received a 20-minute standing ovation at the 1989 Venice Film Festival and received an Emmy Award after the film was aired on TV. [6] The production's use of an international cast caused heated intercultural debate.[ citation needed ] On the topic of the multi-racial cast, Mumbai-based writer and critic Sanjukta Sharma writes: "The epic becomes intelligible and universal – and tells us why something as captivatingly human as the Mahabharata should not belong just to one nation or race." [4]

Awards

In 1990, the film won the award for Performing Arts of the International Emmy Awards and the Audience Award for Best Feature at the São Paulo International Film Festival.[ citation needed ]

References

  1. ↑ "The Mahabharata". British Board of Film Classification . Retrieved 14 March 2025.
  2. ↑ "The Mahabharata de Peter Brook (1989) - Unifrance". en.unifrance.org. Retrieved 14 March 2025.
  3. ↑ "MAHABHARATA, THE". Australian Classification Board . 23 March 1992. Retrieved 13 March 2025.
  4. 1 2 3 Sharma, Sanjukta (14 June 2018). "'Mahabharata' doesn't belong to one country or race – Peter Brook's nine-hour play is proof of that". scroll.in. Retrieved 21 October 2019.
  5. ↑ Carriére, Jean-Claude (2001). In Search of the Mahabharata: Notes of Travels in India with Peter Brook. New Delhi: Laxmi Publications. ISBN   0333937201.
  6. 1 2 Ancheri, Saumya (15 February 2016). "'The Mahabharata does not leave you': Notes from Peter Brook's third play about the epic". scroll.in. Retrieved 21 October 2019.
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