Mahabharata | |
---|---|
Publication information | |
Publisher | Amar Chitra Katha and first issue by: ACK, IBH |
Schedule | Alternative Title Schedule |
Format | Limited series |
Genre | Mythology |
Publication date | 1985 - 89 |
No. of issues | 42 |
Creative team | |
Written by | Kamala Chandrakant • TMP Nedungadi • Subba Rao • Yagya Sharma • Lopamudra • Mihir Lal Mitra • Sumona Roy • Mohan Swaminathan • Shubha Kandhekar • Margie Sastry |
Artist(s) | Dilip Kadam |
Editor(s) | Anant Pai |
Collected editions | |
Volume 1 | ISBN 978-81-905990-4-7 |
Volume 2 | ISBN 978-81-905990-2-3 |
Volume 3 | ISBN 978-81-905990-3-0 |
Mahabharata (also known as Amar Chitra Katha's Mahabharata [1] ) is a comic adaptation of the Indian epic poem Mahabharata . The 42-issue best-selling series by Amar Chitra Katha, Mumbai was illustrated by Dilip Kadam. [2] The team of script writers (who took turns to complete the 42 issues) included Kamala Chandrakant, TMP Nedungadi, Subba Rao, Yagya Sharma, Lopamudra, Mihir Lal Mitra, Sumona Roy, Mohan Swaminathan, Shubha Kandhekar and Margie Sastry. [3]
The Mahabharata is often regarded as one of the most popular titles in the history of Amar Chitra Katha. It is an adaptation of Kashidasi Mahabharata. It is also the longest series (42 issue run on an alternative title schedule; from 329 to 441 [1985-89] in over more than 1300 pages) to have been produced by the ACK. The series was originally planned for 60 albums, but it was later cut short to 42. [3]
Amar Chitra Katha had a strong commitment to the Mahabharata from the very beginning. Many of its titles were from based on particular events or characters from the Mahabharata. In March 1985, the new project began, "in response to a persistent demand from our readers for a comprehensive account of the epic." The ambitious series by Anant Pai was initially decided as a 60 volume project, with one issue in every fortnight. However, in 1988, Amar Chitra Katha issued only one issue a month, so that Mahabharata numbers came out only in every two months. [4]
The Mahabharata comics was based on, [4]
The comics does not include the Harivamsha (a supplement to the Mahabharata) and the abbreviated version of the Ramayana. It also omits the character Ugrasrava Sauti and the first issue ("Veda Vyasa") begins with sage Vyasa acquiring the elephant god Ganesha as his scribe and starting the dictation. It soon moves on to Vaisampayana narrating the epic to Janamejaya. This latter pair persist till the last panel of the series, appearing from time to time in panels colored differently. In addition, the events of the Battle of Kurukshetra was narrated to Dhritarashtra by his advisor Sanjaya, who both appeared in the middle of the battle sequences in different colored panels, thus making it a narration within a narration. [4]
The comics also included various footnotes explaining the meaning Sanskrit terms, and the few issues also consisted a pronunciation guide and glossary. Issues usually start with a page containing a summary of the last few issues, and in the backdrop illustrations of the Gita setting, with Arjuna kneeling before Krishna in the battlefield. [4]
Several individual books were released. They're
Chapters about Krishna and yadavas
Amar Chitra Katha series on Mahabarata (1985–89) coincided with Baldev Raj Chopra's famous television drama series Mahabharat (1988–90). Although, some fans took great pleasure in encountering Mahabharata in both mediums, the television series spelled big trouble for the comic book series. Amar Chitra Katha and the state-run Doordarshan television channel (DD National) competed for the same urban middle class audience. [5]
It is widely accepted that visual and narrative "homogenization" occurs between the ACK'S Mahabharata and Baldev Raj Chopra's Mahabharat. Television producers have repeatedly turned to the Amar Chitra Katha series as reference material for costume design, set production, and subject matter. [5]
"When the Mahabharat television series was made, I had friend who was a cameraman at the set. And he told me that they often brought the ACK Mahabharata series onto the set and used it as reference material-for dress, the building, and also for the episodes, the content. It is Kamala Chandrakant who deserves credit for this. She was thorough and very, very careful with regards to authenticity." [5]
— Yagya Sharma, ACK author, on Mahabharata comics
The advertisements of the comic series contained the exhortation "Read it to enjoy your Sunday viewing [of the BR Chopra's Mahabharat]!". It seems possible that the comic series was hastened to 42 issues from 60 to take advantage of the television series. [4]
The Mahābhārata is one of the two major Smriti texts and Sanskrit epics of ancient India revered in Hinduism, the other being the Rāmāyaṇa. It narrates the events and aftermath of the Kurukshetra War, a war of succession between two groups of princely cousins, the Kauravas and the Pāṇḍavas.
Ghatotkacha is a prominent character in the ancient Indian epic Mahabharata. His name comes from the fact that his head was hairless (utkacha) and shaped like a ghatam, or a pot. Ghatotkacha was the son of the Pandava Bhima and the demoness Hidimbi, and thus a half-human, half-demon hybrid.
Draupadi, also referred to as Krishnā, Panchali, and Yajnaseni, is the main female protagonist of the ancient Indian epic Mahabharata, and the wife of the five Pandava brothers—Yudhishthira, Bhima, Arjuna, Nakula, and Sahadeva. She is noted for her beauty, courage, polyandrous marriage, and bhakti (devotion) for Krishna.
Duryodhana, also known as Suyodhana, is the primary antagonist in the Hindu epic Mahabharata. He was the eldest of the Kauravas, the hundred sons of the king Dhritarashtra and his queen Gandhari.
Anant Pai, popularly known as Uncle Pai, was an Indian educationalist and a pioneer in Indian comics. He is most famous as the creator of two comic book series viz. Amar Chitra Katha, which retold traditional Indian folk tales, mythological stories, and biographies of historical characters; and Tinkle, a children's anthology.
Sanjaya or Sanjaya Gavalgana is a figure from the ancient Indian Hindu epic Mahābhārata. Sanjaya is the advisor of the blind king Dhritarashtra, the ruler of the Kuru kingdom and the father of the Kauravas, as well as serving as his charioteer. Sanjaya is a disciple of Sage Vyasa. He is stated to have the gift of divya drishti, the ability to observe distant events within his mind, granted by Vyasa. He narrates to Dhritarashtra the events of the Kurukshetra War, including the ones described in the Bhagavad Gita.
Chitrakatha are comics or graphic novels originating from India published in a number of Indian languages.
Amar Chitra Katha is an Indian comic book publisher, based in Mumbai, India. The company was founded in 1967 by Anant Pai. Most of its comics are based on religious legends and epics, historical figures and biographies, folktales and cultural stories.
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The Mahabharata is one of the two major Sanskrit epics of ancient India, the other being the Ramayana.
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The Bhishma Parva, or the Book of Bhishma, is the sixth of eighteen books of the Indian epic Mahabharata. It has 4 sub-books and 124 chapters.
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Pratap Mullick was an Indian illustrator and comics artist. He was best known for illustrating Nagraj of Raj Comics which gained lot of popularity under him and was later handed to Anupam Sinha who made Nagraj an actual superhero. He worked for the Indian comic book series Amar Chitra Katha created by writer and editor Anant Pai. Mullick drew the first 50 issues of Nagraj from 1986 until 1995. He designed the comic-book character Supremo, who featured in a series published for two years in the 1980s.
Yusuf Lien also known as Yusuf Bangalorewala is an Indian book illustrator best known for his work on the Amar Chitra Katha comic book series, which deals with subjects from Indian myth, legend and history. His dream-like sensual work on the titles Tansen and Mirabai is admired by many who believe he had one of the most distinctive styles among the Amar Chitra Katha artists. According to researcher John Stratton Hawley, the Amar Chitra Katha staff took a 'nonsectarian pride' that the exquisite depictions of Krishna in Mirabai were the work of a Muslim artist, who as his editor Anant Pai described it, would be in tears as he drew his frames for the comic book. Yusuf also painted the image of the child Krishna seen on the cover of the comic book of the same name.
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