The Mechanic (1972 film)

Last updated

The Mechanic
The Mechanic (1972 movie poster).jpg
Theatrical release poster
Directed by Michael Winner
Written by Lewis John Carlino
Produced by Robert Chartoff
Irwin Winkler
Starring Charles Bronson
Jan-Michael Vincent
Cinematography Richard H. Kline
Robert Paynter
Edited byFreddie Wilson
Arnold Crust Jr.
Music by Jerry Fielding
Distributed by United Artists
Release date
  • November 17, 1972 (1972-11-17)(New York) [1]
Running time
100 minutes
CountryUnited States
LanguageEnglish
Budget$10 million

The Mechanic is a 1972 American action thriller film directed by Michael Winner from a screenplay by Lewis John Carlino. It stars Charles Bronson, in his second collaboration with Winner, Jan-Michael Vincent, Keenan Wynn, and Jill Ireland.

Contents

The story follows Arthur Bishop (Bronson), a top assassin who takes under his wing Steve McKenna (Vincent), the ruthless and ambitious son of Harry McKenna (Wynn), the former head of the secret organization for which Bishop works. It is noted for its opening, which features no dialogue for the first 16 minutes, as Bronson's character prepares to kill his current target. The title refers to a euphemism for hitmen.

Upon its release, the film received generally mixed reviews from critics but it was praised for its action scenes, acting and writing, although Winner's direction and the storytelling was criticized. A remake of the same name was released in 2011, starring Jason Statham as Bishop and Ben Foster as McKenna. The film was a financial success, and spawned a sequel, Mechanic: Resurrection , which was released in 2016.

Plot

Arthur Bishop is a top contract killer, known as a "mechanic", who works exclusively for a secretive international criminal organization that has very strict rules. His occupation affords him a lavish lifestyle - he regularly listens to classical music, has an art collection, and is a connoisseur of fine wines. However, he is forced to live alone - he cannot show emotions or trust people. Bishop is under constant emotional pressure, so much so that he is prescribed anti-depressants for depression. One day he is temporarily hospitalized after he loses consciousness due to the stress and anxiety. Bishop pays a call girl to have a simulated romantic social and sexual relationship, including her writing fake love letters to him.

When Bishop is assigned one of the organization's heads, "Big Harry" McKenna, he shoots at Big Harry while making him think that the shots are being fired by a hidden sniper. Harry, who Bishop knows has a weak heart, runs up a steep incline, which triggers a heart attack. Bishop then finishes Harry off by smothering him.

At Big Harry's funeral, Bishop runs into Harry's narcissistic, ruthless and ambitious son Steve. Steve is intrigued by Bishop and seeks to find out more about him. Bishop is also intrigued. He realizes that Steve has a personality suited for being a hit man, and plays along. Over the course of time, and after much pressing from Steve, Arthur finally discloses his profession. He offers to teach Steve everything he knows and make him an associate.

As part of his training, Bishop teaches Steve that "every person has a weakness, and that once this weakness is found, the target is easy to kill". However, Bishop failed to get his superiors' prior consent for the arrangement. Following a messy assassination conducted by Bishop and Steve, the organization warns Bishop that his irresponsible choice to involve Steve has been interpreted as selfish behavior.

The organization then gives Bishop an urgent mission, this time in Italy. Once again, Bishop involves Steve in the new plan, but just before they leave Bishop happens to find among Steve's belongings a file containing information about Bishop. This file is identical in format to the target files provided to Bishop. Nevertheless, Bishop allows Steve to go with him to Italy.

In Italy, Bishop and Steve approach a boat where their intended victim is supposed to be, but it becomes apparent that this was a trap and they are the real targets. Bishop and Steve are ambushed, but they manage to kill all their would-be assassins.

As they're packing their luggage in their hotel room, Steve shares a celebratory bottle of wine with Bishop, having coated the latter's glass with brucine, a colorless and deadly alkaloid. When Bishop realizes that he has been poisoned, Steve taunts Bishop, saying "You said every man has his jelly spot. Yours was you just couldn't cut it alone". When Bishop asks Steve if it was because Bishop had killed Steve's father, Steve responds that he had not realized his father was murdered. Steve goes on to reveal that he was not acting on orders from anyone to kill Bishop. Rather boasting that he is an independent who will "Pick my own mark, hit when I want!"

Steve returns to Bishop's home to pick up the Ford Mustang he had left there. When He climbs into the car, ready to start it, he finds a note affixed to the rear-view mirror, which reads: "Steve, if you read this it means I didn't make it back. It also means you've broken a filament controlling a 13-second delay trigger. End of game. Bang! You're dead". As Steve frantically reaches for the door handle, the car explodes, killing him.

Cast

Production

Development

The film was based on an original story by Lewis John Carlino. He said he came up with the idea while researching his script for The Brotherhood (1968). Producer Ted Dubin, a New York entrepreneur, put up some development money so that Carlino could write it. [2] Carlino called it, "a sort of existential statement on the licence to kill and what is occurring in our society, how legalized murder is occurring through our institutions". [3]

Carlino formed a partnership with Dubin and producer Martin Poll. In February 1969 Carlino announced he had written two films that would be made by producer Martin Poll the following year: The Catalyst, about a wealthy man whose search for meaning leads him to start a revolution in Africa, and The Mechanic. He said The Mechanic was about "professionals who dispassionately murder people by contract" and was "a look at the nature of violence and counter-violence in our society". [4] In April 1969 it was announced Cliff Robertson would star with Ted Dubin to produce alongside Poll for Universal. [5]

Filming was delayed. Eventually the film was sold to Chartoff-Winkler who had a deal with United Artists. Carlino was paid $100,000 plus one-third of 50% of the profits. [6]

Monte Hellman was scheduled to direct The Mechanic. He and screenwriter Lewis John Carlino worked on the script for several weeks before producers switched studios and hired Michael Winner to direct. [7]

In Carlino's original script, the relationship between Arthur Bishop and Steve McKenna was explicitly gay. Producers had difficulty securing financing and several actors, including George C. Scott, flatly refused to consider the script until the homosexuality was removed. Carlino described The Mechanic as "one of the great disappointments of my life", continuing:

"I wanted a commentary on the use of human relationships and sexual manipulation in the lives of two hired killers. It was supposed to be a chess game between the older assassin and his young apprentice. The younger man sees that he can use his sexuality to find the Achilles heel that he needs to win. There was a fascinating edge to it, though, because toward the end the younger man began to fall in love, and this fought with his desire to beat the master and take his place as number one ... The picture was supposed to be a real investigation into this situation, and it turned into a pseudo James Bond film". [8]

In November 1971 it was announced Charles Bronson would star under the direction of Michael Winner for producers Chartoff and Winkler. Filming was to begin December 6, 1971. [9] Jan Michael Vincent's casting was announced early December 1971. [10]

Filming

Filming took place in Los Angeles and in Italy.

The film's martial arts scenes were shot in one day at the dojo of Takayuki Kubota who also appears in the film. The shooting required 65 camera setups. The scenes were cut short in the final edit, because, according to associate producer Henry Gellis, their inclusion made the film seem like an installment in the James Bond series. [11]

"It's pretty violent", said Vincent. "Bronson is totally nonverbal. So I can't say that much about him". [12]

Music

The score and source music, by Jerry Fielding, were recorded at CTS (Cine-Tele Sound) Studios in London, England, between August 7 and 11, 1972. The orchestrations were by Lennie Niehaus And Greg McRitchie. The Recording Engineer was Dick Lewzey.

The source music consists of pieces composed by Ludwig van Beethoven  String Quartet, Opus 18, No 6 and Grosse Fuge: Opus 133  — as well as Eduardo di Capua's famous Neapolitan song "'O sole mio".

Release

Home media

Screen Archives Entertainment has released The Mechanic for the first time on Blu-ray on June 10, 2014.

Reception

Critical response

Vincent Canby of The New York Times described The Mechanic as a "solemn, rather spurious action melodrama". Noting the "father son rivalry" between Arthur and Steve and picking up on the "latent homosexual bond" between the two, Canby concluded that the film was "non-stop, mostly irrelevant physical spectacle" and pondered what a different director might have done with the same material. [13] A review in Variety called it an "action-drenched gangster yarn which has all the makings of a heavy b.o. grosser, but simultaneously is burdened with an overly-contrived plot development". [14] Roger Ebert gave the film 2.5 stars out of 4 and praised Bronson's performance, noting that he appears to be truly listening to Vincent rather than simply waiting for him to stop for Bronson's next line. While finding the plot twists "neat", Ebert found that director Winner failed to squarely address the relationship between the leads in favor of too many boring action sequences. [15] Gene Siskel of the Chicago Tribune gave the film only 1 star out of 4 and wrote, "The entirely unoriginal production moves at a numbing pace with Bronson mirroring the directorial lethargy with his silent, 'don't I have strong cheekbones' demeanor". [16] Kevin Thomas of the Los Angeles Times praised the film as "A hard-edged, brutal yet absorbing contemporary gangster movie" with "top-notch" performances. [17] Judith Crist dismissed the film as "a banal expedition into slaughter and sadism and stupid dialogue". Any hint of authenticity, she wrote, was obliterated by Winner's "bang-bang-bang approach". [18] Gary Arnold of The Washington Post wrote, "It's a predictable, expendable piece of formula moviemaking, and the men responsible for it seem considerably more proficient at manufacturing thrills than generating and sustaining dramatic interest". [19]

Other media

Novelization

A novelization credited to screenwriter Lewis John Carlino was published by Signet Books to accompany the film's release. [20]

Remake

On May 7, 2009, it was announced that director Simon West would be helming a remake with Jason Statham taking the lead role. [21] The remake opened in the United States on January 28, 2011, making $11,500,000 on its opening weekend. A sequel was released in August 2016.

See also

Notes

  1. "The Mechanic - Details". AFI Catalog of Feature Films . American Film Institute . Retrieved May 26, 2019.
  2. Froug p 20
  3. Froug p 21
  4. More and More Malamud By A. H. WEILER. New York Times 2 Feb 1969: D13.
  5. MOVIE CALL SHEET: Cliff Robertson Role Set Martin, Betty. Los Angeles Times 29 Apr 1969: h13.
  6. Froug p 22
  7. Stevens, p. 93
  8. Quoted in Russo, p. 91
  9. Peter Fonda Set for Film Los Angeles Times (1923-1995); Los Angeles, Calif. [Los Angeles, Calif]11 Nov 1971: h23.
  10. McQueen Stars in 'Getaway' Murphy, Mary. Los Angeles Times 4 Dec 1971: a8.
  11. "Hey Sensei! Wanna Be a Star?". Black Belt . March 1973. p. 15.
  12. Nature Boy Vincent Gets It Together at Disney CARTNAL, ALAN. Los Angeles Times 27 Aug 1972: v16.
  13. Canby, Vincent (November 18, 1972). "'Mechanic,' About a Professional Killer:Bronson Plays Role in Winner Movie; Director Concentrates on Chase Spectacles". The New York Times .
  14. "Film Reviews: The Mechanic". Variety . November 1, 1972. 20.
  15. Ebert, Roger (November 30, 1972). "The Mechanic". Chicago Sun-Times .
  16. Siskel, Gene (November 28m 1972). "La Salamandre". Chicago Tribune . Section 2, p. 4.
  17. Thomas, Kevin (November 22, 1972). "Humanizing an Assassin". Los Angeles Times . Part IV, p. 12.
  18. Crist, Judith (November 27, 1972). "Bang! Bang! You're Dead"., New York magazine, Movies section.
  19. Arnold, Gary (November 9, 1972). "Manufactured". The Washington Post . B17.
  20. "The Mechanic".
  21. "West gives 'Mechanic' an overhaul - Entertainment News, Film News, Media". Variety. July 20, 2008. Retrieved May 8, 2009.

Related Research Articles

<span class="mw-page-title-main">Charles Bronson</span> American actor (1921–2003)

Charles Bronson was an American actor. He was known for his roles in action films and his "granite features and brawny physique". Bronson was born into extreme poverty in Ehrenfeld, Pennsylvania, a coal mining town in the Allegheny Mountains. Bronson's father, a miner, died when Bronson was young. Bronson himself worked in the mines as well until joining the United States Army Air Forces in 1943 to fight in World War II. After his service, he joined a theatrical troupe and studied acting. During the 1950s, he played various supporting roles in motion pictures and television, including anthology drama TV series in which he would appear as the main character. Near the end of the decade, he had his first cinematic leading role in Machine-Gun Kelly (1958).

<span class="mw-page-title-main">Michael Winner</span> English filmmaker, food writer (1935–2013)

Michael Robert Winner was a British filmmaker, writer, and media personality. He is known for directing numerous action, thriller, and black comedy films in the 1960s, 1970s and 1980s, including several collaborations with actors Oliver Reed and Charles Bronson.

<i>In the Line of Fire</i> 1993 political action thriller film by Wolfgang Petersen

In the Line of Fire is a 1993 American political action thriller film directed by Wolfgang Petersen and starring Clint Eastwood, John Malkovich and Rene Russo. Written by Jeff Maguire, the film is about a disillusioned and obsessed former CIA agent who attempts to assassinate the President of the United States and the Secret Service agent who tracks him. Eastwood's character is the sole active-duty Secret Service agent who is still remaining from the detail that had guarded John F. Kennedy in Dallas, Texas, at the time of his assassination in 1963. The film also stars Dylan McDermott, Gary Cole, John Mahoney, and Fred Dalton Thompson.

<i>Death Wish II</i> 1982 American vigilante action film by Michael Winner

Death Wish II is a 1982 American vigilante action-thriller film directed and co-edited by Michael Winner. It is the first of four sequels to the 1974 film Death Wish. It is the second installment in the Death Wish film series. In the story, architect Paul Kersey moves to Los Angeles with his daughter. After his daughter is murdered at the hands of several gang members, Kersey once again chooses to become a vigilante. Unlike the original, in which he hunts down every criminal he encounters, Kersey only pursues his family's attackers. The sequel makes a complete breakaway from the Brian Garfield novels Death Wish and Death Sentence, redefining the Paul Kersey character. It was succeeded by Death Wish 3.

<i>Telefon</i> (film) 1977 spy film

Telefon is a 1977 spy film directed by Don Siegel and starring Charles Bronson, Lee Remick and Donald Pleasence. The screenplay by Peter Hyams and Stirling Silliphant is based on the 1975 novel by Walter Wager.

<i>Junior Bonner</i> 1972 film

Junior Bonner is a 1972 American contemporary Western film directed by Sam Peckinpah and starring Steve McQueen, Robert Preston, Joe Don Baker and Ida Lupino. The film focuses on a veteran rodeo rider as he returns to his hometown of Prescott, Arizona, to participate in an annual rodeo competition and reunite with his brother and estranged parents. Many critics consider it to be the warmest and most gentle of Peckinpah's films.

<span class="mw-page-title-main">Jan-Michael Vincent</span> American actor (1944–2019)

Jan-Michael Vincent was an American actor known for portraying helicopter pilot Stringfellow Hawke in the TV series Airwolf (1984–1987) and the protagonist, Matt Johnson, in the 1978 film Big Wednesday. He also starred as Byron Henry in the 1983 miniseries The Winds of War.

<i>Death Hunt</i> 1980 film by Peter R. Hunt

Death Hunt is a 1981 Western action film directed by Peter Hunt. The film stars Charles Bronson, Lee Marvin, Angie Dickinson, Carl Weathers, Maury Chaykin, Ed Lauter and Andrew Stevens. Death Hunt was a fictionalized account of the Royal Canadian Mounted Police (RCMP) pursuit of a man named Albert Johnson. Earlier films exploring the same topic were The Mad Trapper (1972), a British made-for-television production and Challenge to Be Free (1975).

<i>The Big Wheel</i> (film) 1949 film by Edward Ludwig

The Big Wheel is a 1949 American drama sport film directed by Edward Ludwig starring Mickey Rooney, Thomas Mitchell, Mary Hatcher and Michael O'Shea. It includes the final screen appearance of Hattie McDaniel.

<i>Death Wish</i> (1974 film) 1974 American vigilante action thriller film

Death Wish is a 1974 American vigilante action film directed by Michael Winner. The film, loosely based on the 1972 novel of the same title by Brian Garfield and the first film in the Death Wish film series, stars Charles Bronson as Paul Kersey, alongside Hope Lange, Vincent Gardenia, William Redfield, Kathleen Tolan and Christopher Guest. In the film, Paul Kersey, an architect leading a peaceful life, resorts to vigilantism after his wife is murdered and daughter raped during a home invasion.

<i>The Statue</i> (1971 film) 1971 British film by Rod Amateau

The Statue is a 1971 British comedy film starring David Niven, Robert Vaughn, and Virna Lisi and directed by Rodney Amateau. John Cleese and Graham Chapman appear in early career roles as the Niven character's psychiatrist and a newsreader, respectively. Niven plays a Nobel Prize-winning professor who suspects his wife, played by Lisi, of infidelity when she makes and unveils an 18-foot statue of him with private parts recognisably not his own. The film is based on the play called Chip, Chip, Chip by Alec Coppel.

<i>Busting</i> 1974 American crime film by Peter Hyams

Busting is a 1974 American buddy cop film, directed by Peter Hyams in his theatrical directorial debut, starring Elliott Gould and Robert Blake as police detectives of the Los Angeles Police Department (LAPD). The film was the main inspiration for the cop series Starsky & Hutch, which premiered in 1975 and, like this film, also featured Antonio Fargas.

<i>Assassination</i> (1987 film) 1987 American action film

Assassination is a 1987 American action thriller film directed by Peter Hunt and starring Charles Bronson, Jill Ireland, Charles Howerton, Jan Gan Boyd, Stephen Elliott, and Chris Alcaide. The plot is about a bodyguard who is assigned to protect the First Lady of the United States against an assassination plot.

<i>The Stone Killer</i> 1973 film by Michael Winner

The Stone Killer is a 1973 American action neo noir thriller film produced and directed by Michael Winner and starring Charles Bronson. It came out in between The Mechanic (1972) and Death Wish (1974), all three of which teamed up actor/director Bronson and Winner. Norman Fell and John Ritter appear as cops in this film, not too long before the TV series Three's Company. Character actor Stuart Margolin plays a significant role; he also appeared in Death Wish. It was one of many Dirty Harry-type films featuring rogue cops who don't "play by the rules" that were released in the wake of that film's success.

<i>Chatos Land</i> 1972 film by Michael Winner

Chato's Land is a 1972 Western Technicolor film directed by Michael Winner, starring Charles Bronson and Jack Palance.

<i>Fuzz</i> (film) 1972 film by Richard A. Colla

Fuzz is a 1972 American action comedy film directed by Richard A. Colla and starring Burt Reynolds, Yul Brynner, Raquel Welch, Tom Skerritt, and Jack Weston.

<i>The Sunshine Boys</i> (1975 film) 1975 film

The Sunshine Boys is a 1975 American comedy film directed by Herbert Ross and produced by Ray Stark, released by Metro-Goldwyn-Mayer and based on the 1972 play by Neil Simon, about two legendary comics brought together for a reunion and revival of their famous act. The cast included real-life experienced vaudevillian actor George Burns as Lewis, Walter Matthau as Clark, and Richard Benjamin as Ben, with Lee Meredith, F. Murray Abraham, Rosetta LeNoire, Howard Hesseman, and Ron Rifkin in supporting roles.

Steve Carver was an American film director, producer, and photographer.

<i>The Mechanic</i> (2011 film) 2011 American action thriller film directed by Simon West

The Mechanic is a 2011 American action thriller film directed by Simon West, starring Jason Statham, Ben Foster, Tony Goldwyn, Donald Sutherland, James Logan, Mini Andén, Jeff Chase, and Christa Campbell. Written by Lewis John Carlino and Richard Wenk, it is a remake of the 1972 film of the same name. Statham stars as Arthur Bishop, a professional assassin who specializes in making his hits look like accidents, suicides and petty criminals' acts.

<span class="mw-page-title-main">Steve Gordon (director)</span> American film director (1938–1982)

Steve Gordon was an American screenwriter and film director who wrote and directed the 1981 comedy Arthur, starring Dudley Moore. Gordon died in New York City on November 27, 1982, from a heart attack at the age of 44.

References