The Monkees | ||||
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Studio album by | ||||
Released | October 10, 1966 | |||
Recorded | July 5 – 25, 1966 | |||
Studio |
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Genre | Pop rock [1] | |||
Length | 29:39 | |||
Label | Colgems Records | |||
Producer | ||||
The Monkees chronology | ||||
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Singles from The Monkees | ||||
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Review scores | |
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Source | Rating |
AllMusic | [1] |
MusicHound | [2] |
The Rolling Stone Album Guide | [3] |
The Monkees is the debut studio album by the American band the Monkees. It was released on October 10, 1966 by Colgems Records in the United States and RCA Victor in the rest of the world. [4] It was the first of four consecutive U.S. number one albums for the group, taking the top spot on the Billboard 200 for 13 weeks, after which it was displaced by the band's second album. [5] It also topped the UK charts in 1967. The Monkees has been certified quintuple platinum by the RIAA, with sales of over five million copies.
The song "Last Train to Clarksville" was released as a single shortly before the release of the album and went to the top of the Billboard Hot 100 chart. It was the only hit single from the album. "I'll Be True to You" was previously released as a single by the Hollies in January 1965 under the title "Yes I Will".
In late 1965, a pilot for the TV series The Monkees was approved by Screen Gems, the television branch of Columbia Pictures. [6] Producers Bob Rafelson and Bob Schneider (also known as Raybert Productions), wishing to generate funding for experimental movies, came up with the idea of a sitcom about a garage band, inspired by Richard Lester's A Hard Day's Night and Rafelson's own experiences as a musician. [6] After advertising an open casting call in Variety magazine and doing several applications with 437 aspirants, actor/musician Micky Dolenz, British singer/stage actor Davy Jones, recording artist/songwriter Michael Nesmith and Greenwich Village folk musician Peter Tork impressed Raybert enough to be chosen as the Monkees in September 1965. [7] [nb 1] Despite their different backgrounds and initial tensions, the Monkees got along during the filming rehearsals. [9]
Before the pilot was filmed in November 1965, songwriters Tommy Boyce and Bobby Hart were brought to the project by their songs publisher, Screen Gems head of music division Don Kirshner, and commissioned by Raybert to score the episode. There were vague promises that Nesmith and Tork would record their own music. [10] Boyce and Hart then composed and recorded four songs that were used on the original pilot. [11] In February 1966, Columbia ordered 32 episodes of the show after the second screening of the pilot was a success. Soon after, Rafelson and Schneider called Kirshner to be the musical supervisor over the show, because he could supply music enough to the weekly episodes with his extensive portfolio of Brill Building songwriters in his publishing firm. [12]
Dubbed "the Man with the Golden Ear", Kirshner viewed potential in merging television and music, and initially favored Mickie Most, Snuff Garrett, and Carole King for producing the Monkees, but sessions with them did not work well, so Boyce and Hart were called back. [13] Kirshner then negotiated a partnership between Screen Gems and RCA Victor to enter into a joint venture called Colgems Records primarily to distribute Monkees records. [14]
The album was recorded in numerous separate sessions around Los Angeles from July 5–25, 1966. Early sessions were produced by the trio of Tommy Boyce, Bobby Hart, and Jack Keller; later sessions were produced by Boyce and Hart. Michael Nesmith produced two sessions scheduled around the work done by Boyce, Hart, and Keller.
Famously, the Monkees were not permitted by their management to function as a working band for this album. Although the album cover credits the band as playing instruments (drums for Dolenz; guitar for the other three members), the group's actual contributions were limited almost entirely to vocal tracks. Seven of the album's 12 tracks feature one lone Monkee singing lead vocal over instrumentation and backing vocals recorded entirely by a group of session musicians which varies from song to song. Other tracks feature multiple Monkees singing over session players; only on the two tracks produced by Michael Nesmith does a Monkee (Peter Tork) play an instrument (guitar). Nesmith wrote or co-wrote these tracks. No tracks on the album feature all four Monkees.
The photos in the "film strip" on the left side of the back cover are from two episodes of The Monkees'' TV series. The first three photos are from "Your Friendly Neighborhood Kidnappers"; the other two are from the episode "The Spy Who Came in from the Cool". Also included are brief stats on each band member (height, weight, age).
Early pressings of the LP cover, as well as side 1 of the label, featured the misspelled song title "Papa Jean's Blues" (Catalog number COM/COS 101). This was soon corrected as "Papa Gene's Blues" (Catalog number COM/COS 101 RE). It was standard practice for RCA to add an "RE" when any one side of a record or sleeve had a revision. Open copies of both versions are easy to find. In addition, when the album was reissued in 1968 the Colgems' logo replaced the word "Colgems" on the bottom right-hand corner of the reverse side (Catalog number COS 101 RE2). [15]
All tracks are written by Tommy Boyce and Bobby Hart, except where noted.
No. | Title | Writer(s) | Lead vocals | Length |
---|---|---|---|---|
1. | "(Theme From) The Monkees" | Micky Dolenz | 2:18 | |
2. | "Saturday's Child" | David Gates | Dolenz | 2:43 |
3. | "I Wanna Be Free" | Davy Jones | 2:39 | |
4. | "Tomorrow's Gonna Be Another Day" |
| Dolenz | 2:39 |
5. | "Papa Gene's Blues" | Michael Nesmith | Nesmith | 1:57 |
6. | "Take a Giant Step" | Dolenz | 2:33 | |
Total length: | 14:49 |
No. | Title | Writer(s) | Lead vocals | Length |
---|---|---|---|---|
1. | "Last Train to Clarksville" | Dolenz | 2:44 | |
2. | "This Just Doesn't Seem to Be My Day" | Jones | 2:09 | |
3. | "Let's Dance On" | Dolenz | 2:30 | |
4. | "I'll Be True to You" |
| Jones | 2:50 |
5. | "Sweet Young Thing" |
| Nesmith | 1:56 |
6. | "Gonna Buy Me a Dog" |
| 2:41 | |
Total length: | 14:50 |
Credits adapted from 2021 Rhino LP. [16]
The Monkees
Additional musicians
Unconfirmed personnel and duties
Technical
Chart (1966–67) | Peak position |
---|---|
Australian Albums (Kent Music Report) [17] | 3 |
Canadian Albums ( RPM ) [18] | 1 |
Finnish Albums (Suomen virallinen lista) [19] | 1 |
German Albums (Offizielle Top 100) [20] | 11 |
Norwegian Albums (VG-lista) [21] | 3 |
UK Albums (OCC) [22] | 1 |
US Billboard 200 [23] | 1 |
Year | Single | Chart | Peak position |
---|---|---|---|
1966 | "Last Train to Clarksville" | Billboard Hot 100 | 1 [24] |
1967 | "Last Train to Clarksville" | UK Charts | 23 [25] |
Region | Certification | Certified units/sales |
---|---|---|
United States (RIAA) [26] | 5× Platinum | 5,000,000^ |
^ Shipments figures based on certification alone. |
The Monkees were an American pop rock band formed in Los Angeles in the mid-1960s. The band consisted of Micky Dolenz, Davy Jones, Michael Nesmith, and Peter Tork. Spurred by the success of TV series The Monkees, the Monkees were one of the most successful bands of the late 1960s. With international hits, four chart-topping albums and three chart-topping songs, they sold more than 75 million records worldwide.
George Michael Dolenz Jr. is an American musician and actor. He was the drummer and one of two primary vocalists for the pop rock band the Monkees, and a co-star of the TV series The Monkees (1966–1968). Dolenz is the last surviving member of the band.
Pisces, Aquarius, Capricorn & Jones Ltd. is the fourth album by the Monkees. It was released on November 6, 1967, during a period when the band exerted more control over their music and performed many of the instruments themselves. However, although the group had complete artistic control over the proceedings, they invited more outside contributions than on their previous album, Headquarters, and used session musicians to complement their sound. The album also featured one of the first uses of the Moog synthesizer in popular music. Pisces, Aquarius, Capricorn & Jones Ltd. sold over three million copies. It was the band's fourth consecutive album to reach No. 1 on the U.S. Billboard 200.
Headquarters is the third studio album by the American pop rock band the Monkees, released in 1967 by Colgems Records. It was issued after the first season of their television series had concluded and was the first album on which the group members made substantial songwriting and instrumental contributions, rather than relying on session musicians and professional songwriters. After a struggle for creative autonomy with their record label, the group had been allowed, to a degree, to record by themselves. Headquarters became the group's third consecutive No. 1 album on the Billboard 200 chart and was certified double platinum in the United States with sales of more than two million copies within the first two months of release. It also peaked at No. 2 on the UK charts. It is included in the 2006 book 1001 Albums You Must Hear Before You Die.
More of the Monkees is the second studio album by the American pop rock band the Monkees, released in 1967 on Colgems Records. It was recorded in late 1966 and displaced the band's debut album from the top of the Billboard 200 chart, remaining at No. 1 for 18 weeks, the longest run of any Monkees album. Combined, the first two Monkees albums were at the top of the Billboard chart for 31 consecutive weeks. More of the Monkees also went to No. 1 in the UK. In the U.S., it has been certified quintuple platinum by the RIAA, with sales of more than five million copies. More of the Monkees is also notable for being the first pop/rock album to be the best-selling album of the year in the U.S.
The Monkees Present is the eighth studio album by the American pop rock band the Monkees, released in 1969 by Colgems Records. It was the second Monkees album released after the departure of Peter Tork and the last to feature Michael Nesmith until 1996's Justus.
Changes is the ninth studio album by the American pop rock band the Monkees, released in 1970 by Colgems Records. The album was issued after Michael Nesmith's exit from the band, leaving only Micky Dolenz and Davy Jones to fulfill the recording contract they had signed in the mid-1960s. Changes was their last new album for Colgems Records and the group's last album of all new material until Pool It!, released in 1987.
The Birds, the Bees & the Monkees is the fifth studio album by the American pop rock band the Monkees, released in 1968 by Colgems Records. It was the first album released after the cancellation of their TV show and subsequently was their first not to reach No. 1 on the U.S. Billboard 200, peaking at No. 3, and their first not to chart in the UK, with their four previous efforts all having reached the top ten. The album has sold over a million copies.
Head is the sixth studio album by the American pop rock band the Monkees, released in 1968 by Colgems Records, and the soundtrack to the film of the same name. The album primarily consists of musique concrète pieces assembled from the film's dialogue, while the six new songs encompass genres such as psychedelic music, lo-fi, acid rock and Broadway theatre.
Instant Replay is the seventh studio album by the American pop rock band the Monkees, released in 1969 by Colgems Records. Issued 11 months after the cancellation of the group's NBC television series, it is also the first album released after Peter Tork left the group and the only album of the original nine studio albums that does not include any songs featured in the TV show.
"Valleri" is a song written by Tommy Boyce and Bobby Hart for the Monkees. The single peaked at #3 on the Billboard Hot 100 and spent two weeks at #1 on the Cash Box chart in early 1968, and reached #1 in Canada and #12 in the UK.
Missing Links Volume Three is a compilation album of rare and previously unreleased songs by the American pop rock band the Monkees, issued by Rhino Records in 1996. It is the third and final volume of a three-volume set, preceded by Missing Links in 1987 and Missing Links Volume Two in 1990.
"A Little Bit Me, a Little Bit You" is a song written by Neil Diamond, recorded by the Monkees in 1967 and released as a single on the Colgems label. The lead vocal was Davy Jones' first on a Monkees single. The single reached No. 1 on the Cashbox Top 100 chart, while on the Billboard Hot 100 it reached No. 2, with "Somethin' Stupid" by Frank Sinatra and Nancy Sinatra keeping it from the top spot.
"All of Your Toys" is a song by The Monkees, recorded in 1967 but not released until 20 years later. The song was written by Bill Martin, a friend of The Monkees' Michael Nesmith. "All of Your Toys" was the first Monkees recording to feature all four members performing on the track.
The Monkees is an American television musical sitcom that first aired on NBC for two seasons, from September 12, 1966, to March 25, 1968. The series follows the adventures of four young men trying to make a name for themselves as a rock 'n roll band. The show introduced a number of innovative new-wave film techniques to series television and won two Emmy Awards in 1967, including Outstanding Comedy Series. The program ended in 1968 at the finish of its second season and has received a long afterlife through Saturday morning repeats and syndication, as well as overseas broadcasts.
Dolenz, Jones, Boyce & Hart was a supergroup, consisting of songwriting/performing duo Boyce and Hart and two members of the Monkees, Micky Dolenz and Davy Jones. Boyce and Hart had written many of the Monkees' biggest hits, such as "Last Train to Clarksville" and "(Theme From) The Monkees". The group existed only for a short time in 1976, recording one eponymous album.
Summer 1967: The Complete U.S. Concert Recordings is a four-CD compilation of live recordings by the American pop rock band the Monkees, released in 2001 by Rhino Handmade. Recorded during the band's summer 1967 tour, the CD was a limited edition release, with 3,500 copies being made available. 16 of these tracks had previously been compiled by Rhino and released as Live 1967 in 1987.
Tear Drop City is a single by the Monkees released on February 8, 1969 on Colgems #5000 recorded on October 26, 1966. The song reached No.56 on the Billboard chart, no.37 on cash box. The lyrics are about a man who feels low because his girlfriend has left him. Written by Tommy Boyce and Bobby Hart, it was the first single The Monkees released as a trio. Micky Dolenz performed the lead vocal. Boyce and Hart produced and arranged the song.
Good Times! is the twelfth and last studio album by the American pop rock band the Monkees, released in 2016 by Rhino Records. Produced primarily by Adam Schlesinger, the album was recorded to commemorate the band's 50th anniversary. It was the first Monkees studio album since Justus (1996), marking the longest gap between releases to date, and the first since the death of band member Davy Jones. The album features surviving Monkees Micky Dolenz, Michael Nesmith, and Peter Tork, as well as a posthumous contribution from Jones.
"Words" is a song written by Tommy Boyce and Bobby Hart and released by the Monkees. An early version by the Leaves appeared on their 1966 album Hey Joe. The Monkees first recorded the song for their second album, More of The Monkees, in August 1966 under the supervision of Boyce and Hart. While this version went unreleased until the 1990 compilation Missing Links Volume Two, it was featured in the 10 April 1967 episode of The Monkees "Monkees, Manhattan Style". A new version of the song was made to be the B-side of "Pleasant Valley Sunday" in 1967, now produced by Chip Douglas.
Baker, Glenn A. (1997). Monkeemania! The Story of the Monkees. Plexus. ISBN 9780859652568.
Dolenz, Micky; Bego, Mark (1993). I'm a Believer: My Life of Monkees, Music, and Madness. Hyperion. ISBN 9781562828479.
Hart, Bobby; Ballantyne, Glenn (2015). Psychedelic Bubble Gum: Boyce & Hart, The Monkees, and Turning Mayhem Into Miracles. SelectBooks. ISBN 9781590792919.
Hickey, Andrew (2011). Monkee Music. Lulu. ISBN 9781447887850.
Jones, Davy (2000). Daydream Believin'. Hercules. ISBN 9780961861414.
Lefcowitz, Eric (1985). The Monkees Tale. Last Grasp. ISBN 9780867193381.
Lefcowitz, Eric (1989). The Monkees Tale (Revised ed.). Last Grasp. ISBN 9780867193787.
Lefcowitz, Eric (2012). Monkee Business: The Revolutionary Made-for-TV Band. Retrofuture. ISBN 9780943249001.
Livingston, Scot P. (2015). The Monkees: A Many Fractured Image. CreateSpace. ISBN 9781514694633.
Massingill, Randi L. (2005). Total Control: The Monkees Michael Nesmith Story . FLEXquarters. ISBN 9780965821841.
Sandoval, Andrew (2005). The Monkees: The Day-by-Day Story of the '60s TV Pop Sensation. Thunder Bay Press. ISBN 9781592233724.
Ventrella, Michael A.; Arnold, Mark (2017). Long Title: Looking for the Good Times; Examining the Monkees' Songs, One by One. BearManor. ISBN 9781629331751.