The Neighborhood | ||||
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Studio album by | ||||
Released | September 4, 1990 | |||
Studio | Ocean Way, Los Angeles, California Sunset Sound, Hollywood, California | |||
Genre | Roots rock Chicano rock R&B Tex-Mex Heartland rock | |||
Length | 44:52 | |||
Label | Slash, Warner Bros. [1] | |||
Producer | Larry Hirsch, Los Lobos [2] | |||
Los Lobos chronology | ||||
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The Neighborhood is the fifth album by the rock band Los Lobos. [3] [4] It was released in 1990 and includes contributions from Levon Helm and John Hiatt, among others. [1] [5]
The album peaked at No. 103 on the Billboard 200 in September 1990. [6]
The album followed a period of writer's block, brought on by the success of "La Bamba," and a confusion about what musical direction to go in. [7] The New York Times noted a more prominent blues influence, "in different moods and textures." [8] Some tracks employed session drummers in place of Louie F. Pérez, Jr. [9]
Review scores | |
---|---|
Source | Rating |
AllMusic | [2] |
Chicago Sun-Times | [10] |
Chicago Tribune | [11] |
Entertainment Weekly | B+ [12] |
Los Angeles Times | [13] |
NME | 7/10 [14] |
Orlando Sentinel | [15] |
Rolling Stone | [16] |
The Rolling Stone Album Guide | [9] |
Spin Alternative Record Guide | 7/10 [17] |
Reviewing The Neighborhood for the Chicago Tribune , Greg Kot said that Los Lobos had "translated" their mastery of blues, country, R&B and Mexican folk "into 13 songs of startling simplicity and power", describing the album as "East L.A. soul music, played and sung with utter conviction." [11] Chicago Sun-Times critic Don McLeese stated that it "confirms that the music of Los Lobos has deeper dimensions than the good-time revivalism of 'La Bamba'"; [10] in Rolling Stone , McLeese noted the album's "simplicity and understatement" and summarized it as "a bringing-it-all-back-home affair" which "finds a spiritual dimension, a sense of wonder in the course of everyday life." [16] For The Washington Post , Geoffrey Himes wrote that "the album is a bold claim by these second-generation immigrants that they are Americans, and that all of America's culture belongs to them." [1] Ira Robbins of Entertainment Weekly lauded the band's musical versatility and concluded that "despite the disconcerting lack of focus, what's in this musical melting pot is mighty tasty." [12]
Los Angeles Times journalist Chris Willman credited Los Lobos with maintaining their "edge" throughout The Neighborhood, even in moments that "are so outrightly sentimental that they would be sheer Capra-corn in almost any other group's hands". [13] While finding the band's songwriting not at par with "their stylistic mastery", Gavin Martin of NME deemed the album "Los Lobos' most successful collection to date". [14] Critic Robert Christgau, however, gave it a grade of "neither". [18]
Retrospectively, AllMusic's Mark Deming called The Neighborhood "a genuine step forward for a great band, as well as the jumping-off point to their most experimental period." [2] In The Rolling Stone Album Guide , J. D. Considine commented that the album showed Los Lobos sounding "reinvigorated" and "stronger than ever" with material that played to the band's musical strengths. [9] Trouser Press praised it as "exciting, evocative and highly satisfying." [19]
All songs written by David K. Hidalgo and Louie F. Pérez, Jr., except where noted.
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Down on the Riverbed" | 4:05 | |
2. | "Emily" | 3:49 | |
3. | "I Walk Alone" | 3:00 | |
4. | "Angel Dance" | 3:13 | |
5. | "Little John of God" | 2:19 | |
6. | "Deep Dark Hole" | 2:24 | |
7. | "Georgia Slop" | (Jimmy McCracklin) | 2:45 |
8. | "I Can't Understand" | (Cesar J. Rosas, Willie Dixon) | 4:00 |
9. | "The Giving Tree" | 3:07 | |
10. | "Take My Hand" | 4:45 | |
11. | "Jenny's Got a Pony" | 4:03 | |
12. | "Be Still" | 3:34 | |
13. | "The Neighborhood" | 4:07 |
Additional personnel
Production
Chart (1990-1991) | Peak position |
---|---|
Canada Top Albums/CDs ( RPM ) [20] | 51 |
Dutch Albums (Album Top 100) [21] | 88 |
New Zealand Albums (RMNZ) [22] | 44 |
Swiss Albums (Schweizer Hitparade) [23] | 38 |
US Billboard 200 [24] | 103 |
Los Lobos is a Mexican-American rock band from East Los Angeles, California. Their music is influenced by rock and roll, Tex-Mex, country, zydeco, folk, R&B, blues, brown-eyed soul, and traditional music such as cumbia, boleros and norteños. The band rose to international stardom in 1987, when their version of "La Bamba" peaked at the top of the Billboard Hot 100, and also topped the charts in the United Kingdom, and several other countries. Songs by Los Lobos have been recorded by Elvis Costello, Waylon Jennings, Frankie Yankovic, and Robert Plant. In 2015, they were nominated for induction into the Rock and Roll Hall of Fame. In 2018, they were inducted into the Austin City Limits Hall of Fame. They are also known for performing the theme song for Handy Manny. As of 2024, they have been nominated for twelve Grammy Awards and have won four.
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