"The Poet's Burial for Love" (Welsh: Claddu'r Bardd o Gariad or Claddu y Bardd o Gariad) [1] [2] or "The Poet's Burial" (Welsh: Angladd y Bardd) [3] is a Welsh-language love poem in the form of a cywydd in which the poet foresees his own death from unrequited love. It was formerly attributed to the 14th-century Welsh poet Dafydd ap Gwilym, but in 1952 was rejected from the canon of his works by Dafydd's editor, Thomas Parry and is now widely considered to be a 15th-century poem of uncertain authorship. The poem has nevertheless remained very popular with translators and it continues to appear in anthologies, including Thomas Parry's own Oxford Book of Welsh Verse . [4]
The poet addresses a beautiful woman whom he has loved for a long time, and warns her that if he dies for love of her she will be guilty of his murder. He will then be buried among the woodland trees, his body adorned with flowers, leaves and clover, and eight branches will form his bier. Seagulls will carry his pall, trees follow his body, with two nightingales for statues. There a woodland choir, who have learned their Latin grammar from books of leaves, will sing, and the hayfield's organ and bells will sound. The grave is ready for him in Gwynedd, where the cuckoo will chant Masses for his soul, sounding like an organ, a visitation of love in the summer months. May God keep his tryst with the poet in Paradise!
"The Poet's Burial for Love" survives in 11 manuscripts, [5] a comparatively small number for a poem attributed to Dafydd ap Gwilym. [4] They are mostly rather late, dating from the 17th and 18th centuries, with the exception of National Library of Wales MS Brogyntyn 1, which can be dated to c. 1553. [5] [6] [4]
The manuscripts of "The Poet's Burial for Love" all attribute it to Dafydd ap Gwilym. The earliest of them also has a marginal note stating that one Llywelyn ap Gruffydd ap Ieuan wrote it, but this may simply mean that he was the copyist. The poem was included in the 1789 collection of Dafydd's works, Barddoniaeth Dafydd ab Gwilym , [4] and was attributed to Dafydd in a selection of cywyddau edited by Ifor Williams and Thomas Roberts in 1914, [7] but in the mid-20th century Thomas Parry excluded it from his edition, citing the poem's imperfect cynghanedd (the strict alliteration required in the classical Welsh metres). [8] Parry also considered that it had a less elaborate style than Dafydd's authentic works, indicating a more recent date; he assigned it to the 15th century without suggesting any alternative author. [9] The recent Dafydd ap Gwilym.net edition similarly classifies this poem as apocryphal. [5] Nevertheless, the canon of Dafydd's works has not been finally settled, and many scholars would be in favour of reattributing "The Poet's Burial" to him. [1] The poet Giles Watson, noting the unanimity of the manuscript attributions, has pointed to the poem's lightness of touch and self-mockery as being characteristic of his work, and notes that it shares its theme of birds celebrating religious sacraments with Dafydd's poem "The Woodland Mass". [8]
The Celticist Rachel Bromwich pointed out that the theme of birds singing at the funeral of a poet who died from love appears in three Old French poems, and that birdsong is metaphorically described as "Latin" in the Roman de la Rose and other French poems of the period. One of them, Li Fablel dou Dieu d'Amors, combines both features. [10] There are also medieval paintings that depict birds conducting funerals, which the scholar D. J. Bowen has suggested may be a source of Dafydd's poem. [11]
This poem was set to music by the composer David Vaughan Thomas as part of his song-cycle Saith o ganeuon ar gywyddau Dafydd ap Gwilym ac eraill. [12]
Dafydd ap Gwilym is regarded as one of the leading Welsh poets and amongst the great poets of Europe in the Middle Ages. Dafydd’s poetry also offers a unique window into the transcultural movement of cultural practices and preservation of culture in the face of occupation. Dafydd also helps answer questions that linger over the spread of culture. Even though it has been given less attention, cultural development in Wales differed slightly than in other parts of Europe during the same time.
"His Shadow" is a poem in the form of a cywydd by the 14th-century bard Dafydd ap Gwilym, widely considered the greatest of the Welsh poets. It relates a conversation in which the poet defends his character from the insinuations of his own shadow, and it parodies a popular medieval genre in which the Soul remonstrates with the Body. It has been argued that "His Shadow" was written towards the end of Daydd's poetic career. It was accepted in the 2007 edition of Dafydd ap Gwilym's poems by Dafydd Johnston et al. as a genuine work of his; previously, Thomas Parry had included it in his 1952 edition of Dafydd's works and in his Oxford Book of Welsh Verse (1962) as genuine, though in 1985 he expressed some doubts as to Dafydd's authorship.
Gruffudd Gryg was a Welsh poet from Anglesey, North Wales.
"The Girls of Llanbadarn", or "The Ladies of Llanbadarn", is a short, wryly humorous poem by the 14th-century Welsh poet Dafydd ap Gwilym, in which he mocks his own lack of success with the girls of his neighbourhood. Dafydd is widely seen as the greatest of the Welsh poets, and this is one of his best-known works. The poem cannot be precisely dated, but was perhaps written in the 1340s.
"The Seagull" is a love poem in 30 lines by the 14th-century Welsh poet Dafydd ap Gwilym, probably written in or around the 1340s. Dafydd is widely seen as the greatest of the Welsh poets, and this is one of his best-known and best-loved works.
"Trouble at a Tavern", or "Trouble at an Inn", is a short poem by the 14th-century Welsh poet Dafydd ap Gwilym, in which the poet comically narrates the mishaps which prevent him from keeping a midnight assignation with a girl. Dafydd is widely seen as the greatest of the Welsh poets, and this is one of his best-known poems. It has been described as "glorious farce", "one of Dafydd ap Gwilym's funniest and most celebrated cywyddau", and "the most vivid of [his] poems of incident".
"The Wind" is a 64-line love poem in the form of a cywydd by the 14th-century Welsh poet Dafydd ap Gwilym. Dafydd is widely seen as the greatest of the Welsh poets, and this is one of his most highly praised works. Rachel Bromwich called it "one of the greatest of all his poems", while the academic critic Andrew Breeze has hailed it as "a masterpiece" and "a work of genius", noting especially its "rhetorical splendour".
"Owain Glyndŵr's Court", also known as "Sycharth" or "The Court of Owain Glyndŵr at Sycharth", is a cywydd by the Welsh bard Iolo Goch. It describes and celebrates the hall and household of his patron, the nobleman Owain Glyndŵr, at Sycharth in Powys. It cannot be dated exactly, but was probably written about 1390, before Glyndŵr's revolt against the English crown. It survives in as many as 24 manuscripts.
"The Ruin" is a cywydd by the 14th-century Welsh poet Dafydd ap Gwilym, widely seen as the greatest of the Welsh poets. In it the poet, considering a ruined house and remembering the love-affair he once conducted there, reflects on the transience of all worldly pleasures. "The Ruin" is commonly supposed to have been written in Dafydd's old age. It has been called one of his most poignant poems, and it was included in The Penguin Book of Welsh Verse, The Oxford Book of Welsh Verse, The Oxford Book of Welsh Verse in English and The Longman Anthology of British Literature.
"The Poet and the Grey Friar" is a satirical poem in the form of a traethodl by the 14th-century Welsh poet Dafydd ap Gwilym, widely seen as the greatest of the Welsh-language poets. In it he relates an imaginary conversation with a Franciscan friar in which, rejecting the ascetic philosophy of the friar, he sets out a defence of love, poetry and the worldly life. It was included in The Oxford Book of Welsh Verse and The Penguin Book of Welsh Verse.
"The Snow" is a 14th- or 15th-century Welsh-language poem in the form of a cywydd evoking a landscape which, to the poet's chagrin, is covered with snow. It has been described as an imaginative tour de force. Manuscripts of the poem mostly attribute it to Dafydd ap Gwilym, widely seen as the greatest of the Welsh poets, though some name Dafydd ab Edmwnd or Ieuan ap Rhys ap Llywelyn as the author. Modern literary historians have differed as to whether it is indeed by Dafydd ap Gwilym, but the two most recent editions of his poems have rejected it. The poem has nevertheless remained popular with translators and it continues to appear in anthologies, including Thomas Parry's own Oxford Book of Welsh Verse and Gwyn Jones's Oxford Book of Welsh Verse in English.
"The Woodland Mass" or "The Mass of the Grove" is a poem in the form of a cywydd by the 14th-century bard Dafydd ap Gwilym, widely seen as the greatest of the Welsh poets. It is one of his most popular works. Sometimes seen as blasphemous, it presents a woodland scene in which a thrush, sent by the poet's lover, and a nightingale officiate at a Mass celebrating both God and sexual love. "The Woodland Mass" is an example of a common type of medieval Welsh poem in which some bird or beast is used as a llatai or love-messenger, though this poem is unusual in that the message is sent to Dafydd rather than by him.
"The Mirror" is a poem in the form of a cywydd by the 14th-century bard Dafydd ap Gwilym, widely seen as the greatest of the Welsh poets. The poem describes how Dafydd, languishing with lovesickness for an unnamed Gwynedd woman, is appalled by the wasted appearance of his face in the mirror. "The Mirror" can be grouped with several other of Dafydd's poems, possibly early ones, set in Gwynedd, or alternatively with the many poems in which he expresses his love for a woman he calls Morfudd. It has been called "perhaps Dafydd's greatest masterpiece in the genre of self-deprecation".
"To the Yew Tree Above Dafydd ap Gwilym's Grave" is a 14th-century Welsh-language poem in the form of a cywydd, and is usually seen as either an elegy written after the death of Dafydd ap Gwilym or a mock-elegy addressed to him during his lifetime. Its author, Gruffudd Gryg, also wrote another elegy or mock-elegy on his friend Dafydd, and conducted a controversy in verse with him in which Dafydd's poems were criticised and defended. The cywydd on the yew tree constitutes the main evidence for the widespread belief that Dafydd is buried at Strata Florida Abbey in Ceredigion. It has been called "a superb poem, perhaps Gruffudd Gryg's best...a remarkably sensitive and perceptive act of poetic homage that acknowledges, far more than any more direct statement ever could, Dafydd's status as a true athro for his generation". It was included in both The Oxford Book of Welsh Verse and The Penguin Book of Welsh Verse.
"Lament for Lleucu Llwyd" is a Middle Welsh poem by the 14th-century bard Llywelyn Goch ap Meurig Hen in the form of a cywydd. It is his most famous work, and has been called one of the finest of all cywyddau and one of the greatest of all Welsh-language love-poems, comparable with the best poems of Dafydd ap Gwilym. The culmination of a series of poems addressed to his lover Lleucu Llwyd, a married woman, it differs from them in calling her forth from her grave as if he were a more conventional lover serenading her as she lies in bed. The effect is said to be "startling, original, but in no way grotesque". "Lament for Lleucu Llwyd" was included in both The Oxford Book of Welsh Verse and The Oxford Book of Welsh Verse in English.
"Y Llafurwr", known in English as "The Ploughman" or "The Labourer", is a poem in the form of a cywydd by the 14th-century Welsh poet Iolo Goch. Often compared with William Langland's Middle English Piers Plowman, it presents a sympathetic portrayal of the meek and godly ploughman; no other Welsh bardic poem takes an ordinary working man as its subject. It has been called the most notable of Iolo's poems, comparable with the finest works of Dafydd ap Gwilym, and its popularity in the Middle Ages can be judged from the fact that it survives in seventy-five manuscripts. It is included in The Oxford Book of Welsh Verse.
"The Maypole" or "To a Birch Tree", known in Welsh as "I'r fedwen", "Y fedwen yn bawl haf", or "Y fedwen las anfadwallt", is a cywydd by the mid-14th century bard Gruffudd ab Adda; it is one of only three poems of his that have survived. It was formerly attributed to the pre-eminent Welsh-language poet, Dafydd ap Gwilym. The poem presents the unhappy fate of a woodland birch tree which has been chopped down and re-erected in the town of Llanidloes as a maypole, then with pathetic irony asks the tree to choose between its former existence and its present one. Dancing round a maypole was a popular recreation in medieval Welsh towns, and this poem is the first record of it. "The Maypole" has been praised by literary historians as one of the very finest of Welsh cywyddau, and was included in The Oxford Book of Welsh Verse.
"The Magpie's Advice" or "The Magpie's Counsel" is a poem in the form of a cywydd by the pre-eminent Welsh-language poet, Dafydd ap Gwilym. The poet portrays himself as an overage lover who bemoans his romantic woes as he wanders through the woods, and is rebuked by a magpie who bids him concern himself with matters more befitting his years. It can be read either as a comic and self-mocking reversal of the traditional Welsh poetic trope of the non-human messenger, or llatai, being sent to the poet's lover, or as a meditation on the contrast between the yearly cycle of renewal in the natural world and the linear ageing of men, which falsifies any simplistic identification we may make with nature. It has always been one of Dafydd's more popular poems, surviving in 55 manuscripts and being widely translated in the 20th and 21st centuries. Sir Thomas Parry included it in his Oxford Book of Welsh Verse.
"The Wave" is a Welsh-language cywydd by the mid 14th-century poet Gruffudd Gryg. It is a llatai poem, which is to say one in which an animal or inanimate object is sent bearing a message of love. In this case an ocean wave is sent by the poet's beloved in Anglesey, and reaches him as he returns by ship from a pilgrimage to Santiago de Compostella. It is thought to have been written in or about the 1370s. "The Wave" is a widely acclaimed poem, and has been compared favourably with the finest poems of Dafydd ap Gwilym, who is often considered the greatest of the Welsh poets.
"The Dream" is a medieval Welsh poem in the form of a cywydd. Though it is included in both of the modern editions of the works of Dafydd ap Gwilym, widely seen as the greatest of the Welsh poets, it is not typical of his work and doubts have been expressed as to his authorship. The poet's dream is an allegorical one about hunting a white doe in which the doe represents the woman he loves. The large number of manuscripts and of English translations testify to its popularity through the centuries.