"The Trial of Elizabeth Gadge" | |
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Inside No. 9 episode | |
Episode no. | Series 2 Episode 3 |
Directed by | Dan Zeff |
Written by | Steve Pemberton Reece Shearsmith |
Original air date | 9 April 2015 |
Guest appearances | |
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"The Trial of Elizabeth Gadge" is the third episode of the second series of the British dark comedy anthology television programme Inside No. 9 . It was written by Reece Shearsmith and Steve Pemberton, and directed by Dan Zeff. It first aired on 9 April 2015 on BBC Two. The story follows a 17th-century witch trial. Elizabeth Gadge, played by Ruth Sheen, stands accused of witchcraft by inhabitants of the village of Little Happens, including characters played by Sinead Matthews, Jim Howick, Paul Kaye and Trevor Cooper. The magistrate Sir Andrew Pike, played by David Warner, has summoned the famed witch-finders Mr Warren and Mr Clarke, played by Shearsmith and Pemberton, to try Elizabeth, but is more concerned with bringing visitors to the village than finding the truth.
The episode was not intended to be a parody of period dramas, but instead to reflect the absurdity of real witch trials. To that end, the characters take the events of the episode seriously, which leads to much of the humour. The writers' influences included Witchfinder General , The Crucible , Monty Python and Hammer Horror films, while the names of the witch-finders were a tribute to actor Warren Clarke. Many critics responded positively to the episode, praising the humour—especially that deriving from the use of archaic language—the writing and the performances. Some, however, considered "The Trial of Elizabeth Gadge" of lower quality than the previous two episodes.
The second series of Inside No. 9 was written in 2014, and then filmed from the end of 2014 into early 2015. [1] [2] The writing process for "The Trial of Elizabeth Gadge" began with Shearsmith's suggestion of a witch trial as a plot idea, and the writers then worked out the details of the setting. [3] The episode was filmed, mostly in story order, [4] on location in a barn at the Chiltern Open Air Museum. [5] The same location had previously been used for Doctor Who and Horrible Histories . In addition, concurrent with the filming of "The Trial of Elizabeth Gadge", a Drunk History sketch starring Luke Pasqualino—a previous Inside No. 9 guest star—was being filmed nearby. [6] Shot in December, "The Trial of Elizabeth Gadge" was the first episode of the second series to be filmed. [5] [7] The barn was extremely cold during filming; Pemberton joked that, unlike on Titanic , they would not be digitally adding breath in the production process. [5]
"The Trial of Elizabeth Gadge" was written to mimic genuine witch trials, some transcripts of which Pemberton and Shearsmith had read as part of the writing process. [7] [8] The fixation of the characters on "teats" and "suckling", for instance, was something Shearsmith had seen in authentic trials. One writing challenge concerned the need for new information to be revealed with each of the trial's witnesses; this is what shaped the structure of the script. [9] For Shearsmith, given that the trials were already absurd, they cannot be parodied. The humour of the episode, for him, comes precisely from the fact that the characters take the events so seriously, and do not see this absurdity. [7] Pemberton said that the pair aimed for authenticity, and did not seek to produce a spoof of a period piece. To that end, he was complimentary of Yves Barr, a costume designer with whom the writers had worked for a number of years, who did "a fantastic job creating this period on a shoestring". [5] Given that, in his view, "people don't do this period", Shearsmith was excited to film something set in the 17th century. [7] The episode was the only period piece in the first two series, but the writers expressed willingness to do another; [10] they felt that the setting showed that they really could go anywhere with the programme. [11]
As each episode of Inside No. 9 features new characters, the writers were able to attract actors who might have been unwilling to commit to an entire series. [12] "The Trial of Elizabeth Gadge" starred Pemberton and Shearsmith as Mr Warren and Mr Clarke respectively, along with David Warner as Sir Andrew Pike and Ruth Sheen as Elizabeth Gadge. [13] Warner had previously worked with Pemberton and Shearsmith on The League of Gentlemen's Apocalypse , and the writers thought him very well-suited to the role as Sir Andrew Pike. [14] Shearsmith considered Sheen a very capable actress, and complimented the way she played Gadge as a serious character; Pemberton felt she added "gravitas" to the role. [15] Sinead Matthews starred as Sarah Nutter, Jim Howick as Thomas Nutter, Paul Kaye as Richard Two-Shoes, and Trevor Cooper as George Waterhouse. [13] Shearsmith was particularly pleased to have Howick appearing in the episode. As he had appeared in Horrible Histories, he added, for Shearsmith, "a weight of royalty". [7] The "comic coupling" of Howick and Matthews had characters who were originally, mistakenly, named "Gadge", but this did not fit with the characters' relationship with the titular Elizabeth. The couple were renamed "Nutter", a reference to Alice Nutter of the real-world Pendle witch trials. [16]
In addition to the credited actors, the crew had a crowd of extras for one day of filming. [5] Around 12 extras were used; budget constraints allowed this number for a day, or five extras for two days. This constraint led to a change in the script, seeing the crowd removed from the trial. [17] Although uncredited, [13] Goody Two-Shoes was played by an actress who had appeared in Psychoville , one of Pemberton and Shearsmith's previous productions, as Joanne Dunderdale, an understudy. [18] The writers were complimentary of Cooper's performance; they said that he was almost "conducting" the crowd of extras, in that they were noisy when he was shouting, and quiet when he stopped. [19]
In addition to the use of visual effects, the closing sequence required ADR due to the sound of rain on the original filming. The visual effects were the director Dan Zeff's idea, and the writers were pleased that they were within budget. They also serve to tie the final shot to the opening shot of the episode, as both feature a raven. [20] Scenes that were cut down in the editing process included the initial meeting between the witchfinders—Warren and Clarke—and Sir Andrew Pike, and a private discussion between Warren and Clarke after the first day of the trial. The extended versions of the scenes featured an explanation about the Devil being found in everyday objects and a discussion about the stages of torture respectively. Shearsmith expressed frustration that these extra scenes could not be included on the DVD release. [21] [22]
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"A Black Imp" Warren and Clarke tell Sir Andrew Pike about a previous witch hunt. |
In 17th century England, the magistrate Sir Andrew Pike (Warner) summons the witch-finders Mr Warren (Shearsmith) and Mr Clarke (Pemberton) to the village of Little Happens. Seventy-year-old Elizabeth Gadge (Sheen) has been accused of witchcraft, and Pike is excited that the news has attracted the attention of outsiders. Pike and Warren already seem convinced of Gadge's guilt, but Clarke remains sceptical.
Elizabeth's case is brought to trial the following morning, with the assistance of the cobbler Richard Two-Shoes (Kaye). Elizabeth's daughter Sarah (Matthews) and son-in-law Thomas Nutter (Howick) testify that they have witnessed Elizabeth sucking from the teat of a furry creature, and speaking to a mouse (believed to be a demon). Elizabeth claims that Sarah and Thomas have falsely accused her, and want to be rid of her to make room in their house. George Waterhouse (Cooper) testifies against Elizabeth, and the accused is questioned. When others in the courtroom begin laughing at her responses, Warren declares that the next person to laugh will be executed as a witch. After an argument breaks out, the witch-finders and Pike decide that the rest of the trial should be conducted in private. Elizabeth is pricked with a needle to test her for the devil's mark. A remorseful Sarah tries to profess her mother's innocence, but Warren does not believe her. Elizabeth says that she has been prostituting herself to Two-Shoes, who wears a fur coat; Two-Shoes denies this, and the trial is adjourned. Throughout proceedings, Warren is accusatory while Clarke is more cautious; Pike, meanwhile, is fascinated both by the lewd acts in which Elizabeth has supposedly engaged and by the witch-finders' torturous implements.
Clarke privately tells Warren that he thinks Elizabeth is innocent and that he is not sure that the pair are doing God's work. Warren threatens that Clarke himself will be tried and convicted if he objects further. The trial resumes—Elizabeth having been tortured overnight—and Elizabeth's mouse, Snowflake, is released, so that it might lead them to the witch. Warren has sprinkled crumbs in front of Elizabeth. When Snowflake approaches Elizabeth, Pike declares her a witch, and sentences her to be burned. Thomas and Sarah later say goodbye to a hooded and bound Elizabeth, who awaits execution. Clarke dismisses them. He removes the hood from the figure to reveal that he has bound Warren in Elizabeth's place; Clarke believes Warren has been tainted with evil, and that the latter is no longer doing God's work. Clarke puts back the hood, and Pike enters, happy that the trial has seen a revival of trade and visitors to the village. Warren is taken away to be burnt. Clarke releases the real Elizabeth, but she reveals that she truly is a witch; she breaks Clarke's neck, killing him. There are sounds of excitement from outside as flames light Elizabeth's face. She tells Snowflake that she will go to her master, then transforms into a raven and leaves.
"The Trial of Elizabeth Gadge" is a period piece tribute to Witchfinder General , [23] [24] [25] The Blood on Satan's Claw [26] and The Crucible , [25] while the names "Warren" and "Clarke" are a homage to British actor Warren Clarke, who, at time of production and airing, had recently died. [27] [28] The names were selected prior to Clarke's death—specifically because they were amusing but period appropriate, and not because the actor had any link to the episode's themes—but the writers chose to keep them as a tribute upon the death of Clarke, with whom Shearsmith had previously worked. [29] The style and humour is reminiscent of Horrible Histories [25] and Monty Python. [24] For instance, one scene was directly inspired by the "laughing guard" scene in Monty Python's Life of Brian . [28] [30] Pemberton and Shearsmith themselves, however, did not consider the episode to be particularly reminiscent of Monty Python. [31] The humour is childish, but many of the jokes are "bawdy" and "adult". [25]
Though one critic said that the episode was "the first straight-up comedic episode of the second series", [26] another said that the episode's humour was balanced with tragedy and poignancy, arguing that the whole episode has an element of horror. This was especially true given that the story reflects actual happenings; the depiction of torture was described as "genuinely upsetting". [8] Despite the sole setting of the barn, the episode evokes a degree of folk horror. [32] "The Trial of Elizabeth Gadge" was described by Jonathan Wright (The Guardian) and Phoebe Jane-Boyd (Den of Geek) as like a Hammer Horror film with added humour, [26] [33] and writers for the Irish Examiner said that the episode should appeal to both horror and comedy fans. [34]
Given that Gadge is revealed to actually be a witch, Howick asked Shearsmith whether the former's character, Thomas, truly had witnessed Gadge engaging in some kind of supernatural activity. Shearsmith suggested that Thomas was motivated by greed. [16] However, he begins to regret his choice when he witnesses Gadge being tortured. [35] Pemberton, though, noted that the real-life accusations of witchcraft must have been based on some level of belief. [16]
Critics generally responded warmly to the episode, but some felt it compared poorly to others in the series. David Chater, writing for The Times , felt that "The Trial of Elizabeth Gadge" was dissimilar from any previous episode of Inside No. 9, but that it was "equally accomplished", [24] while in sister publication The Sunday Times , critics suggested that the change in style showed the writers' versatility. [25] Neela Debnath, writing for The Independent , called "The Trial of Elizabeth Gadge" a "hilariously dark little half-hour of quintessentially British comedy". [36] Rupert Hawksley, writing for The Daily Telegraph , was more critical. He awarded "The Trial of Elizabeth Gadge" three out of five stars, saying that "despite a starry cast and a delightful twist and counter-twist, [the episode] was nothing like as effective" as "La Couchette" and "The 12 Days of Christine", the previous two episodes of the series. The episode, he claimed, was indicative of a "mid-series lull". [37] The freelance journalist Dan Owen felt the episode was "entertaining fare, but too predictable and clichéd to prove genuinely memorable", awarding it two out of four stars. He, too, said the episode felt like "a mid-series misstep". [32] Shearsmith was unhappy with those who thought the episode a "dud" or a "misfire", confessing that it was his favourite episode of the second series. Pemberton felt it was going to be difficult to follow "The 12 Days of Christine", but Shearsmith was of the view that the episodes should not be in competition with each other. [38]
The episode's humour was praised by the majority of commentators. Julia Raeside, writing for The Guardian, said the writers "managed to pull together a loving tribute to [their] cult horror source material with an all-out gag rate that most sitcoms would fail to keep up with", claiming that "they get the look and tone just right and then inject it with the kind of comedy that is perfectly tailored to puncture the fictional world without deflating it". [39] Similarly, Debnath felt that the jokes, including "anachronistic references" and "dark punnery", were "bang on". [36] By contrast, Hawksley claimed that the episode had several "inspired moments", including a "perfectly pitched" joke about selfies, but that the writers had failed to properly exploit the 17th-century setting. Overall, though finding it "occasionally funny", Hawksley thought the episode "fell some way short of what we have come to expect from Pemberton and Shearsmith". [37] For the comedy critic Bruce Dessau, the episode was "all the more hauntingly funny because it is played pretty straight", but he noted that the character of Sir Andrew Pike allowed "some offbeat humour". [40] Chater called the episode "very, very funny", [24] and Philip Cunnington, of the Lancashire Evening Post , called it "one of the funniest half-hours of TV so far this year" after the conclusion of the series. [41]
Television critics praised the writing and acting of "The Trial of Elizabeth Gadge". Though Owen felt that the ending "held little surprise", [32] Paddy Shennan, of the Liverpool Echo , said he "loved the fact that, for the third week running, [he] couldn't work out the twist". [28] For Debnath, "the best was saved till last", but the whole episode was "tightly written". [36] Patrick Mulkern ( Radio Times ), too, said that "this dark tale soon works a devilish spell". [42] Christine Brandel, writing for entertainment website PopMatters , particularly praised the episode's "beautifully done" dialogue, saying that "it feels authentic in its phrasing, even during the more bizarre (and hilarious) court scenes". [8] Owen, similarly, said "the dialogue was also frequently hilarious, with Shearsmith and Pemberton having a fine ear for the rhythms of Olde English and how best to have characters deadpan their way through some ridiculous sentences." [32] Hawksley praised Warner's "effortlessly batty" performance as Sir Andrew Pike, and claimed that Sheen "brought an unsettling complexity" to the title character. [37] Gerard Gilbert, of The Independent , claimed Warner was clearly "having a ball" as Pike, [27] and Wright (The Guardian) said "Warner quite brilliantly makes the most of every line he's given". [33] Brandel considered Warner one of the best guest stars of the series. [8]
Reeson Wayne Shearsmith is an English actor, comedian, writer and magician. He was a member of The League of Gentlemen, with Steve Pemberton, Mark Gatiss and Jeremy Dyson. Jointly with Pemberton, created, wrote, and starred in the sitcom Psychoville and the dark comedy anthology series Inside No. 9. He had notable roles in Spaced and The World's End.
Steven James Pemberton is a British actor, comedian, director and writer. He was a writer and actor for BBC's The League of Gentlemen with Reece Shearsmith, Mark Gatiss, and Jeremy Dyson. Pemberton and Shearsmith also co-wrote and starred in the black comedy Psychoville and the anthology series Inside No. 9. His other notable television performance credits include Doctor Who, Benidorm, Blackpool, Shameless, Whitechapel, Happy Valley and Mapp & Lucia.
Inside No. 9 is a British black comedy anthology television programme written and created by Steve Pemberton and Reece Shearsmith. It aired on BBC Two from 5 February 2014 to 12 June 2024, running for 9 series and 55 episodes. Each 30-minute episode is a self-contained story with new characters and a new setting, almost all starring Pemberton or Shearsmith. Aside from the writers, each episode has a new cast, allowing Inside No. 9 to attract a number of well-known actors. The stories are linked only by a setting related to the number 9 in some way, and a brass hare statue that is hidden in all episodes. Themes and tone vary from episode to episode, but all have elements of comedy and horror or perverse humour, in addition to a plot twist.
"Sardines" is the first episode of the first series of the British black comedy anthology series Inside No. 9. Written by Steve Pemberton and Reece Shearsmith, it premiered on BBC Two and BBC Two HD on 5 February 2014. In the episode, a group of adults play sardines at an engagement party. Rebecca, the bride-to-be, finds a boring man named Ian in a wardrobe; he introduces himself as a colleague of Jeremy, Rebecca's fiancé. The pair are subsequently joined by family, friends and colleagues of Rebecca and Jeremy. As more people enter the room and step into the wardrobe, secrets shared by some of the characters are revealed, with various allusions to incestuous relationships, child sexual abuse, and adultery. The humour is both dark and British, with references to past unhappiness and polite but awkward interactions.
"A Quiet Night In" is the second episode of the British dark comedy television anthology series Inside No. 9. It first aired on 12 February 2014 on BBC Two. Written by Reece Shearsmith and Steve Pemberton, it stars the writers as a pair of hapless burglars attempting to break into the large, modernist house of a couple—played by Denis Lawson and Oona Chaplin—to steal a painting. Once the burglars make it into the house, they encounter obstacle after obstacle, while the lovers, unaware of the burglars' presence, argue. The episode progresses almost entirely without dialogue, relying instead on physical comedy and slapstick, though more sinister elements are present in the plot. In addition to Pemberton, Shearsmith, Lawson and Chaplin, "A Quiet Night In" also starred Joyce Veheary and Kayvan Novak.
"Tom & Gerri" is the third episode of British dark comedy anthology series Inside No. 9. It premiered on BBC2 on 19 February 2014. The episode was based on a play that Steve Pemberton and Reece Shearsmith had written while living together prior to the development of their series The League of Gentlemen. While the play had originally been around two hours in length, the episode was only half an hour. "Tom & Gerri" follows a difficult period in the life of Tom (Shearsmith), a primary school teacher and aspiring writer, and his girlfriend Gerri, a struggling actress, after Tom invites the homeless Migg (Pemberton) into his home. Conleth Hill stars as Stevie, a man worried about the mental health of his friend Tom. The entire episode takes place inside Tom's flat.
"Last Gasp" is the fourth episode of the first series of the British dark comedy anthology television programme Inside No. 9. It first aired on 26 February 2014 on BBC Two. The story revolves around the ninth birthday of the severely ill Tamsin. Tamsin's parents Jan and Graham have arranged with the charity WishmakerUK for the singer Frankie J Parsons to visit as a treat for their daughter. Frankie dies after blowing up a balloon, leading to arguments between Graham, the WishmakerUK representative Sally, and Frankie's assistant Si over the now-valuable balloon containing Frankie's last breath. The story, written by Pemberton and Reece Shearsmith, was inspired by someone Pemberton had seen on Swap Shop who collected air from different places.
"The Understudy" is the fifth episode of British dark comedy anthology series Inside No. 9. It was first broadcast on 5 March 2014 on BBC Two. The episode was written by and starred Steve Pemberton and Reece Shearsmith, and guest-starred Lyndsey Marshal, Julia Davis, Rosie Cavaliero, Roger Sloman, Di Botcher, Richard Cordery, Bruce Mackinnon and Jo Stone-Fewings. Pemberton plays actor Tony, who is starring as Macbeth in a West End production of Shakespeare's Macbeth, and Shearsmith plays Jim, Tony's understudy. The plot of "The Understudy" partially mirrors the story of Macbeth, exploring the theme of power and the lives of actors.
"The Harrowing" is the sixth and final episode of the first series of British dark comedy anthology series Inside No. 9. It aired on 12 March 2014 on BBC Two. The episode was written by Steve Pemberton and Reece Shearsmith, and stars Shearsmith, Aimee-Ffion Edwards, Helen McCrory, Poppy Rush and Sean Buckley. While comedic in places, "The Harrowing" makes extensive use of gothic horror elements transmuted into a modern context. The plot follows Katy (Edwards), who has been hired to housesit for eccentric siblings Hector (Shearsmith) and Tabitha (McCrory). They rarely leave the house, but have an event to attend. They tell Katy about their bedridden, disabled brother Andras (Buckley), who cannot speak but will ring a bell if he needs assistance. Katy is joined by her friend Shell (Rush) once Hector and Tabitha leave, and, upon hearing Andras's bell, the pair reluctantly head upstairs. The episode takes place in Hector and Tabitha's mansion, which is kept deliberately cold and filled with paintings depicting Hell. The writers experimented with a variety of possible endings, hoping to make the episode's close both interesting and scary.
"La Couchette" is the first episode of the second series of British dark comedy anthology Inside No. 9. Written by Steve Pemberton and Reece Shearsmith and directed by Guillem Morales, the episode is set in a sleeper carriage on a French train. English doctor Maxwell, who is traveling to an important job interview, climbs into bed. He is disturbed first by drunk, flatulent German Jorg, and then by English couple Kath and Les. Later, while the others sleep, Australian backpacker Shona brings posh English backpacker Hugo back to the cabin, but the pair make a surprising discovery. The episode stars Pemberton, Shearsmith, Julie Hesmondhalgh, Mark Benton, Jessica Gunning, Jack Whitehall and George Glaves.
"The 12 Days of Christine" is the second episode of the second series of British black comedy anthology series Inside No. 9. It first aired on 2 April 2015 on BBC Two. It was written by Steve Pemberton and Reece Shearsmith, and directed by Guillem Morales. The episode tells the story of Christine, a young woman living in a small flat, over 12 years in her life, focussing on key days and life events in that time. Christine is played by Sheridan Smith, while those who play an important part in her life are played variously by Tom Riley, Stacy Liu, Michele Dotrice, Paul Copley, Pemberton, Jessica Ellerby, Joel Little and Dexter Little. Shearsmith plays the Stranger, an unknown figure apparently haunting Christine.
"Cold Comfort" is the fourth episode of the second series of the British dark comedy anthology television programme Inside No. 9. The episode, which was written and directed by Steve Pemberton and Reece Shearsmith, was first broadcast on 16 April 2015 on BBC Two. Most of "Cold Comfort" is composed of a stream from a fixed camera on the desk of Andy, the protagonist, with smaller pictures on the side of the screen, in the style of a CCTV feed. "Cold Comfort" was filmed over two and a half days in Twickenham, and was, like "A Quiet Night In" from Inside No. 9's first series, highly experimental. It was Pemberton and Shearsmith's directorial debut.
"Nana's Party" is the fifth episode of the second series of the British dark comedy anthology television programme Inside No. 9. It was first broadcast on 23 April 2015 on BBC Two. Written and directed by Steve Pemberton and Reece Shearsmith, the episode starred Claire Skinner as the obsessive-compulsive and aspirational Angela, who is hosting a party for the 79th birthday of her mother Maggie, played by Elsie Kelly. Angela's husband Jim, played by Pemberton, is keen to play a prank on Pat, Angela's brother-in-law, who is a practical joker. Pat is played by Shearsmith, while Carol, a recovering alcoholic who is Pat's wife and Angela's sister, is played by Lorraine Ashbourne. The episode also features Eve Gordon as Katie, Angela and Jim's teenage daughter, and Christopher Whitlow as a paramedic seen at the beginning and end of the episode.
"Séance Time" is the sixth and final episode of the second series of the British dark comedy anthology television programme Inside No. 9. It was first broadcast on 29 April 2015 on BBC Two. The episode was written by Steve Pemberton and Reece Shearsmith, and directed by Dan Zeff. It stars Pemberton, Shearsmith, Alison Steadman, Alice Lowe, Sophie McShera, Dan Starkey, Cariad Lloyd and Caden-Ellis Wall. The episode begins with Tina (McShera) arriving at a Victorian villa for a séance. Hives (Shearsmith) sits her at a table and then escorts the ominous, shrouded Madam Talbot (Steadman) into the room.
"The Devil of Christmas" is a Christmas special of the British dark comedy anthology television programme Inside No. 9, and the first episode of the third series. It was first aired on 27 December 2016 on BBC Two. The episode was directed by Graeme Harper and written by Reece Shearsmith and Steve Pemberton. Stylistically, it took heavy inspiration from classic 1970s anthology programmes, such as Beasts, Thriller, Tales of the Unexpected and Armchair Thriller, and was filmed using authentic equipment. Pemberton intended the episode to be a recreation of this kind of classic programming, with critics characterising it as a homage, pastiche or loving parody.
"The Bill" is the second episode of the third series of the British dark comedy anthology television programme Inside No. 9. It first aired on 21 February 2017, on BBC Two. The episode was written by Reece Shearsmith and Steve Pemberton, and was directed by Guillem Morales. "The Bill" focuses on four men—Archie, Malcolm, Kevin, and Craig—arguing over who should pay the bill in a restaurant at closing time, much to the dismay of the waitress Anya. It addresses themes of masculinity and competition, and the English north–south divide is a recurring issue; Craig, the visiting southerner, is wealthier than the other three, and unfamiliar with some of their terminology.
"The Riddle of the Sphinx" is the third episode of the third series of the British dark comedy anthology television programme Inside No. 9. It first aired, on BBC Two, on 28 February 2017. The episode was written by the programme's creators, Steve Pemberton and Reece Shearsmith, and directed by Guillem Morales. "The Riddle of the Sphinx", which is set in Cambridge, stars Alexandra Roach as Nina, a young woman seeking answers to the Varsity cryptic crossword, Pemberton as Professor Nigel Squires, who pseudonymously sets the crossword using the name Sphinx, and Shearsmith as Dr Jacob Tyler, another Cambridge academic. The story begins with Nina surreptitiously entering Squires's rooms on a stormy night and being discovered; this leads to Squires teaching her how to decipher clues in cryptic crosswords.
"Empty Orchestra" is the fourth episode of the third series of the British dark comedy anthology television programme Inside No. 9. Written by Steve Pemberton and Reece Shearsmith and directed by Guillem Morales, the episode was first shown on 7 March 2017, on BBC Two. "Empty Orchestra" is set in a karaoke booth, and follows a group of colleagues—Greg (Shearsmith), Fran, Connie, Janet and Duane —celebrating the promotion of Roger (Pemberton). Rebekah Hinds also stars.
"Diddle Diddle Dumpling" is the fifth episode of the third series of the British black comedy anthology television series Inside No. 9. It was written by Steve Pemberton and Reece Shearsmith, and first aired on 14 March 2017, on BBC Two. The episode, which was directed by Guillem Morales, follows the story of David, played by Shearsmith, a middle class stay-at-home dad, who happens across a lone black shoe. Much to the concern of his wife Louise, played by Keeley Hawes, he becomes obsessed with finding the shoe's owner. The episode follows the development of his obsession. Rosa Strudwick plays Sally, David and Louise's daughter, and Pemberton plays Chris, a family friend. Danny Baker voices a radio presenter, and Mathew Baynton also appears.
"Hold on Tight!" is a fake episode of the British dark comedy anthology television programme Inside No. 9. Advertised to be broadcast on 18 May 2023, the episode was a hoax, tricking audiences before then broadcasting the real episode, "3 by 3", which was filmed to look like a pilot quiz show hosted by Lee Mack. The hoax involved creating fake photos, an advertising poster and clips for a trailer. The episode's themes were later reprised as part of the show's finale episode "Plodding On", aired on 12 June 2024.