The Virgin Mary and Saint Francis Saving the World from Christ's Anger is a work by Peter Paul Rubens and his studio, created c. 1614. It is linked to his Saints Dominic and Francis Saving the World from Christ's Anger (Lyon). It is now in the Royal Museum of Fine Arts of Belgium in Brussels.
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Giovanni di Pietro di Bernardone, known as Francis of Assisi, was an Italian mystic, poet, and Catholic friar who founded the religious order of the Franciscans. Inspired to lead a Christian life of poverty, he became a beggar and itinerant preacher.
Berengar of Tours, in Latin Berengarius Turonensis, was an 11th-century French Christian theologian and archdeacon of Angers, a scholar whose leadership of the cathedral school at Chartres set an example of intellectual inquiry through the revived tools of dialectic that was soon followed at cathedral schools of Laon and Paris. Berengar of Tours was distinguished from mainline Catholic theology by two views: his assertion of the supremacy of Scripture and his denial of transubstantiation.
"Cutting off one's nose to spite one's face" is an expression used to describe a needlessly self-destructive overreaction to a problem: "Don't cut off your nose to spite your face" is a warning against acting out of pique, or against pursuing revenge in a way that would damage oneself more than the object of one's anger.
Saint Christopher is venerated by several Christian denominations. According to these traditions, he was a martyr killed in the reign of the 3rd-century Roman emperor Decius, or alternatively under the emperor Maximinus Daia. Churches and monasteries were named after him by the 7th century. There is no evidence for the historicity of the saint.
In the Latter Day Saint movement, an ordinance is a sacred rite or ceremony that has spiritual and symbolic meanings and act as a means of conveying divine grace. Ordinances are physical acts which signify or symbolize an underlying spiritual act; for some ordinances, the spiritual act is the finalization of a covenant between the ordinance recipient and God.
Foolishness for Christ refers to behavior such as giving up all one's worldly possessions upon joining an ascetic order or religious life, or deliberately flouting society's conventions to serve a religious purpose—particularly of Christianity. Such individuals have historically been known as both "holy fools" and "blessed fools". The term "fool" connotes what is perceived as feeblemindedness, and "blessed" or "holy" refers to innocence in the eyes of God.
Benvenuto Tisi, also known as Il Garofalo, was a Late-Renaissance-Mannerist Italian painter of the School of Ferrara. Garofalo's career began attached to the court of the Duke d'Este. His early works have been described as "idyllic", but they often conform to the elaborate conceits favored by the artistically refined Ferrarese court. His nickname, Garofalo, may derive from his habit of signing some works with a picture of a carnation.
The Basilica of Saint Francis of Assisi is the mother church of the Roman Catholic Order of Friars Minor Conventual in Assisi, a town in the Umbria region in central Italy, where Saint Francis was born and died. It is a papal minor basilica and one of the most important places of Christian pilgrimage in Italy. With its accompanying friary, Sacro Convento, the basilica is a distinctive landmark to those approaching Assisi. It has been a UNESCO World Heritage Site since 2000.
Saint François d'Assise : Scènes Franciscaines, or simply Saint François d'Assise, is an opera in three acts and eight scenes by French composer Olivier Messiaen, who was also its librettist; written from 1975 to 1979, with orchestration and copying from 1979 to 1983. It concerns Saint Francis of Assisi, the titular character, and displays Messiaen's devout Catholicism.
Works of mercy are practices considered meritorious in Christian ethics.
Giovanni di Paolo di Grazia was an Italian painter, working primarily in Siena, becoming a prolific painter and illustrator of manuscripts, including Dante's texts. He was one of the most important painters of the 15th century Sienese School. His early works show the influence of earlier Sienese masters, but his later style was more individual, characterized by cold, harsh colours and elongated forms. His style also took on the influence of International Gothic artists such as Gentile da Fabriano. Many of his works have an unusual dreamlike atmosphere, such as the surrealistic Miracle of St. Nicholas of Tolentino painted about 1455 and now housed in the Philadelphia Museum of Art, while his last works, particularly Last Judgment, Heaven, and Hell from about 1465 and Assumption painted in 1475, both at Pinacoteca Nazionale (Siena), are grotesque treatments of their lofty subjects. Giovanni's reputation declined after his death but was revived in the 20th century.
In Christian theology, the imitation of Christ is the practice of following the example of Jesus. In Eastern Christianity, the term life in Christ is sometimes used for the same concept.
The Mond Crucifixion or Gavari Altarpiece is an oil on poplar panel dated to 1502–1503, making it one of the earliest works by Italian Renaissance artist Raphael, perhaps the second after the c.1499-1500 Baronci Altarpiece. It originally comprised four elements, of which three survive, now all separated: a main panel of the Crucified Christ with the Virgin Mary, Saints and Angels which was bequeathed to the National Gallery, London, by Ludwig Mond, and a three-panel predella from which one panel is lost; the two surviving panels are Eusebius of Cremona raising Three Men from the Dead with Saint Jerome's Cloak in the Museu Nacional de Arte Antiga, in Lisbon, and Saint Jerome saving Silvanus and punishing the Heretic Sabinianus in the North Carolina Museum of Art.
A number of people have claimed to have had visions of Jesus Christ and personal conversations with him. Some people make similar claims regarding his mother, Mary. Discussions about the authenticity of these visions have often invited controversy. The Catholic Church endorses a fraction of these claims, and various visionaries it accepts have achieved beatification, or even sainthood.
Thanksgiving after Communion is a spiritual practice among Christians who believe in the Real Presence of Jesus Christ in the Communion bread, maintaining themselves in prayer for some time to thank God and especially listening in their hearts for guidance from their Divine guest. This practice was and is highly recommended by saints, theologians, and Doctors of the Church.
Throughout history, Catholic Mariology has been influenced by a number of saints who have attested to the central role of Mary in God's plan of salvation. The analysis of Early Church Fathers continues to be reflected in modern encyclicals. Irenaeus vigorously defended the title of "Theotokos" or Mother of God. The views of Anthony of Padua, Robert Bellarmine and others supported the doctrine of the Immaculate Conception of the Virgin Mary, which was declared a dogma in 1850.
The Roman Catholic Church has often held mortification of the flesh, as a worthy spiritual discipline. The practice is rooted in the Bible: in the asceticism of the Old and New Testament saints, and in its theology, such as the remark by Saint Paul, in his Epistle to the Romans, where he states: "If you live a life of nature, you are marked out for death; if you mortify the ways of nature through the power of the Spirit, you will have life.". It is intimately connected with Christ's complete sacrifice of himself on the Cross: "those who belong to Christ have crucified nature, with all its passions, all its impulses". Christ himself enjoined his disciples to mortify themselves when he said: "If any man would come after me, let him deny himself and take up his cross and follow me". According to the Catechism of the Catholic Church, "[t]he way of perfection passes by way of the Cross. There is no holiness without renunciation and spiritual battle. Spiritual progress entails the ascesis and mortification that gradually lead to living in the peace and joy of the Beatitudes: ‘He who climbs never stops going from beginning to beginning, through beginnings that have no end. He never stops desiring what he already knows.’". The purpose of mortification is to train "the soul to virtuous and holy living". It achieves this through conforming one's passions to reason and faith. According to the Catholic Encyclopedia, internal mortification, such as the struggle against pride and self-love, is essential, but external mortification, such as fasting can also be good if they conform with a spirit of internal mortification.
Saints Dominic and Francis Saving the World from Christ's Anger is an oil on canvas painting by Peter Paul Rubens, executed in 1620, now in the Museum of Fine Arts of Lyon. It is linked to his similar work The Virgin Mary and Saint Francis Saving the World from Christ's Anger (Brussels).
Saint Francis Receiving the Stigmata is an oil painting on canvas by Peter Paul Rubens, produced for the Franciscan monastic church in Ghent, probably part of a commission for three works for the same church – the others were St Mary Magdalene in Ecstasy and The Virgin Mary and Saint Francis Saving the World from Christ's Anger. It measures 265.5 cm x 193 cm and has been variously dated to around 1630 and to between 1615 and 1620.
The Suardi Chapel is an oratory or private chapel inside the villa in Trescore Balneario, Province of Bergamo owned by the Suardi counts. It is dedicated to Saint Barbara and Saint Brigid and was completely rebuilt by the cousins Giovan Battista and Maffeo Suardi. It was fully covered in 1524 by frescoes commissioned by them from Lorenzo Lotto of Christ the Vine and Lives of the Saints. In the 19th century, count Gianforte Suardi built a corridor connecting the chapel to the villa and modified the chapel entrance – those entering had previously immediately found themselves in front of the north wall with its depiction of Christ the Vine.
