|Soundtrack album by|
|Producer||Frank Collura (Reissue)|
|John Barry chronology|
|James Bond soundtrack chronology|
|Singles from Thunderball|
Thunderball is the soundtrack album for the fourth James Bond film Thunderball .
The album was first released by United Artists Records in 1965 in both monaural and stereo editions, with a CD release in 1988.The music was composed and conducted by John Barry, and performed by the John Barry Orchestra. This was Barry's third soundtrack for the series. The soundtrack was still being recorded when it came time for the album to be released, so the LP only featured twelve tracks from earlier in the film; an expanded edition with six bonus tracks was released for the first time when the album was reissued on Compact Disc on 25 February 2003 as part of the "James Bond Remastered" collection. Additionally, the music in the film was unfinished days before the film's release in theatres due to a late change by Eon Productions to use a title song with the same name as the film.
The original main title theme to Thunderball was titled "Mr. Kiss Kiss, Bang Bang", which was written by John Barry and Leslie Bricusse. The title was taken from an Italian journalist who in 1962 dubbed agent 007 as "Mr. Kiss Kiss, Bang Bang". Barry had thought he could not write a song about a vague "Thunderball" term or the film's story, so his song was a description of the character James Bond.
The song was originally recorded by Shirley Bassey. When there were concerns with the length of the track compared to the needed titles, it was later rerecorded by Dionne Warwick as Bassey was not available and featured a longer instrumental opening designed so the lyrics would not be heard until after the title "Thunderball" appeared in Maurice Binder's title design.Neither version was released until the 1990s. The song was removed from the title credits after United Artists requested that the theme song contain the film's title in its lyrics. When it was planned to use the Warwick version in the end titles Shirley Bassey sued the producers with the result being that neither version was heard in the film and different instrumental versions of the theme appeared on the High Fidelity (Bassey's) and Stereo (Warwick's) soundtrack LPs.
Barry teamed up with lyricist Don Black and wrote "Thunderball" in a rush.Tom Jones, who sang the new theme song, allegedly fainted in the recording booth after singing the song's final, high note. Jones said of the final note, "I closed my eyes and I held the note for so long when I opened my eyes the room was spinning."
Country musician Johnny Cash also submitted a song to Eon productions titled "Thunderball" but it wasn't used.The lyrics of Cash's "Thunderball" describe the film's story.
The producers' decision to change the film's theme song so close to the release date meant that only some of the film's soundtrack had been recorded for release on LP. [ citation needed ]; he re-arranged "Thunderball" as a lush, subtly jazzy orchestral piece in the easy listening style that was popular at the time.Adding to the delay issues, Barry had written large amounts of the score around the original theme and woven it throughout the score (along with the recurring underwater "Search For Vulcan" motif). After "Thunderball" was written, Barry wrote, orchestrated, and recorded several new pieces interpolating it. Barry's scores always included a track which gave the film's theme song a full statement in the form of a sensitive, slowed-down instrumental ballad, often played over a romantic moment or a scene set in a nightclub or casino
Though "Mr. Kiss Kiss Bang Bang" was dropped as the theme song, some of the pieces which included its melody remained part of the score, and it receives full statements twice: by full orchestra and jazz rhythm quartet with bass, drums, guitar, and vibraphone in the track "Café Martinique" (immediately followed by the "Vulcan" cue), and as a wild, bongo-laden cha-cha-cha in "Death of Fiona." The scene which includes the latter takes place at Club Kiss Kiss, and features the bongo drumming of bandleader King Errisson. Because Thunderball's score had, essentially, two main themes to work from, as well as the "Search For Vulcan" cue, the "007 Theme" and the "James Bond Theme," it is arguably[ weasel words ] the richest of the early Bond scores, thematically speaking.
The tune was composed in the key of B-flat minor.
The Best of Bond...James Bond is the title of various compilation albums of music used in the James Bond films made by Eon Productions up to that time. The album was originally released in 1992 as The Best of James Bond, as a one-disc compilation and a two-disc 30th Anniversary Limited Edition compilation with songs that had, at that point, never been released to the public. The single disc compilation was later updated four times in 1999, 2002, 2008, and 2012. The 2008 version was augmented with the addition of a DVD featuring music videos and a documentary. Another two-disc edition, this time containing 50 tracks for the 50th anniversary of the franchise, was released in 2012.
John Barry Prendergast, was an English composer and conductor of film music. He composed the scores for 11 of the James Bond films between 1963 and 1987, and also arranged and performed the "James Bond Theme" to the first film in the series, 1962's Dr. No. He wrote the Grammy- and Academy Award-winning scores to the films Dances with Wolves and Out of Africa, as well as The Scarlet Letter, The Cotton Club, The Tamarind Seed, Mary, Queen of Scots, Game of Death, and the theme for the British television cult series The Persuaders!, in a career spanning over 50 years. In 1999, he was appointed OBE for services to music.
The James Bond film series from Eon Productions features numerous musical compositions since its inception in 1962, many of which are now considered classic pieces of British film music. The best known of these pieces is the ubiquitous "James Bond Theme". Other instrumentals, such as the "007 Theme" or "On Her Majesty's Secret Service", and various songs, such as Shirley Bassey's "Goldfinger", Paul McCartney's "Live and Let Die", Carly Simon's "Nobody Does It Better", Sheena Easton's "For Your Eyes Only", Duran Duran's "A View to a Kill" and Tina Turner's "Goldeneye" also become identified with the series. Two Bond songs have won the Academy Award for Best Original Song: "Skyfall" by Adele and "Writing's on the Wall" by Sam Smith, with the latter also becoming the first Bond theme to reach number one on the UK music charts.
The "James Bond Theme" is the main signature theme music of the James Bond films and has featured in every Eon Productions Bond film since Dr. No, released in 1962. The piece has been used as an accompanying fanfare to the gun barrel sequence in almost every James Bond film.
Thunderball is a 1965 British spy film and the fourth in the James Bond series produced by Eon Productions, starring Sean Connery as the fictional MI6 agent James Bond. It is an adaptation of the 1961 novel of the same name by Ian Fleming, which in turn was based on an original story by Kevin McClory, Jack Whittingham, and Fleming. It was the third and final Bond film to be directed by Terence Young, with its screenplay by Richard Maibaum and John Hopkins. The movie would have been the first of the Bond series if not for legal disputes over copyright.
You Only Live Twice is the soundtrack for the fifth James Bond film of the same name. It was composed by Bond veteran John Barry. At the time, this was his fourth credited Bond film. The theme song, "You Only Live Twice", was sung by Nancy Sinatra, the first non-British vocalist of the series, with music by Barry and lyrics by Leslie Bricusse. The soundtrack has previously been available in two versions on CD – the first, a straight reissue of the LP soundtrack, and the second, an expanded reissue including several previously unreleased tracks. The film soundtrack was recorded at CTS Studios, London.
The Spy Who Loved Me is the soundtrack for the tenth James Bond The Spy Who Loved Me. The soundtrack is one of only two Bond soundtracks to be nominated for the Academy Award for Best Original Score. The other score nominated was Skyfall (2012).
Diamonds Are Forever is the soundtrack by John Barry for the seventh James Bond film of the same name.
"Goldfinger" is the title song from the 1964 James Bond film Goldfinger. Composed by John Barry and with lyrics by Leslie Bricusse and Anthony Newley, the song was performed by Shirley Bassey for the film's opening and closing title sequences, as well as the soundtrack album release. The single release of the song gave Bassey her only Billboard Hot 100 top forty hit, peaking in the Top 10 at No. 8 and No. 2 for four weeks on the Adult Contemporary chart, and in the United Kingdom the single reached No. 21.
"All Time High" is a 1983 single release by Rita Coolidge introduced as the theme song for the James Bond film Octopussy.
Tomorrow Never Dies: Music from the Motion Picture is the soundtrack of the 18th James Bond film of the same name.
Dr. No is the original soundtrack for the first James Bond film of the same name.
From Russia with Love is the soundtrack for the second James Bond film of the same name. This is the first series film with John Barry as the primary soundtrack composer.
Goldfinger is the soundtrack for the 1964 film of the same name, the third film in the James Bond film series, directed by Guy Hamilton. The album was composed by John Barry and distributed by EMI. Two versions were released initially, one in the United States and the United Kingdom, which varied in terms of length and which tracks were within the soundtrack. In 2003, Capitol-EMI records released a remastered version that contained all the tracks within the film.
On Her Majesty's Secret Service ("OHMSS") is the soundtrack for the sixth James Bond film of the same name.
Moonraker is the soundtrack for the eleventh James Bond film of the same name.
A View to a Kill is the soundtrack for the film of the same name, the 14th installment in the James Bond film series.
The Incredible World of James Bond was a 1965 television special produced by David L. Wolper for United Artists Television to showcase the James Bond film series and promote the upcoming December 1965 release of the film Thunderball.
The Bond Collection, a.k.a. Bassey Sings Bond, is a 1987 studio album by Shirley Bassey, notable for having been released without the artist's consent and subsequently withdrawn from sales by court order.
"You Only Live Twice", performed by Nancy Sinatra, is the theme song to the 1967 James Bond film of the same name. The music was by veteran Bond film composer John Barry, with lyrics by Leslie Bricusse. The song is widely recognized for its striking opening bars, featuring a simple 2-bar theme in the high octaves of the violins and lush harmonies from French horns. It is considered by some to be among the best James Bond theme songs, and has become one of Nancy Sinatra's best known hits. Shortly after Barry's production, Sinatra's producer Lee Hazlewood released a more guitar-based single version.