This article has multiple issues. Please help improve it or discuss these issues on the talk page . (Learn how and when to remove these messages)
|
Todd Terry | |
---|---|
Background information | |
Birth name | Todd Norton Terry |
Also known as |
|
Born | [1] Brooklyn, New York City, U.S. | April 18, 1967
Genres | |
Occupations |
|
Instruments |
|
Years active | 1987–present |
Labels |
|
Website | toddterry |
Todd Norton Terry (born April 18, 1967) is an American DJ, record producer and remixer in the genre of house music. His productions helped define the New York house scene in the 1990s and used extensive samples that blend the sounds of classic disco, the Chicago house sound, and elements of hip-hop. [1] He has remixed a wide variety of artists.
Todd Terry was influential in moving house music beyond the early Chicago house sound of 1984–86. He crossed the sounds of house with hip hop breaks to create a more energized and popular sound that was able to reach commercial success outside the underground house scene. His productions extensively used samples that blend the sounds of classic disco, the Chicago house sound, and elements of hip-hop. [1]
Terry began his career in the 1980s, DJing at parties in New York. At first, he played Italo disco and hip-hop. Later he concentrated on house music upon its mid-'80s emergence. [1] [2] He debuted as Masters at Work with the 12-inch "Alright Alright" (1987, Fourth Floor) [3] and an edit from this was then included on the Chicago house vanguard compilation Jackmaster 1 (1987, D.J. International/Westside UK). [4]
Much of Terry's early work in the late 1980s is considered a milestone in the development of house and rave music. He was responsible for releasing two of the house era's most respected crossover remixes: [1] "I'll House You" by the Jungle Brothers (summer 1988) and "Missing" by Everything but the Girl as a re-release in October 1995. His music was a driving force within the "acid house" scene in the UK with many tracks such as "Back to the Beat", "Can You Party", "A Day in the Life", "Weekend", "Party People", "Yeah, Buddy" and "Dreams of Santa-Anna", released under multiple aliases including the Todd Terry Project, Royal House, Black Riot, Swan Lake and Orange Lemon. In the summer of 1988 at the peak of the UK acid house movement, "Can You Party" under his Royal House moniker reached No. 14 in the UK. [5]
Terry's notable releases during the 1990s include "Something Goin' On" and "Keep on Jumpin'", which were UK top-ten hits, [6] [7] with the vocals on both provided by Jocelyn Brown and Martha Wash.
Freestyle artist Shannon was the featured vocalist on the UK top 20 hit "It's Over Love" in 1997, which topped the Billboard Dance/Club Play Songs chart in the US, as did "Just Wanna Dance / Weekend". [8] [9] An album, Ready for a New Day , was also released in 1997, featuring "Something Goin' On", "Keep on Jumpin'" and "It's Over Love". It reached No. 84 on the UK Albums Chart. [10]
In 1996, he remixed "Stranger in Moscow" for Michael Jackson.
In 1999, inspired by the drum & bass genre, Terry released Resolutions on Astralwerks Records. [1] He also worked on the albums One Half of a Whole Decade and Live & Remastered .[ citation needed ]
Throughout his career, Terry has used several aliases including Hard House, Swan Lake, Orange Lemon, Royal House, and Black Riot. [11] As Black Riot, "Warlock/A Day in the Life" was released as a single on the Champion label and entered the UK Singles Chart on December 3, 1988, reaching a peak position of number 68. [12] He also recorded under the monikers CLS, Masters at Work (with Kenny "Dope" Gonzalez and "Little" Louie Vega), Dredd Stock, House of Gypsies, Limelife, Tyme Forse, and the Gypsymen (scoring a number-one Billboard Hot Dance/Club play hit in 1992 with "Hear the Music").[ citation needed ]
Terry co-produced the song "Shake" on P.M. Dawn's debut album Of the Heart, of the Soul and of the Cross: The Utopian Experience . The song ended with the repeated lyric "Everyone thank Todd Terry". He also produced "The House of Isis" from Isis' 1990 album Rebel Soul.[ citation needed ]
In October 2004, "Weekend" by the Todd Terry Project appeared in the video game Grand Theft Auto: San Andreas , playing on house music radio station SF-UR.[ citation needed ]
In 2007, Terry formed the Todd Terry All Stars, bringing Kenny Dope, DJ Sneak and Terry Hunter together to release the single "Get Down" featuring and co-written by Tara McDonald. The follow-up, "Play On", also featured McDonald and was released in 2007 on Strictly Rhythm/Defected Records and then re-released in 2009 with a remix by Eddie Thoneick.[ citation needed ]
This section of a biography of a living person does not include any references or sources .(July 2018) |
InHouse Records was launched by Terry in 1999. It has been the vehicle through which Todd is able to release tracks to his fans without a filter.
Currently, Inhouse has over 500 commercially available tracks in the catalog including releases by House of Gypsies, Roland Clark, Shawnee Taylor, Kelly Sajda, Gypsymen, Black Riot, Leon Cormack, Lewis Beck, DJ E-Clyps and Todd Terry All Stars.
In 2000, Terry launched SoundDesign Records, the home to some of the harder tracks and artists he is working with, including releases from Danny Genius, Space Kadets, and Friscia and Lamboy.
In 2013, Terry released the album Todd Terry vs. That Trap Shitt on Tommy Boy Entertainment.
Year | Position | Notes | Ref. |
---|---|---|---|
1997 | 11 | New entry | [13] |
1999 | 65 | Re-entry | |
House is a genre of electronic dance music characterized by a repetitive four-on-the-floor beat and a typical tempo of 115–130 beats per minute. It was created by DJs and music producers from Chicago's Black gay underground club culture and evolved slowly in the early/mid 1980s as DJs began altering disco songs to give them a more mechanical beat. By early 1988, House became mainstream and supplanted the typical 80s music beat.
Chicago house refers to house music produced during the mid to late 1980s within Chicago. The term is generally used to refer to the original house music DJs and producers from the area, such as Ron Hardy and Phuture.
Mantronix was an influential 1980s hip hop and electro funk music group from New York City. The band was formed by DJ Kurtis Mantronik and rapper MC Tee. The group is primarily remembered for its pioneering blend of old school hip hop, electronic, and club music. They underwent several genre and line-up changes during its seven-year existence between 1984 and 1991, and released five albums beginning with their 1985 debut The Album.
Masters at Work is the American garage house production and remix team of "Little" Louie Vega and Kenny "Dope" Gonzalez. The duo has produced music together under the names MAW, KenLou, Sole Fusion, Hardrive, and Nuyorican Soul. They have been referred to as one of the most influential artists in the history of house music.
Bad Boy Bill is a disc jockey (DJ) from Chicago, Illinois, U.S. who plays an assortment of house music.
David Russell Lee is an English DJ and music producer, formerly known by the stage name Joey Negro, which he retired in July 2020 following the George Floyd protests.
Steve W. "Silk" Hurley, also known as J. M. Silk, is an American club DJ, house music producer, and songwriter.
Dimitri from Paris is a French music producer and DJ of Greek descent. His musical influences are rooted in 1970s funk and disco sounds that spawned contemporary house music, as well as original soundtracks from 1950s and 1960s movies such as Breakfast at Tiffany's, La Dolce Vita and The Party, which were sampled in his album Sacrebleu. Dimitri fused these sounds with electro and block party hip hop he discovered in the 1980s.
Peter Slaghuis was a Dutch DJ, record producer and remixer, whose work was mostly released under the name Hithouse.
The She Rockers were a female hip hop group from London, featuring Donna 'She Roc' McConnell, Antonia 'MC Aurra' Jolly, Dupe Fagbesa and Alison Clarkson.
The first volume of Telstar Records' Deep Heat compilation series was released 4 March 1989 and contained 26 tracks. It was hugely successful and reached No. 1 on the Compilations Chart. It achieved a UK gold disc for album sales in excess of 100,000 copies.
"Alright" is a song by British funk and acid jazz band Jamiroquai, released as the third single from their third studio album, Travelling Without Moving (1996). The song, written by Jamiroquai, contains samples from Eddie Harris' "It's All Right Now" and Idris Muhammad's "Could Heaven Ever Be Like This". "Alright" was released on 28 April 1997 via Sony Soho Square in the United Kingdom, peaking at number six on the UK Singles Chart and at number two in Iceland. It is the group's only single to chart on the US Billboard Hot 100, peaking at number 78. The music video, directed by Vaughan Arnell, features the band performing the song at a party.
"Keep On Jumpin'" is a song written by musician Patrick Adams and Ken Morris. This track has been remade, remixed, and sampled numerous times, but only the 1978 original by Adams's group Musique and Todd Terry's 1996 updated version with Martha Wash & Jocelyn Brown reached number one on Billboard's Hot Dance Club Play charts. Musicians on the tracks include Rich Tannenbaum on drums, Ken Mazur on guitar, and Norbert Sloley on bass. Listed here are the most notable versions.
"Something Goin' On (In Your Soul)" is a song by American record producer Todd Terry featuring American singers Martha Wash and Jocelyn Brown on vocals. It was released as the second single from Terry's debut album, Ready for a New Day (1997). The song peaked within the top 5 in both Italy and the UK, peaking at number four and five. It also reached number-one on the UK Dance Singles Chart and the US Billboard Dance Club Play chart. The original song title was shortened to "Something Goin’ On" upon its release as a single, even though the full title was listed on the album.
All in the Mind is the only studio album by American house music act the Bucketheads, released in August 1995 by Big Beat Records in the United States and shortly after by Positiva Records in the United Kingdom. Unimpressed with what he perceived to be fellow producers copying his characteristic style, producer Kenny "Dope" Gonzales launched the Bucketheads as a stylistic detour to explore influences such as disco, hip hop and Latin music, hoping to throw his audience a 'curveball'. He recorded All in the Mind over a period of three days in his Brooklyn home studio, using an E-mu SP-1200 and Akai S950 for the production of beats and samples.
Deep Heat 2 – The Second Burn, the second album in Telstar Records' hugely successful Deep Heat compilation series, was released in April 1989. Containing 28 full length dance tracks, it continued the series' success, reaching #2 on the Compilations Chart and being awarded a UK Gold Disc for album sales in excess of 100,000 copies. As with the rest of the series, the album features numerous styles of dance music of the time including techno, acid house and hip house.
Dillon & Dickins is a dance music production group based in London, England, and one of the many aliases used by house music producers and DJs Marc Dillon and Patrick Dickins who also founded the dance record company and music publishing company Higher State. Other aliases include the commonly miss-spelt Dillon & Dickens, Dpd, 99 Allstars, Disco Biscuit, Sound Environment, Spacebase, Upstate and their more successful one, Illicit.
Africa to America: The Journey of the Drum is an album by vocal and instrumental ensemble Sounds of Blackness, released in 1994. It includes the singles "I'm Going All the Way", "I Believe", "Everything Is Gonna Be Alright" and "Black Butterfly".
Nigel Thompson, better known as Jumpin Jack Frost, is a British jungle and drum and bass DJ and record producer.
To the Batmobile Let's Go is the debut album by the Todd Terry Project, an alias of American house producer Todd Terry. Released in November 1988 by Fresh Records, it followed the club success of his singles "Bango" and "Just Wanna Dance"/"Weekend", all of which feature on the album, and profiles a minimal, playful style of house music that is built on sampling and features breakbeats, experimentation with noise and elements of electro, freestyle and hip hop. The musician intended the album to represent the more commercial, Latin-styled side of his work.