Tourist Trap | |
---|---|
Directed by | David Schmoeller |
Written by |
|
Produced by | J. Larry Carroll |
Starring |
|
Cinematography | Nicholas von Sternberg |
Edited by | Ted Nicolaou |
Music by | Pino Donaggio |
Production company | Charles Band Productions |
Distributed by | Compass International Pictures [1] |
Release date |
|
Running time | 90 minutes |
Country | United States |
Language | English |
Budget | $350,000 [3] |
Tourist Trap (originally released in the UK as Nightmare of Terror) is a 1979 American supernatural slasher film directed by David Schmoeller and starring Chuck Connors, Jocelyn Jones, Jon Van Ness, Robin Sherwood, and Tanya Roberts. The film follows a group of young people who stumble upon a roadside museum run by a lonely eccentric, where an unknown killer with psychokinetic powers begins to murder them. Schmoeller co-wrote the script with J. Larry Carroll who served as producer for the film alongside Charles Band.
Eileen and her boyfriend Woody are driving through a secluded rural area. When their car gets a flat tire, Woody goes to find a gas station. Their friends Becky, Jerry and Molly, are traveling in a different vehicle. They reach Eileen and all drive off to pick Woody. Meanwhile, Woody has found a gas station that appears deserted. He enters the back room but becomes trapped by an unseen force. Various mannequins appear and cackle as objects fly off the shelves at him until a metal pipe impales and kills him.
The others find Slausen's Lost Oasis, a tourist trap, but their vehicle mysteriously breaks down. Jerry tries to fix the car and the girls go skinny dipping. Mr. Slausen—the owner of the tourist trap—appears, holding a shotgun. He seems embittered by the decline of his business since the construction of a new freeway. The girls apologize for trespassing.
Slausen offers to help Jerry with the car, but insists the group go to his house with him to get his tools. There, they see the tourist trap: animated waxwork figures. Eileen is curious about a nearby house, but Slausen insists that the women should stay inside the museum. He takes Jerry to fix their car. Eileen leaves to find a phone in the other house. There, she finds mannequins and a stranger wearing a grotesque mask appears behind her. Various items in the room move of their own accord, and the scarf Eileen is wearing strangles her to death.
Slausen returns, saying that Jerry drove into town. When the others tell him that Eileen left, he goes to the house and finds Eileen has been turned into a mannequin. He returns and tells Molly and Becky he did not find Eileen. Frustrated, the women leave to search for her themselves. Becky enters the house and finds a mannequin resembling Eileen. She is attacked by the masked killer and multiple mannequins. She later wakes up tied in the basement with Jerry. Jerry says the killer is Slausen's brother Davey. There is another captive, Tina, who is strapped to a table. She is killed by the masked man. Jerry frees himself and attacks the killer but is overpowered.
Molly is pursued by the masked man. She meets Slausen, who drives her to the museum and gives her a gun while he goes inside. The masked man appears and Molly shoots, but the gun is loaded with blanks. The man removes the mask, revealing himself to be Slausen. Molly is soon captured and restrained to a bed.
Becky and Jerry escape from the basement but get separated. Slausen takes Becky back to the museum. There, she is killed by an Indian chief figure who throws a knife at her, stabbing her in the back of the head. Back at the house, Jerry arrives to rescue Molly, but he has unknowingly turned into a mannequin. Slausen dances with the figure of his wife, and Molly sees that the wife has become animated. Traumatized, she kills Slausen with an axe.
The following morning, a now-insane Molly drives away with the mannequin versions of her friends.
The screenplay for Tourist Trap was written by David Schmoeller and J. Larry Carroll, the latter of whom pitched the film to producer Charles Band. [5] Initially, Schmoeller intended for John Carpenter to direct the film, but Carroll was unsatisfied with the financial arrangements, and opted that Schmoeller should direct instead. [5] Carroll and Schmoeller had previously pitched the film to producers Samuel Z. Arkoff and Bruce Cohn Curtis, but were unable to secure a production arrangement. [6]
The original screenplay did not feature the telekinetic powers. According to Carroll, the idea was proposed by Band, who insisted it be implemented into the script. [5] Schmoeller drew inspiration from the surrealist films of Alejandro Jodorowsky and Luis Buñuel, as well as his observations of store mannequins in a JCPenney department store. [7]
The production did not appoint a casting director for the film, instead relying on independent talent agents to help cast the roles. [6] Schmoeller said that $50,000 of the film's budget was dedicated to salary for the lead actor portraying the villain, Mr. Slausen. [6] The role was offered to several older Hollywood actors, such as Jack Palance and Gig Young, but both turned the project down. [6] Chuck Connors, who was the production crew's third choice for the role, finally accepted the role. [6]
According to Schmoeller, each of the actors in the film aside from Connors auditioned for their parts. [6] Jocelyn Jones was cast as the female lead, Molly, after Schmoeller had seen some of her previous performances, while Tanya Roberts was given the role of Becky. [6] Jon Van Ness and Robin Sherwood were given the roles of Jerry and Eileen, respectively. [6]
An unidentified actor named Shailar Coby is credited as Davey, Mr. Slausen's homicidal brother in the film. It's revealed later in the second act that Davey and Mr. Slausen are the same person, and that he has dissociative identity disorder. This plot element was inspired by Psycho (1960). Chuck Connors plays both personalities, the name Shailar Coby was made from the first and middle names of Schmoeller's son, Shailar and Coby. The actor Shailar Coby does not exist. This fake credit was created to hide the fact from the audience that Davey and Mr. Slausen are the same person, as having Chuck Connors credited for both parts would have been suspicious, and the reveal is meant to be a plot twist. [4]
Tourist Trap was filmed in 24 days in Los Angeles County, California, with additional interiors shot at Rampart Sound Studios in Los Angeles. [8] Principal photography began on March 27, 1978. [8] A portion of the interior scenes were shot at an abandoned house located at 5255 Hollywood Boulevard which was scheduled for demolition. [8] Schmoeller made arrangements with the contractor to postpone the demolition of the building for five days, during which time the crew shot footage. [8] By using the abandoned location, the production saved an estimated $30,000 in set construction and soundstage fees. Future director, Ron Underwood, was the first assistant director and [8] David Wyler, the son of William Wyler, served as second assistant director, [6] while the director of photography was Nicholas von Sternberg, son of director Josef von Sternberg. [6]
Production designer Robert A. Burns, who had worked on Tobe Hooper's The Texas Chain Saw Massacre (1974) and Wes Craven's The Hills Have Eyes (1977), handled the art direction—and the majority of the special effects—on Tourist Trap, including the mannequins and their physical manipulations. [6] [9] To accomplish the poltergeist-like effects in the film's opening scene, the set was constructed at a rotated 90 degrees; this allowed items to be hurled by the crew from the cabinet—which was, in fact, anchored to the ceiling—to the floor, which appeared on camera as a wall. [6] Other special effects were accomplished with the use of wires. [6] For the death sequence of Tanya Roberts's character, for example, a block of wood was taped behind Roberts's hair; a knife attached to a wire was hurled at the back of her head, which stuck into the wooden block. [6]
Schmoeller recalled the filming process as being a "learning" experience as he was a first-time director, stating in a 2014 interview that he learned a significant amount of "how to work with actors" from actress Jones. [6]
Italian composer Pino Donaggio was in town working on Joe Dante's Piranha (1978) at the time David Schmoeller was filming Tourist Trap. [9] Since Donaggio spoke Spanish – as did Schmoeller – the director was able to convince the composer to score the music for Tourist Trap. The two would have subsequent collaborations, including Crawlspace (1986). [9]
The film premiered in Los Angeles on March 14, 1979. [8] Despite its depictions of violence and macabre images, the Motion Picture Association of America awarded the film a PG rating. [6] Because of its rating, the film was able to receive significant broadcasting on syndicated television in the years following its theatrical release. [6]
This section needs expansion. You can help by adding to it. (April 2018) |
From contemporary reviews, Variety wrote: "Although pic has some appropriately menacing music and occasionally employs some decent special effects, the plot is too loaded with cliches, from the concept to individual bits of dialog to be taken seriously and not silly enough to be regarded as delightfully bad". [10] Charles Champlin of the Los Angeles Times wrote that the film "has some moments of effectiveness, but even the hard-line shiverists are likely to feel it's a long time between shrieks". [2] Tim Pulleine of the Monthly Film Bulletin called the film a "wholly unimaginative exercise in low-budget horror plunders Psycho for its central plot gimmick in a fashion even more hamfisted than it is bare-faced. Nothing much is made of the potentially sinister import of the wax dummies, by comparison with whom the human performers also fail to come off too well". [11] Ginger Varney of LA Weekly wrote that the film's screenplay "falls short of perfection," but praised the art direction by Robert A. Burns, commenting that it "mounts sufficient thrills to please even the picky hard-core shock fan." [12]
From retrospective reviews, author and film critic Leonard Maltin gave the film one and a half out of four stars, stating that although the film had a couple of genuine scares, it was a "mostly boring thriller". [13] Author Stephen King, in his book Danse Macabre (1981), praised the film as an obscure classic, noting that the film "wields an eerie spooky power, as wax figures begin to move and come to life in a ruined, out-of-the-way tourist resort". [14]
Jason Buchanan from AllMovie praised the film, calling it "one of the most underappreciated low-budget horror films of the 1970's". In his review on the film, Buchanan commended the film's atmosphere, score, Conners' performance, and unsettling use of sound and imagery, comparing it to Tobe Hooper's The Texas Chain Saw Massacre . [15] TV Guide awarded the film two out of four stars, calling it a "bizarre, eerie shocker". [16]
The film was released on VHS and DVD by Cult Video on July 20, 1998. It was re-released on DVD by Wizard Entertainment on March 19, 2013. Full Moon Features released the film for the first time on Blu-ray on May 20, 2014. [17] The Full Moon Blu-ray release features a truncated version of the film that runs at 85 minutes; though the film's violent scenes remain intact, minor plot points are absent from this cut of the film. [18] [19] [20] The full uncut version of the film on Blu-ray was finally released by Full Moon on November 24, 2020. This version restored the missing 5 minutes and is featured in a collectible retro VHS packaging, with additional supplements including a Mr. Slausen action figure and a DVD copy. [21] A standard single-disc Blu-ray was released on February 9, 2021. [22]
The Breakfast Club is a 1985 American indie teen coming-of-age comedy-drama film written, produced, and directed by John Hughes. It stars Emilio Estevez, Paul Gleason, Anthony Michael Hall, Judd Nelson, Molly Ringwald, and Ally Sheedy. The film tells the story of five teenagers from different high school cliques who serve a Saturday detention overseen by their authoritarian vice principal.
Fargo is a 1996 black comedy crime film written, directed, produced and edited by Joel and Ethan Coen. Frances McDormand stars as Marge Gunderson, a pregnant Minnesota police chief investigating a triple homicide that takes place after a desperate car salesman hires two criminals to kidnap his wife in order to extort a hefty ransom from her wealthy father. The film was an American and British co-production.
What's Eating Gilbert Grape is a 1993 American coming-of-age drama film directed by Lasse Hallström, and starring Johnny Depp, Juliette Lewis, Mary Steenburgen, Leonardo DiCaprio and John C. Reilly. The film follows the story of Gilbert, a 25-year-old grocery store clerk who is caring for his morbidly obese mother, as well as his mentally disabled younger brother, Arnie. The film takes place in the fictional rural town of Endora, Iowa.
Sixteen Candles is a 1984 American coming-of-age teen comedy film starring Molly Ringwald, Michael Schoeffling, and Anthony Michael Hall. Written and directed by John Hughes in his directorial debut, it was the first in a string of films Hughes would direct, centering on teenage life. The film follows newly 16-year-old Samantha Baker (Ringwald), who deals with a seemingly unrequited crush on high school senior Jake Ryan (Schoeffling) while also being pursued by freshman Farmer Ted (Hall).
Killer's Kiss is a 1955 American independently produced crime film noir directed by Stanley Kubrick and written by Kubrick and Howard Sackler. It is the second feature film directed by Kubrick, following his 1953 debut feature, Fear and Desire. The film stars Jamie Smith, Irene Kane, and Frank Silvera.
Vanity Fair is a 2004 historical drama film directed by Mira Nair and adapted from William Makepeace Thackeray's 1848 novel of the same name. The novel has been the subject of numerous television and film adaptations. Nair's version made notable changes in the development of the main character Becky Sharp, played by Reese Witherspoon.
An American Tail: Fievel Goes West is a 1991 American animated Western musical adventure film directed by Phil Nibbelink and Simon Wells, with producer Steven Spielberg for Amblin Entertainment and animated by his Amblimation animation studio and released by Universal Pictures. A sequel to 1986's An American Tail, the film follows the story of the Mousekewitzes, a family of Russian-Jewish mice who emigrate to the Wild West. In it, Fievel is separated from his family as the train approaches the American Old West; the film chronicles him and Sheriff Wylie Burp teaching Tiger how to act like a dog.
S.O.S. Titanic is a 1979 drama disaster television movie that depicts the doomed 1912 maiden voyage from the perspective of three distinct groups of passengers in first, second and third class. The script was written by James Costigan and directed by William Hale. It is the first Titanic film to be filmed and released in colour.
Idle Hands is a 1999 American teen horror comedy film directed by Rodman Flender, written by Terri Hughes and Ron Milbauer, and starring Devon Sawa, Seth Green, Elden Henson, Jessica Alba, and Vivica A. Fox. The film's plot follows the life of an average lazy stoner teenager, Anton Tobias, whose hand becomes possessed and goes on a killing spree, even after being cut off from his arm.
Motel Hell is a 1980 American comedy horror film directed by Kevin Connor and starring Rory Calhoun, Nancy Parsons, and Nina Axelrod. The plot follows farmer, butcher, motel manager, and meat entrepreneur Vincent Smith, who traps travelers and harvests them for his human sausages.
John Carroll was an American actor.
The Seduction is a 1982 American thriller film written and directed by David Schmoeller, and starring Morgan Fairchild, Michael Sarrazin, Vince Edwards, and Andrew Stevens. Its plot follows a Los Angeles news anchor who is aggressively pursued by an obsessive male stalker. The original music score was composed by Lalo Schifrin. Reviews for the film have mainly been negative which resulted in three Razzie nominations, including two for Fairchild.
Tom and Jerry: Shiver Me Whiskers, shown in the movie as Tom and Jerry in Shiver Me Whiskers, is a 2006 direct-to-video animated swashbuckler adventure comedy film featuring the cat-and-mouse duo Tom and Jerry. Produced by Warner Bros. Animation and Turner Entertainment, directed by Scott Jeralds, and written by Christopher Painter, the film is the fourth direct-to-video Tom and Jerry film. It was released on DVD on August 22, 2006. It was later re-released on Blu-ray on March 12, 2013. The film follows Tom and Jerry as they try to find the Treasure of the Spanish Mane with a band of angry pirates on their tails.
Crawlspace is a 1986 American horror thriller film starring Klaus Kinski as Karl Guenther, the crazed son of a Nazi doctor obsessed with trapping young women and slowly torturing them to death, alongside Talia Balsam, Barbara Whinnery, and Tané McClure. It is written and directed by David Schmoeller, and later became infamous due to the on-set conflicts between Schmoeller and Kinski, with claims that producer Roberto Bessi attempted to have Kinski murdered due to his continued hostility towards the crew.
Tom and Jerry Golden Collection was a scrapped series of two-disc DVD and Blu-ray sets produced by Warner Home Video that was expected to collect all 161 theatrical Tom and Jerry cartoon shorts released by Metro-Goldwyn-Mayer from the 1940s through the 1960s. Only the first of the three planned volumes was released, on October 25, 2011. It features 37 shorts, roughly one-third of the 113 Tom and Jerry shorts that had been included in the Tom and Jerry Spotlight Collection, a previous DVD series that focused on the shorts directed by William Hanna and Joseph Barbera from 1940 to 1958.
David Schmoeller is an American film director, producer and screenwriter. He is notable for directing several full-length theatrical horror films including Tourist Trap (1979), The Seduction (1982), Crawlspace (1986), Catacombs (1988), Puppet Master (1989), and Netherworld (1992). In May, 2012, Schmoeller was awarded a Lifetime Achievement Award by the Fantaspoa Film Festival in Porto Alegre, Brazil where his new feature film, 2 Little Monsters (2012) was screened along with his other notable films.
Catacombs is a 1988 Italian horror film directed by David Schmoeller and starring Tim Van Patten, Ian Abercrombie, and Laura Schaefer.
House of Mortal Sin is a 1976 British horror slasher film directed and produced by Pete Walker. It was scripted by David McGillivray from a story by Walker. Its plot concerns a deranged priest who takes it upon himself to punish his parishioners for their moral transgressions.
Home Alone 4 is a 2002 American made-for-television Christmas family comedy film directed by Rod Daniel, which first aired on ABC on November 3, 2002, as the first episode of the forty-seventh season of The Wonderful World of Disney, followed by a DVD release on September 2, 2003. The fourth installment in the Home Alone franchise, the film stars Mike Weinberg, French Stewart, Missi Pyle, Jason Beghe, Erick Avari, Barbara Babcock, Joanna Going, and Clare Carey. It follows Kevin McCallister spending his Christmas with his father and his new girlfriend as his old enemy Marv and his wife Vera come up with a plan to kidnap a visiting prince with help from an inside person that Kevin least suspects. This is the first in the Home Alone franchise to not receive a theatrical release.
Fall is a 2022 American psychological horror survival film directed and co-written by Scott Mann and Jonathan Frank. Starring Grace Caroline Currey, Virginia Gardner, Mason Gooding and Jeffrey Dean Morgan, the film follows two women who climb a 2,000-foot-tall (610 m) television broadcasting tower, before becoming stranded at the top.