Tous les garçons et les filles | ||||
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Studio album by | ||||
Released | November 1962 (France) | |||
Studio | Studio Vogue, Villetaneuse, France | |||
Genre | Yé-yé | |||
Length | 28:55 | |||
Language | French | |||
Label | Disques Vogue | |||
Producer | Jacques Wolfsohn | |||
Françoise Hardy chronology | ||||
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Singles from Tous les garçons et les filles | ||||
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Tous les garçons et les filles is the debut studio album by French singer-songwriter Françoise Hardy, released in November 1962 on Disques Vogue. Like many of her following records, it was originally released without a title and to be referred to, later on, by the name of its most popular song. [1] Released when Hardy was 18 years old, the album was a commercial success and "went on to top charts". [2] It was originally released in the United States under the title The "Yeh-Yeh" Girl From Paris! in 1965 on "proto-world music label" Four Corners. [3]
Tous les garçons et les filles is a yé-yé album that combines elements of rockabilly, folk, jazz and blues. [2] [4] Marc Hogan of Pitchfork felt that the album "finds an enduring middle ground between rockabilly shimmy and Gallic introspection". [5] It has been noted for its simplicity, featuring a minimalist jazz percussion, prominent bass, and twangy guitars. [2] [5] Stewart Mason of AllMusic considered the album to be "the '60s pop equivalent of Shaker furniture: free of ornamentation and exquisitely simple." [3] This distanced Hardy from the "bombastic" music of her yé-yé contemporaries. [4] John Paul of Spectrum Culture felt that, although Hardy's music has "its origins in the American girl group sounds and their trademark harmonies," it is interesting that it "[features] little more than this stripped down approach, allowing for her voice to ring through clearly without being saddled with superfluous instrumentation and backing vocals." [4]
Although Tous les garçons et les filles followed the formula of the yé-yé movement—characterized by attractive teenage girls singing innocent pop songs about adolescence—Hardy set herself apart from her peers by writing most of her own material. Moreover, her love-focused lyrics were "devoid of older, male sexualization or control, a privilege not many others of her era enjoyed. [2] Hardy's vocal delivery has been described as "disarmingly conversational". [5] Mason felt that throughout the record, she sings "in an attractive but chilly drop-dead monotone that's far removed from the perkiness of almost every other female singer (minus Nico and Mary Weiss of the Shangri-Las) of the '60s." [3] Hazel Cills wrote in 2015:
Her lyrics would never hew this close to yé-yé traditions again: See the "whoa-oh-oh" echoing on tracks like "Il Est Tout Pour Moi" and her cover of Bobby Lee Trammell's "Oh Oh Chéri". The title track "Tous Les Garcons Et Les Filles" remains an iconic vision of Hardy's aesthetic: frank music for romantic wallflowers.
Retrospective reviews | |
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Review scores | |
Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
Exclaim! | (10/10) [1] |
Pitchfork | (8.6/10) [2] |
Hardy's output during the early 1960s saw her "artistic stock rise above the teenybopper fray", allowing her career to last "well beyond yé-yé's faddishness." [4] It established Hardy as one of the few French pop stars of her era to cross over to international audiences. She continued to record frequently in England and France, serving as a muse to designers like Yves Saint Laurent, inspiring rock artists such as Bob Dylan and Mick Jagger, and "[keeping] company with members of the Rolling Stones, the Beatles and the like. [2] [1] She remains "an icon as both a songwriter and public figure", and Tous les garçons et les filles continues to be acclaimed in retrospect, considered a classic of the French chanson. [1] [6] Stewart Mason of AllMusic considered it "an outstanding record." [3] Writing for Exclaim! , Cosette Schulz described Hardy as, "a master of crafting simple but stellar tracks." [1] Pitchfork's Hazel Cills praised Hardy's songwriting, which she called "profoundly lonely, frequently insecure." She further wrote: "Hardy’s songs feel timeless in how they emphasize a universal dream for pure love. Is this music antique in its sound? Surely. In its sentiment? Hardly." [2] In 2017, Pitchfork included Tous les garçons et les filles in its list of The 200 Best Albums of the 1960s at number 90, with Marc Hogan writing: "Her music would grow more intricate and eclectic over the years, most notably on 1971's bossa nova–tinged masterwork La question , but the reasons she ruled over the yé-yé period are apparent on her debut album." [5]
The album's most popular song, "Tous les garçons et les filles", also continues to receive praise by critics. Robert Dimery included the track in his 2010 reference book. 1001 Songs You Must Hear Before You Die: and 10,001 You Must Download. [7] Pitchfork placed it at number 170 in its list of "The 200 Greatest Songs of the 1960s", with Joe Tangari writing: "Hardy's vocal is a nonchalantly solitary midnight waltz through swinging Paris." [8] Rockdelux [ citation needed ] and writer Giannis Petridis[ citation needed ] listed the song as one of the best of the 20th century. Several French writers and publications have included "Tous les garçons et les filles" in their lists of the best French songs of all time, including Christian Eclimont, Hervé Bourhis, Le Nouvel Observateur , Pierre Saka and Stan Cuesta.[ citation needed ]
Robert Ham of Paste felt that the album "reveals a musician that had yet to fully absorb her influences and make them her own." [9] Russell Warfield of Drowned in Sound described it as "the product of a patriarchal music industry", as he felt Hardy had not been trusted to shape her own material. [10]
Australian plunderphonics group the Avalanches sampled "Oh oh chéri" in their acclaimed 2000 album, Since I Left You. [11] "Le temps de l’amour" was covered by April March and Vanessa Paradis, and was included in the soundtrack for Moonrise Kingdom , a 2012 film by Wes Anderson. [12] [13] Moreover, "Tous les garçons et les filles" has been covered by several artists in various languages, including Lill-Babs, Ginette Reno, Catherine Spaak, Steve Perry, Eurythmics and Gigliola Cinquetti, among others.
All lyrics are written by Françoise Hardy; all music is composed by Françoise Hardy and Roger Gustave Samyn, except where noted
No. | Title | Lyrics | Music | Length |
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1. | "Tous les garçons et les filles" | 3:08 | ||
2. | "Ça a raté" | 2:02 | ||
3. | "La fille avec toi" | 2:40 | ||
4. | "Oh oh chéri" (original title "Uh Oh") | Bobby Lee Trammell, ad. by Jil and Jan. [14] | 2:22 | |
5. | "Le temps de l’amour" | Lucien Morisse, André Salvet | Jacques Dutronc [15] | 2:27 |
6. | "Il est tout pour moi" | 1:58 | ||
7. | "On se plaît" | 2:09 | ||
8. | "Ton meilleur ami" | 2:10 | ||
9. | "J’ai jeté mon cœur" | 2:33 | ||
10. | "Il est parti un jour" | 1:49 | ||
11. | "J’suis d’accord" | 2:05 | ||
12. | "C’est à l’amour auquel je pense" | 3:10 | ||
Total length: | 28:55 |
Françoise Madeleine Hardy was a French singer-songwriter and actress. Mainly known for singing melancholic sentimental ballads, Hardy rose to prominence in the early 1960s as a leading figure of the yé-yé wave and became a cultural icon in France and internationally. In addition to her native French, she also sang in English, Italian, and German. Her musical career spanned more than 50 years, with over 30 studio albums released.
Yé-yé or yeyé was a style of pop music that emerged in Western and Southern Europe in the early 1960s. The French term yé-yé was derived from the English "yeah! yeah!", popularized by British beat music bands such as the Beatles. The style expanded worldwide as the result of the success of figures such as French singer-songwriters Sylvie Vartan, Serge Gainsbourg and Françoise Hardy. Yé-yé was a particular form of counterculture that derived most of its inspiration from British and American rock and roll. Additional stylistic elements of yé-yé song composition include baroque, exotica, pop, jazz and the French chanson.
The Grand Prix du Disque for French Song is one of a number of prizes awarded by L'Académie Charles Cros as part of the yearly Grand Prix du Disque. The following is a partial list of winners :
"L'amour s'en va" is a song composed, written, and performed by French singer-songwriter and actress Françoise Hardy. It represented Monaco in the Eurovision Song Contest 1963, she recorded it in other languages, gained chart success in Belgium, won France's prestigious award Grand Prix du Disque, and over time it has become one of Hardy's signature songs.
Disques Vogue was a jazz record company founded in France by Léon Cabat and Charles Delaunay in 1947, the year after the American Vogue label ceased.
"Mon amie la rose" is a poem written by Cécile Caulier and Jacques Lacome, originally performed in song by French singer Françoise Hardy in 1964. It became one of Hardy's most popular songs, and was collected on her album Mon amie la rose.
"Tous les garçons et les filles" is a song by French singer-songwriter Françoise Hardy, with Roger Samyn credited as co-writer on Hardy's original 1962 yé-yé-era recording. The song recounts the feelings of a young person who has never known love and her envy of the couples that surround her. Hardy's single, released internationally, was a massive hit in France, where it spent 15 non-consecutive weeks at number one between late October 1962 and mid-April 1963.
Ma jeunesse fout le camp... is the seventh studio album by French singer-songwriter Françoise Hardy, released in November 1967 on Disques Vogue. The title is very idiomatic, but it in English its general meaning is 'My youth is slipping away'.
Françoise Hardy is the second studio album of the French popular singer Françoise Hardy, released in October 1963 on LP by French label Disques Vogue. She was accompanied by the Marcel Hendrix Orchestra. Like Hardy's previous album, the album was released with no title, except for her name on the cover; as such, album colloquially become known by the title of its most successful song, "Le Premier Bonheur du jour".
Mon amie la rose is a studio album by the French popular singer Françoise Hardy, released in France in November 1964 on LP Disques Vogue. Published without a title except for her name on the cover this album has colloquially become known by the title of its most successful song, "Mon amie la rose".
Françoise Hardy Sings in English is a studio album of the French popular singer Françoise Hardy. It was released in United Kingdom in early September 1966, on LP, disques Vogue/Vogue international industries, and in France, in the last week of the same month, on entitled LP, In English, disques Vogue/Vogue international industries.
L'amitié is the fifth studio album by French singer-songwriter Françoise Hardy, released in November 1965 on Disques Vogue. Like many of her previous records, it was originally released without a title and came to be referred to, later on, by the name of its most popular song. The album includes several French adaptations of English-language songs, along with Hardy's own compositions.
Françoise Hardy canta per voi in italiano is the only Italian-language studio album released into Italy of French popular singer Françoise Hardy. This album was released in November 1963 under label Disques Vogue. The first compact disc appeared in January 2013.
In Deutschland is a 1965 album by the French pop singer Françoise Hardy. It was her first German-language album released in Germany in September 1965, on LP, Bellaphon/Disques Vogue. The 12 songs of this album have been reissued on CD entitled Frag' den Abendwind, in 2001, on RCA/BMG.
"Je ne suis là pour personne" is a song performed by the French pop singer Françoise Hardy. It first appeared on a 1966 Disques Vogue EP with another hit, "La maison où j’ai grandi", catalog number EPL 8427.
Salut les copains is a series of albums released through Universal Music France to commemorate the best of music featured in French scene as sponsored by the "Salut les copains" radio program in France and the French Salut les copains magazine. The tracks include French original singles, French-language covers of known hits as well as European and American hits popular in France. The track list is a representative wide selection of the "Yé-yé" generation of French music.
La question is the eleventh studio album by French singer-songwriter Françoise Hardy, released in October 1971 on Sonopresse. Like many of her previous records, it was originally released without a title and came to be referred to, later on, by the name of its most popular song. It is her second album produced under Hypopotam, a production company she established in 1970. The music on the album was almost entirely composed by the Brazilian musician Tuca, who supervised the project and participated as a guitarist.
"All Over the World" is a 1965 song by the French singer Françoise Hardy.
This is the discography of French singer Françoise Hardy.