"You've Got a Friend" is a 1971 song written by American singer-songwriter Carole King. It was first recorded by King and included on her second studio album, Tapestry (1971). Another well-known version is by James Taylor from his album Mud Slide Slim and the Blue Horizon. His was released as a single in 1971, reaching number one on the Billboard Hot 100 and number four on the UK Singles Chart. The two versions were recorded simultaneously in 1971 with shared musicians.
"Stand by Me" is a song by the English rock band Oasis, written by lead guitarist, Noel Gallagher. It was released on 22 September 1997 as the second single from the band's third studio album, Be Here Now (1997).
"True Love" is a popular song written by American songwriter Cole Porter, published in 1956. The song was introduced by Bing Crosby and Grace Kelly in the musical film High Society. "True Love" was nominated for the Academy Award for Best Original Song. Kelly's contribution on the record is relatively minor, duetting with Crosby on only the final chorus. Nonetheless, the single is co-credited to her.
"Sunday Morning" is a song by American band No Doubt for their third studio album, Tragic Kingdom (1995). It was written by Gwen Stefani, Eric Stefani, and Tony Kanal, produced by Matthew Wilder, and released as the record's fifth single on May 27, 1997. The song has also been included on their 2003 greatest hits album, The Singles 1992–2003. Its lyrics describe a romantic relationship that ended in a breakup and was inspired by a discussion that Gwen Stefani had with Kanal. The song has been described as a ska and ska punk recording with elements of reggae and Motown.
"You Raise Me Up" is a song composed by Rolf Løvland and written by Brendan Graham. It was first recorded by Secret Garden, in collaboration with Brian Kennedy. Although the original version was not a major hit, the song has since been recorded by more than a hundred other artists, most notably American singer Josh Groban in 2003 and Irish group Westlife in 2005.
"Mama Told Me Not to Come", also written as "Mama Told Me (Not to Come)", is a song by American singer-songwriter Randy Newman written for Eric Burdon's first solo album in 1966. Three Dog Night's 1970 cover topped the US pop singles chart. Tom Jones and Stereophonics' version also reached No. 4 on the UK Singles Chart in 2000.
"Bittersweet Me" is a song by American rock band R.E.M., released as the second single from their 10th studio album, New Adventures in Hi-Fi (1996). Like much of the album, the song originated while the band were on the road for the Monster tour, although the song was only ever soundchecked and has never been played live as part of a concert. The song was a bigger hit in the United States than the first single from the album, "E-Bow the Letter", except on the Modern Rock Tracks chart, where the first single's number-two peak bested the number-six peak of "Bittersweet Me".
"Aeroplane" is a song by American rock band Red Hot Chili Peppers from their sixth studio album, One Hot Minute (1995). It was released in February 1996 by Warner Bros. as the third single from the album and a music video, directed by Gavin Bowden, accompanied its release. The song was written by Anthony Kiedis, Flea, Dave Navarro and Chad Smith, and produced by Rick Rubin. It peaked at number eleven on the UK Singles Chart and number eight on the US Billboard Modern Rock Tracks chart. Although the song was left off the band's Greatest Hits album, the music video was included on the accompanying DVD.
"Local Boy in the Photograph" is the first single by rock band Stereophonics. The song is taken from their debut album, Word Gets Around and was released on 17 March 1997. The song reached number 51 in the UK Singles Chart. On 9 February 1998, the song was re-released and reached number 14 on the same chart.
"More Life in a Tramps Vest" is the second single released by Welsh rock band Stereophonics. The song is taken from the band's debut album, Word Gets Around (1997), and was released on 19 May 1997. It reached number 33 on the UK Singles Chart. The song is about life from the view of someone working on a market stall in Aberdare, whilst all the shops were closing down. The single's B-side, "Raymond's Shop", is featured on Stereophonics' greatest hits compilation album Decade in the Sun.
"A Thousand Trees" is the third single released by Welsh rock band Stereophonics. The song is taken from their debut album, Word Gets Around (1997), and was released on 11 August 1997. It reached number 22 on the UK Singles Chart.
"The Bartender and the Thief" is a song by Welsh rock band Stereophonics, written by the band in April 1998. The song is the second track on their second album, Performance and Cocktails (1999). "Bartender" was the first single taken from Performance and Cocktails and was released on 9 November 1998, reaching number three on the UK Singles Chart. The music video features the band playing at Kanchanaburi Province, Thailand, and is based on the Francis Ford Coppola movie Apocalypse Now.
"Teardrop" is a song by English trip hop group Massive Attack. Vocals are performed by Scottish singer Elizabeth Fraser, former lead singer of Cocteau Twins, who also wrote the lyrics. It was released on 27 April 1998 by Circa and Virgin as the second single from the group's third studio album, Mezzanine (1998). A harpsichord-driven track, "Teardrop" was originally set to feature vocals from Madonna, whom Massive Attack turned down in favour of Fraser.
"Hurry Up and Wait" is a song by Welsh rock band Stereophonics, released as the fifth and final single from their second album, Performance and Cocktails (1999), on 8 November 1999. The song reached number 11 on the UK Singles Chart, as did previous single "I Wouldn't Believe Your Radio". It also reached number 23 in Ireland, becoming the band's fifth top-30 hit there.
"Mr. Writer" is a song by Welsh rock band Stereophonics, taken from their third album, Just Enough Education to Perform (2001). It was released on 19 March 2001, reaching number five on the UK Singles Chart, number seven in Ireland, and number 53 in Sweden, where it was the band's first and only single to chart.
"The More You Ignore Me, the Closer I Get" is a song by English singer-songwriter Morrissey, co-written by Boz Boorer released as a single on 28 February 1994. It was taken from the then-unreleased Vauxhall and I album and was the first Morrissey single to be produced by Steve Lillywhite. The extra B-side "I'd Love To" features Kirsty MacColl on backing vocals.
"Give Me One Reason" is a song written and performed by American singer-songwriter Tracy Chapman. It was included on her fourth studio album, New Beginning (1995), and was released as a single in various territories between November 1995 and March 1997, her first since 1992's "Dreaming on a World". The song is Chapman's biggest US hit, reaching number three on the Billboard Hot 100. It is also her biggest hit in Australia, where it reached number three as well, and it topped the charts of Canada and Iceland. Elsewhere, the song reached number 16 in New Zealand, but it underperformed in the United Kingdom, peaking at number 95 in March 1997.
Decade in the Sun: Best of Stereophonics is a compilation album of greatest hits by Stereophonics. It features tracks from all six of the band's previous albums, beginning from the 1997 debut release, Word Gets Around, all the way through to 2007's Pull the Pin, plus two brand new songs, "You're My Star" and "My Own Worst Enemy". "You're My Star" was also released as a single.
"In the Meantime" is the debut single of English alternative rock band Spacehog, from their debut album, Resident Alien (1995). It samples the Penguin Cafe Orchestra song "Telephone and Rubber Band". Released in 1996, the single peaked atop the US Billboard Mainstream Rock chart and the UK Rock Chart. It additionally reached number 32 on the Billboard Hot 100 and number 29 on the UK Singles Chart while reaching the top 50 in Australia, Canada, Iceland, New Zealand and Sweden.
"Old Man & Me " is a song by American rock group Hootie & the Blowfish. It was released in April 1996 as the lead single from their second album, Fairweather Johnson. In the United States, it peaked at number 13 on the Billboard Hot 100, number 18 on the Billboard Adult Contemporary chart, and number six on the Billboard Mainstream Rock chart. The song also reached number one in Canada, becoming the band's third and final single to do so.
