Stereophonics are a Welsh rock band formed in 1992 in the village of Cwmaman in the Cynon Valley, Wales. The band consists of Kelly Jones, Richard Jones, Adam Zindani, Jamie Morrison and touring member Tony Kirkham (keyboards). The group previously included the late Stuart Cable (1992–2003) and then Javier Weyler (2004–2012) on drums. Stereophonics have released twelve studio albums, including eight UK number one albums. A successful compilation album, Decade in the Sun, was released in November 2008 and charted at number two on the UK Album Chart.
Language. Sex. Violence. Other? is the fifth studio album by alternative rock band Stereophonics. Produced by Kelly Jones and Jim Lowe, it was released on 14 March 2005 on V2 Records. After the band's two previous albums, which contained much more acoustic music and an overall mellower sound, the band brought back the harder and more abrasive alternative rock and indie rock sound they were known for and songs such as "Doorman" and "Brother" are some of the band's most aggressive songs. A new wave influence is also prevalent on the album.
"Dakota" (released in the United States as "Dakota (You Made Me Feel Like the One)") is a song by Welsh alternative rock band Stereophonics. It was the first single taken from their fifth studio album, Language. Sex. Violence. Other?, and was released on 28 February 2005. "Dakota" was the first and to date only Stereophonics single to reach number one and the last to reach the top ten on the UK Singles Chart and to chart on the US Billboard Modern Rock Tracks chart. It also became the band's highest-charting single in both Australia and New Zealand.
"Handbags and Gladrags" is a song written in 1967 by Mike d'Abo, who was then the lead singer of Manfred Mann. D'Abo describes the song as "saying to a teenage girl that the way to happiness is not through being trendy. There are deeper values."
"Local Boy in the Photograph" is the first single by rock band Stereophonics. The song is taken from their debut album, Word Gets Around and was released on 17 March 1997. The song reached number 51 in the UK Singles Chart. On 9 February 1998, the song was re-released and reached number 14 on the same chart.
"Just Looking" is a song by Welsh rock band Stereophonics, issued as the second single from their second album, Performance and Cocktails (1999). It was released on 22 February 1999, reaching number four on the UK Singles Chart and number 18 in Ireland. In 2022, it was certified gold by the British Phonographic Industry (BPI) for sales and streams of over 400,000 units. A live acoustic version is featured on CD two of the "Step On My Old Size Nines" single. The song's music video features the band in a car with Stuart Cable driving. He offers the other members a Jelly Baby, and the car ends up sinking underwater.
"Pick a Part That's New" is a song by Welsh rock band Stereophonics. It was first released as a single on 27 February 1999 in Japan, serving as the band's debut single there. In the United Kingdom, it was issued on 3 May 1999 as the third single from Stereophonics' second studio album, Performance and Cocktails (1999). "Pick a Part That's New" reached number four on the UK Singles Chart and number 17 in Ireland. In March 2000, the song charted in Canada, peaking at number 22 on the RPM Top 30 Rock Report. The song was certified silver in the United Kingdom in 2017 for sales and streams exceeding 200,000 units.
"I Wouldn't Believe Your Radio" is the fourth single released from Welsh rock band Stereophonics' second studio album, Performance and Cocktails (1999), on which the song appears as the seventh track. The single was released in August 1999 and reached number 11 on the UK Singles Chart. A live version from Morfa Stadium is present on CD2 of the single. A version with Stuart Cable singing vocals can be found on CD1 on the "Hurry Up and Wait" single.
"The Bartender and the Thief" is a song by Welsh rock band Stereophonics, written by the band in April 1998. The song is the second track on their second album, Performance and Cocktails (1999). "Bartender" was the first single taken from Performance and Cocktails and was released on 9 November 1998, reaching number three on the UK Singles Chart. The music video features the band playing at Kanchanaburi Province, Thailand, and is based on the Francis Ford Coppola movie Apocalypse Now.
"Hurry Up and Wait" is a song by Welsh rock band Stereophonics, released as the fifth and final single from their second album, Performance and Cocktails (1999), on 8 November 1999. The song reached number 11 on the UK Singles Chart, as did previous single "I Wouldn't Believe Your Radio". It also reached number 23 in Ireland, becoming the band's fifth top-30 hit there.
"Mr. Writer" is a song by Welsh rock band Stereophonics, taken from their third album, Just Enough Education to Perform (2001). It was released on 19 March 2001, reaching number five on the UK Singles Chart, number seven in Ireland, and number 53 in Sweden, where it was the band's first and only single to chart.
"Have a Nice Day" is the second single from rock band the Stereophonics taken from their third album Just Enough Education to Perform (2001). Written by Kelly Jones and produced by Bird and Bush, it was released on 11 June 2001. The song received negative reviews but reached number five on the UK Singles Chart and went on to become one of the band's biggest hits. It also found success worldwide, reaching number 11 in Ireland, number 37 in New Zealand, and number 26 on the US Billboard Adult Top 40, becoming Stereophonics' first song to chart in the United States.
"Step on My Old Size Nines" is the third single from Welsh rock band Stereophonics' third album, Just Enough Education to Perform (2001). The song is track four on the album. It was released on 24 September 2001, reaching number 16 on the UK Singles Chart and number 26 in Ireland. A live acoustic version recorded at the Grand Opera House in York, England, is on CD2 of the "Step on My Old Size Nines" single.
"It Means Nothing" is a song by Welsh rock band Stereophonics from their sixth studio album, Pull the Pin (2007). The ballad was released as a single on 24 September 2007 and reached number 12 on the UK Singles Chart. B-side "Helter Skelter" is a cover version of the original song by the Beatles.
"Madame Helga" is a song by Welsh rock band Stereophonics from their fourth studio album, You Gotta Go There to Come Back (2003). It was inspired by the band's stay at Helga's Folly while they were on tour in Sri Lanka in 2002. The folly is owned by Helga Desilva Blow Perera, from whom the title "Madame Helga" originated. Released as a single on 19 May 2003, the song reached number four on the UK Singles Chart and number 15 on the Irish Singles Chart the same month.
"Maybe Tomorrow" is a song from Welsh rock band Stereophonics' fourth studio album, You Gotta Go There to Come Back (2003). Written and produced by Stereophonics frontman Kelly Jones, the song was released as a single on 21 July 2003 and peaked at number three on the UK Singles Chart. It also charted in several other countries, including the United States, where it reached the top five of the Billboard Triple-A chart.
"Since I Told You It's Over" is a song by Welsh rock band Stereophonics from their fourth studio album, You Gotta Go There to Come Back (2003). Lead singer Kelly Jones wrote the song on 14 February 2003 and recorded it with Stereophonics at Abbey Road Studios. Released as a single on 10 November 2003, the song reached number 16 in the United Kingdom and number 50 in the Netherlands.
"Moviestar" is a single by Welsh rock band Stereophonics. It was the fourth and final single released from You Gotta Go There to Come Back and the first Stereophonics single released following the sacking of drummer Stuart Cable. The single peaked at number five on the UK Singles Chart, number 26 on the Irish Singles Chart, and number 85 on the Dutch Top 100.
"Innocent" is a single by Welsh rock band Stereophonics which was released on 9 November 2009. It was the first single taken from their seventh studio album, Keep Calm and Carry On, which was released a week later, on 16 November 2009. It was also the band's first single for Mercury Records.
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