You Gotta Go There to Come Back | ||||
---|---|---|---|---|
Studio album by | ||||
Released | 2 June 2003 | |||
Recorded | January–December 2002 | |||
Studio |
| |||
Genre | ||||
Length | 59:12 | |||
Label | V2 | |||
Producer | Kelly Jones | |||
Stereophonics chronology | ||||
| ||||
Singles from You Gotta Go There to Come Back | ||||
|
You Gotta Go There to Come Back is the fourth studio album by alternative rock band Stereophonics. Produced by Kelly Jones and released on V2 in 2003, this LP became their third consecutive album to top the UK chart, selling 101,946 copies in its first week alone. It is the final Stereophonics album to feature long-time original drummer Stuart Cable before he was fired in September 2003. The album’s title comes from the eighth track "I'm Alright (You Gotta Go There to Come Back)".
Kelly Jones produced the album himself, working fast in hoping to capture the "vibe" of the band's concerts; "I wanted to create a record that was very raw, very spontaneous but had loads of detail and textures and layers," Jones noted, "We pushed ourselves in many places we've never been before." [7] He later recalled that recording the album was, for many years, the best recording experience the band ever had, saying: "All the crew were in the room, all the girlfriends were in the room, all the band were there, it was the best recording session ever. It just felt like a fucking really good time." [8]
You Gotta Go There to Come Back features a blues rock styled sound in the mold of early 1970s rock bands, [2] and also displays influences of garage rock and soul. [8] Kelly Jones described the album, with its "very 70s, Stevie Wonder, rock overdub feel", as the fulfillment of his desire to make an album like his favourite soul music: "I was really into soul music - it's not something I'm ashamed about. I was brought up on Stevie Wonder and I love Talking Book and all the overdubs on it, and all that freestyling Marvin Gaye thing. I'd always wanted to make a record like that, and this was the first one I produced so that's probably why I went 'Fuck it I'm just going to do it'." [8] The NME felt that the album's "retro-garage" style made it "accidentally hip," comparing it to acclaimed contemporary garage rock revival "headbanger blues" bands like the White Stripes, [2] a sentiment also shared by music critic Neil McCormick. [7]
Throughout the album there are "different moods and changes." Jones stated: "Every few bars, when your brain's saying, 'Have you heard that now', I wanted to put something new in there." He felt this set the album apart from most other contemporary albums, which he felt "sound like one song from beginning to end." [7] Jack Smith of the BBC detected influences from AC/DC, Stevie Wonder, the Isley Brothers and Creedence Clearwater Revival. [9] The album also sporadically features "ornate strings reminiscent of Chris Farlowe's British soul in the 1960s." [7] Jones' emotional lyrics for the albums draw on his break-up with his girlfriend of 12 years, and one critic noted how Jones' "life unfolds through words" on the album. [1] Jones said of the lyrics:
"The songwriting has changed because as a person you change. It's been an emotional rollercoaster these last two years, whether it be divorce, sex, drink, drugs, arguments, whatever it might be, I can only write about what I'm experiencing. Life is about making mistakes and learning from them, learning about yourself and becoming a better person. That's what the title of the album basically means." [7]
The opening song, "Help Me (She's Out of Her Mind)", has been described as "easy funk", and comparisons were drawn between Jones' vocals on the song and John Lennon's "Cold Turkey" vocals. [9] Jason MacNeil of PopMatters compared the "moody, murky blues rock" song to Southern soul, while describing "Maybe Tomorrow" as "English soul." [10] Lead single "Madame Helga" has been described as gospel [1] and glam metal, [2] [7] with "dirty guitars duplicating a funky brass section." [7] The acoustic, country-styled "Climbing the Wall" features horn and string sections and a Southern rock guitar solo, [10] [1] while the "pseudo-experimentalism" of "I'm Alright (You Gotta Go There To Come Back)" features looped drums and a piano. [11] The quieter "Rainbows and Pots of Gold" has soul influences and concerns "a friend who stole [Jones'] girl." [7]
Aggregate scores | |
---|---|
Source | Rating |
Metacritic | 60/100 [12] |
Review scores | |
Source | Rating |
AllMusic | [1] |
BBC Wales | [13] |
The Guardian | [14] |
laut.de | [15] |
Mojo | [16] |
NME | 6/10 [2] |
PopMatters | 8/10 [12] |
Q | [17] |
Uncut | 2/5 [18] |
Under the Radar | [12] |
You Gotta Go There to Come Back received generally mixed reviews. At Metacritic, which assigns a weighted average rating out of 100 to reviews from mainstream critics, the album received an average score of 60 based on 10 reviews. [12]
You Gotta Go There to Come Back joined its predecessors at #1 on release. It was re-issued with bonus tracks in February 2004, coming into the UK charts again at #35, finally re-entering at #16 in September 2004. It was the 28th biggest selling album of 2003 in the UK. [19] The track "Maybe Tomorrow" became one of their biggest hits; it was played over the credits of the Academy Award-winning movie Crash (2004) and also during the opening scene of the film Wicker Park (2004). It was also used in a season one episode of One Tree Hill and featured on the first Charmed soundtrack.
All tracks are written by Kelly Jones [20]
No. | Title | Length |
---|---|---|
1. | "Help Me (She's Out of Her Mind)" | 6:55 |
2. | "Maybe Tomorrow" | 4:33 |
3. | "Madame Helga" | 3:55 |
4. | "You Stole My Money Honey" | 4:18 |
5. | "Getaway" | 4:08 |
6. | "Climbing the Wall" | 4:55 |
7. | "Jealousy" | 4:26 |
8. | "I'm Alright (You Gotta Go There to Come Back)" | 4:36 |
9. | "Nothing Precious at All" | 4:20 |
10. | "Rainbows and Pots of Gold" | 4:11 |
11. | "I Miss You Now" | 4:50 |
12. | "High as the Ceiling" | 3:19 |
13. | "Since I Told You It's Over" | 4:43 |
Total length: | 59:12 |
No. | Title | Length |
---|---|---|
14. | "Lying to Myself Again" | 3:50 |
The track "Moviestar" appears on later editions of the album as track 4 and was released with a DVD containing the videos for the singles.
The album was released in gatefold sleeve at first, containing two records. When "Moviestar" was included on the album the gatefold sleeve contained three records.
Stereophonics [21]
| Additional [21]
Orchestra [20]
|
Weekly charts
| Year-end charts
|
Just Enough Education to Perform is the third studio album by Welsh rock band Stereophonics. Released on 11 April 2001, the album topped the UK Albums Chart with 140,000 copies sold. and spawned three top-ten singles in the form of "Mr. Writer", "Have a Nice Day", Step on My Old Size Nines" and "Handbags and Gladrags". The album's title comes from a line in the song "Mr. Writer".
Stereophonics are a Welsh rock band formed in 1992 in the village of Cwmaman in the Cynon Valley. The band consists of Kelly Jones, Richard Jones, Adam Zindani, Jamie Morrison and touring member Tony Kirkham (keyboards). The group previously included Stuart Cable (1992–2003) and then Javier Weyler (2004–2012) on drums. Stereophonics have released twelve studio albums, including eight UK number one albums. A successful compilation album, Decade in the Sun, was released in November 2008 and charted at number two on the UK Albums chart.
Word Gets Around is the first studio album by Welsh rock band Stereophonics. It was released on 25 August 1997 through V2 Records and reached number six in the UK Albums Chart, making it one of three Stereophonics albums not to reach number one; the other two being 2009's Keep Calm and Carry On, which reached number eleven, and 2013's Graffiti on the Train, which went to number three. Much of the album is written about everyday life in Cwmaman, the band's hometown. The deluxe and super-deluxe editions were released on 18 October 2010. The name of the album comes from lyrics in the album's last song, "Billy Davey's Daughter".
Performance and Cocktails is the second studio album by Welsh rock band Stereophonics. It was released by V2 on 8 March 1999. The name of the album comes from lyrics in the album's first song, "Roll Up and Shine", just like the previous album's name, Word Gets Around came from lyrics in that album's final song.
Reload is the 34th album by Tom Jones, released in 1999. It contains 15 duets with a range of artists including Van Morrison, Cerys Matthews, Stereophonics, Robbie Williams, and Portishead, recorded with their usual record producers and in their usual studios. The tracks are mainly cover versions, with a new version of one of Jones' own songs, "Looking Out My Window" (1968), and one original track, "Sex Bomb".
Language. Sex. Violence. Other? is the fifth studio album by alternative rock band Stereophonics. Produced by Kelly Jones and Jim Lowe, it was released on 14 March 2005 on V2 Records. After the band's two previous albums, which contained much more acoustic music and an overall mellower sound, the band brought back the harder and more abrasive alternative rock and indie rock sound they were known for and songs such as "Doorman" and "Brother" are some of the band's most aggressive songs. A new wave influence is also prevalent on the album.
"Dakota" (released in the United States as "Dakota (You Made Me Feel Like the One)") is a song by Welsh alternative rock band Stereophonics. It was the first single taken from their fifth studio album, Language. Sex. Violence. Other?, and was released on 28 February 2005. "Dakota" was the first and to date only Stereophonics single to reach number one and the last to reach the top ten on the UK Singles Chart and to chart on the US Billboard Modern Rock Tracks chart. It also became the band's highest-charting single in both Australia and New Zealand.
"Local Boy in the Photograph" is the first single by rock band Stereophonics. The song is taken from their debut album, Word Gets Around and was released on 17 March 1997. The song reached number 51 in the UK Singles Chart. On 9 February 1998, the song was re-released and reached number 14 on the same chart.
Pull the Pin is the sixth studio album by Welsh rock band Stereophonics, released by V2 in the UK on 12 October 2007. A Stereophonics newsletter released the Pull the Pin album artwork to subscribers. The cover was also shown to Myspace users that had added the band in a bulletin.
Welsh rock band Stereophonics have released twelve studio albums, one live album, one compilation album, four extended plays (EP), two box sets, forty-eight singles and thirty-nine music videos. In the UK, Stereophonics have been awarded six multi-platinum album certifications, one platinum and six gold; one of their singles has been awarded a multi-platinum certification, three platinum, four gold and seven silver. They have sold over 15 million copies worldwide, which includes 9,000,000 albums, 6,600,000 singles and 100,000 video albums, making them one of the most successful Welsh rock acts. The band released their first studio album, Word Gets Around in 1997 which reached number six in the UK Albums Chart. With the release of "The Bartender and the Thief" and its album Performance and Cocktails (1999), the band achieved mainstream success within the UK. The album was certified 6× platinum and is one of the band's best-selling albums.
"Madame Helga" is a song by Welsh rock band Stereophonics from their fourth studio album, You Gotta Go There to Come Back (2003). It was inspired by the band's stay at Helga's Folly while they were on tour in Sri Lanka in 2002. The folly is owned by Helga Desilva Blow Perera, from whom the title "Madame Helga" originated. Released as a single on 19 May 2003, the song reached number four on the UK Singles Chart and number 15 on the Irish Singles Chart the same month.
"Maybe Tomorrow" is a song from Welsh rock band Stereophonics' fourth studio album, You Gotta Go There to Come Back (2003). Written and produced by Stereophonics frontman Kelly Jones, the song was released as a single on 21 July 2003 and peaked at number three on the UK Singles Chart. It also charted in several other countries, including the United States, where it reached the top five of the Billboard Triple-A chart.
"Since I Told You It's Over" is a song by Welsh rock band Stereophonics from their fourth studio album, You Gotta Go There to Come Back (2003). Lead singer Kelly Jones wrote the song on 14 February 2003 and recorded it with Stereophonics at Abbey Road Studios. Released as a single on 10 November 2003, the song reached number 16 in the United Kingdom and number 50 in the Netherlands.
"Moviestar" is a single by Welsh rock band Stereophonics. It was the fourth and final single released from You Gotta Go There to Come Back and the first Stereophonics single released following the sacking of drummer Stuart Cable. The single peaked at number five on the UK Singles Chart, number 26 on the Irish Singles Chart, and number 85 on the Dutch Top 100.
Decade in the Sun: Best of Stereophonics is a compilation album of greatest hits by Stereophonics. It features tracks from all six of the band's previous albums, beginning from the 1997 debut release, Word Gets Around, all the way through to 2007's Pull the Pin, plus two brand new songs, "You're My Star" and "My Own Worst Enemy". "You're My Star" was also released as a single.
Graffiti on the Train is the eighth studio album by Welsh rock band Stereophonics. Produced by the group's lead-singer and guitarist Kelly Jones and Jim Lowe, it was released on 4 March 2013 on their own Stylus Records. It was the first Stereophonics album since Keep Calm and Carry On (2009), marking the first time they had not released a record within two years. It was intended for an October 2012 release date and took nearly two years to complete. This is the last record to feature drummer Javier Weyler, who was officially replaced by Jamie Morrison on 24 September 2012.
Keep the Village Alive is the ninth studio album by Welsh rock band Stereophonics. Released on 11 September 2015, it was produced by lead singer and guitarist Kelly Jones, along with Jim Lowe. It is intended to be the second of two album volumes, with its predecessor Graffiti on the Train being the first. It is the first album to feature Jamie Morrison, who joined during the production of Graffiti on the Train in 2012. Keep the Village Alive was met with a similar positive response as Graffiti on the Train and topped the UK Albums Chart, becoming the band's first to do so since Pull the Pin (2007).
Scream Above the Sounds is the tenth studio album by Welsh rock band Stereophonics. Released on 27 October 2017 by Parlophone Records, it was produced by lead singer and guitarist Kelly Jones, along with Jim Lowe.
Kind is the eleventh studio album by Welsh rock band Stereophonics released on 25 October 2019 on Parlophone Records, nearly two years after their previous album, Scream Above the Sounds. Recorded over an eleven-day period between 29 June and 9 July 2019 at The Ramsbury Brewery & Distillery in Marlborough, Wiltshire, the album was produced by lead singer and guitarist Kelly Jones and George Drakoulias. Kind topped the UK Albums Chart, becoming the band's first to do so since Keep the Village Alive (2015) and their seventh overall.
Oochya! is the twelfth studio album by Welsh rock band Stereophonics, released on 4 March 2022 on Ignition Records. It was supported by a 2022 UK arena tour.
The band's lead-off single for the UK, Madame Helga, was released on May 19.
{{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link)