Trailer | ||||
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EP (mini-album)by | ||||
Released | 18 October 1994 | |||
Recorded | March–June 1994 | |||
Genre | ||||
Length | 24:15 | |||
Label | Infectious | |||
Producer | Mark Waterman | |||
Ash chronology | ||||
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Singles from Trailer | ||||
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Trailer is a mini album by the band Ash featuring their first three singles. An expanded edition also includes four B-sides. The album was released in October 1994 through Infectious Records. The band considered it a "trailer" for their future debut album proper, and named it accordingly.
"Uncle Pat" was featured in a Heineken advert, which helped to raise the profile of the band, both in Ireland and Britain.
Trailer was produced by Mark Waterman. Tim Russell mixed "Season", "Intense Thing", "Uncle Pat" and "Get Out". [1]
Musically, the sound of Trailer has been tagged as groove rock, noise rock and pop-punk. [2] AllMusic review Ralph Heibutzki suggested listeners should "imagine classic punk maneuvers crossed with Nirvana- and Dinosaur Jr.-style leanings, goosed by a bolt of Mega City Four". [3] Author Dave Thompson wrote in his book Alternative Rock (2000): "A hint of Brit-pop savvy, a dash of older Indy-American fuzz, beaten and blended into something which cites The Buzzcocks as an influence, but can also sound like Black Sabbath." [4] Dialogue was culled from Oscar Wilde and Patrick the Brewer for the recordings. [1]
"Season", the opening track to Trailer, discusses the topics of love and suicide. [5] Heibutzki said "Jack Names the Planets", alongside the bonus track "Punk Boy", "could give Green Day a run for its pop-punk roses". [3] "Uncle Pat" details an exploration to a grave site via woods; Chris Molanphy, writing in CMJ New Music Monthly , remarked that the group "shows admirable restraint by pulling back the feedback at key points and letting the pretty notes ring out." [6] Hot Press writer Liam Fay called "Petrol" an "unleaded geyser of melody, attitude and general weirdness". [5] "Day of the Triffids" is named after the 1963 film of the same name, which Heibutzki felt "points to the band's love of all things extraterrestrial". [3] Kayley Kravitz of Vanyaland said the chorus section, which includes elements of doo-wop, serves as a "stark contrast to a song that is otherwise about the annihilation of planet Earth by alien lifeforms." [7]
The 'noise' at the end of the track "Get Out", when reversed, slowed down and the pitch altered, is a low quality demo version of the song "Intense Thing". This track wasn't discovered until June 2006 by 2 fans experimenting around with running different effects through Ash songs.
Trailer was issued in October 1994, [8] during the emergence of Britpop; Wheeler said they were instead labelled under new wave of new wave. [9] One vinyl repressing of it was issued with a 7" containing BBC recordings of "Silver Surfer" and "Jazz 59". [10] Around this, Marshall was attended a CMJ convention in New York City, looking for potential options for the band in the United States. Of the various labels, Marshall said Tim Carr, the A&R vice-president of Reprise Records, was enthusiastic about the group "from Day One," going as far to fly to the UK to watch the band perform twice. By May 1995, Ash had signed to Reprise; the deal only covered North and South America, which differed from typical major label contracts with indie labels in the UK. It was intentional on Infectious Records' part, who wanted to boost their brand by licensing their artists to labels for particular markets. [8] Prior to the US release of 1977, Trailer had sold 7,162 copies in that territory. [11] "Jack Names the Planets" was released as a single there on August 15, 1995, [12] to promote the soundtrack to the film Angus (1995). [13] Trailer was released in the US on 12 September 1995. [6] They re-recorded "Jack Names the Planets" again for their 2011 The Best of Ash compilation. [14]
Review scores | |
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Source | Rating |
AllMusic | [3] |
Alternative Rock | 6/10 [4] |
Several critics complimented the songwriting. Heibutzki praised Wheeler's "relentlessly catchy confections" for "stand[ing] up to the Britpop vanguard's finest hours", and mentioned that the band "emphasizes stripped-down velocity over finesse." [3] Fay added to this, saying that it served as a "measure of these three guys’ confidence and musical acumen that they manage to transform such workaday ingredients into such a tasty and inspired brew." He said that the album "proves conclusively that, by any standards, Ash are a rock band of genuine stature", regardless of the members' ages. [5] Imran Ahmed of The Guardian said it offers a valuable snapshot of a growing songwriting talent." [15] Consumable Online write Tim Mohr added to this, saying said it "yielded a catch of sloppy punk-pop songs, loud, fast, and fun ... certifying that the album was made by real teenagers and that certain songs were written in 5 minutes." [16] Joachim Hiller of Ox-Fanzine noted that they were "a bit punky, a bit noisy, but they can't hide the fact that they're just another boring band from the island." [17]
Other reviewers commented on it in the context of Ash's influences. Scott Hefflon of Lollipop Magazine wrote: "Starting with a pleasant pop/punk formula similar to the Buzzcocks and adding a flavoring of Dino Jr-esque guitar noise, Ireland’s Ash are a band on the move." [2] CMJ New Music Report 's Cherly Botchick wrote that despite the band's geographical origins, Trailer "couldn't be more steeped in delightfully familiar American rock traditions. She added that they created an album "packed with enough hooks and melodies to make" their US contemporaries "green with envy." [18] Molanphy said "for all the (not unfounded) comparisons Ash has drawn to the Buzzcocks, its better numbers ... display a formidable talent for weaving hummable tunes and picaresque lyrics in the sonic assault." [6] Fay felt that the references to other bands were a "little overly deferential" and said that the lyrics were "too often trite and predictable". [5]
Writing credits per booklet. [1]
US and Japan bonus tracks
Tracks 8–11 only appear on the US and Japan versions of the album. "Different Today" and "Hulk Hogan Bubblebath" appeared on the B-side of "Uncle Pat". "Day of the Triffids" originally appeared as a B-side of "Kung Fu" – (20 March 1995).
Personnel per booklet. [1]
Ash
Production and artwork
Buzzcocks are an English punk rock band that singer-songwriter-guitarist Pete Shelley and singer-songwriter Howard Devoto formed in Manchester in 1976. During their career, the band combined elements of punk rock, power pop, and pop punk. They achieved commercial success with singles that fuse pop craftsmanship with rapid-fire punk energy; these singles were later collected on Singles Going Steady, an acclaimed compilation album music journalist and critic Ned Raggett described as a "punk masterpiece".
1977 is the debut studio album by Northern Irish rock band Ash. It was released on 6 May 1996 by Home Grown and Infectious Records, with whom the band had signed following the release of several demo tapes. Ash released the mini-album Trailer in 1994, and followed it with three singles "Kung Fu", "Girl from Mars", and "Angel Interceptor", all of which would reappear on 1977. Ash recorded their debut album with producer Owen Morris at Rockfield Studios in Wales in early 1996. Described as a Britpop, power pop and garage rock album, 1977 drew comparisons to the Buzzcocks, Dinosaur Jr., and Sonic Youth.
Ash are a Northern Irish rock band formed in Downpatrick, County Down in 1992 by vocalist and guitarist Tim Wheeler, bassist Mark Hamilton and drummer Rick McMurray. As a three-piece, they released mini-album Trailer in 1994 and full-length album 1977 in 1996. This 1996 release was named by NME as one of the 500 greatest albums of all time. After the success of their full debut the band recruited Charlotte Hatherley as a guitarist and vocalist, releasing their second record Nu-Clear Sounds in 1998. After narrowly avoiding bankruptcy, the band released Free All Angels in 2001 and a string of successful singles.
"Petrol" is a song by Northern Irish rock band Ash, released as the second single from their 1994 mini-album, Trailer, and as their first single on Infectious Records. It was released on 15 August 1994 on CD and 7-inch vinyl format. Only 500 copies of the 7-inch format were released and came with a numbered picture sleeve. The song reached number 96 on the UK Singles Chart in 1994, becoming their first single to reach the UK top 100.
"Uncle Pat" is a song by Ash, released as the third single from their album Trailer, released on 17 October 1994. It was released as a single CD and a 7" vinyl. It peaked at #101 in the UK.
"Kung Fu" is a song by the band Ash, released as the first single from their album, 1977. It was released in March 1995 as a CD single, limited edition 7-inch, and standard 7-inch vinyl. The song was written by Tim Wheeler and produced by Owen Morris.
Intergalactic Sonic 7″s is a singles collection, released by punk-influenced band Ash on 9 September 2002. It is available in two formats, with and without the bonus disc, Cosmic Debris. These are both available on CD and vinyl. It was released to celebrate Ash's tenth anniversary and collected the band's eighteen singles along with "Envy" a new song recorded specifically for the compilation. The American mixes of "Burn Baby Burn" "Jesus Says" and "Wildsurf" are included instead of their original mixes and a shorter edit of "Shining Light is included in place of the version featured on Free All Angels.
Meltdown is the fourth studio album to be recorded by the Northern Irish rock band Ash. The album was released on 17 May 2004 through Infectious Records and Home Grown. Following the success of their third studio album Free All Angels (2001), Ash debuted several new songs while touring throughout 2003. By October that year, they had travelled to Los Angeles, California, to record a follow-up album, which was co-produced by Nick Raskulinecz and the band. Recording sessions were held at Sound City Studios in Van Nuys and at Chalice Studios, Hollywood. Meltdown, which is described as a hard rock album, drew comparisons to the work of The Smashing Pumpkins and critics said the guitar work resembles that of Black Sabbath and Metallica.
Clutch is the second full-length album by American rock band Clutch. It was released in May 1995.
"Goldfinger" is a song by Northern Irish band Ash, released from their debut studio album, 1977 (1996), on 15 April 1996. The song was written by Tim Wheeler and produced by Owen Morris. It was released as a single CD, a 7-inch vinyl, and as a cassette.
Glam punk is a music genre that began in the early to mid-1970s and incorporates elements of proto-punk and glam rock. The genre was pioneered by the New York Dolls, who influenced the formation of other New York City groups the Stilettos, the Brats and Ruby and the Rednecks and bands in the United Kingdom including Hollywood Brats and Jet. These bands largely began the early punk rock scene. The impact of Hanoi Rocks brought about a revived interest in the sound during the 1980s, seeing a revival with groups including the Dogs D'Amour and Soho Roses, and the pioneering of glam metal. Through the 1990s, some groups gained significant commercial success reviving the sound of glam punk, notably the Manic Street Preachers, Backyard Babies and Turbonegro.
Free All Angels is the third studio album to be recorded by Northern Irish rock band Ash. It was released on 23 April 2001 through Infectious Records and Home Grown. Due to the mixed reaction to the band's second studio album Nu-Clear Sounds (1998), frontman Tim Wheeler suffered from depression. He went to his parents' house in Northern Ireland to write material for the band's next album. Free All Angels was co-produced by the band and Owen Morris, and recording sessions were held at El Cortijo in Puerto Banús, Spain, then moved to The Wool Hall in Beckington and RAK Studios in London. The album was described as pop punk, power pop and punk rock, and drew comparisons to the works of China Drum, Compulsion, Hüsker Dü, and the Replacements.
Nu-Clear Sounds is the second studio album by Northern Irish rock band Ash. It was released on 5 October 1998, through Infectious Records and Home Grown. Following the release of the band's debut studio album, 1977 (1996), guitarist Charlotte Hatherley became a member. They wrote new material at a farmhouse, before going to Wales to record their next album at Rockfield Studios. With additional sessions held at the Astoria in London, Ash produced the proceedings alongside Chris Kimsey and Owen Morris. A garage rock record, the New York Dolls, the Rolling Stones and the Velvet Underground inspired the album.
No Talking, Just Head is the only studio album by the Heads, a band composed of Jerry Harrison, Tina Weymouth, and Chris Frantz of Talking Heads, joined by a variety of guest singers. Released in October 1996, the project was commercially and critically unsuccessful. The band members went on to pursue other musical interests.
Hot Trip to Heaven is the fifth studio album by British rock band Love and Rockets, released in 1994 on Beggars Banquet in the United Kingdom and American in the United States. Released after a five-year hiatus, the album saw the band drop their former gothic, alternative rock sound in favour of a hi-tech electronic, ambient direction, taking influences from ambient techno artists such as The Orb and Orbital, while retaining the band's psychedelic focus. The group were first intrigued in making electronic music at the start of the decade.
Just Fred is the second solo album by the American musician Fred Schneider, released in 1996. Its first single was "Bulldozer". Schneider promoted the album by playing shows with his band, the Slobs.
Twilight of the Innocents is the fifth studio album by Northern Irish rock band Ash. It was released on 2 July 2007, through Infectious Records. Following the departure of guitarist Charlotte Hatherley in early 2006, the band began recording their next album in New York City at Bang Studios, which they had leased from a friend of a friend. Frontman Tim Wheeler produced the recordings, with bassist Mark Hamilton and drummer McMurray acting as associate producers. Described as a pop and power pop album, Twilight of the Innocents placed emphasis on Hamilton's bass parts.
"Ever Fallen in Love (With Someone You Shouldn't've)" is a 1978 song written by Pete Shelley and performed by his group Buzzcocks. It was a number 12 hit on the UK Singles Chart and was included on the album Love Bites.
Kablammo! is the sixth studio album by Northern Irish rock band Ash. It was released on 25 May 2015, through Earmusic. During 2009 and 2010, the band released a collection of singles as part of the A–Z Series; in the years following, frontman Tim Wheeler re-thought his stance on albums. Between December 2014 and February 2015, the band recorded their next album at Atomic Heart Studios in New York City, with them and Claudius Mittendorfer co-producing the sessions. Described as a pop rock and power pop release, Kablammo! attempted to capture the live sound of the band.
Islands is the seventh studio album by Northern Irish rock band Ash. It was released on 18 May 2018, through Infectious Music and BMG. Following the touring cycle for their previous album Kablammo! (2015), frontman Tim Wheeler was going through a break-up, and travelled around the world in attempt to isolate himself. While traveling, he wrote multiple songs in each location. Ash reconvened and began recording their next album at Atom Heart Studios in New York City, with Wheeler acting as the main producer. Described as a power pop album, Islands drew comparison to the Beach Boys, the Ramones, and the Undertones.
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