Transmission (Gay Dad album)

Last updated

Transmission
GayDadTransmission.jpg
Studio album by
Released24 September 2001
Recorded2000–2001
Genre Glam rock, electronica
Length53:07
Label B-Unique
Producer Ben Chapman, Gay Dad
Gay Dad chronology
Leisure Noise
(1999)
Transmission
(2001)
Singles from Transmission
  1. "Now Always and Forever"
    Released: 19 March 2001
  2. "Harder Faster"
    Released: 2001
  3. "Transmission"
    Released: 2001

Transmission is the second and final studio album by London band Gay Dad, released via B-Unique on 24 September 2001. The music is a drastically changed from their glam rock, neo-psychedelia, krautrock, and gospel and indie pop style of previous album, into much more electronic style. [1] The album itself was met with mixed reviews, and was not a commercial success.

Contents

Background and production

Gay Dad released their debut studio album Leisure Noise in June 1999. [2] In spite of its mixed reception, it peaked at number 14 in the UK. [3] Two of its three singles – "To Earth with Love" and "Joy!" – reached the top 40 in the UK Singles Chart, with the former peaking at number ten. [4] It was promoted with an appearance at the CMJ Music Marathon, marking the band's debut in the United States. [5] In November 1999, guitarist Charley Stone left the band, and was temporarily replaced by Andy Bell of Hurricane No. 1, and then by Stewart Forrester. [6] [7] By this point, the band were in the process of writing material for their next album. [6] They had started recorded in London in early 2000; by August of that year, Cliff Jones revealed that the band had felt fatigued from their recent touring that the recording proved unfruitful. [7] [8]

Transmission was recorded in late 2000 and early 2001, produced by Ben Chapman and the band. [9] [10] The recording process was handled for the most part by Roger Tebutt, who also did additional recording for "Plane Going Down", "Dinosaur", and "Everything Changes". Fulton Dingley recorded "Nightclub" and "Dinosaur", and did additional recording for "Transmission". Mark Firth and Tom Elmhurst recorded "Plane Going Down"; Danton Supple recorded "Everything Changes". Stephen Harris mixed the recordings, before the album was mastered by Geoff Pesche at The Townhouse Studios. [9]

Composition and lyrics

Musically, the sound of Transmission has been described as glam rock, [11] and electronica. [12] Jones, Nicholas Crowe, and Nigel Hoyle wrote "Transmission", "Now Always and Forever", "Nightclub", "Harder Faster", "All My Life", "Dinosaur", and "Promise of a Miracle", while "Plane Going Down", "Breathe", "Shoot Freak", "Keep It Heavy", and "Everything Changes" were credited to Jones, James Riseboro, Crowe, and Hoyle. [9] The album's opening song "Transmission" was reminiscent of the Manic Street Preachers' early glam pop work. [11] "Now Always and Forever" is representative of the remainder of the album, with its loop-based structure, accompanied by other effects, such as the sound of wind and echo. [12] "Harder Faster" comes across as a version of Super Furry Animals fronted by Axl Rose. [13] The pop rock song "Plane Going Down" is preceded by the ballad "All My Life". [11] [14] "Dinosaur" is a pop-metal track that is followed by the T. Rex-esque "Shoot Freak". [11] [13] "Keep It Heavy" apes the sound of the Smashing Pumpkins, specifically their album Gish (1991), and Marion. [12] [15]

Release

Gay Dad played their first show as a trio in November 2000, following the departure of Risebero. At this time, their upcoming album was scheduled for release in mid 2001. [10] "Now Always and Forever" was released as a single on 19 March 2001. [16] Two versions were released on CD: the first with "Estigon" and "God Has Moved On", while the second included "Surprise Party" and "Captains of Industry". [17] [18] In March and April 2001, the band went on a tour of the UK. [19] "Harder Faster" was released as a single. The CD version featured "Without Sound", while the 7" vinyl version included a demo of "Nightclub". [20] [21]

"Transmission" was released as a single; the 7" vinyl version included "Sailing By". [22] Two versions were released on CD: the first with "Art Since 1978" and "Dead Man", while the second featured "The Aim of the Game" and "Young Heart Attack". [23] [24] Transmission was released in Japan, with the bonus track "Someone Like You", on 14 November 2001, through Cutting Edge. [25] Transmission was released in the United States on 23 April 2002, through Thirsty Ear Recordings. [26] Shortly afterwards, Gay Dad disbanded. [27]

Reception

Professional ratings
Aggregate scores
SourceRating
Metacritic 52/100 [28]
Review scores
SourceRating
AllMusic Star full.svgStar full.svgStar empty.svgStar empty.svgStar empty.svg [13]
Blender Star full.svgStar empty.svgStar empty.svgStar empty.svgStar empty.svg [15]
The Boston Phoenix Star full.svgStar full.svgStar empty.svgStar empty.svgStar empty.svg [29]
Entertainment Weekly B [14]
NME Star full.svgStar full.svgStar full.svgStar empty.svgStar empty.svg [30]

Transmission was met with mixed reviews from music critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream publications, the album received an average score of 52, based on five reviews. [28]

Exclaim! 's Rob Bolton considered Transmission "a much better rock record" than their debut release, full of "louder guitars and more hooks to please fans of the scene". [31] Randy Harward of CMJ New Music Report noted that the album was a "12-pack of the same spacy-snotty-slick glam rock poured" onto the band's debut. He added that if the band's American label "works the hell out of this, it just might be a do-over for Gay Dad". [11] Billboard contributor Bradley Bambarger said that after the opening song, "it's mostly downhill", akin to their "intermittently diverting but ultimately superior" debut. [32] In a review for NME , Mark Beaumont wrote that Jones' "birth could probably have been accused of style over content but it’s on ‘Transmission’ that his shallowness really shines". He added that the "ideology, big shiny guitars and o’er-vaulting ambition to be the Last Great Pop Stars are all proudly in yer face but the tunes – how can we put this? – verge too often on the bollocks." [30]

The Boston Phoenix writer Mark Woodlief said it had "big, boisterous production values" compared to its predecessor, though "what this beautifully if somewhat excessively crafted album sounds like is various parts of [...] Jones’s record collection". [29] Ty Burr of Entertainment Weekly reviewed Transmission with two others albums; he simply commented that the band's "glam-Bowie reinventions, culminat[e] midway in the pop-rock nuggetry of 'Plane Going Down' before crashing to earth". [14] AllMusic reviewer Dean Carlson wrote that while it was "marginally stronger" than their debut album, it "forgets to bring along the same natural pop drive and offers more of the same well-honed faux iconic babble". [13] Blender 's John Perry described the album as being "more Bon Jovi than Blur, bloated with stadium-friendly power ballads". [15] Eric J. Iannelli for Ink 19 said album "suffer from frivolous overproduction, in both musical and lyrical terms it is tediously bland". He added that "[w]hatever Gay Dad was aiming for, Transmission falls despairingly shy of the mark". [12]

"Now Always and Forever" reached number 41 in the UK, while "Transmission" peaked at number 58. [4]

Track listing

All tracks written by Cliff Jones, Nicholas Crowe and Nigel Hoyle. [9]

  1. "Transmission" – 4:18
  2. "Now Always and Forever" – 4:17
  3. "Nightclub" – 3:12
  4. "Harder Faster" – 5:04
  5. "Plane Going Down" (Jones, James Riseboro, Crowe, Hoyle) – 5:42
  6. "All My Life" – 4:20
  7. "Breathe" (Jones, Riseboro, Crowe, Hoyle) – 5:40
  8. "Dinosaur" – 5:27
  9. "Shoot Freak" (Jones, Riseboro, Crowe, Hoyle) – 4:13
  10. "Keep It Heavy" (Jones, Riseboro, Crowe, Hoyle) – 3:51
  11. "Everything Changes" (Jones, Riseboro, Crowe, Hoyle) – 4:47
  12. "Promise of a Miracle" – 2:16

Personnel

Personnel per booklet. [9]

Related Research Articles

<span class="mw-page-title-main">Dinosaur Jr.</span> American rock band

Dinosaur Jr. is an American rock band formed in Amherst, Massachusetts, in 1984. Originally called Dinosaur, the band was forced to change their name due to legal issues.

<i>The Remote Part</i> 2002 studio album by Idlewild

The Remote Part is the third studio album by Scottish rock band Idlewild, released on 15 July 2002 by Parlophone. As they were becoming increasingly aware of their label's interest in them and their demos, the band's musical direction was being steered by guitarist Rod Jones. For the first half of 2001, the band recorded songs with producers Stephen Street and Lenny Kaye. Due to the uneven nature of the songs done between tours, they spent some time reworking 20 tracks in the Scottish Highlands. They recorded at Rockfield Studios in Wales, RAK Studios in London, and Sawmills Studios in Cornwall with producer Dave Eringa. Described as an alternative rock and indie rock record, it lacked the punk rock elements of their previous work.

<i>100 Broken Windows</i> 2000 studio album by Idlewild

100 Broken Windows is the second studio album by Scottish rock band Idlewild, released on 9 May 2000. While touring in support of their debut studio album Hope Is Important (1998), the band wrote and recorded its follow-up in stages. Sessions were done between May and November 1999 at a variety of studios: Air in London, Jacob's in Surrey, Rockfield in Wales, and Electrical Audio, Chicago. Initial recording with Bob Weston resulted in unremarkable material, by which point they switched to working with producer Dave Eringa. Described as an indie punk album, 100 Broken Windows has been compared to R.E.M. and Hüsker Dü.

<i>In Our Gun</i> 2002 studio album by Gomez

In Our Gun is the third studio album by English rock band Gomez, released on 18 March 2002 by Hut Records.

<span class="mw-page-title-main">Blue Monday (New Order song)</span> 1983 single by New Order

"Blue Monday" is the fifth single by the British rock band New Order. It was released as a 12-inch single on 7 March 1983 through Factory Records. It appears on certain cassette and CD versions of New Order's second studio album, Power, Corruption & Lies (1983). The track was written and produced by Gillian Gilbert, Peter Hook, Stephen Morris and Bernard Sumner.

<i>Hope Is Important</i> 1998 studio album by Idlewild

Hope Is Important is the debut studio album by Scottish rock band Idlewild, released 26 October 1998 through Food Records. After finalizing their line-up and releasing two singles in 1997, the band released their mini album Captain in early 1998. Afterwards, the band signed with Food Records, and recorded their debut album between February and June 1998 at Chapel Studios in Lincolnshire and Westland Studios in Dublin with producer Paul Tipler. Described as a grunge and punk rock album, Hope Is Important was compared to Bleach (1989) by Nirvana.

<i>Liquid Skin</i> 1999 studio album by Gomez

Liquid Skin is the second album by English rock group Gomez, released on 13 September 1999 by Hut Records. Following the release of their debut studio album Bring It On (1998), the band began recording their follow-up between August 1998 and June 1999 at Parr Street Studios in Liverpool, and Abbey Road Studios in London. Gomez were allowed to self-produce the sessions after their label heard the strength of their demos. Described as a blues rock album, Liquid Skin was compared to the work of Beck, the Grateful Dead, and Pearl Jam.

<i>Bleed American</i> 2001 studio album by Jimmy Eat World

Bleed American is the fourth studio album by the American rock band Jimmy Eat World, released on July 24, 2001, by DreamWorks Records. The album was re-released as Jimmy Eat World following the September 11 attacks; that name remained until 2008, when it was re-released with its original title returned.

<span class="mw-page-title-main">Live Forever (Oasis song)</span> 1994 single by Oasis

"Live Forever" is a song by the English rock band Oasis. Written by Noel Gallagher, the song was released as the third single from their debut album Definitely Maybe (1994) on 8 August 1994, just prior to that album's release. Gallagher wrote the song in 1991, before he joined Oasis.

<i>Love Is Here</i> 2001 studio album by Starsailor

Love Is Here is the debut studio album by rock band Starsailor, released on 8 October 2001 by Chrysalis Records. After finalising their line-up, a positive review from NME started a bidding war between record labels that eventually saw the band sign to EMI. Following the making of some demos, "Fever" and "Good Souls" were released as singles on 4 February 2001 and 23 April 2001, respectively. The band recorded their debut album at Rockfield Studios with producer Steve Osborne over the course of six weeks. Love Is Here features acoustic guitars accompanied by gentle piano chords, earning it comparisons to the albums Parachutes (2000) by Coldplay, and The Invisible Band (2001) by Travis.

<i>Stay What You Are</i> 2001 studio album by Saves the Day

Stay What You Are is the third studio album from American rock band Saves the Day, released in 2001. The album received positive reviews from critics at the time of its release and remains an influential album in the emo and pop punk genres. It has been described as "channel[ling] the thrill of pop punk, the intellect of indie rock, and the raw emotion of emo all at once." Lead single "At Your Funeral" charted in the United Kingdom and Scotland.

<i>Us and Us Only</i> 1999 studio album by the Charlatans

Us and Us Only is the sixth album by British rock band the Charlatans, released by Universal on 18 October 1999. After touring for their fifth studio album, Tellin' Stories, wrapped up by the end of 1997, they played minimal shows throughout 1998 and planned its follow-up. They built their own recording studio, aiming to start recording by early 1999; sessions eventually took place in March and April 1999 with the band self-producing. Us and Us Only is a country rock, folk, and roots rock album that strayed from the band's British roots in lieu of American-focused music.

<i>Free All Angels</i> 2001 studio album by Ash

Free All Angels is the third studio album to be recorded by Northern Irish rock band Ash. It was released on 23 April 2001 through Infectious Records and Home Grown. Due to the mixed reaction to the band's second studio album Nu-Clear Sounds (1998), frontman Tim Wheeler suffered from depression. He went to his parents' house in Northern Ireland to write material for the band's next album. Free All Angels was co-produced by the band and Owen Morris, and recording sessions were held at El Cortijo in Puerto Banús, Spain, then moved to The Wool Hall in Beckington and RAK Studios in London. The album was described as pop punk, power pop and punk rock, and drew comparisons to the works of China Drum, Compulsion, Hüsker Dü, and the Replacements.

<span class="mw-page-title-main">Train in Vain</span> 1980 single by the Clash

"Train in Vain" is a song by the English punk rock band the Clash. It was released as the third and final single from their third studio album, London Calling (1979). The song was not originally listed on the album's track listing, appearing as a hidden track at the end of the album. This was because the track was added to the record at the last minute, when the sleeve was already in production. Some editions include the song in the track listing. It was the first Clash song to reach the United States Top 30 charts and in 2010, the song was ranked number 298 on Rolling Stone magazine's list of The 500 Greatest Songs of All Time.

<i>The Places You Have Come to Fear the Most</i> 2001 studio album by Dashboard Confessional

The Places You Have Come to Fear the Most is the second studio album by American rock band Dashboard Confessional, released on March 20, 2001, through Vagrant Records.

Gay Dad were an English rock band that formed in London in 1994 and broke up in 2002. The line-up of the band has included Cliff Jones (guitarist/vocalist), Nick "Baz" Crowe (drummer), James Riseboro (keyboardist), Nigel Hoyle (bassist) and Charley Stone.

<span class="mw-page-title-main">Nancy Boy</span> 1997 single by Placebo

"Nancy Boy" is a song by British alternative rock band Placebo, released on 20 January 1997, as the fourth single from their debut self-titled album, released on Hut Records. As with their first single "Come Home", the single edit is a re-recorded version, noticeably different from the album version. "Nancy Boy" contains themes of drugs, sex, gender confusion and bisexuality. "Nancy Boy" became their breakthrough single, peaking at number four in the UK Singles Chart a month after the single's release. While Placebo originally charted at number forty upon its release, after the release of "Nancy Boy" the album re-entered the UK Albums Chart at number five in February, staying on chart for thirteen weeks.

<i>Roots & Echoes</i> 2007 studio album by the Coral

Roots & Echoes is the fifth studio album by English rock band the Coral. It was released on 6 August 2007, through Deltasonic. During the promotional cycle for their third studio album The Invisible Invasion (2005), guitarist Bill Ryder-Jones left and subsequently re-joined the band. Recording for their next album occurred between August 2006 and February 2007 at three different studios, Wheeler End, Konk, and RAK. Craig Silvey and the band co-produced the majority of the material, aside from two songs that were produced by Ian Broudie. Described as a psychedelic rock and pop album, Roots & Echoes took influences from doo wop and R&B.

<i>St. Jude</i> (album) 2008 studio album by the Courteeners

St. Jude is the debut studio album by English rock band the Courteeners, released on 7 April 2008 by Polydor Records. There is also a special edition album which includes a second disc of acoustic versions of songs which feature on the actual album. Although the album was released to mixed reviews from critics, it has become a somewhat cult success though many fans are more favorable to the versions of songs seen on Here Come the Young Men EP and various other demos. In support of the album the band embarked on a European tour.

<i>Leisure Noise</i> 1999 studio album by Gay Dad

Leisure Noise is the first album by London band Gay Dad, released via London Records and Sire Records on 7 June 1999. The album is a blending of glam rock, neo-psychedelia, krautrock and gospel into indie pop. Lyrically it is often about and constructed of rock history. The track-listing was designed to mimic the traditional two-sided vinyl.

References

  1. Roberts, David (2006). British Hit Singles & Albums (19th ed.). London: Guinness World Records Limited. p. 223. ISBN   1-904994-10-5.
  2. "Leisure Noise - Gay Dad | Release Info". AllMusic. Archived from the original on 30 June 2021. Retrieved 29 June 2021.
  3. Hebblethwaite, Phil (27 November 2017). "7 times music critics got things completely wrong". BBC Music. Archived from the original on 1 November 2020. Retrieved 29 June 2021.
  4. 1 2 "Gay Dad | full Official Chart History". Official Charts Company. Archived from the original on 20 October 2020. Retrieved 29 June 2021.
  5. Kaufman, Gil (20 September 1999). "Gay Dad, Black Box Recorder, Dot Allison Introduce Themselves To U.S." MTV. Archived from the original on 5 May 2023. Retrieved 6 May 2023.
  6. 1 2 "A Ride from Dad". NME. 2 November 1999. Archived from the original on 30 June 2021. Retrieved 30 June 2021.
  7. 1 2 "Gay Dad Troop On!". NME. 23 March 2000. Archived from the original on 18 January 2021. Retrieved 30 June 2021.
  8. "Gay Dad Rocket Back into Action". NME. 9 August 2000. Archived from the original on 30 June 2021. Retrieved 30 June 2021.
  9. 1 2 3 4 5 Gay Dad (2001). Transmission (booklet). B-Unique Records. BUN010.
  10. 1 2 "Daddy – Cool!". NME. 24 November 2000. Archived from the original on 30 June 2021. Retrieved 30 June 2021.
  11. 1 2 3 4 5 Harward, Randy (22 April 2002). "Reviews". CMJ New Music Report. Vol. 71, no. 759. ISSN   0890-0795. Archived from the original on 17 May 2018. Retrieved 30 June 2021.
  12. 1 2 3 4 Iannelli, Eric J. (28 August 2002). "Gay Dad Transmission". Ink 19. Archived from the original on 26 February 2021. Retrieved 7 December 2021.
  13. 1 2 3 4 Carlson, Dean. "Transmission - Gay Dad". AllMusic. Archived from the original on 12 January 2021. Retrieved 29 June 2021.
  14. 1 2 3 Burr, Ty (3 May 2002). "Handcream for a Generation; In Our Gun; Transmission; Bloodsport". Entertainment Weekly. Archived from the original on 10 August 2020. Retrieved 29 June 2021.
  15. 1 2 3 Perry, John. "Gay Dad Transmission". Blender . Archived from the original on 23 April 2004. Retrieved 7 December 2021.
  16. "Bye Honey, I'm Homo". NME. 2 February 2001. Archived from the original on 30 June 2021. Retrieved 30 June 2021.
  17. Gay Dad (2001). "Now Always and Forever" (sleeve). B-Unique Records. BUN004CDS.
  18. Gay Dad (2001). "Now Always and Forever" (sleeve). B-Unique Records. BUN004CDX.
  19. "Nu-Queer Sounds". NME. 23 February 2001. Archived from the original on 19 January 2021. Retrieved 30 June 2021.
  20. Gay Dad (2001). "Harder Faster" (sleeve). B-Unique Records. BUN005CDX.
  21. Gay Dad (2001). "Harder Faster" (sleeve). B-Unique Records. BUN005 7.
  22. Gay Dad (2001). "Transmission" (sleeve). B-Unique Records. BUN009 7.
  23. Gay Dad (2001). "Transmission" (sleeve). B-Unique Records. BUN009CDS.
  24. Gay Dad (2001). "Transmission" (sleeve). B-Unique Records. BUN009CDX.
  25. Gay Dad (2001). Transmission (sleeve). Cutting Edge. CTCM-65015.
  26. "Transmission - Gay Dad | Release Info". AllMusic. Archived from the original on 30 June 2021. Retrieved 29 June 2021.
  27. Robbins, Irea. "Gay Dad". Trouser Press. Archived from the original on 30 June 2021. Retrieved 29 June 2021.
  28. 1 2 "Critic Reviews for Transmission". Metacritic. Archived from the original on 30 June 2021. Retrieved 29 June 2021.
  29. 1 2 Woodlief, Mark (11–18 July 2001). "Gay Dad Transmission". The Boston Phoenix . Archived from the original on 11 August 2003. Retrieved 20 February 2023.
  30. 1 2 Beaumont, Mark (12 September 2005). "Gay Dad : Transmission". NME. Archived from the original on 30 June 2021. Retrieved 29 June 2021.
  31. Bolton, Rob (1 June 2002). "Gay Dad Transmission". Exclaim!. Archived from the original on 29 June 2021. Retrieved 29 June 2021.
  32. Bambarger, Bradley (18 May 2002). "Reviews & Previews". CMJ New Music Report. Vol. 114, no. 20. ISSN   0006-2510. Archived from the original on 30 June 2021. Retrieved 30 June 2021.