Tropical Fuck Storm | |
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Background information | |
Origin | Melbourne, Australia |
Genres | |
Years active | 2017–present |
Labels | Joyful Noise Recordings, Flightless, Tropical Fuck Storm Records |
Spinoff of | The Drones, High Tension, Mod Con, Harmony, Palm Springs |
Members | Gareth Liddiard Fiona Kitschin Lauren Hammel Erica Dunn |
Website | TFS official website |
Tropical Fuck Storm are an Australian rock band and supergroup from Melbourne, Victoria, formed by Gareth Liddiard and Fiona Kitschin from The Drones. Lauren Hammel, from the band High Tension, plays drums, and Erica Dunn, from the bands Mod Con, Harmony, and Palm Springs, plays guitars, keyboards, and other instruments. Their sound is characterised by elements of art punk, noise rock and experimental rock.
Looking to reboot creatively, The Drones went on hiatus at the end of their tour supporting Feelin' Kinda Free in December 2016. The following year, Drones founder Gareth Liddiard and longtime bandmate Fiona Kitschin started writing material for a new project under the name for the record label they'd coined to self-release the last Drones album. They recruited Erica Dunn and Lauren Hammel during the summer of 2017, before embarking on an American tour. According to Dunn, "They just rang me up. Gareth and Fi were on loudspeaker like excited children. The pitch was 'Do you want to play guitar? We're just going to do some weird shit.' And I was like 'Okay, sure.' Then Gareth said 'We might go to America in the next month, are you free? And we have to write some songs.' Sure I'll clear my schedule. Hammer [Lauren Hammel] was a bit different though, because [Gareth] didn't know her and he had to take her to the pub." [1] [2]
They released a series of 7-inch singles later that autumn while on tour with Band of Horses and King Gizzard & the Lizard Wizard in the US. [3] Their debut album, A Laughing Death in Meatspace , dropped in March 2018 and the band signed with Joyful Noise Recordings shortly thereafter. [4] "The album title links "meatspace" – as Silicon Valley engineers derogatorily refer to the physical realm – with a neurodegenerative disorder called kuru, once found in the Fore people of Papua New Guinea. Men would eat the muscles of the deceased, while women and children ate the brains, thereby inheriting Creutzfeldt-Jakob disease and pot-holing their own grey matter to such an extent that they lost control of their emotions and laughed themselves to death." [5] Videos for the songs "You Let My Tyres Down", [6] "Rubber Bullies", [7] "Soft Power" [8] & "The Future of History" were released over 2017 and 2018. [9]
The album – which saw the band utilise a range of obscure digital guitar effects, synthesisers, drum machines, and DAW software such as ProTools – received positive reviews for both its raw and unusual style as well as its lyricism. [10] Greil Marcus wrote that the album makes "as fierce a band as" The Drones "seem austere" in comparison, writing that "the explosions in "Two Afternoons," "A Laughing Death," and "Rubber Bullies" are glorious and frightening, so big they don't feel quite real, but there's a story trying to climb out of the noise, carried by Liddiard's weariness, his uncynical fatalism, but shaped by the counter-vocals of Kitschin and Dunn." He concluded by saying that "you can feel as if this is what history sounds like as it's being written." [11]
Contemporaries such as Thalia Zedek and Conan Neutron named it their favourite album of the year, with the latter calling it "[a]bsolutely powerful stuff. Great songs with incredible left turns. Moody, claustrophobic and staggeringly self aware, like a sentient computer raised on Bill Hicks comedy specials, Howard Zinn, Black MIrror [sic] and Twin Peaks. [...] It’s a hell of a ride." [12] [13] In an interview in 2019, Britt Daniel mentioned his love for the band and called the album "[f]antastic. [Gareth Liddard's] lyrics are so good." [14] DMA's ranked the track "You Let My Tyres Down" as their favourite song of the year for Triple J Hottest 100. [15] In an interview with Pitchfork , New Weird author Jeff VanderMeer cited the album as one of many influences on his 2019 novel Dead Astronauts. [16]
The album was longlisted for the Australian Music Prize of 2018, [17] but failed to make the shortlist. [18] The album was also nominated for "Best Rock/Punk Album" at the Music Victoria Awards of 2018, losing out to the self-titled album from Little Ugly Girls. [19]
Following the release of their debut, the band would go on to play a series of national and international dates in varying capacities, [20] including a few dates opening for Modest Mouse (on their fall tour in October 2018) [21] and King Gizzard and the Lizard Wizard (as a part of their Gizzfest event). [22] On the 23rd of August that year, the band premiered the song "The Happiest Guy Around", which ended up being one half of a split single with Liars (who contributed the track "Total 3 Part Saga") as the 18th instalment of the LAMC (Less Artists More Condos) series of 7-inch singles curated by Famous Class Records; where "an established musician on the A-side" is paired "with one of the musician’s favourite new artists on the B-side". [23] [24] The 7-inch was released on the 28th of September. [24] Later that year, the band would also perform a live, pre-composed soundtrack to the Coen brothers' 2007 film No Country for Old Men at Arts Centre Melbourne as part of an event organised by Hear My Eyes. [25] [26]
On the 21st of January the following year, King Gizzard and the Lizard Wizard posted an image of them jamming with Liddiard in the foreground flipping the bird on their official Instagram account. [27] This led some to speculate Liddiard's involvement with the band's new material "either as a guest or producer." [27] [22] On the 4th of March that year, Flightless announced that Tropical Fuck Storm had signed with them in Australia and New Zealand, [28] [29] [30] and on that same day, the band premiered the video to "The Planet Of Straw Men", which would be the first single from their second album, set to be released "mid-2019" through Joyful Noise Recordings worldwide and Flightless Records in Australia and New Zealand. [31] [29] [30] On the 17th of June, the band released the second single from their upcoming album, "Paradise"; the name of the album was also revealed to be Braindrops the same day, and its release date of August 23 was announced. [32] [33] [34]
Treble magazine, in a review published on 12 August 2019, named Braindrops their "Album of the Week" praising the track "Paradise" as "a sickly mirage of an oasis—you can practically see the disspiating heat haze over Liddiard's trickling guitar riffs. It slowly escalates its way toward a furious climax, turning into one of the most explosive break-up songs in recent memory". The review concludes: "Tropical Fuck Storm invite the chaos, orchestrating it, manipulating it, delivering a piece of mangled and bruised art that sounds magnificent at its most frayed and fragmented. It's a weirdness that feels strangely assuring, even necessary." [35] NARC Magazine gave the album a perfect score, writing that it "pretty much cements the Australians as one of the most vital acts on the planet right now." Exclaim! called it "a psychedelic rock opera occasionally dipping its toes in the stream of electro-punk. The result is equal parts harrowing and electrifying, surreal and far too familiar." [36] According to Paste , "[l]istening to Braindrops feels like watching a sped-up timeline of rising sea levels and melting glaciers set to long-lost field recordings of maximalist noise-rock from the Outback. You're listening to a world falling apart." [37] Braindrops, writes The Line of Best Fit , "is as cerebral and gut-level as its name implies, high-minded and high volume, a grand mess that isn't really a mess at all." [38]
Despite their tepid review of the LP as a whole, which objects at length to the consistency of Liddiard's lyrical style and of the singer's conviction about psychic and cultural issues relating to the epistemological mass-extinction event of Fake News characteristic of media in the (at the time, still current) Trump regime, Pitchfork praises the outro track: [39]
"Maria 63"...tells a fabricated story of Maria Orsic, a mysterious and, in Liddiard’s estimation, entirely fake Nazi witch exalted by online conspiracists. In Tropical Fuck Storm’s telling, Orsic is a trickster capable of duping even a keen-eyed Mossad agent...it’s an engrossing, haunted fable, a way to link society’s obsession with conspiracy to our basic needs for security and comfort." [39]
In an interview with Konbini, Iggy Pop praised the title track of the album, simply calling it "a good fuck". [40] [41] Both Michael Feuerstack and Conan Neutron called it one of their favourite albums of the year, with the latter calling it "an utterly befuddling and "wrong" sounding record that is oh so "right". There isn't a clear monster single like “tyres” on this one, but the whole thing has a snakey, baked in the sun vibe that works its way into your subconscious." [42] [43]
On 15 March 2020, the band released "Suburbiopia", a song about suicide cults. [44] "The lyrical trajectory started as a total shamoz", Liddiard said of the song. "We all started it at breakfast one morning. But at about 11am I took a shower and the concept came to me. I thought 'What if all those nutty cults with their fucked up suicide escape plans weren’t wrong and everybody else accusing them of being insane was wrong? It’s timely not 'cause of the cult thing but because it’s probably a good time to leave the planet.'” [44] The video which accompanied the song's release "features the band dressed in blonde wings à la The Family cult in Victoria and also samples recordings of Heavens Gate [sic] cult leader Marshall Applewhite and anime footage from the Aum Shinrikyo cult – famous for releasing sarin gas into the Tokyo subway in 1995." [44] The 7" of the single was released on the 3rd of April, with a cover of "This Perfect Day" by The Saints - featuring Amy Taylor of Amyl and the Sniffers and Sean Powell of Surfbort - as its B-side. [45]
On 12 August 2020, the band premiered a new version of the track "Legal Ghost": a "sprawling, experimental cut" originally recorded by Liddiard during the 90s for his Bong Odyssey project with former Drones member Rui Pereira. [46] [47] The song - which Liddiard considers to be the first he'd ever written of a "higher standard" “as far as songwriting goes” - deals with "mortality and early death, and its impact on a sense of place." [46] It was released as a 7" single on 11 September, with a cover of Talking Heads' "Heaven" as its B-side. [47] [48]
On 23 June 2021, the single "G.A.F.F." ("Give a Fuck Fatigue") was released with its music video. [49] [50] Described as "a grungy and jagged fusion of funk-rock and hip-hop beats", the "nihilistic" song was called in its press release "an ode to the occasional dispassion brought about by the mandatory concern for every perceived injustice that happens, has happened and might yet happen that is being foisted upon the masses by super-yacht dwelling tech barons who monetise our indignation." [49] This was accompanied by the announcement of the title, cover art & track list of the band's 3rd album Deep States. [51] [49] [50] The fourth single, "New Romeo Agent", was released on July 20; its music video depicts the members of the band "performing as captives in an alien dive bar." [52] The fifth and final single the band released from the album - on the 10th of August - was "Bumma Sanger", accompanied by a "surrealist" music video directed by Oscar O'Shea which features work by Tasmanian artist Georgia Lucy. [53] Deep States was finally released on the 20th of August 2021. [49] [50]
On March 14, 2022, Tropical Fuck Storm released a joint EP with King Gizzard & the Lizard Wizard titled Satanic Slumber Party . The EP features three tracks, based on a larger jam session titled "Hat Jam" recorded by both bands during the recording sessions of King Gizzard's 2019 album Fishing for Fishies . The "Hat Jam" session was also adapted by King Gizzard for the first single of their 2022 album Omnium Gatherum , "The Dripping Tap". Alongside the release of the Satanic Slumber Party EP, a limited-edition 12" LP titled Hat Jam containing "The Dripping Tap" and Satanic Slumber Party was made available for pre-order through both bands' online stores. [54] Later that summer, they put out the critically acclaimed Moonburn EP, including a cover of "Ann" by The Stooges . [55] [56] [57] A second edition of the album, including a sprawling interpretation of Hendrix as the first track "1983" was released shortly thereafter under the title Submersive Behavior.. [55] [56] [57]
A Tropical Fuck Storm poster and (fellow Joyful Noise Recordings artist) No Joy LP made a brief cameo appearance in the 2022 Jordan Peele film, Nope .
On 5 January 2023, the band announced that it would be cancelling all tour dates outside Australia for the rest of the year to accommodate Kitschin's stage three breast cancer diagnosis. [58]
Gareth Liddiard's side-project Springtime S/T [59] had been released in 2021 followed by the Night Raver EP, [60] and his solo albums Strange Tourist [61] and the Bootlicker Series 2006-2016 [62] were re-released during this caesura in the Tropical Fuck Storm project in combination with other efforts supporting Fiona's recovery. With successful treatment the band has begun to schedule tour dates spring and summer 2024, and they are recording again. [63]
Title | Details | Peak chart positions |
---|---|---|
AUS [64] | ||
A Laughing Death in Meatspace |
| 25 |
Braindrops |
| 10 |
Deep States |
| 7 [65] |
Title | Details |
---|---|
Satanic Slumber Party (with King Gizzard & the Lizard Wizard) |
|
Goody Goody Gumdrops |
|
Moonburn |
|
Submersive Behaviour |
|
Title | Year | Album |
---|---|---|
"Chameleon Paint" b/w "Mansion Family" [66] | 2017 | A Laughing Death in Meatspace |
"Soft Power" b/w "Lose the Baby" [67] | ||
"You Let My Tyres Down" b/w "Back to the Wall" [68] | 2018 | |
"Rubber Bullies" b/w "Stayin' Alive" [69] | ||
"The Planet of Straw Men" [70] | 2019 | Braindrops |
"Can't Stop" [71] | non-album single | |
"Paradise" [72] | Braindrops | |
"Who's My Eugene?" [73] | ||
"Braindrops" [74] | ||
"Suburbiopia" b/w "This Perfect Day" [45] | 2020 | Deep States |
"Legal Ghost" b/w "Heaven" [75] | ||
"G.A.F.F." [49] | 2021 | |
"New Romeo Agent" [76] | ||
"Bumma Sanger" [53] | ||
"Ann" [77] | 2022 | Moonburn EP |
"1983" [78] | 2023 | non album single |
The APRA Awards are presented annually from 1982 by the Australasian Performing Right Association (APRA), "honouring composers and songwriters". [79]
Year | Nominee / work | Award | Result | Ref. |
---|---|---|---|---|
2019 | "Paradise" by Tropical Fuck Storm (Erica Dunn / Gareth Liddiard / Fiona Kitchin / Lauren Hammel) | Song of the Year | Shortlisted | [80] |
The ARIA Music Awards is an annual ceremony presented by Australian Recording Industry Association (ARIA), which recognise excellence, innovation, and achievement across all genres of the music of Australia. They commenced in 1987.
Year | Nominee / work | Award | Result | Ref. |
---|---|---|---|---|
2021 | Deep States | Best Hard Rock or Heavy Metal Album | Won | [81] [82] |
The Music Victoria Awards, are an annual awards night celebrating Victorian music. They commenced in 2005 (although nominee and winners are unknown from 2005 to 2012). [83] [84]
Year | Nominee / work | Award | Result |
---|---|---|---|
2018 | A Laughing Death in Meatspace | Best Rock/Punk Album | Nominated |
themselves | Best Band | Nominated | |
Erica Dunn | Best Female Musician | Nominated | |
Gareth Liddiard | Best Male Musician | Nominated | |
2019 | Braindrops | Best Rock/Punk Album | Won |
themselves | Best Band | Nominated | |
themselves | Best Live Act | Nominated | |
Erica Dunn | Best Female Musician | Won | |
Gareth Liddiard | Best Male Musician | Nominated | |
2020 [85] [86] | Erica Dunn | Best Musician | Nominated |
Gareth Liddiard | Nominated | ||
2021 [87] [88] | Erica Dunn | Best Musician | Nominated |
The National Live Music Awards (NLMAs) are a broad recognition of Australia's diverse live industry, celebrating the success of the Australian live scene. The awards commenced in 2016.
Year | Nominee / work | Award | Result |
---|---|---|---|
2018 [89] [90] | Themselves | Best New Act | Won |
Live Hard Rock Act of the Year | Won | ||
Gareth Liddiard (Tropical Fuck Storm) | Live Guitarist of the Year | Won | |
Erica Dunn (Tropical Fuck Storm) | Live Instrumentalist of the Year | Nominated | |
2019 [91] [92] | Lauren Hammel (Tropical Fuck Storm) | Live Drummer of the Year | Won |
Erica Dunn (Tropical Fuck Storm) | Live Guitarist of the Year | Won | |
2020 [93] | Themselves | Live Act of the Year | Nominated |
Fiona Kitschin (Tropical Fuck Storm) | Live Bassist of the Year | Nominated |
The Drones were an Australian rock band, formed in Perth by mainstay lead vocalist and guitarist Gareth Liddiard in 1997. Fiona Kitschin, his domestic partner, joined on bass guitar and vocals in 2002. Other long-term members include Rui Pereira on bass guitar and then lead guitar; Mike Noga on drums, vocals, harmonica and percussion; and Dan Luscombe on lead guitar, vocals and keyboards. Their second album, Wait Long by the River and the Bodies of Your Enemies Will Float By, won the inaugural Australian Music Prize. In October 2010 their third studio album, Gala Mill was listed at No. 21 in the book, 100 Best Australian Albums. Two of their albums have reached the top 20 on the ARIA Albums Chart, I See Seaweed and Feelin Kinda Free. The group went on hiatus in December 2016 with Kitschin and Liddiard forming a new group, Tropical Fuck Storm, in the following year.
Joyful Noise Recordings is an independent record label with headquarters in Indianapolis, Indiana. The label was founded in 2003 in Bloomington, Indiana by Karl Hofstetter, who also played drums on several of the label's first releases. Joyful Noise maintains an active roster of over 30 bands playing various musical styles, though according to the label, each artist "in one way or another bridges the gap between pop and noise."
Wait Long by the River and the Bodies of Your Enemies Will Float By is the second album released by the Drones. Recorded "100% live", the album draws influence from the likes of Neil Young and Rowland S. Howard, though it has been described by lead singer/guitarist Gareth Liddiard himself as a punk rock album. The lyrics, penned by Liddiard deal with issues such as death, depression and alcoholism in its depiction of Australian working class life.
Gareth Liddiard is an Australian musician, best known as a founding member of both The Drones and Tropical Fuck Storm. Musically active since 1997, he has also released a solo album titled Strange Tourist in 2010. In 2021, Liddiard recorded and performed live with Jim White of the Dirty Three and Chris Abrahams of The Necks as Springtime.
Here Come the Lies is the debut album released by Perth band The Drones.
Havilah is the fourth studio album by Australian alternative rockers, the Drones, which was released by ATP Recordings/MGM Distribution in September 2008. It was co-produced by the group with Burke Reid and issued in February 2009 for the United Kingdom and United States markets. The title refers to a biblical town of the same name – "a Shangri-La-esque place with an abundance of gold" – and is the valley 20 kilometres (12 mi) from Myrtleford, where they recorded.
"Back to the Wall" is a song by Australian rock group Divinyls. Released in February 1988 as the lead single from their third studio album Temperamental, the song made the top forty on the Australian singles chart.
No Joy are a Canadian shoegaze band from Montreal formed in late 2009 by Jasamine White-Gluz and former member Laura Lloyd.
I See Seaweed is the fifth studio album by Australian band The Drones, released in March 2013. The album marked the first appearance of Steve Hesketh on keyboards and the last appearance of drummer Mike Noga. Recorded by the band themselves inside a "demountable classroom from the '60s", the music on the album is more dynamic, darker and "expansive" in comparison to previous albums, while Liddiard's poetic lyrics were regarded as being more "universal" and humorous in exploring topics such as climate change, free will, conservative politics, socioeconomic issues, existentialism and the human condition in general. The song "How to See Through Fog" was released as the album's only single in early 2013.
King Gizzard & the Lizard Wizard (KGLW) are an Australian rock band formed in 2010 in Melbourne, Victoria. The band's current lineup consists of Stu Mackenzie, Ambrose Kenny-Smith, Cook Craig, Joey Walker, Lucas Harwood, and Michael Cavanagh. They are known for exploring multiple genres, staging energetic live shows, and building a prolific discography.
Luca Brasi are an Australian rock band formed in St Helens, Tasmania in 2009. The current line-up of the band features Thomas Busby on lead guitar, Danny Flood on drums, Patrick Marshall on rhythm guitar and backing vocals, and Tyler Richardson on lead vocals and bass guitar. To date, the group have released six studio albums: Extended Family (2011), By a Thread (2014), If This Is All We're Going to Be (2016), Stay (2018), Everything Is Tenuous (2021) and The World Don't Owe You Anything (2023). Stay became their first ARIA top 10.
The Chats are an Australian punk rock band that formed in 2016 in the Sunshine Coast, Queensland. They describe their sound as "shed rock". The current band lineup is composed of guitarist Josh Hardy, drummer Matt Boggis, and bassist and vocalist Eamon Sandwith. Known for their songs about Australian culture, they initially went viral for their song "Smoko" and its music video in 2017, and later with "Pub Feed" in 2019. To date they have released two EPs, The Chats (2016) and Get This in Ya!! (2017), and two studio albums High Risk Behaviour (2020) and Get Fucked (2022).
Feelin Kinda Free is the sixth studio album from Australian band The Drones, and their final one before going on hiatus. Having grown tired with the more rock-oriented sound of the band up until that point, frontman Gareth Liddiard became fascinated with both vintage and modern electronic equipment - ranging from drum machines and samplers to the Teenage Engineering OP-1 synthesizer - in conceiving the album's sound. Its genre-defying musical style has been described as visceral and ominous, featuring a relative absence of guitars and a prominent use of electronic textures. Its sessions also marked the first appearance of drummer Christian Strybosch since 2005's Wait Long by the River and the Bodies of Your Enemies Will Float By.
A Laughing Death in Meatspace is the debut album of Melbourne-based supergroup Tropical Fuck Storm, formed by members of The Drones, Palm Springs and High Tension. The band, wishing to step away from the more rock-centric sound that The Drones were known for prior to their final pre-hiatus album Feelin Kinda Free, utilized a range of obscure digital guitar effects, synthesizers, drum machines, and DAW software such as ProTools to create the music. Finished less than eight months after their first few live performances, the speed at which the album was recorded also had a heavy influence on its idiosyncratic sound, which combines genres such as punk blues, art punk, psychedelic rock and noise rock with influences from pop and electronic music. Written by Liddiard with contributions from other members, the lyrics have been described as apocalyptic and darkly humorous; tackling subjects such as technological advancement, political polarization, socioeconomic inequality, xenophobia, culture wars and many others. The album title links a Silicon Valley slang for the physical world with the neurodegenerative disorder of kuru found in the Fore people of Papua New Guinea.
Strange Tourist is the debut studio album from The Drones and Tropical Fuck Storm frontman Gareth Liddiard. The album was recorded inside Blackburn Castle in New South Wales over the first half of 2010, and was produced with the help of Burke Reid. Its minimal, "austere" and "meandering" acoustic songs instrumentally consist entirely of Liddiard's guitar-playing, and are topped with his versatile and heavily-accented vocals. Exploring themes such as isolation, jealousy, guilt, colonialism, wartime collaborationism, radicalism and many others, its detailed, narrative-based lyrics have been characterized as "dark and grinding", and are set in various periods of time as well as locations.
Amyl and the Sniffers are an Australian pub rock and punk rock band based in Melbourne, consisting of vocalist Amy Taylor, drummer Bryce Wilson, guitarist Declan Martens, and bassist Gus Romer. At the ARIA Music Awards of 2019, their self-titled debut record won the Best Rock Album category.
Braindrops is the second studio album by Australian supergroup Tropical Fuck Storm. It was released on 23 August 2019 through Flightless Records in Australia and Joyful Noise Recordings worldwide.
Deep States is the third studio album by Australian group Tropical Fuck Storm. It was released on 20 August 2021 through Joyful Noise Recordings. Recorded during the COVID-19 pandemic, the recording process for the album was unconventional and involved heavy experimentation. The music features a range of diverse influences and has been variously labelled as art rock, noise rock and psychedelic rock. Lyrically, the album deals with the social and emotional impact of the pandemic, with many songs also diving into subjects such as conspiracy theories, social media polarization, corruption, death and occasionally even feature science fiction themes.
Satanic Slumber Party is an EP by Australian-rock bands Tropical Fuck Storm and King Gizzard & the Lizard Wizard, it was released on March 14, 2022, as a surprise release. The second track on the album, "Midnight in Sodom" had a music video released in promotion of the EP alongside the release of the record. It was directed by Nina Renee and Tropical Fuck Storm. The album was released digitally, and as a 7" EP. A limited edition 12" would be released titled "Hat Jam" that featured the EP and "The Dripping Tap". The cover art was made by Satomi Matsuzaki of the band Deerhoof. NME has described the EP as having influence from "Noise pop".
Springtime is the eponymous debut album from Australian supergroup Springtime, consisting of Gareth Liddiard, Chris Abrahams and Jim White. Recorded over 15 days at Liddiard's home studio in Nagambie, the largely-improvised album features lyrics from his uncle Ian Duhig, in addition to a Will Oldham cover and a reworking of a track by The Drones. It was released in Australia through TFS Records and in the US through Joyful Noise Recordings to largely positive reviews.
I was scared to see this band play, precisely because they are supposed to be so good. It never ends up being true. Fortunately, I also never end up being right. And for the record (pun intended), TFS's 2019 release Braindrops is as good as their first one, which is to say very great.