Flying Microtonal Banana | ||||
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Studio album by | ||||
Released | 24 February 2017 | |||
Recorded | April–September 2016 | |||
Studio | Flightless HQ | |||
Genre | ||||
Length | 41:53 | |||
Label | ||||
King Gizzard & the Lizard Wizard chronology | ||||
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Singles from Flying Microtonal Banana | ||||
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Flying Microtonal Banana (subtitled Explorations into Microtonal Tuning, Volume 1) is the ninth studio album by Australian psychedelic rock band King Gizzard & the Lizard Wizard. It was released on 24 February 2017 on Flightless Records in Australia, [1] ATO Records in the United States, [2] and Heavenly Recordings in the United Kingdom. [3] It is the first of five albums released by the band in 2017 [4] and their first exploration of microtonal music, utilising custom built instruments.
The album earned the band a nomination for Best Group at the ARIA Music Awards of 2017, losing to Gang of Youths for Go Farther in Lightness . The album peaked at number two on the ARIA charts (their first top 10), and it is also the first album by the band to chart on the US Billboard 200, peaking at 170.
Subtitled Explorations into Microtonal Tuning, Volume 1, the album is recorded in quarter tone tuning, where an octave is divided into 24 (logarithmically) equal-distanced quarter tones; it was originally conceived to play on a baglama, so the band members used instruments specifically modified for microtonal tuning, as well as other Middle-Eastern instruments like the zurna. The name "Flying Microtonal Banana" comes from Stu Mackenzie's custom-built yellow guitar, fitted with additional microtonal frets. [5]
The album has been described as psychedelic rock, [6] [7] acid rock [8] and experimental rock, [9] with elements of krautrock [9] [10] and Turkish music. [9] [11]
Aggregate scores | |
---|---|
Source | Rating |
AnyDecentMusic? | 6.9/10 [12] |
Metacritic | 72/100 [13] |
Review scores | |
Source | Rating |
AllMusic | [14] |
DIY | [15] |
Exclaim! | 8/10 [16] |
The Guardian | [8] |
Mojo | [17] |
Pitchfork | 7.4/10 [18] |
Q | [19] |
Record Collector | [20] |
The Times | [21] |
Uncut | 8/10 [22] |
Upon its release, Flying Microtonal Banana received positive reviews from music critics. On Metacritic, the album holds an average critic score of 72 out of 100, based on 15 reviews, indicating "generally favourable reviews". [13]
AllMusic's Tim Sendra wrote, "it's clear that the experiment was a success and that the microtuned instruments fit in perfectly with their oddball aesthetic" describing the melodies as "more exotic (to ears attuned to Western music anyway) and complex" compared to previous albums. [14] While comparing it unfavourably to its predecessor, Pitchfork contributor Stuart Bremen still commended the album, writing "if Flying Microtonal Banana's randomized approach is ultimately less transfixing than Nonagon Infinity 's maniacal focus, it nonetheless shows that, after eight previous albums, this band's creativity and curiosity knows no bounds, and their singular balance of anarchy and accessibility is still in check. So even if you don't understand the first thing about microtonality, there's still plenty of flying banana here to keep you amused." [18]
Publication | Accolade | Year | Rank | Ref. |
---|---|---|---|---|
Uncut | The Best Albums Of 2017 | 2017 | 35 |
Vinyl releases have tracks 1–3 on Side A, and tracks 4–9 on Side B. [24]
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Rattlesnake" | Stu Mackenzie | 7:48 |
2. | "Melting" | Mackenzie | 5:27 |
3. | "Open Water" | Mackenzie | 7:13 |
4. | "Sleep Drifter" | Mackenzie | 4:44 |
5. | "Billabong Valley" |
| 3:34 |
6. | "Anoxia" | Joey Walker | 3:04 |
7. | "Doom City" | Mackenzie | 3:14 |
8. | "Nuclear Fusion" |
| 4:15 |
9. | "Flying Microtonal Banana" |
| 2:34 |
Total length: | 41:53 |
Credits for Flying Microtonal Banana adapted from liner notes. [25]
King Gizzard & the Lizard Wizard
Production
Chart (2017) | Peak position |
---|---|
Australian Albums (ARIA) [26] | 2 |
Belgian Albums (Ultratop Flanders) [27] | 87 |
Belgian Albums (Ultratop Wallonia) [28] | 60 |
Dutch Albums (Album Top 100) [29] | 79 |
New Zealand Heatseekers Albums (RMNZ) [30] | 7 |
Scottish Albums (OCC) [31] | 66 |
UK Albums (OCC) [32] | 100 |
US Independent Albums (Billboard) [33] | 10 |
US Top Alternative Albums (Billboard) [34] | 19 |
US Top Rock Albums (Billboard) [35] | 32 |
US Billboard 200 [36] | 170 |
King Gizzard & the Lizard Wizard (KGLW) are an Australian rock band formed in 2010 in Melbourne, Victoria. The band's current lineup consists of Stu Mackenzie, Ambrose Kenny-Smith, Cook Craig, Joey Walker, Lucas Harwood, and Michael Cavanagh. They are known for exploring multiple genres, staging energetic live shows, and building a prolific discography.
Nonagon Infinity is the eighth studio album by Australian psychedelic rock band King Gizzard & the Lizard Wizard. It was released on 29 April 2016 on ATO Records. The album is designed to play as an "infinite loop" where each song segues into the next and the last song segues into the first, so that "the record can be played front-to-back-to-front-to-back and the sound won't break". The title is a reference to this idea, as there are nine songs on the album that could be played "infinitely".
Paper Mâché Dream Balloon is the seventh studio album by Australian psychedelic rock band King Gizzard & the Lizard Wizard. It was released on 13 November 2015 on the band's Bandcamp, and then a week later on Heavenly Records. The album was recorded with almost entirely acoustic instruments.
I'm in Your Mind Fuzz is the fifth studio album by Australian psychedelic rock band King Gizzard & the Lizard Wizard. It was released on 31 October 2014 on Flightless Records in Australia, just over a week later on 11 November in the United States on Castle Face Records, and on 1 December that same year on Heavenly Records worldwide. At the J Awards of 2014, the album was nominated for Australian Album of the Year. I'm in Your Mind Fuzz was the band's first album to chart on the ARIA charts, peaking at number 85.
Murder of the Universe is the tenth studio album by Australian psychedelic rock band King Gizzard & the Lizard Wizard. It was released on 23 June 2017 by Flightless in Australia, ATO Records in the United States, and Heavenly Recordings in the United Kingdom. It is the second of five albums released by the band in 2017.
Sketches of Brunswick East is the eleventh studio album by Australian psychedelic rock band King Gizzard & the Lizard Wizard, and the third by Mild High Club. The title is a reference to the Melbourne suburb of Brunswick East and Miles Davis' 1960 LP Sketches of Spain, which inspired the album's jazz-oriented sound. It was released on 18 August 2017, by Flightless in Australia, ATO Records in the United States, and Heavenly Recordings in the United Kingdom. It is the third of five albums released by the band in 2017.
Polygondwanaland is the twelfth studio album by Australian psychedelic rock band King Gizzard & the Lizard Wizard. The album was released under a BY-ND Creative Commons license—the band uploaded the master tapes online for anyone to freely use. The fourth of five albums released by the band in 2017, it was released on 17 November 2017.
The discography of Australian psychedelic rock band King Gizzard & the Lizard Wizard consists of 25 studio albums, 16 live albums, three compilation albums, one remix album, three extended plays, 59 singles, and 60 music videos.
Gumboot Soup is the thirteenth studio album by Australian psychedelic rock band King Gizzard & the Lizard Wizard. It was released on 31 December 2017 by Flightless. The album is the final of five albums released by the band in 2017. The artwork was designed by longtime band collaborator Jason Galea.
Fishing for Fishies is the fourteenth studio album by Australian psychedelic rock band King Gizzard & the Lizard Wizard. It was released on 26 April 2019 by Flightless and ATO Records. The announcement of the album was accompanied by the release of the title track and its video.
Infest the Rats' Nest is the fifteenth studio album by Australian psychedelic rock band King Gizzard & the Lizard Wizard. It was released on 16 August 2019 by the band's record label, Flightless, and ATO Records. The album sees the band using a heavy metal and thrash metal style, which they had only briefly touched upon on previous albums. Its lyrics address environmental themes such as climate change and ecological disaster through a cli-fi narrative involving space colonisation.
Live in Paris '19 is the first in a trio of benefit live albums by Australian psychedelic rock band King Gizzard & the Lizard Wizard, which was released digitally to Bandcamp on 10 January 2020. It was released simultaneously with one other live album, Live in Adelaide '19. The third album Live in Brussels '19 was then released five days later. The album debuted at number nine on the ARIA Albums Chart.
Live in Adelaide '19 is the second in a trio of benefit live albums by Australian psychedelic rock band, King Gizzard & the Lizard Wizard, which was released digitally to Bandcamp on 10 January 2020. It was released simultaneously with one other live album, Live in Paris '19. The third album Live in Brussels '19 was then released five days later. The album debuted at number six on the ARIA Albums Chart.
K.G. is the sixteenth studio album by Australian psychedelic rock band King Gizzard & the Lizard Wizard, released on 20 November 2020 on their own label. The album was preceded by four singles, the first three were released alongside music videos uploaded to YouTube. K.G. is a sonic "sequel" to Flying Microtonal Banana, which was subtitled "Explorations into Microtonal Tuning, Volume 1" and also a direct predecessor to L.W..
L.W. is the seventeenth studio album by Australian psychedelic rock band King Gizzard & the Lizard Wizard, released on 25 February 2021 by Flightless. The album was preceded by 3 singles, which were released alongside music videos uploaded to YouTube. L.W. is a companion album to K.G. Explorations into Microtonal Tuning, Volume 2, released only four months before, and a continuation of microtonal themes first featured in Flying Microtonal Banana (2017).
Omnium Gatherum is the 20th studio album and first double album by Australian psychedelic rock band King Gizzard & the Lizard Wizard, released on 22 April 2022. The album was announced on 8 March 2022 and made available for pre-order on 22 March. It marked the first studio release where all band members are playing together live since the onset of the COVID-19 pandemic. As with previous releases, the album features music of numerous genres, including psychedelia, progressive rock, heavy metal and synth-pop, as well as the band's first experiments with hip hop. It received generally positive reviews, although critics were divided on its length and consistency.
Stuart Douglas Mackenzie is an Australian musician best known as the lead vocalist of psychedelic rock band King Gizzard & the Lizard Wizard. Trademarked by his energetic live presence, he has been nominated for multiple awards and in particular won Live Guitarist of the Year at the National Live Music Awards of 2020.
Ice, Death, Planets, Lungs, Mushrooms and Lava is the 21st studio album by Australian psychedelic rock band King Gizzard & the Lizard Wizard, released on 7 October 2022 on KGLW.
Changes is the 23rd studio album by Australian psychedelic rock band King Gizzard & the Lizard Wizard, released on 28 October 2022. It is the third album the band released during October 2022 and fifth and final album to be released overall during the year.
"Rattlesnake" is a song by Australian rock band King Gizzard & the Lizard Wizard released in 2016 as the lead single from their ninth studio album, Flying Microtonal Banana. The song is notably the band's first full foray into microtonal music, which was previously only briefly utilized on "Robot Stop" from Nonagon Infinity. Microtonality would be explored in full on the rest of Flying Microtonal Banana and subsequent albums such as K.G. and L.W.
exploding with the psych rock frenzy of Flying Microtonal Banana or I'm in Your Mind Fuzz.