Undertow | ||||
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Studio album by | ||||
Released | April 6, 1993 | |||
Recorded | October–December 1992 | |||
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Length | 68:08 | |||
Label | Zoo | |||
Producer |
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Tool chronology | ||||
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Singles from Undertow | ||||
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Undertow is the debut studio album by the American rock band Tool, released on April 6, 1993, by Zoo Entertainment. Produced by the band and Sylvia Massy, it was recorded from October to December 1992 at Sound City Studios in Van Nuys and Grandmaster Recorders in Hollywood. The album includes some tracks the band decided to not release on their debut EP Opiate . [3] This is their only album to feature original bassist Paul D'Amour.
According to AllMusic, Undertow helped heavy metal remain prominent as a mainstream musical style, and allowed several later bands to break through to the mainstream. It was released at a time when grunge was at the height of its popularity, and pop punk was slowly beginning to gather mainstream attention. [4] AllMusic saw the album's success in the "striking, haunting visuals that complemented the album's nihilistic yet wistful mood." [4]
As of 2020, Undertow has sold over three million copies in the United States, and is certified triple platinum by the Recording Industry Association of America. [5]
Comedian Bill Hicks is noted as "inspiration" in the liner notes, and Undertow is the only Tool album released while he was still alive. Hicks's presence would feature prominently on Tool's next album, Ænima .
Chris Haskett, then with the Rollins Band, is credited in the liner notes with "sledge hammer", probably relating to the "three pianos and shotguns smashed with sledgehammers" on "Disgustipated". [6] Adam Jones recalls a story in which the band purchased two second-hand pianos with the intention of blasting them with shotguns in the indoor parking lot of Grand Master Studio and putting the resulting sounds to tape. Apparently the woman running the studio was happy as long as they cleaned up the mess afterwards. Since the incident, Tool has been approached by other bands claiming to have seen the shotgun holes left by them in the carpark wall. [7]
The album art was designed by Adam Jones. [3] Photos in the liner notes of a nude obese woman, a nude thin man, and the band members with pins in the sides of their heads generated controversy, resulting in the album being removed from stores such as Kmart and Walmart. [8] [9] The band reacted by releasing another version, which depicted a giant barcode on a white background. [8] This version of the album included a note from the band:
It came to our attention recently that many stores across our fine and open minded nation would not stock Undertow because of our explicit artwork. Although we loathe being censored,
we want your moneywe still want you to hear our music, so we took it out. However, it is available to you at no extra cost. Fill out the form, stick it in an envelope, mail it in, and we will send you the original artwork. Love, Tool
The message on the photographs of the band members reads "Trust me trust me trust me trust me trust me I just want to start this over say you won't go this is love I'll make weapons out of my imperfections lay back and let me show you another way only this one holy medium brings me peace of mind cleanse and purge me in the water twice as loud as reason euphoria I've been far too sympathetic no one told you to come I hope it sucks you down life feeds on life this is necessary." The songs the lyrics contained in the passage are from appear in this order: "Sober", "Crawl Away", "4°", "Prison Sex", "Flood", "Undertow", "Intolerance", "Swamp Song", "Disgustipated". The only quote missing from the album is "I'll make weapons out of my imperfections", a line from Maynard's original lyrics for "Bottom" before they were modified by guest Henry Rollins. [10]
In some versions of the album, when the black CD tray is removed from the case, a picture of a cow licking what appears to be its genital region is revealed. In other versions of the album, released internationally, the picture of the cow licking the genital region is viewable without problems under the transparent backing of the disc case. The photo of the cow is accredited in the album's liner notes to have been taken by Danielle Bregman. The ribcage is also on the front cover of the album, but the obese woman is absent from the booklet; only the members of the band are depicted.
Adam Jones' pet pig, Moe, appears on the back cover [7] amid an array of forks standing on end.
Review scores | |
---|---|
Source | Rating |
AllMusic | [4] |
Dotdash | [11] |
Entertainment Weekly | A− [12] |
NME | 7/10 [13] |
The Rolling Stone Album Guide | [14] |
Select | [15] |
AllMusic gave the album a positive review, stating "With its technical brilliance, musical complexities, and aggressive overtones, Undertow not only paved the way for several bands to break through to the mainstream adolescent mall-rage demographic, it also proved that metal could be simultaneously intelligent, emotional, and brutal." [4] In Entertainment Weekly 's review of the album, David Browne said "Like many of its brethren in the alternative-metal corps—Alice in Chains, Stone Temple Pilots, and Helmet—Tool can crunch and lumber about with the best of them. What put this L.A. band a notch above the rest are better songs (with actual verses, choruses, and hooks-check out the terrific "Prison Sex") and the hints of vulnerability in singer Maynard James Keenan's voice". [12]
In a Dotdash bibliographical article of the band, reviewer Tim Grierson called the album the "Essential Tool Album" and stated "It may be impossible to describe the impact that Undertow had at the time of its release in 1993. Searching, angry, liberating and scary, Tool's full-length debut emerged during a period in rock music when Seattle bands like Nirvana and Pearl Jam were expressing alienation through grunge riffs, inspiring lots of copycat artists. Undertow expressed alienation, too, but the album's imposing waves of misery and dread seemed to come from an entirely different planet than grunge, providing a startling counterpoint to the trendy sounds of the era". [11] A less positive review came from Select writer Andrew Perry, who said "[B]ereft of the irony, danger and maverick punkiness of grunge's finest, Tool ultimately will only help Alice In Chains reassert the trad metal market. Which really isn't what we deserve." [15]
Publication | Country | Accolade | Year | Rank |
---|---|---|---|---|
Raw | UK | Albums of the Year[ citation needed ] | 1993 | 6 |
90 Essential Albums of the 90s[ citation needed ] | 1995 | * | ||
Visions | Germany | The Best Albums 1991–96[ citation needed ] | 1996 | * |
Pause & Play | US | The 90s Top 100 Essential Albums[ citation needed ] | 1999 | 11 |
Classic Rock | UK | The 100 Greatest Rock Albums of All Time[ citation needed ] | 2001 | 87 |
(*) designates unordered lists.
All lyrics are written by Maynard James Keenan, unless otherwise noted; all music is composed by Adam Jones, Danny Carey, and Paul D'Amour, except "Sober", written by Keenan, Jones, Carey and D’Amour.
No. | Title | Lyrics | Length |
---|---|---|---|
1. | "Intolerance" | 4:53 | |
2. | "Prison Sex" | 4:56 | |
3. | "Sober" | 5:06 | |
4. | "Bottom" |
| 7:14 |
5. | "Crawl Away" | 5:30 | |
6. | "Swamp Song" | 5:31 | |
7. | "Undertow" | 5:22 | |
8. | "4°" | 6:03 | |
9. | "Flood" | 7:46 | |
10. | "Disgustipated" (Song ends at 6:45. Sounds of crickets chirping can be heard for 7 minutes and 5 seconds, then at 13:50 a hidden message plays while the crickets continue until the end.) | 15:47 | |
Total length: | 68:08 |
Note
No. | Title | Length |
---|---|---|
10. | "Opiate" (Does not include "The Gaping Lotus Experience") | 5:20 |
Total length: | 73:28 |
No. | Title | Length |
---|---|---|
1. | "Undertow" (Live in Irwindale 1993) | 5:42 |
2. | "Sober" (Live in Irwindale 1993) | 5:10 |
3. | "Opiate" (Live in Irwindale 1993) | 5:20 |
4. | "Flood" (Live in Irwindale 1993) | 3:40 |
5. | "Prison Sex" (Live in Irwindale 1993) | 4:50 |
6. | "Jerk Off" (Live in Irwindale 1993) | 4:18 |
7. | "Prison Sex" (Live in Dronten 1993) | 5:01 |
8. | "Bottom" (Live in Dronten 1993) | 6:24 |
Total length: | 40:25 |
The band members' instruments are listed under aliases, and Haskett is listed in the liner notes.
Tool
Additional personnel
Production
Chart (1993–1994) | Peak position |
---|---|
New Zealand Albums (RMNZ) [17] | 17 |
US Billboard 200 [18] | 50 |
US Heatseekers Albums (Billboard) [19] | 1 |
Chart (2001) | Peak position |
---|---|
Dutch Albums (Album Top 100) [20] | 89 |
Chart (2019) | Peak position |
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Australian Albums (ARIA) [21] | 21 |
Belgian Albums (Ultratop Flanders) [22] | 36 |
US Billboard 200 [23] | 19 |
Region | Certification | Certified units/sales |
---|---|---|
Australia (ARIA) [24] | Platinum | 70,000‡ |
Canada (Music Canada) [25] | Platinum | 100,000^ |
United States (RIAA) [5] | 3× Platinum | 3,000,000‡ |
^ Shipments figures based on certification alone. |
Region | Date | Label | Format | Catalog | Distributor | Notes |
---|---|---|---|---|---|---|
United States | 1993 (1) | Zoo | Vinyl | ZP11052-1 | BMG | Grey vinyl (promotional) |
ZP11052-1 | Clear vinyl (promotional) | |||||
April 6, 1993 (original release) | CD | 72445-11052-2 | ||||
Cassette | 72445-11052-4 | |||||
Vinyl | 72445-11052-1 | |||||
CD | 72445-11073-2 | Barcode cover | ||||
Cassette | 72445-11073-4 | Barcode cover | ||||
CD | D 153661 | BMG Direct Marketing | ||||
Canada | BG2-11052 | Columbia House | ||||
Germany | 72445-11052-2 | BMG | ||||
United States | 1996 (2) | Volcano | Vinyl | 72445-11052-1-RE | Repress | |
CD | 61422-31073-2 | Barcode cover | ||||
Europe | 1993 | 7243 8 46690 2 | Virgin | |||
United Kingdom | Music for Nations | CDMFN 246 | ||||
Canada | 1999 (3) | 61422-33010-2 | BMG Canada | |||
United States | Vinyl | 61422-31052-1 | Sony BMG | Released in the original Zoo sleeve | ||
Europe | CD | 0550032 | ||||
Japan | June 27, 2001 | ZJCI-14006 | Avex | |||
United States | 2004 (4) | Vinyl | 61422-31052-1 | Sony BMG | ||
Japan | May 10, 2006 | CD | BVCQ-21070 | |||
Europe | May 15, 2006 | 82876536472 |
Tool is an American rock band from Los Angeles. Formed in 1990, the group consists of vocalist Maynard James Keenan, guitarist Adam Jones, drummer Danny Carey and bassist Justin Chancellor, who replaced founding member Paul D'Amour in 1995. Tool has won four Grammy Awards, performed worldwide tours, and produced albums topping the charts in several countries.
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Opiate is an EP by the American rock band Tool. It was produced and engineered by Sylvia Massy and Steve Hansgen. Released in 1992, it was the result of two years of the band playing together after their formation in 1990. Opiate preceded Tool's first full-length release, Undertow, by a year. It is named after a quote by Karl Marx: "religion ... is the opiate of the masses". It was certified platinum by the RIAA. The EP charted on several international charts when Tool released their catalog to online streaming in August 2019.
Salival is a live, outtake, and video album, released as a limited edition box set in CD/VHS and CD/DVD formats in 2000 by American rock band Tool. It includes a 56-page book of photos and stills from their music videos.
A Perfect Circle is an American rock band formed in Los Angeles, California in 1999 by guitarist Billy Howerdel and Tool vocalist Maynard James Keenan. A Perfect Circle released three of their four studio albums in the early 2000s: their debut Mer de Noms in 2000, a follow-up, Thirteenth Step in 2003; and an album of radically re-worked cover songs, Emotive, in 2004. Shortly after Emotive's release, the band went on hiatus; Keenan returned to Tool and started up solo work under the band name Puscifer, while Howerdel released a solo album, Keep Telling Myself It's Alright, under the moniker Ashes Divide. Band activity was sporadic in the following years; the band reformed in 2010, and played live shows on and off between 2010 and 2013, but fell into inactivity after the release of their greatest hits album, Three Sixty, and a live album box set, A Perfect Circle Live: Featuring Stone and Echo in late 2013. The band reformed in 2017 to record a fourth album, Eat the Elephant, which was released in 2018. After spending the rest of the year touring in support of the album, the band fell into inactivity until 2024 for a brief tour and one-off song "Kindred".
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Maynard James Keenan is an American singer, songwriter, philanthropist, record producer, and winemaker. He is best known as the singer and primary lyricist of the rock bands Tool, A Perfect Circle, and Puscifer.
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Puscifer is an American rock group formed in Los Angeles by Maynard James Keenan, known as the lead singer of the bands Tool and A Perfect Circle. Initially, Keenan was the only permanent member, and as such he considered the project to be his "creative subconscious". Later, frequent collaborators Mat Mitchell and Carina Round became permanent members.
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"Opiate" is a song by American rock band Tool and the title track from their debut EP recorded by producer Sylvia Massy at Sound City Studios in 1991. "Opiate" serves as the final track of the Opiate EP and contains the hidden track, "The Gaping Lotus Experience". The song plays as one continuous track with a runtime of 8:32
Eat the Elephant is the fourth studio album by American rock band A Perfect Circle. It is their first album release in fourteen years since 2004's Emotive. While early work on new material traces back to as early as 2008, years of slow progress would ensue due to conflict between the band's chief music writers, frontman Maynard James Keenan and guitarist Billy Howerdel, largely stemming from their commitments to other projects and inability to come to an agreement on the direction to take the band. Renewed focus, alongside assistance from music producer Dave Sardy, helped propel the band into much more productive sessions across 2017, with the album being completed in early 2018. Thematically, the album covers a variety of Keenan's views on modern societal, religious, and political issues, focusing on his perceived lack of accountability in humanity. Musically, the album was viewed as an extension and maturation of their rock sound, adding more piano and electronic elements into songs for a more mellow sound than prior albums.
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Just as grunge was reaching its boiling point and radio-friendly punk-pop loomed on the horizon, Tool released Undertow, which firmly reinforced metal's prominence as a musical style [...] With its technical brilliance, musical complexities, and aggressive overtones, Undertow not only paved the way for several bands to break through to the mainstream [...], it also proved that metal could be simultaneously intelligent, emotional, and brutal.
It came as no surprise when Walmart and Kmart refused to carry the album. Rather than miss out on a large audience, Tool decided to censor itself and released a plain white album cover that contained nothing more than a giant bar code, the band's name, and the album tracks.