Media type | Video recording media |
---|---|
Encoding | PAL |
Standard | 625-line |
Developed by | Philips |
Usage | Home video, Educational use |
Released | 1972 |
Video Cassette Recording (VCR) is an early domestic analog recording format designed by Philips. It was the first successful consumer-level home videocassette recorder (VCR) system. Later variants included the VCR-LP and Super Video (SVR) formats.
The VCR format was introduced in 1972, just after the Sony U-matic format in 1971. Although at first glance the two might appear to have been competing formats, they were aimed at very different markets. After failing as a consumer format, [1] U-matic was marketed as a professional television production format, whilst VCR was targeted particularly at educational but also domestic users. Unlike some other early formats such as Cartrivision, the VCR format does record a high-quality video signal without resorting to Skip field.
Home video systems had previously been available, but they were open-reel systems (such as the Sony CV-2000) and were expensive to both buy and operate. They were also unreliable and often only recorded in black and white such as the EIAJ-1. The VCR system was easy to use and recorded in colour but was still expensive: when it was introduced in 1972 the N1500 recorder cost nearly £600 (equivalent to £10,000in 2023). By comparison, a small car (the Morris Mini) could be purchased for just over £600.
The VCR format used large square cassettes with 2 co-axial reels, one on top of the other, containing 1⁄2-inch-wide (12.7 mm) chrome dioxide magnetic tape. Three playing times were available: 30, 45 and 60 minutes. The 60-minute videocassettes proved very unreliable, suffering numerous snags and breakages due to the very thin 17-micrometre (0.67-mil) video tape. Tapes of 45 minutes or less contained 20-micrometre (0.79-mil) thickness tape. The mechanically complicated recorders themselves also proved somewhat unreliable. One particularly common failing occurred should tape slack develop within the cassette; the tape from the top (takeup) spool may droop into the path of the bottom (supply) spool and become entangled in it if rewind was selected. The cassette would then completely jam and require dismantling to clear the problem, and the tape would then be creased and damaged.
The system predated the development of the slant azimuth technique to prevent crosstalk between adjacent video tracks, so it had to use an unrecorded guard band between tracks. This required the system to run at a tape speed of 14.29 cm/s (5.63 inches per second). [2] 6.56 cm/s (2.58 inches per second) was the speed of the long play variant. [3]
The Philips VCR system brought together many advances in video recording technology to produce the first truly practical home video cassette system. The very first Philips N1500 model included all the essential elements of a domestic video cassette recorder:
The Philips VCR system was marketed only in the UK, mainland Europe, Australia and South Africa. In mid-1977, Philips announced they were considering distribution of the format in North America, and it was test marketed for several months. Because the format was initially designed only for use with the 625-line 50-hertz (3,000 rpm) PAL system, VCR units had to be modified in order to work with the 60-hertz (3,600 rpm) NTSC system. Unfortunately, for mechanical and electronic reasons, the tape speed had to be increased by 20%, which resulted in a 60-minute PAL tape running for 50 minutes in a NTSC machine. DuPont announced a thinner videotape formulation that would allow a 60-minute NTSC VCR tape (and roughly 70 minutes in PAL), but the tape was even less reliable than previous formulations. Ultimately, Philips abandoned any hope of trying to sell their VCR format in North America, partly because of the reliability issues, and partly because of the introduction of VHS that same year.
VCR later evolved into a related format known as VCR-LP. This exploited slant azimuth to greatly increase the recording time. Although both formats used identical VCR cassettes, the recordings were incompatible between the two systems, and few if any dual-format recorders existed. Philips N1700, released in 1977, supported the VCR-LP format.
A later even longer-playing variant, Super Video (SVR) was manufactured by Grundig exclusively. SVR was designed to exclusively use BASF- and Agfa-manufactured chrome-dioxide tape in cassettes that were identical to the earlier Philips ones, with the exception of a small actuator added to the bottom of the cassette. This meant that only the BASF/Agfa tapes would work in SVR machines, but that such tapes could also be used in the older VCR and VCR-LP machines. Just as VCR-LP recordings are incompatible with VCR, so SVR recordings are incompatible with both VCR and VCR-LP. The only model to be built was the Grundig SVR4004, with a few detail variations such as optional audio/video connectors, plus a rebadged ITT 240.
This chart provides an overview of playing times (in minutes) for the most common cassettes released for standard VCR, VCR-LP and SVR.
VC cassettes were originally developed for standard VCR. LVC cassettes were developed for VCR-LP, but are physically identical to VC cassettes. SVC cassettes were specifically developed for SVR.
Tape label | Playing time | ||
---|---|---|---|
VCR | VCR-LP | SVR | |
VC 30 | 30 | 65 | -** |
VC 45 | 45 | 97 | - |
VC 60 | 60 | 130 | - |
LVC 60 | 27 | 60 | - |
LVC 90 | 41 | 90 | - |
LVC 120 | 55 | 120 | - |
LVC 150 | 69 | 150 | - |
LVC 180 | 83* | 180 | - |
SVC 2 | 30 | 70 | 120 |
SVC 3 | 50 | 105 | 180 |
SVC 4 | 65 | 145 | 240 |
*) LVC 180 was not recommended for use in a standard VCR machine due to a thin tape base. [4]
**) VC and LVC cassettes do not work in a SVR machine. However, SVC cassettes may be used in VCR and VCR-LP machines.
The first Philips machine was model number N1500, after which the format is also known. This had "first generation" mechanics including magnetic braking servo systems applied to relatively large mains voltage induction motors. The outer edge of the cabinet was wooden. The power cable was detachable, but used an obscure connector for which replacements are not readily available. The N1520 was a N1500 without TV tuner and timer, but with editing functions assemble and insert (using four video heads), 2 track linear audio (not stereo but independent mono channels) and direct AV in/out connections.
Often found in schools and colleges where a few master VCR recorders made off-air recordings and the cheaper N1460s were used for playback. In Poland, a slightly modified version was made under the name Unitra magnetowid kasetowy MTV-20.
AC Mains present all over the place inside: mains motors, mains clock etc. Slightly improved colour circuitry compared to the original N1500, also modified field blanking to reduce flyback interference on some televisions. Cosmetic variations on the N1500, with black replacing the silver frontage and black plastic surround rather than wood.
The later model N1502 had a totally different mechanism using DC motors and more advanced electronics, and was somewhat more reliable. A later version again was still called N1502 but had further significant mechanical and electronic advances, and in particular had a worm drive for operation of the loading mechanism rather than a fragile plastic gearbox assembly. Earlier machines had a hardwired mains cable, later ones were fitted with a standard "Figure-8" C7 power socket.
The N1512 model offered composite video input and output connectors, but was otherwise the same as the N1502. The VCR-LP model N1700 was closely related to the later N1502 variant. Other, rarer Philips models included stereo sound and editing capabilities. Circuitry and internal layout was much more modular than the first generation Philips VCRs. Used quiet DC motors (First generation VCR's used hefty synchronous AC mains motors). Basically this model was the same as the Philips N1502 with an extra board for video in / out. Channel button 8 selected video in.
Superficially similar to the Philips N1502 both externally and internally. Some components were interchangeable between the two models. Slower tape-speed and a slant-azimuth recording technique (to almost eliminate cross-talk between video tracks without using tape-wasting guard-bands) made possible the longer playing time without a noticeable loss in picture quality. The mains lead was hard-wired into the machine; however later releases of the N1700 had a removable lead - this would become standard on the N1702 model. Also on later models, presumably as the company had already started production of the N1702, the internal Video Head is also sometimes labelled as N1702 instead of N1700. The price in the UK was around £700 which would be over £5,500 in 2023. A Skantic branded clone model VCR 1209281 had the silver top design of the later N1702 model.
Denis Norden promoted this model in the industrial video "The Philips Time Machine". [5]
Similar to the Philips model N1700, the N1702 had a lighter coloured top cover (N1702 was silver and black whilst the N1700 was grey). A 4-digit counter, a 9-day timer, separate mains lead (not hardwired in), and a test-pattern generator to aid TV tuning. Tape transport legends in slightly different position on later N1702's.
Grundig built a VCR4000 VCR-LP model which had microprocessor control and so treated the tapes more gently than the purely mechanical decks, and the SVR4004 (longer running SVR format) model was very similar. Other Grundig models included the VCR3000 (believed to be VCR format) and VCR5000AV (believed to be the only dual format VCR and VCR-LP machine).
In the late 1970s, the VCR formats were superseded altogether by Video 2000 (also known as 'Video Compact Cassette' or VCC). Due to the similar initialisms, and the fact that both were designed by Philips, the 'VCC' and 'VCR' formats are often confused. However, the two systems are incompatible, and there are significant differences between them. Some Video 2000 machines carry a modified version of the "VCR" logo [6] (such as had appeared on the N1500 and N1700 [7] machines), adding further to this confusion.
The VHS is a standard for consumer-level analog video recording on tape cassettes, invented in 1976 by the Victor Company of Japan (JVC). It was the dominant home video format throughout the tape media period in the late 1970s, 1980s, 1990s, and early 2000s.
Videotape is magnetic tape used for storing video and usually sound in addition. Information stored can be in the form of either an analog or digital signal. Videotape is used in both video tape recorders (VTRs) and, more commonly, videocassette recorders (VCRs) and camcorders. Videotapes have also been used for storing scientific or medical data, such as the data produced by an electrocardiogram.
S-VHS (スーパー・ヴィエイチエス), the common initialism for Super VHS, is an improved version of the VHS standard for consumer-level video recording. Victor Company of Japan introduced S-VHS in Japan in April 1987, with their JVC-branded HR-S7000 VCR, and in certain overseas markets soon afterward. By the end of 1987, the first S-VHS VCR models from other competitors included Hitachi VT-2700A, Mitsubishi HS-423UR, Panasonic PV-S4764, RCA VPT-695HF, and Toshiba SV-950. It has been standardized as IEC 60774-3 and IEC 60774-4.
Betamax is a consumer-level analog recording and cassette format of magnetic tape for video, commonly known as a video cassette recorder. It was developed by Sony and was released in Japan on May 10, 1975, followed by the US in November of the same year.
Video 2000 is a consumer videocassette system and analogue recording standard developed by Philips and Grundig to compete with JVC's VHS and Sony's Betamax video technologies. It was designed for the PAL color television standard, but some models additionally handled SECAM. Distribution of Video 2000 products began in 1979 exclusively in Europe, South Africa and Argentina and ended in 1988.
Betacam is a family of half-inch professional videocassette products developed by Sony in 1982. In colloquial use, Betacam singly is often used to refer to a Betacam camcorder, a Betacam tape, a Betacam video recorder or the format itself.
A video tape recorder (VTR) is a tape recorder designed to record and playback video and audio material from magnetic tape. The early VTRs were open-reel devices that record on individual reels of 2-inch-wide (5.08 cm) tape. They were used in television studios, serving as a replacement for motion picture film stock and making recording for television applications cheaper and quicker. Beginning in 1963, videotape machines made instant replay during televised sporting events possible. Improved formats, in which the tape was contained inside a videocassette, were introduced around 1969; the machines which play them are called videocassette recorders.
The videotape format war was a period of competition or "format war" of incompatible models of consumer-level analog video videocassette and video cassette recorders (VCR) in the late 1970s and the 1980s, mainly involving the Betamax and Video Home System (VHS) formats. VHS ultimately emerged as the preeminent format.
The 8mm video format refers informally to three related videocassette formats. These are the original Video8 format and its improved successor Hi8, as well as a more recent digital recording format known as Digital8. Their user base consisted mainly of amateur camcorder users, although they also saw important use in the professional television production field.
U-matic or 3⁄4-inch Type E Helical Scan or SMPTE E is an analogue recording videocassette format first shown by Sony in prototype in October 1969, and introduced to the market in September 1971. It was among the first video formats to contain the videotape inside a cassette, as opposed to the various reel-to-reel or open-reel formats of the time. The videotape is 3⁄4 in (19 mm) wide, so the format is often known as "three-quarter-inch" or simply "three-quarter", compared to open reel videotape formats in use, such as 1 in (25 mm) type C videotape and 2 in (51 mm) quadruplex videotape.
D-VHS is a digital video recording format developed by JVC, in collaboration with Hitachi, Matsushita, and Philips. The "D" in D-VHS originally stood for "Data", but JVC renamed the format as "Digital VHS". Released in December 1997, it uses the same physical cassette format and recording mechanism as S-VHS, but requires higher-quality and more expensive tapes and is capable of recording and displaying both standard-definition and high-definition content. The content data format is in MPEG transport stream, the same data format used for most digital television applications. It used MPEG-2 encoding and was standarized as IEC 60774-5.
A PCM adaptor is a device that encodes digital audio as video for recording on a videocassette recorder. The adapter also has the ability to decode a video signal back to digital audio for playback. This digital audio system was used for mastering early compact discs.
V-Cord is an analog recording videocassette format developed and released by Sanyo. V-Cord was released in 1974, and could record 60 minutes on a cassette. V-Cord II, released in 1976, could record 120 minutes on a V-Cord II cassette.
Cartrivision is an analog videocassette format introduced in 1972, and the first format to offer feature films for consumer rental.
Betamovie is the brand name for a range of consumer grade camcorders developed by Sony for the Betamax format. By "camcorder" is understood a single unit comprising a video camera and a video recorder.
Compact Video Cassette (CVC) was one of the first analog recording videocassette formats to use a tape smaller than its earlier predecessors of VHS and Betamax, and was developed by Funai Electronics of Japan for portable use. The first model of VCR for the format was the Model 212, introduced in 1980 by both Funai and Technicolor as they had created a joint venture to manufacture and introduce the format to the home movie market. The system, which included the VCR and a hand held video camera, was very small and lightweight for its time.
VK is a helical scan analog recording videocassette format developed by Akai in the late 1970s, that is capable of recording and playing back black & white video in either EIA and CCIR systems.
A videocassette recorder (VCR) or video recorder is an electromechanical device that records analog audio and analog video from broadcast television or other AV sources and can play back the recording after rewinding. The use of a VCR to record a television program to play back at a more convenient time is commonly referred to as time shifting. VCRs can also play back prerecorded tapes, which were widely available for purchase and rental starting in the 80s and 90s, most popularly in the VHS videocassette format. Blank tapes were sold to make recordings.
DC-International is a tape cassette format developed by Grundig and marketed in 1965. DC is the abbreviation of "Double Cassette", as the cassette contained two reels; International was intended to indicate that, from the beginning, several companies around the world supported the format with suitable tape cassette tape recorders, recorded music cassettes and blank cassettes. Since DC-International did not compete effectively against the similar Compact Cassette, it was discontinued in 1967.