Whammy! | ||||
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Studio album by | ||||
Released | April 27, 1983 [1] | |||
Recorded | December 1982 | |||
Studio | Compass Point (Nassau) | |||
Genre | ||||
Length | 37:17 (first pressing) 37:29 (second pressing) | |||
Label | Warner Bros. | |||
Producer | Steven Stanley | |||
The B-52's chronology | ||||
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Singles from Whammy! | ||||
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Whammy! is the third studio album by American new wave band the B-52's, released on April 27, 1983, by Warner Bros. Records. It was recorded at Compass Point Studios in Nassau, Bahamas, in December 1982 and produced by Steven Stanley. The album spawned three singles: "Legal Tender", "Whammy Kiss", and "Song for a Future Generation".
The album entered the Billboard 200 twice in 1983, reaching both number 29 and 171 throughout the year, while "Legal Tender" reached the Billboard Hot 100 chart, as well as the Billboard Hot Dance Club Play Singles chart alongside its two respective singles.
The band's goal with Whammy! was to update their signature sound with drum machines and synthesizers. The album was also the first to feature vocal performances by all five members of the band, as exemplified in "Song for a Future Generation". This was the final album the B-52s released before guitarist and founding member Ricky Wilson died of AIDS in 1985, although he appears posthumously on their next studio album, Bouncing Off the Satellites (1986).
The B-52's initially conceived Whammy! in early 1982, during a visit to Compass Point Studios, where the band commenced re-recordings of three unreleased songs: "Butterbean", "Big Bird", and "Queen of Las Vegas". [2] All three tracks were originally intended to be included on their previous release, Mesopotamia (1982), but none were completed, due to pressure and time constraints from Warner Bros. and their manager Gary Kurfirst. [3] The album's remaining six songs ("Legal Tender", "Whammy Kiss", "Song for a Future Generation", "Trism", "Don't Worry", and "Work That Skirt") were recorded in December 1982, again at Compass Point Studios. [2]
Unlike their previous studio albums, all instruments on Whammy! were played exclusively by Keith Strickland and Ricky Wilson. [2] Both played the guitar and keyboards, while Strickland played the drums and Wilson played the bass. [4] Remarking on the band's new focus on electronic instrumentation, singer/instrumentalist Kate Pierson later called the recording "a transitional album." [5] Additionally, Pierson stated that drummer Strickland "didn't want to play drums anymore, so Whammy! featured drum machines and some synthesizers. It was kind of a big change in sound, which I wasn't really for very much. I didn't really like the drum machine. It was a different sound, but Whammy! was very much based around that". [5] However, she added that, during the subsequent concert tour, the band would alternate between using drum machines and live drums played by Strickland. [5]
Producer Steven Stanley supported Wilson and Strickland's initial concept of mixing the album into one continuous track, in a manner similar to the band's remix album, Party Mix! (1981). [6] However, both Kurfirst and Warner Brothers vetoed this decision in favor of a more traditional method of track sequencing. [4]
The album was released on April 27, 1983. [1] On initial pressings of the LP, the seventh track was "Don't Worry", a cover version of the Yoko Ono song "Don't Worry, Kyoko (Mummy's Only Looking for Her Hand in the Snow)". However, the song was removed on later pressings due to legal issues and replaced with "Moon 83". [7] The song is a remake of their earlier track "There's a Moon in the Sky (Called the Moon)" from the band's 1979 eponymous debut studio album, released as the B-side of the "Legal Tender" single.
Whammy! was a commercial success, spawning the hit singles "Legal Tender", "Whammy Kiss", and "Song for a Future Generation". The album entered the Billboard 200 twice in 1983, reaching both number 29 and 171 throughout the year, [8] while "Legal Tender" reached the Billboard Hot 100 chart, as well as the Billboard Hot Dance Club Play Singles chart alongside "Whammy Kiss" and "Song for a Future Generation". [9]
Review scores | |
---|---|
Source | Rating |
AllMusic | [7] |
PopMatters | 8/10 [10] |
Rolling Stone | [11] |
The Rolling Stone Album Guide | [12] |
Select | 3/5 [13] |
Spin Alternative Record Guide | 7/10 [14] |
The Village Voice | A− [15] |
Critical reception for Whammy! was positive at the time of its release. [4] Most critics regarded the album as a return to form after the band's previous release, Mesopotamia, which they felt strayed too far from the band's signature sound. Praise was given to the drum machines and synthesizers, which created upbeat and highly danceable songs, [16] as well as the tight lyrics and over the top vocals. [4]
Rolling Stone 's Christopher Connelly, while referring to Mesopotamia as "underrated", was pleased with the band's return to their trademark style, and felt that even with the addition of Devo-style keyboards, producer Steven Stanley had "kept the band's basic strengths intact: breakneck tempos, deliciously uninhibited singing and an earnest enthusiasm for some of the universe's less-celebrated pleasures". He particularly praised Pierson, Wilson, and Schneider's vocals. While remarking that the entirety of side two is "a waste", he concluded, "What is important is that this band is having fun again - and in this age of dopey novelty songs and cheesy dance tracks, nobody does it better." [11] Robert Christgau of The Village Voice continued his support, making it a "Pick Hit" and stating that while the band "still pick up some great ideas at interplanetary garage sales, their celebration of the pop mess-around is getting earthier." [15]
Stephen Thomas Erlewine of AllMusic later said the album was "certainly entertaining, even with its faults," praising the songs "Legal Tender", "Whammy Kiss", "Butterbean", and "Song for a Future Generation", and overall regarding the album as a strong follow-up to Mesopotamia, though he criticized the album's overuse of drum machines and synthesizers. [7] Ben Wener of The Spectator commented favorably on Whammy!, describing it as an "overlooked gem". [17]
All tracks are written by the B-52's, except where noted
No. | Title | Length |
---|---|---|
1. | "Legal Tender" (Lyrics: Robert Waldrop) | 3:40 |
2. | "Whammy Kiss" | 5:20 |
3. | "Song for a Future Generation" | 4:00 |
4. | "Butterbean" | 4:14 |
No. | Title | Length |
---|---|---|
1. | "Trism" | 3:23 |
2. | "Queen of Las Vegas" | 4:40 |
3. | "Don't Worry" (Yoko Ono) | 3:50 |
4. | "Big Bird" | 4:14 |
5. | "Work That Skirt" | 3:48 |
Total length: | 37:17 |
No. | Title | Length |
---|---|---|
7. | "Moon 83" | 3:58 |
The B-52's
Additional musicians
Technical
Chart (1983) | Peak position |
---|---|
U.S. Billboard 200 [8] | 29 |
UK Albums Chart | 33 |
Region | Certification |
---|---|
United States (RIAA) [18] | Gold |
{{cite AV media notes}}
: CS1 maint: numeric names: authors list (link)The B-52s, originally presented as the B-52's, are an American new wave band formed in Athens, Georgia, in 1976. The original lineup consisted of Fred Schneider, Kate Pierson, Cindy Wilson, Ricky Wilson, and Keith Strickland. Ricky Wilson died of AIDS-related illness in 1985, and Strickland permanently switched from drums to lead guitar. The band has also added various members for albums and live performances.
Catherine Elizabeth Pierson is an American singer, lyricist, and founding member of the B-52s. She plays guitar, bass and various keyboard instruments. In the early years, as well as being a vocalist, Pierson was the main keyboard player and performed on a keyboard bass during live shows and on many of the band's recordings, taking on a role usually filled by a bass guitar player, which differentiated the band from their contemporaries. This, along with Pierson's distinctive wide-ranging singing voice, remains a trademark of the B-52s' unique sound. Pierson has also collaborated with many other artists including the Ramones, Iggy Pop and R.E.M. Pierson possesses a mezzo-soprano vocal range.
Wild Planet is the second studio album by American new wave band the B-52s, released in 1980 by Warner Bros. Records.
Good Stuff is the sixth studio album by American new wave band the B-52s, released in 1992 by Reprise Records. It was conceived after the band's manager urged them to quickly issue a follow-up to their highly successful album Cosmic Thing (1989), and was created without founding member Cindy Wilson, who was on a temporary hiatus. The album peaked at No. 16 on the Billboard 200 and its title track peaked at No. 28 on the Billboard Hot 100. Good Stuff was nominated for Best Alternative Music Album at the 35th Annual Grammy Awards.
Cosmic Thing is the fifth studio album by American new wave band the B-52s, released in 1989 by Reprise Records. It contains the hit singles "Love Shack", "Roam" and "Deadbeat Club". The music video for "Love Shack" won the award for Best Group Video at the 1990 MTV Video Music Awards. Six of the album's songs were produced by Nile Rodgers in New York City, and the remaining four by Don Was in upstate New York.
Bouncing off the Satellites is the fourth studio album by American new wave band the B-52s, released on September 8, 1986, by Warner Bros. Records. It was recorded in July 1985 and was produced by Tony Mansfield. Founding member and guitarist Ricky Wilson died of AIDS after most of the work on the album was completed, but a year prior to its release. The band had gone on hiatus by the time Bouncing Off the Satellites was released, and it took three years for the band to recover from Wilson's death and release their next studio album, Cosmic Thing.
Cynthia Leigh Wilson is an American musician and one of the vocalists, songwriters and founding members of new wave rock band the B-52's. She is noted for her distinctive contralto voice and also plays percussion during live shows. She is the younger sister of the late guitarist Ricky Wilson (1953–1985), who was also a founding member of the band.
Ricky Helton Wilson was an American musician best known as the original guitarist and founding member of rock band the B-52s. Born in Athens, Georgia, Wilson was the brother of fellow member Cindy Wilson. The B-52s were founded in 1976, when Ricky, Cindy, Kate Pierson, Keith Strickland and Fred Schneider shared a tropical flaming volcano drink at a Chinese restaurant and, after an impromptu music session at the home of their friend Owen Scott III, played for the first time at a Valentine's Day party for friends. Wilson's unusual guitar tunings were a large contribution to the band's quirky sound.
"Rock Lobster" is a song written by Fred Schneider and Ricky Wilson, two members of the B-52s. It was twice recorded and released as a single, first by DB Records as their debut release in April 1978, and again the following year for the band's self-titled debut album on Warner Bros. Records.
Party Mix! is a remix album by American new wave band the B-52's, released in 1981 by Warner Bros. Records.
Mesopotamia is an EP by American new wave band the B-52's, released in 1982. It was produced by David Byrne of Talking Heads and was originally planned to be the band's third studio album. Due to conflicts with Byrne and record label pressure, recording sessions were aborted prematurely and only six of ten songs to be completed were released. The record was distributed as a 12-inch EP by Warner Bros. in the U.S. and by Island Records on vinyl and cassette in the UK and other non-U.S. markets.
Time Capsule: Songs for a Future Generation is a greatest hits album by American new wave band the B-52s, released in 1998. The album presents sixteen of their single releases and fan-favorite album tracks in chronological order, with the addition of two new songs recorded exclusively for this collection.
"Roam" is a song by American new wave band the B-52s released as the fourth single from their fifth studio album, Cosmic Thing (1989). The vocals are sung by Kate Pierson and Cindy Wilson. The B-52's worked with a co-writer, Robert Waldrop, who penned the lyrics. Released as a single in 1989, "Roam" peaked at number 3 on the US Billboard Hot 100 and entered the top 10 in Canada, Ireland, and New Zealand.
Funplex is the seventh studio album by the B-52s, recorded during 2006 and 2007. The album was released on March 25, 2008, by Astralwerks Records. It was the first album of new material the group had released since Good Stuff in 1992, although the band did record two new songs for their 1998 compilation album Time Capsule: Songs for a Future Generation.
"Song for a Future Generation" is a song by new wave band the B-52s. The song was released as the third single from their third studio album Whammy! (1983), peaking at #63 on the UK Singles Chart. It is the first of two songs by the B-52s to feature more than three band members singing lead vocals, the second being "Theme for a Nude Beach" from their follow-up studio album Bouncing off the Satellites (1986).
"Planet Claire" is a song the B-52s released in July 1979 as the second single from their first album The B-52's. Based on Duane Eddy's version of Henry Mancini's Peter Gunn theme, the single reached number 43 on the Australian Kent Music Report chart and number 24 on the Billboard dance chart in the US.
"Legal Tender" is the first single released by American new wave band the B-52s from their third studio album Whammy! (1983).
"Whammy Kiss" is the second single released by the B-52s from their third studio album Whammy! (1983).
"Love Shack" is a song by American new wave band the B-52s from their fifth studio album, Cosmic Thing (1989). It was released on June 20, 1989, and was produced by Don Was. The song was a comeback for the band, following their decline in popularity in the mid-1980s and the death of guitarist Ricky Wilson in 1985.
Live! 8-24-1979 is the second official live album by American new wave band The B-52s. The concert was recorded on August 24, 1979 at The Berklee Center in Boston, Massachusetts, before the release of their second album.