Who's That Knocking at My Door | |
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Directed by | Martin Scorsese |
Written by | Martin Scorsese |
Produced by |
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Starring | |
Cinematography |
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Edited by | Thelma Schoonmaker |
Production company | Trimod Films |
Distributed by | Joseph Brenner Associates |
Release dates |
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Running time | 86 minutes |
Country | United States |
Language | English |
Budget | $70,000 |
Box office | $16,085 [1] |
Who's That Knocking at My Door, originally titled I Call First, is a 1967 American independent drama film written and directed by Martin Scorsese, and starring Harvey Keitel and Zina Bethune. It was Scorsese's feature film directorial debut and Keitel's debut as an actor. [2] The story follows Italian-American J.R. (Keitel) as he struggles to accept the secret hidden by his independent and free-spirited girlfriend (Bethune).
This film was a nominee at the 1967 Chicago Film Festival. [3]
J.R. is a typical Catholic Italian-American young man on the streets of New York City. Even as an adult, he stays close to home with a core group of friends with whom he drinks and parties. He gets involved with a local girl he meets on the Staten Island Ferry, and decides he wants to get married and settle down. As their relationship deepens, he declines her offer to have sex because he thinks she is a virgin and he wants to wait rather than "spoil" her. [2]
One day, his girlfriend tells him that she was once raped by a former boyfriend. This crushes J.R., and he rejects her and attempts to return to his old life of drinking with his friends. However, after a particularly wild party with friends, he realizes he still loves her and returns to her apartment one early morning. He awkwardly tells her that he forgives her and says that he will "marry her anyway." [2] Upon hearing this, the girl tells him marriage would never work if her past weighs on him so much. J.R. becomes enraged and calls her a whore, [2] but quickly recants and says he is confused by the whole situation. She tells him to go home, and he returns to the Catholic church, but finds no solace.
The first draft of the film was under the title Bring on the Dancing Girls. Scorsese shot footage in Little Italy of J.R. and his friends participating in "fights, drinking sessions, orgies", but Scorsese stated that it was "a disaster and everybody hated it". Haig P. Manoogian, his former professor, told him to write new scenes featuring the girl and expand upon J.R. inner conflict. [4] Who's That Knocking at My Door was filmed in New York City over the course of two years, undergoing many changes, new directions and different names along the way. The film began in 1965 by Scorsese as a student short film about J.R. and his do-nothing friends. In 1967, the romance plot with Zina Bethune was introduced and spliced together with the earlier film, and the title was changed to I Call First. Manoogian provided $5,000 (about $49,000 in 2024) in seed money before raising an additional $65,000 (about $634,000 in 2024) from independent investors. [5]
The film was shot with a combination of 35 mm and 16 mm cameras. Scorsese shot most of the 35 mm footage with a Mitchell BNC camera, a very cumbersome camera that impeded mobility. He opted to shoot several scenes with the 16 mm Eclair NPR camera in order to introduce greater mobility, then blow up the footage to 35 mm.[ citation needed ] Much of the film editing work was done by Robert Groden, who also was the first person to show the Zapruder Film on National Television in 1975.
The film received its world premiere at the Chicago International Film Festival in November 1967.[ citation needed ]
Scorsese was unable to find a distributor for the film and moved to Amsterdam, where he directed commercials with Richard Coll. Manoogian told Scorsese that Joseph Brenner, a exploitation distributor, wanted to distribute the film as a way to enter the mainstream industry. Brenner requested that a nude scene be added and Scorsese filmed one over the course of two days in Amsterdam with Keitel and Anne Collette. Max Fisher was the cinematographer for this scene as Coll was sick. [6]
The film was re-issued in February 1970 by Medford Film Distribution under the title J.R.. [7] [8] However, all subsequent releases have been published under the 1968 title.
American critic Roger Ebert gave the film an extremely positive review after its world premiere at the Chicago International Film Festival in November 1967 (when it still went by the name I Call First). He called the film "a work that is absolutely genuine, artistically satisfying and technically comparable to the best films being made anywhere. I have no reservations in describing it as a great moment in American movies." [9] Variety described the film as "more of a class exercise than a commercially sound film". The review later stated, "Scorsese occasionally brings the film to life, as in a weekend drive by J.R. and two buddies to an upstate village where the camera shows up their 'big city' shallowness in comparison to the townspeople. Generally, however, his script and direction lack any dramatic value and give far too much exposure to sexual fantasies on the part of the boy." [10]
When the film received its theatrical release more than a year later, Ebert admitted that he had been perhaps too eager with his first review, admitting that "Scorsese was occasionally too obvious, and the film has serious structural flaws." However, he was still highly positive towards the film, and suggested that "It is possible that with more experience and maturity Scorsese will direct more polished, finished films." [11] Vincent Canby of The New York Times acknowledged that Scorsese has "composed a fluid, technically proficient movie, more intense and sincere than most commercial releases." However, he felt Scorsese hadn't "succeeded in making a drama that is really much more aware than the characters themselves. The result is a movie that is as precise—and as small—as a contact print." [2]
On Rotten Tomatoes the film holds an approval rating of 71% based on 24 reviews, with an average rating of 6/10. [12] On Metacritic, the film has a weighted average score of 63 out of 100 based on nine critics, indicating "generally favorable reviews". [13]
Martin Scorsese's mother, Catherine, appears briefly as J.R.'s mother cooking at the beginning of the film and serving food near the end. Mrs. Scorsese would continue to appear in many of her son's films until her death in 1997. Scorsese himself appears uncredited as one of the gangsters. To this day, he still makes cameo appearances in many of his films.
The role of Sally Gaga is played by Michael Scala, the father of NYC Council District 32 2017 candidate [14] and former rapper [15] Michael "Pizon" Scala.[ citation needed ]
Martin Charles Scorsese is an American filmmaker. He emerged as one of the major figures of the New Hollywood era. He has received many accolades, including an Academy Award, four BAFTA Awards, three Emmy Awards, a Grammy Award, and three Golden Globe Awards. He has been honored with the AFI Life Achievement Award in 1997, the Film Society of Lincoln Center tribute in 1998, the Kennedy Center Honor in 2007, the Cecil B. DeMille Award in 2010, and the BAFTA Fellowship in 2012. Four of his films have been inducted into the National Film Registry by the Library of Congress as "culturally, historically or aesthetically significant".
Mean Streets is a 1973 American crime drama film directed by Martin Scorsese, co-written by Scorsese and Mardik Martin, and starring Robert De Niro and Harvey Keitel. It was produced by Warner Bros. The film premiered at the New York Film Festival on October 2, 1973, and was released on October 14. De Niro won the National Society of Film Critics and the New York Film Critics Circle award for Best Supporting Actor for his role as "Johnny Boy" Civello.
Taxi Driver is a 1976 American neo-noir psychological drama film directed by Martin Scorsese, written by Paul Schrader, and starring Robert De Niro, Jodie Foster, Cybill Shepherd, Harvey Keitel, Peter Boyle, Leonard Harris, and Albert Brooks. Set in a morally decaying New York City following the Vietnam War, the film follows Travis Bickle, a veteran Marine and taxi driver, and his deteriorating mental state as he works nights in the city.
Roger Joseph Ebert was an American film critic, film historian, journalist, essayist, screenwriter and author. He was the film critic for the Chicago Sun-Times from 1967 until his death in 2013. Ebert was known for his intimate, Midwestern writing style and critical views informed by values of populism and humanism. Writing in a prose style intended to be entertaining and direct, he made sophisticated cinematic and analytical ideas more accessible to non-specialist audiences. Ebert endorsed foreign and independent films he believed would be appreciated by mainstream viewers, championing filmmakers like Werner Herzog, Errol Morris and Spike Lee, as well as Martin Scorsese, whose first published review he wrote. In 1975, Ebert became the first film critic to win the Pulitzer Prize for Criticism. Neil Steinberg of the Chicago Sun-Times said Ebert "was without question the nation's most prominent and influential film critic," and Kenneth Turan of the Los Angeles Times called him "the best-known film critic in America." Per The New York Times, "The force and grace of his opinions propelled film criticism into the mainstream of American culture. Not only did he advise moviegoers about what to see, but also how to think about what they saw."
Harvey Keitel is an American actor known for his portrayal of morally ambiguous and "tough guy" characters. He rose to prominence during the New Hollywood movement, and has held a long-running association with director Martin Scorsese, starring in six of his films: Who's That Knocking at My Door (1967), Mean Streets (1973), Alice Doesn't Live Here Anymore (1974), Taxi Driver (1976), The Last Temptation of Christ (1988), and The Irishman (2019).
Alice Doesn't Live Here Anymore is a 1974 American romantic comedy drama film directed by Martin Scorsese and written by Robert Getchell. It stars Ellen Burstyn as a widow who travels with her preteen son across the Southwestern United States in search of a better life. Kris Kristofferson, Billy "Green" Bush, Diane Ladd, Valerie Curtin, Lelia Goldoni, Vic Tayback, Jodie Foster, Alfred Lutter, and Harvey Keitel appear in supporting roles.
Eugene Kal Siskel was an American film critic and journalist for the Chicago Tribune who co-hosted movie review television series alongside colleague Roger Ebert.
My Girl is a 1991 American coming-of-age romantic comedy-drama film directed by Howard Zieff, written by Laurice Elehwany, and starring Dan Aykroyd, Jamie Lee Curtis, Macaulay Culkin, and Anna Chlumsky in her first role in a major motion picture. The film tells the story of an 11-year-old girl living in Madison, Pennsylvania, during the summer of 1972. The film's title refers to the classic 1964 song of the same name by The Temptations, which is also featured in the film's end credits. A book based on the film was written by Patricia Hermes. The film grossed $121 million on a budget of $17 million. A sequel, My Girl 2, was released in 1994.
Blue in the Face is a 1995 American comedy film directed by Wayne Wang and Paul Auster. It stars Harvey Keitel leading an ensemble cast, including Giancarlo Esposito, Roseanne Barr, Michael J. Fox, Lily Tomlin, Victor Argo, Mira Sorvino, Lou Reed, Keith David, Jim Jarmusch, Jared Harris, RuPaul, and Madonna.
Gene Siskel and Roger Ebert, collectively known as Siskel & Ebert, were American film critics known for their partnership on television lasting from 1975 to Siskel's death in 1999.
New York, New York is a 1977 American romantic musical film directed by Martin Scorsese from a screenplay by Earl Mac Rauch and Mardik Martin, based on a story by Rauch. John Kander and Fred Ebb wrote several songs for the film, including "New York, New York" which became a global phenomenon. A tribute to Scorsese's home town of New York City, the film stars Liza Minnelli and Robert De Niro as a pair of musicians and lovers.
Bad Lieutenant is a 1992 American crime film directed by Abel Ferrara. The film stars Harvey Keitel as the title character "bad lieutenant" as well as Victor Argo and Paul Calderón. The screenplay was co-written by Ferrara with actress-model Zoë Lund, both of whom appear in the film in minor roles. The film was screened in the Un Certain Regard section at the 1992 Cannes Film Festival.
Zina Bianca Bethune was an American actress, dancer, and choreographer. She was the daughter of actress Ivy Bethune.
Boxcar Bertha is a 1972 American romantic crime drama film directed by Martin Scorsese and produced by Roger Corman, from a screenplay by Joyce H. Corrington and John William Corrington. Made on a low budget, the film is a loose adaptation of Sister of the Road, a pseudo-autobiographical account of the fictional character Bertha Thompson. It was Scorsese's second feature film.
What's a Nice Girl like You Doing in a Place like This? is a 1963 American black-and-white short comedy-drama film created by Martin Scorsese while he studied at New York University's Tisch School of the Arts. It is a story about a writer who becomes obsessed with a picture on his wall. The film stars Zeph Michaelis, Mimi Stark, Sarah Braveman, Fred Sica, and Robert Uricola.
The Last Temptation of Christ is a 1988 epic religious drama film directed by Martin Scorsese. Written by Paul Schrader with uncredited rewrites from Scorsese and Jay Cocks, it is an adaptation of Nikos Kazantzakis' controversial 1955 novel of the same name. The film, starring Willem Dafoe, Harvey Keitel, Barbara Hershey, Andre Gregory, Harry Dean Stanton and David Bowie, was shot entirely in Morocco.
Wise Guys is a 1986 American black comedy crime film directed by Brian De Palma and produced by Aaron Russo from a screenplay written by George Gallo and Norman Steinberg. It stars Danny DeVito and Joe Piscopo as two small-time mobsters from Newark, New Jersey, and features Harvey Keitel, Ray Sharkey, Lou Albano, Dan Hedaya, and Frank Vincent.
Haig Manoogian was an Armenian-American professor of film at New York University who served as the main influence for many filmmakers such as Martin Scorsese, who was a student of his at New York University. Martin Scorsese called Manoogian teachings “The most precious gift I have ever received.”
Martin Scorsese and Robert De Niro are an American director-actor collaborative duo who have made ten feature films and one short film together since 1973. Many of them are often ranked among the greatest films of all time.
Martin Scorsese is an American film director, producer, screenwriter, actor, and film historian whose career spans more than fifty years. To date, Scorsese has directed twenty-six feature length narrative films, seventeen feature-length documentary films, and has co-directed one anthology film.