Yellow Magic Orchestra was a Japanese electronic music band formed in Tokyo in 1978 by Haruomi Hosono, Yukihiro Takahashi and Ryuichi Sakamoto. The group is considered influential and innovative in the field of popular electronic music. They were pioneers in their use of synthesizers, samplers, sequencers, drum machines, computers, and digital recording technology, and effectively anticipated the "electropop boom" of the 1980s. They are credited with playing a key role in the development of several electronic genres, including synthpop, J-pop, electro, and techno, while exploring subversive sociopolitical themes throughout their career.
×∞Multiplies is a mini-album and the third studio album by Yellow Magic Orchestra released in 1980. It contains a mixture of songs and instrumentals by YMO, interspersed with comedy sketches. These sketches are performed by Snakeman Show in both Japanese and English, with YMO participating in some of them.
BGM is the fourth studio album by Yellow Magic Orchestra, released on March 21, 1981. The title stands for "Background music", though Japanese TV and press advertising alternately used "Beautiful Grotesque Music". This album was produced by Haruomi Hosono. Recording started on January 15, 1981, in an effort to release the album by March 21, 1981. The album was the first of any kind to feature the Roland TR-808, one of the earliest programmable drum machines; YMO had already been the first band to use the device, featuring it on-stage as early as 1980. In addition to the TR-808, this was also their first studio album recorded with the Roland MC-4 Microcomposer.
Solid State Survivor is the second album by Japanese electronic music band Yellow Magic Orchestra, released in 1979. Later, Solid State Survivor was released in 1982 in the UK on LP and cassette, also in 1992 in the United States on CD, but many of the songs from this album were compiled for release in the US as the US pressing of ×∞Multiplies (1980), including the tracks "Behind the Mask", "Rydeen", "Day Tripper", and "Technopolis". Solid State Survivor is only one of a handful of YMO albums in which the track titles do not have a Japanese equivalent.
Technodelic is the fifth studio album by Yellow Magic Orchestra, released in 1981. The album is notable for its experimental approach and heavy use of digital samplers which were not commonly used until the mid-to-late 1980s, resulting in a more minimalist and avant-garde sound compared to their previous work.
Naughty Boys is the sixth album by Yellow Magic Orchestra, recorded from October 1982 to March 1983, and released on May 24, 1983. It contains the pop-oriented single "Kimi ni Mune Kyun", as well as a "preview" of "You've Got to Help Yourself", which was released in its full version on the companion album Naughty Boys Instrumental, and again with vocals on Service.
After Service is the second live album by Yellow Magic Orchestra, directly following their final studio album, Service. The album features former ABC member David Palmer on additional drums. A film version was released alongside the album. After Service features "Kageki na Shukujo", which was released in a studio version as a single, but does not feature on any of their albums.
Service is the seventh studio album by Yellow Magic Orchestra, released on December 14, 1983. The band dissolved the following year after a world tour, but would later reform in 1993 for a one-off reunion album, Technodon. Like ×∞Multiplies, it contains a mixture of YMO songs and comedy sketches performed by Super Eccentric Theater, or S.E.T. The first Dutch/German edition of the album omitted the sketches, effectively cutting the album's length in half. In 1999, the album was remastered under Hosono's supervision with new liner notes provided by lyricist Peter Barakan.
Faker Holic: YMO World Tour Live is a live album by Yellow Magic Orchestra. The material on this live album was recorded during various concerts in 1979, and was released as a double CD in 1991. Several songs appeared on the 1979 live album Public Pressure, with Kazumi Watanabe's guitar parts overdubbed with keyboards and Yukihiro Takahashi's vocals replaced with those re-recorded later in studio. This album restores Watanabe's guitar parts. "Kang Tong Boy" is a song by Akiko Yano, who performed additional keyboards and backing vocals on this tour.
Technodon is the eighth and final studio album by Yellow Magic Orchestra and released in 1993, a decade after the band's original breakup. Because the name Yellow Magic Orchestra was owned by former record label Alfa Records, the band were forced to release the album under the name YMO. For the tour that followed, they were billed as Not YMO. Future releases by the band would be made under the names Human Audio Sponge and HASYMO.
UC YMO: Ultimate Collection of Yellow Magic Orchestra is a compilation album by Yellow Magic Orchestra. The songs were selected by keyboardist and pianist Ryuichi Sakamoto. The album was also released as a premium edition. The premium edition came with a long-sleeved white shirt emblazed with the yMo logo as well as a yMo bandana that the band wore on the 1980 world tour 'From Tokio to Tokyo', along with a special Liner Notes Booklet and an autographed print by drummer and sometimes singer, Yukihiro Takahashi. It was cataloged as MHCL 291-4 and sold in Japan for 21,000 yen.
Kyoretsu Na Rhythm (キョーレツナリズム) is a 1992 compilation album by Yellow Magic Orchestra.
"Behind the Mask" is a 1979 song by the Japanese synth-pop group Yellow Magic Orchestra. The composer, Ryuichi Sakamoto, wrote the first version for a television commercial. This was expanded with the band and the British lyricist Chris Mosdell for inclusion on the 1979 Yellow Magic Orchestra album Solid State Survivor. In the US and the UK, "Behind the Mask" was released as a single from the album X∞Multiplies in 1980.
WORLD TOUR 1980 is a live album by Yellow Magic Orchestra. It was recorded during the band's 1980 international tour. This is the only YMO live album to include songs originally released on X∞Multiplies; it also features six songs from YMO members made for other projects and two covers. It was released, with a book with photographs taken during the tour, as both a 2-CD set and a 3-LP set, which had a bonus track. "Jiseiki Hirake Kokoro" was originally made for a Fujifilm cassette commercial. It was included in Snakeman Show's self-titled album in mono so that the lyrics, which reference Fujifilm cassettes, could not be understood properly; it was presented here in stereo, and was included in the UC YMO compilation.
Technodon Live is a live album by Yellow Magic Orchestra. It was recorded on the band's second and last show at the Tokyo Dome in 1993, and is the only full music album of the band's Technodon era. It is composed mostly of Technodon material with a few songs from Yellow Magic Orchestra and Solid State Survivor performed in the Technodon style. During the live performance, special audio effects were performed by Goh Hotoda, who also mixed both Technodon & this album, and computer graphics created by Daisaburo Harada were projected on a screen on the back of the stage.
Wild Sketch Show is a live video album by Sketch Show. It features a mix of Sketch Show songs and Yellow Magic Orchestra songs performed in the Sketch Show style. Sketch Show were joined by fellow YMO member Ryuichi Sakamoto, as well as two guitarists and two keyboardists. This is the only live show released under Sketch Show's name.
EUYMO – Yellow Magic Orchestra Live in London + Gijón 2008 is a live album compilation by Yellow Magic Orchestra. It collects two live double-disc YMO albums, LONDONYMO – Yellow Magic Orchestra Live in London 15/6 08 and GIJÓNYMO – Yellow Magic Orchestra Live in Gijón 19/6 08. It is performed in the style that the group built up as Sketch Show and as HASYMO. Unlike all other YMO live albums, these only have three songs from YMO albums. Most of the songs played are Sketch Show/HASYMO material, as well as songs from the individual members' solo careers. Two tracks are performed in the way they were on the "Tribute to Haruomi Hosono" album. Both albums are very similar, with the main distinction between them being GIJÓNYMO having its songs on a different order, fewer songs, and "Riot in Lagos" being performed differently.
Thousand Knives is the debut solo album by Japanese musician Ryuichi Sakamoto. The album is named after Henri Michaux's description of the feeling of using mescaline in Miserable Miracle.
Saravah! is Yukihiro Takahashi's first solo album. It is named after Pierre Barouh's record label of the same name. Takahashi conceived the album during his tenure on The Sadistics; he based his music on French pop music, this influence would later show up on early Yellow Magic Orchestra material. Besides Takahashi, this album features performances by members of The Sadistics, YMO and Tin Pan Alley. Due to the album being made before YMO members started using computers, Sakamoto got involved in arranging the music; all the keyboard parts on the album are dubbed instead of sequenced.
This is the discography of Japanese electronic music band Yellow Magic Orchestra (YMO).
