BGM | ||||
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Studio album by | ||||
Released | March 21, 1981 | |||
Recorded | January 15, 1981 | |||
Studio | Alfa Studio "A", Shibaura, Minato, Tokyo | |||
Length | 47:06 | |||
Label | ||||
Producer | Haruomi Hosono | |||
Yellow Magic Orchestra chronology | ||||
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Singles from BGM | ||||
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BGM is the fourth studio album by Yellow Magic Orchestra, released on March 21, 1981. The title stands for "Background music", [1] though Japanese TV and press advertising alternately used "Beautiful Grotesque Music". [2] This album was produced by Haruomi Hosono. Recording started on January 15, 1981, in an effort to release the album by March 21, 1981. The album was the first of any kind to feature the Roland TR-808, one of the earliest programmable drum machines; [3] YMO had already been the first band to use the device, featuring it on-stage as early as 1980. [4] [5] In addition to the TR-808, this was also their first studio album recorded with the Roland MC-4 Microcomposer.
Alfa Records, YMO's record company, had installed a 3M 32-track digital recorder in its studio shortly before YMO started recording BGM. Since Hosono was not fond of its overly sharp sound quality, he recorded all the rhythm sections for BGM on a TASCAM 80-8 analog recorder first and copied them with the 3M machine, resulting in the fuller, much compressed rhythm tracks. Unfortunately, no known working samples of the 3M recorder exist in Japan today, making it quite difficult to play the master tape.
One of the earliest uses of the TR-808 for a live performance was by Yellow Magic Orchestra in 1980 for the song "1000 Knives", an electro rendition of member Ryuichi Sakamoto's "Thousand Knives" (1978). The hand-clap sound was later publicized on this album, being used again on "1000 Knives" and in "Music Plans", another of Sakamoto's songs.
Peter Barakan debuts as YMO's co-lyricist, replacing Chris Mosdell. Barakan had previously provided lyrics for Ryuichi Sakamoto's solo track "Thatness and Thereness". [6] Sakamoto himself was often absent from the BGM recording sessions due to creative differences with Hosono; he notably refused to play on "Cue", and his distaste of the song was so strong that he refused to play the song's keyboard parts live, instead switching to drums while Takahashi played keyboards. Sakamoto turns in "Music Plans" as his only new composition for the album, since "1000 Knives" (from his 1978 debut album Thousand Knives of Ryuichi Sakamoto ) and "Happy End" were new recordings of his earlier materials. [6] Sakamoto's version of "Happy End" was released as the B-side to his solo single "Front Line" in April 1981. Another song, "Rap Phenomena", was an early attempt at electronic rap. [1] "Loom" is a re-working of "The Infinite Space Octave" by YMO computer programmer Hideki Matsutake, and features a slow, upward Shepard tone glissando similar to the Deep Note, THX's audio logo. A similar sound was previously used by YMO members Haruomi Hosono and Ryuichi Sakamoto for their 1978 album Cochin Moon . Like most YMO albums, song titles were printed in both Japanese and English, as listed below. "来たるべきもの" more accurately translates to "What should come".
Review scores | |
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Source | Rating |
AllMusic | [1] |
Pitchfork | 9.2/10 [6] |
When released in 1981, the album's reception was positive. Stereo Review described the recording as "crystalline" and the performance as "the twain meet", praising the album for its "remarkable" blend between "East and West", its "catchy tunes", its "ambitious collection of electronics" and for "pushing at the frontiers of electronic rock", but noted that this affected the album's accessibility. [7]
No. | Title | Lyrics | Music | Length |
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1. | "Ballet" (バレエ) | Yukihiro Takahashi, Peter Barakan | Takahashi | 4:34 |
2. | "Music Plans" (音楽の計画; "Ongaku no keikaku") | Ryuichi Sakamoto, Barakan | Sakamoto | 4:34 |
3. | "Rap phenomena" (ラップ現象; "RAP genshou") | Haruomi Hosono, Barakan | Hosono | 4:33 |
4. | "Happy End" (ハッピー・エンド) | Sakamoto | 4:33 | |
5. | "1000 Knives" (千のナイフ; "Sen no KNIFE") | Sakamoto | 5:24 |
No. | Title | Lyrics | Music | Length |
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1. | "Cue" (キュー) | Takahashi, Hosono, Barakan | Takahashi, Hosono | 4:33 |
2. | "U•T" (ユーティー) | Yellow Magic Orchestra | 4:34 | |
3. | "Camouflage" (カムフラージュ) | Takahashi, Barakan | Takahashi | 4:34 |
4. | "Mass" (マス) | Hosono, Barakan | Hosono | 4:32 |
5. | "Loom" (来たるべきもの; "Kitaru beki mono") | YMO, Hideki Matsutake | 5:21 |
Yellow Magic Orchestra – Arrangements, Electronics, Vocals, Voices on "U•T", Mixing engineers
Guest musicians
Staff
Ryuichi Sakamoto was a Japanese composer, pianist, record producer, and actor who pursued a diverse range of styles as a solo artist and as a member of Yellow Magic Orchestra (YMO). With his bandmates Haruomi Hosono and Yukihiro Takahashi, Sakamoto influenced and pioneered a number of electronic music genres.
Yellow Magic Orchestra was a Japanese electronic music band formed in Tokyo in 1978 by Haruomi Hosono, Yukihiro Takahashi and Ryuichi Sakamoto. The group is considered influential and innovative in the field of popular electronic music. They were pioneers in their use of synthesizers, samplers, sequencers, drum machines, computers, and digital recording technology, and effectively anticipated the "electropop boom" of the 1980s. They are credited with playing a key role in the development of several electronic genres, including synthpop, J-pop, electro, and techno, while exploring subversive sociopolitical themes throughout their career.
Haruomi Hosono, sometimes credited as Harry Hosono, is a Japanese musician, singer, songwriter and record producer. He is considered to be one of the most influential musicians in Japanese pop music history, credited with shaping the sound of Japanese pop for decades as well as pop music outside of Japan. He also inspired genres such as city pop and Shibuya-kei, and as the leader of the Yellow Magic Orchestra, contributed to the development and pioneering of numerous electronic genres.
×∞Multiplies is a mini-album and the third studio album by Yellow Magic Orchestra released in 1980. It contains a mixture of songs and instrumentals by YMO, interspersed with comedy sketches. These sketches are performed by Snakeman Show in both Japanese and English, with YMO participating in some of them.
Solid State Survivor is the second album by Japanese electronic music band Yellow Magic Orchestra, released in 1979. Later, Solid State Survivor was released in 1982 in the UK on LP and cassette, also in 1992 in the United States on CD, but many of the songs from this album were compiled for release in the US as the US pressing of ×∞Multiplies (1980), including the tracks "Behind the Mask", "Rydeen", "Day Tripper", and "Technopolis". Solid State Survivor is only one of a handful of YMO albums in which the track titles do not have a Japanese equivalent.
Technodelic is the fifth studio album by Yellow Magic Orchestra, released in 1981. The album is notable for its experimental approach and heavy use of digital samplers which were not commonly used until the mid-to-late 1980s, resulting in a more minimalist and avant-garde sound compared to their previous work.
Service is the seventh studio album by Yellow Magic Orchestra, released on December 14, 1983. The band dissolved the following year after a world tour, but would later reform in 1993 for a one-off reunion album, Technodon. Like ×∞Multiplies, it contains a mixture of YMO songs and comedy sketches performed by Super Eccentric Theater, or S.E.T. The first Dutch/German edition of the album shortened the sketches to ten-second interludes, effectively cutting the album's length in half. In 1999, the album was remastered under Hosono's supervision with new liner notes provided by lyricist Peter Barakan.
Neuromantic is the third studio album by Japanese multi-instrumentalist Yukihiro Takahashi, released on May 24, 1981 by Alfa Records. Self-produced, the album featured Takahashi's YMO colleagues Haruomi Hosono and Ryuichi Sakamoto, as well as contributions from Tony Mansfield of New Musik and Roxy Music's Phil Manzanera and Andy Mackay. The title is a pun on the early 1980s British fashion movement, the New Romantics.
Technodon is the eighth and final studio album by Yellow Magic Orchestra and released in 1993, a decade after the band's original breakup. Because the name Yellow Magic Orchestra was owned by former record label Alfa Records, the band were forced to release the album under the name YMO. For the tour that followed, they were billed as Not YMO. Future releases by the band would be made under the names Human Audio Sponge and HASYMO.
Hideki Matsutake is a Japanese composer, arranger, and computer programmer. He is known for his pioneering work in electronic music and particularly music programming, as the assistant of Isao Tomita during the early 1970s and as the "fourth member" of the band Yellow Magic Orchestra during the late 1970s to early 1980s.
UC YMO: Ultimate Collection of Yellow Magic Orchestra is a compilation album by Yellow Magic Orchestra. The songs were selected by keyboardist and pianist Ryuichi Sakamoto. The album was also released as a premium edition. The premium edition came with a long-sleeved white shirt emblazed with the yMo logo as well as a yMo bandana that the band wore on the 1980 world tour 'From Tokio to Tokyo', along with a special Liner Notes Booklet and an autographed print by drummer and sometimes singer, Yukihiro Takahashi. It was cataloged as MHCL 291-4 and sold in Japan for 21,000 yen.
Kyoretsu Na Rhythm (キョーレツナリズム) is a 1992 compilation album by Yellow Magic Orchestra.
WORLD TOUR 1980 is a live album by Yellow Magic Orchestra. It was recorded during the band's 1980 international tour. This is the only YMO live album to include songs originally released on X∞Multiplies; it also features six songs from YMO members made for other projects and two covers. It was released, with a book with photographs taken during the tour, as both a 2-CD set and a 3-LP set, which had a bonus track. "Jiseiki Hirake Kokoro" was originally made for a Fujifilm cassette commercial. It was included in Snakeman Show's self-titled album in mono so that the lyrics, which reference Fujifilm cassettes, could not be understood properly; it was presented here in stereo, and was included in the UC YMO compilation.
WINTER LIVE 1981 is a live album by Yellow Magic Orchestra. It was recorded during the band's 1981 tour of Japan during the winter season of November and December 1981. A set of performances were first released in Betamax and VHS in 1983, featuring illustrations by Yakov Chernikhov. This is the only YMO live album from the BGM/Technodelic era of the group ; although this album only features one song that wasn't in either BGM or Technodelic, YMO also performed "Technopolis" and "Rydeen", as well as more songs from BGM and Technodelic and the unreleased "Loop".
Wild Sketch Show is a live video album by Sketch Show. It features a mix of Sketch Show songs and Yellow Magic Orchestra songs performed in the Sketch Show style. Sketch Show were joined by fellow YMO member Ryuichi Sakamoto, as well as two guitarists and two keyboardists. This is the only live show released under Sketch Show's name.
EUYMO – Yellow Magic Orchestra Live in London + Gijón 2008 is a live album compilation by Yellow Magic Orchestra. It collects two live double-disc YMO albums, LONDONYMO – Yellow Magic Orchestra Live in London 15/6 08 and GIJÓNYMO – Yellow Magic Orchestra Live in Gijón 19/6 08. It is performed in the style that the group built up as Sketch Show and as HASYMO. Unlike all other YMO live albums, these only have three songs from YMO albums. Most of the songs played are Sketch Show/HASYMO material, as well as songs from the individual members' solo careers. Two tracks are performed in the way they were on the "Tribute to Haruomi Hosono" album. Both albums are very similar, with the main distinction between them being GIJÓNYMO having its songs on a different order, fewer songs, and "Riot in Lagos" being performed differently.
Paraiso is Haruomi Hosono's fourth solo album and Yellow Magic Band's first album. This album continues the tropical style of Hosono House, Tropical Dandy and Bon Voyage co., while being influenced by the music of Hawaii and Okinawa, incorporating electronic sounds that would be later developed on Hosono's and YMO's careers. YMO, The Yellow Magic Band at this point in time, was composed of Tin Pan Alley members and studio musicians, such as Hosono's former Happy End bandmate Shigeru Suzuki and future YMO members Ryuichi Sakamoto and Yukihiro Takahashi, as well as guitarist Hirofumi Tokutake.
Cochin Moon is Haruomi Hosono's fifth solo album. Initially intended as a collaboration with illustrator Tadanori Yokoo, who traveled to India alongside Hosono for inspiration; Yokoo ended up only drawing the cover, having contracted a stomach illness during the trip, rendering this as a Hosono solo album.
Thousand Knives is the debut solo album by Japanese musician Ryuichi Sakamoto. The album is named after Henri Michaux's description of the feeling of using mescaline in Miserable Miracle.
Murdered by the Music, also known as Ongaku Satsujin in Japan, is the second studio album by Japanese multi-instrumentalist Yukihiro Takahashi, released on June 21, 1980 by Seven Seas via King Records. Murdered by the Music was release whilst Takahashi was an active member of the Yellow Magic Orchestra. As well as his YMO bandmates Ryuichi Sakamoto and Haruomi Hosono, and longtime YMO collaborator Hideki Matsutake, the album also features contributions from Sandii and Makoto Ayukawa of Sheena & the Rokkets.