Technodelic | ||||
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Studio album by | ||||
Released | November 21, 1981 | |||
Recorded | March 21 – October 13, 1981 | |||
Studio | Alfa Studio "A", Shibaura, Minato, Tokyo | |||
Genre | ||||
Length | 43:29 | |||
Label | Alfa | |||
Producer |
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Yellow Magic Orchestra chronology | ||||
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Singles from Technodelic | ||||
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Alternative cover | ||||
Review scores | |
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Source | Rating |
AllMusic | [1] |
The Guardian | [2] |
Technodelic is the fifth studio album by Yellow Magic Orchestra,released in 1981. The album is notable for its experimental approach and heavy use of digital samplers which were not commonly used until the mid-to-late 1980s,resulting in a more minimalist and avant-garde sound compared to their previous work.
It is considered the first released album to feature mostly samples and loops,influencing the heavy use of sampling and looping in popular music. [3] Yellow Magic Orchestra's approach to sampling music was a precursor to the contemporary approach of constructing music by cutting fragments of sounds and looping them using computer technology. [4]
In 2008,Sonic Youth frontman Thurston Moore provided a cover of "Gradated Grey" for the Haruomi Hosono tribute album Strange Songbook (Tribute To Haruomi Hosono 2). In 2016,the Canadian post-punk group Preoccupations covered the track "Key" as a part of a 7" vinyl that came with pre-orders of their self-titled album alongside a cover of The Raincoats' 1979 track "Off-Duty Trip".
Most of the sampling was made with an LMD-649,a custom-built digital sampler developed by Toshiba-EMI engineer Kenji Murata. The LMD-649 was the first PCM digital sampler,capable of playing and recording PCM samples with a 12-bit audio depth and 50 kHz sampling rate,stored in 128 KB of dynamic RAM memory. It also had sampling drum machine capabilities. [5] Notable samples used include Indonesian kecak chanting ("Neue Tanz"),gamelan and short looped vocals ("paa","fuku","chiki") for percussion in "Seoul Music",and the final two tracks feature factory noises. The LMD-649 was later used by other Japanese synthpop artists in the early 1980s,including YMO-associated acts such as Chiemi Manabe [6] and Logic System [7] in 1982.
The album also features use of speech through a two-way radio,a prepared piano,a Roland TR-808 drum machine (previously used in BGM ),and Prophet-5 synthesizers. In another departure from previous albums,Haruomi Hosono has a more prominent role playing the bass guitar as opposed to playing bass lines on synthesizers (this trend appears again on the album Service ).
As with many of YMO's releases,song titles are printed in both Japanese and English. For "Seoul Music",the kanji "京城" are used,referring to Gyeongseong (경성;known as Keijou in Japan),the name of Seoul when Korea was under Japanese rule. "灯" refers to the light of a lantern. "Neue Tanz" is German for "New Dance",while "Taisō" is Japanese for "gymnastics" or "calisthenics".
For its single release,the track "Taisō" was given a music video directed by Haruomi Hosono and Norimasa Okumura. [8] The video features the members of YMO,dressed in uniforms designed by Yukihiro Takahashi,along with Takahashi's then manager Hiromi Kanai performing calisthenics against various chroma key backdrops,parodying real-world televised calisthenics broadcasts in Japan. [9]
No. | Title | Lyrics | Music | Length |
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1. | "Pure Jam" (ジャム; "Jam") | Yukihiro Takahashi Peter Barakan | Takahashi | 4:30 |
2. | "Neue Tanz" (新舞踊; "Shin buyou") | Yellow Magic Orchestra | YMO | 4:58 |
3. | "Stairs" (階段; "Kaidan") | Takahashi, Barakan | Takahashi | 4:14 |
4. | "Seoul Music" (京城音楽; "Keijou ongaku") | Ryuichi Sakamoto, Takahashi, Barakan | Sakamoto, Takahashi | 4:46 |
5. | "Light in Darkness" (灯; "Tomoshibi") | Takahashi, Sakamoto | 3:40 |
No. | Title | Lyrics | Music | Length |
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1. | "Taiso" (体操; "Taisō") | YMO | YMO | 4:21 |
2. | "Gradated Grey" (灰色の段階; "Grey no dankai") | Haruomi Hosono | Hosono | 5:33 |
3. | "Key" (手掛かり; "Tegakari") | Hosono, Takahashi, Barakan | Hosono, Takahashi | 4:32 |
4. | "Prologue" (前奏; "Zensou") | Sakamoto | 2:31 | |
5. | "Epilogue" (後奏; "Kousou") | Sakamoto | 4:21 |
Yellow Magic Orchestra – Arrangements, Electronics, Sampler, Mixing engineers, Producers
Guest musicians
Staff
Yellow Magic Orchestra was a Japanese electronic music band formed in Tokyo in 1978 by Haruomi Hosono, Yukihiro Takahashi and Ryuichi Sakamoto. The group is considered influential and innovative in the field of popular electronic music. They were pioneers in their use of synthesizers, samplers, sequencers, drum machines, computers, and digital recording technology, and effectively anticipated the "electropop boom" of the 1980s. They are credited with playing a key role in the development of several electronic genres, including synthpop, J-pop, electro, and techno, while exploring subversive sociopolitical themes throughout their career.
Haruomi Hosono, sometimes credited as Harry Hosono, is a Japanese musician, singer, songwriter and record producer. He is considered to be one of the most influential musicians in Japanese pop music history, credited with shaping the sound of Japanese pop for decades as well as pop music outside of Japan. He also inspired genres such as city pop and Shibuya-kei, and as leader of Yellow Magic Orchestra, contributed to the development and pioneering of numerous electronic genres.
Yukihiro Takahashi was a Japanese musician, singer, record producer, and actor, who was best known internationally as the drummer and lead vocalist of the Yellow Magic Orchestra, and as the former drummer of the Sadistic Mika Band. He was also a member of the group Metafive.
×∞Multiplies is a mini-album and the third studio album by Yellow Magic Orchestra released in 1980. It contains a mixture of songs and instrumentals by YMO, interspersed with comedy sketches. These sketches are performed by Snakeman Show in both Japanese and English, with YMO participating in some of them.
BGM is the fourth studio album by Yellow Magic Orchestra, released on March 21, 1981. The title stands for "Background music", though Japanese TV and press advertising alternately used "Beautiful Grotesque Music". This album was produced by Haruomi Hosono. Recording started on January 15, 1981, in an effort to release the album by March 21, 1981. The album was the first of any kind to feature the Roland TR-808, one of the earliest programmable drum machines; YMO had already been the first band to use the device, featuring it on-stage as early as 1980. In addition to the TR-808, this was also their first studio album recorded with the Roland MC-4 Microcomposer.
Solid State Survivor is the second album by Japanese electronic music band Yellow Magic Orchestra, released in 1979. Later, Solid State Survivor was released in 1982 in the UK on LP and cassette, also in 1992 in the United States on CD, but many of the songs from this album were compiled for release in the US as the US pressing of ×∞Multiplies (1980), including the tracks "Behind the Mask", "Rydeen", "Day Tripper", and "Technopolis". Solid State Survivor is only one of a handful of YMO albums in which the track titles do not have a Japanese equivalent.
Service is the seventh studio album by Yellow Magic Orchestra, released on December 14, 1983. The band dissolved the following year after a world tour, but would later reform in 1993 for a one-off reunion album, Technodon. Like ×∞Multiplies, it contains a mixture of YMO songs and comedy sketches performed by Super Eccentric Theater, or S.E.T. The first Dutch/German edition of the album shortened the sketches to ten-second interludes, effectively cutting the album's length in half. In 1999, the album was remastered under Hosono's supervision with new liner notes provided by lyricist Peter Barakan.
Public Pressure is Yellow Magic Orchestra's first live album, released on February 21, 1980. It was their second number-one album in Japan, setting a record of 250,000 copies sold within two weeks of release.
Technodon is the eighth and final studio album by Yellow Magic Orchestra and released in 1993, a decade after the band's original breakup. Because the name Yellow Magic Orchestra was owned by former record label Alfa Records, the band were forced to release the album under the name YMO. For the tour that followed, they were billed as Not YMO. Future releases by the band would be made under the names Human Audio Sponge and HASYMO.
Sketch Show was a Japanese electronic music duo formed in 2002 by two of the three former members of Yellow Magic Orchestra, Haruomi Hosono and Yukihiro Takahashi. In some live shows, Ryuichi Sakamoto joined in band performances, which eventually led to the three readopting the YMO name in the latter half of the decade.
UC YMO: Ultimate Collection of Yellow Magic Orchestra is a compilation album by Yellow Magic Orchestra. The songs were selected by keyboardist and pianist Ryuichi Sakamoto. The album was also released as a premium edition. The premium edition came with a long-sleeved white shirt emblazed with the yMo logo as well as a yMo bandana that the band wore on the 1980 world tour 'From Tokio to Tokyo', along with a special Liner Notes Booklet and an autographed print by drummer and sometimes singer, Yukihiro Takahashi. It was cataloged as MHCL 291-4 and sold in Japan for 21,000 yen.
Kyoretsu Na Rhythm (キョーレツナリズム) is a 1992 compilation album by Yellow Magic Orchestra.
WORLD TOUR 1980 is a live album by Yellow Magic Orchestra. It was recorded during the band's 1980 international tour. This is the only YMO live album to include songs originally released on X∞Multiplies; it also features six songs from YMO members made for other projects and two covers. It was released, with a book with photographs taken during the tour, as both a 2-CD set and a 3-LP set, which had a bonus track. "Jiseiki Hirake Kokoro" was originally made for a Fujifilm cassette commercial. It was included in Snakeman Show's self-titled album in mono so that the lyrics, which reference Fujifilm cassettes, could not be understood properly; it was presented here in stereo, and was included in the UC YMO compilation.
WINTER LIVE 1981 is a live album by Yellow Magic Orchestra. It was recorded during the band's 1981 tour of Japan during the winter season of November and December 1981. A set of performances were first released in Betamax and VHS in 1983, featuring illustrations by Yakov Chernikhov. This is the only YMO live album from the BGM/Technodelic era of the group ; although this album only features one song that wasn't in either BGM or Technodelic, YMO also performed "Technopolis" and "Rydeen", as well as more songs from BGM and Technodelic and the unreleased "Loop".
Technodon Live is a live album by Yellow Magic Orchestra. It was recorded on the band's second and last show at the Tokyo Dome in 1993, and is the only full music album of the band's Technodon era. It is composed mostly of Technodon material with a few songs from Yellow Magic Orchestra and Solid State Survivor performed in the Technodon style. During the live performance, special audio effects were performed by Goh Hotoda, who also mixed both Technodon & this album, and computer graphics created by Daisaburo Harada were projected on a screen on the back of the stage.
Wild Sketch Show is a live video album by Sketch Show. It features a mix of Sketch Show songs and Yellow Magic Orchestra songs performed in the Sketch Show style. Sketch Show were joined by fellow YMO member Ryuichi Sakamoto, as well as two guitarists and two keyboardists. This is the only live show released under Sketch Show's name.
EUYMO – Yellow Magic Orchestra Live in London + Gijón 2008 is a live album compilation by Yellow Magic Orchestra. It collects two live double-disc YMO albums, LONDONYMO – Yellow Magic Orchestra Live in London 15/6 08 and GIJÓNYMO – Yellow Magic Orchestra Live in Gijón 19/6 08. It is performed in the style that the group built up as Sketch Show and as HASYMO. Unlike all other YMO live albums, these only have three songs from YMO albums. Most of the songs played are Sketch Show/HASYMO material, as well as songs from the individual members' solo careers. Two tracks are performed in the way they were on the "Tribute to Haruomi Hosono" album. Both albums are very similar, with the main distinction between them being GIJÓNYMO having its songs on a different order, fewer songs, and "Riot in Lagos" being performed differently.
Paraiso is Haruomi Hosono's fourth solo album and Yellow Magic Band's first album. This album continues the tropical style of Hosono House, Tropical Dandy and Bon Voyage co., while being influenced by the music of Hawaii and Okinawa, incorporating electronic sounds that would be later developed on Hosono's and YMO's careers. YMO, The Yellow Magic Band at this point in time, was composed of Tin Pan Alley members and studio musicians, such as Hosono's former Happy End bandmate Shigeru Suzuki and future YMO members Ryuichi Sakamoto and Yukihiro Takahashi, as well as guitarist Hirofumi Tokutake.
This is the discography of Japanese electronic music band Yellow Magic Orchestra (YMO).
Murdered by the Music is Yukihiro Takahashi's second solo album, released when he was a member of YMO. As well as his YMO bandmates Ryuichi Sakamoto and Haruomi Hosono, and longtime YMO collaborator Hideki Matsutake this album also features contributions from Sandii and Makoto Ayukawa of Sheena & the Rokkets.