Solid State Survivor | ||||
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Studio album by | ||||
Released | September 25, 1979 | |||
Recorded | March 2 – June 1979 [1] | |||
Studio | Alfa Studio "A", Shibaura, Minato, Tokyo | |||
Genre | Electronic, synth-pop | |||
Length | 32:23 | |||
Label | Alfa | |||
Producer | Haruomi Hosono | |||
Yellow Magic Orchestra chronology | ||||
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Singles from Solid State Survivor | ||||
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Solid State Survivor is the second album by Japanese electronic music band Yellow Magic Orchestra, released in 1979. Later, Solid State Survivor was released in 1982 in the UK on LP and cassette, also in 1992 in the United States on CD, but many of the songs from this album were compiled for release in the US as the US pressing of ×∞Multiplies (1980), including the tracks "Behind the Mask", "Rydeen", "Day Tripper", and "Technopolis". [2] Solid State Survivor is only one of a handful of YMO albums in which the track titles do not have a Japanese equivalent.
The album was an early example of synth-pop, a genre that the band helped pioneer alongside their earlier album Yellow Magic Orchestra (1978), [3] and it also contributed to the development of techno. [4] Solid State Survivor won the Best Album Award at the 22nd Japan Record Awards, [5] and it sold two million records. [6] In 2020, Jonathan McNamara of The Japan Times listed it as one of the 10 Japanese albums worthy of inclusion on Rolling Stone 's 2020 list of the 500 greatest albums of all time. [7]
Review scores | |
---|---|
Source | Rating |
AllMusic | [3] |
The Guardian | [8] |
Record Mirror | [9] |
Smash Hits | 7/10 [10] |
The album is also known for "Behind the Mask", which YMO had first produced in 1978 for a Seiko quartz wristwatch commercial. [11] YMO made use of synthesizers for the melodies and digital gated reverb for the snare drums. [12] The song has had numerous cover versions produced by other artists, most notably Michael Jackson. [13] [14] Alongside Quincy Jones, Jackson produced a slightly more dance-funk version of the techno classic with additional lyrics, originally intended for his best-selling album Thriller (1982). Despite the approval of songwriter Sakamoto and lyricist Chris Mosdell, it was eventually removed from the Thriller album due to legal issues with Yellow Magic Orchestra's management. Nevertheless, various cover versions were later performed by Greg Phillinganes, Eric Clapton (with Phillinganes as part of his backing band), Orbital, and The Human League, among others, before Jackson's cover version eventually appeared on his posthumous Michael album in 2010. [13]
"Technopolis" is considered an "interesting contribution" to the development of techno, specifically Detroit techno, as it used the term "techno" in its title, was a tribute to Tokyo as an electronic mecca, and foreshadowed concepts that Juan Atkins and Rick Davis would later have with Cybotron. [4]
The album's title song "Solid State Survivor" is a new wave synth rock song. [15] The popular anime series Dragon Ball Z later paid homage to the song and the album with the song "Solid State Scouter" as the theme song of the 1990 television special Dragon Ball Z: Bardock – The Father of Goku .
This was YMO's most successful album in Japan. It was the best selling album on the Oricon LP chart for 1980, beating Chiharu Matsuyama's Kishōtenketsu (起承転結) – Godiego's Magic Monkey (西遊記, Saiyūki) was the best seller in 1979. In 1980 the album won a Best Album Award (ベスト・アルバム賞, Besuto Arubamu Shō) in the 22nd Japan Record Awards. [5] The album went on to sell two million records worldwide. [6]
No. | Title | Music | Length |
---|---|---|---|
1. | "Technopolis" | Ryuichi Sakamoto | 4:14 |
2. | "Absolute Ego Dance" | Haruomi Hosono | 4:37 |
3. | "Rydeen" | Yukihiro Takahashi | 4:26 |
4. | "Castalia" | Sakamoto | 3:31 |
No. | Title | Lyrics | Music | Length |
---|---|---|---|---|
1. | "Behind the Mask" | Chris Mosdell | Sakamoto [16] | 3:36 |
2. | "Day Tripper" | Lennon–McCartney | Lennon–McCartney | 2:40 |
3. | "Insomnia" | Mosdell | Hosono | 4:57 |
4. | "Solid State Survivor" | Mosdell | Takahashi | 3:58 |
Guest musicians
Staff
Year | Release | Chart | Peak position | Weeks | Total sales |
---|---|---|---|---|---|
1979 | LP | Oricon LP Chart [17] | 1 | 82 | 766,000 |
1979 | Cassette | Oricon CT Chart [17] | 1 | 65 | 255,000 |
Ryuichi Sakamoto was a Japanese composer, pianist, record producer, and actor who pursued a diverse range of styles as a solo artist and as a member of Yellow Magic Orchestra (YMO). With his bandmates Haruomi Hosono and Yukihiro Takahashi, Sakamoto influenced and pioneered a number of electronic music genres.
Yellow Magic Orchestra was a Japanese electronic music band formed in Tokyo in 1978 by Haruomi Hosono, Yukihiro Takahashi and Ryuichi Sakamoto. The group is considered influential and innovative in the field of popular electronic music. They were pioneers in their use of synthesizers, samplers, sequencers, drum machines, computers, and digital recording technology, and effectively anticipated the "electropop boom" of the 1980s. They are credited with playing a key role in the development of several electronic genres, including synthpop, J-pop, electro, and techno, while exploring subversive sociopolitical themes throughout their career.
Haruomi Hosono, sometimes credited as Harry Hosono, is a Japanese musician, singer, songwriter and record producer. He is considered to be one of the most influential musicians in Japanese pop music history, credited with shaping the sound of Japanese pop for decades as well as pop music outside of Japan. He also inspired genres such as city pop and Shibuya-kei, and as leader of Yellow Magic Orchestra, contributed to the development and pioneering of numerous electronic genres.
Yukihiro Takahashi was a Japanese musician, singer, record producer, and actor, who was best known internationally as the drummer and lead vocalist of the Yellow Magic Orchestra, and as the former drummer of the Sadistic Mika Band. He was also a member of the group Metafive.
×∞Multiplies is a mini-album and the third studio album by Yellow Magic Orchestra released in 1980. It contains a mixture of songs and instrumentals by YMO, interspersed with comedy sketches. These sketches are performed by Snakeman Show in both Japanese and English, with YMO participating in some of them.
BGM is the fourth studio album by Yellow Magic Orchestra, released on March 21, 1981. The title stands for "Background music", though Japanese TV and press advertising alternately used "Beautiful Grotesque Music". This album was produced by Haruomi Hosono. Recording started on January 15, 1981, in an effort to release the album by March 21, 1981. The album was the first of any kind to feature the Roland TR-808, one of the earliest programmable drum machines; YMO had already been the first band to use the device, featuring it on-stage as early as 1980. In addition to the TR-808, this was also their first studio album recorded with the Roland MC-4 Microcomposer.
Technodelic is the fifth studio album by Yellow Magic Orchestra, released in 1981. The album is notable for its experimental approach and heavy use of digital samplers which were not commonly used until the mid-to-late 1980s, resulting in a more minimalist and avant-garde sound compared to their previous work.
Christopher John Mosdell is a British lyricist, poet, author, composer, vocalist and illustrator based in Tokyo, Japan, and New York City, United States.
YMO Versus The Human League is an EP released in Japan and Asia in April 1993. It was released by Alfa Records and is a collaboration between Japanese electropop/synthpop band Yellow Magic Orchestra and British new wave/synthpop band The Human League. It was the first release by The Human League after their abrupt dismissal from their 14-year-long recording contract with Virgin Records 10 months previously.
Sketch Show was a Japanese electronic music duo formed in 2002 by two of the three former members of Yellow Magic Orchestra, Haruomi Hosono and Yukihiro Takahashi. In some live shows, Ryuichi Sakamoto joined in band performances, which eventually led to the three readopting the YMO name in the latter half of the decade.
UC YMO: Ultimate Collection of Yellow Magic Orchestra is a compilation album by Yellow Magic Orchestra. The songs were selected by keyboardist and pianist Ryuichi Sakamoto. The album was also released as a premium edition. The premium edition came with a long-sleeved white shirt emblazed with the yMo logo as well as a yMo bandana that the band wore on the 1980 world tour 'From Tokio to Tokyo', along with a special Liner Notes Booklet and an autographed print by drummer and sometimes singer, Yukihiro Takahashi. It was cataloged as MHCL 291-4 and sold in Japan for 21,000 yen.
Kyoretsu Na Rhythm (キョーレツナリズム) is a 1992 compilation album by Yellow Magic Orchestra.
"Behind the Mask" is a 1979 song by the Japanese synth-pop group Yellow Magic Orchestra. The composer, Ryuichi Sakamoto, wrote the first version for a television commercial. This was expanded with the band and the British lyricist Chris Mosdell for inclusion on the 1979 Yellow Magic Orchestra album Solid State Survivor. In the US and the UK, "Behind the Mask" was released as a single from the album X∞Multiplies in 1980.
WORLD TOUR 1980 is a live album by Yellow Magic Orchestra. It was recorded during the band's 1980 international tour. This is the only YMO live album to include songs originally released on X∞Multiplies; it also features six songs from YMO members made for other projects and two covers. It was released, with a book with photographs taken during the tour, as both a 2-CD set and a 3-LP set, which had a bonus track. "Jiseiki Hirake Kokoro" was originally made for a Fujifilm cassette commercial. It was included in Snakeman Show's self-titled album in mono so that the lyrics, which reference Fujifilm cassettes, could not be understood properly; it was presented here in stereo, and was included in the UC YMO compilation.
WINTER LIVE 1981 is a live album by Yellow Magic Orchestra. It was recorded during the band's 1981 tour of Japan during the winter season of November and December 1981. A set of performances were first released in Betamax and VHS in 1983, featuring illustrations by Yakov Chernikhov. This is the only YMO live album from the BGM/Technodelic era of the group ; although this album only features one song that wasn't in either BGM or Technodelic, YMO also performed "Technopolis" and "Rydeen", as well as more songs from BGM and Technodelic and the unreleased "Loop".
Technodon Live is a live album by Yellow Magic Orchestra. It was recorded on the band's second and last show at the Tokyo Dome in 1993, and is the only full music album of the band's Technodon era. It is composed mostly of Technodon material with a few songs from Yellow Magic Orchestra and Solid State Survivor performed in the Technodon style. During the live performance, special audio effects were performed by Goh Hotoda, who also mixed both Technodon & this album, and computer graphics created by Daisaburo Harada were projected on a screen on the back of the stage.
Paraiso is Haruomi Hosono's fourth solo album and Yellow Magic Band's first album. This album continues the tropical style of Hosono House, Tropical Dandy and Bon Voyage co., while being influenced by the music of Hawaii and Okinawa, incorporating electronic sounds that would be later developed on Hosono's and YMO's careers. YMO, The Yellow Magic Band at this point in time, was composed of Tin Pan Alley members and studio musicians, such as Hosono's former Happy End bandmate Shigeru Suzuki and future YMO members Ryuichi Sakamoto and Yukihiro Takahashi, as well as guitarist Hirofumi Tokutake.
Thousand Knives is the debut solo album by Japanese musician Ryuichi Sakamoto. The album is named after Henri Michaux's description of the feeling of using mescaline in Miserable Miracle.
This is the discography of Japanese electronic music band Yellow Magic Orchestra (YMO).
Murdered by the Music is Yukihiro Takahashi's second solo album, released when he was a member of YMO. As well as his YMO bandmates Ryuichi Sakamoto and Haruomi Hosono, and longtime YMO collaborator Hideki Matsutake this album also features contributions from Sandii and Makoto Ayukawa of Sheena & the Rokkets.
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